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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFC3E5 it is the complementary color #103C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFC3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFC3E5 shade: #F4C3E0, #FFD5F3, #FFE7FF, #FFF9FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFC3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFC3E5 shade: #EFC3E5, #DEB1D2, #CD9FBF, #BC8DAC and #AB7B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFC3E5 shade: #EFC3E5, #EFC3D9, #EFC3CD and #EFC3C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFC3E5 shade: #EFC3E5, #EDC3EF, #E1C3EF, #D5C3EF and #C9C3EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFC3E5 shade matches the following richer shades: #EFC3E5, #F5BCE8 and #FBB6EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFC3E5 shade: #EFC3E5, #E9C9E1, #E3CFDE, #DCD5DB and #D6DBD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFC3E5 shade: #E1C3EF, #EDC3EF, #EFC3E5, #EFC3D9 and #EFC3CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFC3E5 shade: #DE81C9, #E6A2D7, #EFC3E5, #F8E3F3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFC3E5 shade: #EFC3E5, #EFD5C3 and #C3EFE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFC3E5 shade: #EFC3E5, #E5EFC3 and #C3E5EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFC3E5 shade: #EFC3E5, #EFD5C3, #C3EFCC and #C3DCEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFC3E5 shade: #EFC3E5, #EFE2C3, #C3EFCC and #C3CFEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

Complementary color

CMYK 73 / 0 / 57 / 76

HEX #103C1A

RGB 16 60 26

HSL 133.64, 0.58%, 0.15%

LAB 21.64, -23.84, 16.63

 

CMYK 0 / 20 / 8 / 4

HEX #F4C3E0

RGB 244 195 224

HSL 324.49, 0.69%, 0.86%

LAB 83.78, 22.04, -7.76

 

CMYK 0 / 16 / 5 / 0

HEX #FFD5F3

RGB 255 213 243

HSL 317.14, 1%, 0.92%

LAB 89.54, 19.53, -9.18

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 20 / 5 / 13

HEX #DEB1D2

RGB 222 177 210

HSL 316, 0.41%, 0.78%

LAB 77.06, 21.72, -10.43

 

CMYK 0 / 22 / 7 / 20

HEX #CD9FBF

RGB 205 159 191

HSL 318.26, 0.32%, 0.71%

LAB 70.55, 22.27, -9.89

 

CMYK 0 / 25 / 9 / 26

HEX #BC8DAC

RGB 188 141 172

HSL 320.43, 0.26%, 0.65%

LAB 63.93, 22.86, -9.32

 

CMYK 0 / 28 / 11 / 33

HEX #AB7B99

RGB 171 123 153

HSL 322.5, 0.22%, 0.58%

LAB 57.2, 23.52, -8.72

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 18 / 9 / 6

HEX #EFC3D9

RGB 239 195 217

HSL 330, 0.58%, 0.85%

LAB 83.12, 19.15, -5.04

 

CMYK 0 / 18 / 14 / 6

HEX #EFC3CD

RGB 239 195 205

HSL 346.36, 0.58%, 0.85%

LAB 82.8, 17.19, 0.92

 

CMYK 0 / 18 / 18 / 6

HEX #EFC3C3

RGB 239 195 195

HSL 0, 0.58%, 0.85%

LAB 82.55, 15.64, 5.91

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 1 / 18 / 0 / 6

HEX #EDC3EF

RGB 237 195 239

HSL 297.27, 0.58%, 0.85%

LAB 83.58, 22.34, -16.13

 

CMYK 6 / 18 / 0 / 6

HEX #E1C3EF

RGB 225 195 239

HSL 280.91, 0.58%, 0.85%

LAB 82.52, 18.42, -17.83

 

CMYK 11 / 18 / 0 / 6

HEX #D5C3EF

RGB 213 195 239

HSL 264.55, 0.58%, 0.85%

LAB 81.52, 14.55, -19.45

 

CMYK 16 / 18 / 0 / 6

HEX #C9C3EF

RGB 201 195 239

HSL 248.18, 0.58%, 0.85%

LAB 80.56, 10.75, -20.99

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 23 / 5 / 4

HEX #F5BCE8

RGB 245 188 232

HSL 313.68, 0.74%, 0.85%

LAB 82.49, 27.45, -13.95

 

CMYK 0 / 27 / 6 / 2

HEX #FBB6EC

RGB 251 182 236

HSL 313.04, 0.9%, 0.85%

LAB 81.85, 33.29, -17

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 14 / 3 / 9

HEX #E9C9E1

RGB 233 201 225

HSL 315, 0.42%, 0.85%

LAB 84.24, 15.29, -7.72

 

CMYK 0 / 9 / 2 / 11

HEX #E3CFDE

RGB 227 207 222

HSL 315, 0.26%, 0.85%

LAB 85.11, 9.54, -4.89

 

CMYK 0 / 3 / 0 / 14

HEX #DCD5DB

RGB 220 213 219

HSL 308.57, 0.09%, 0.85%

LAB 85.97, 3.47, -2.11

 

CMYK 2 / 0 / 2 / 14

HEX #D6DBD7

RGB 214 219 215

HSL 132, 0.06%, 0.85%

LAB 86.93, -2.41, 1.36

 

CMYK 6 / 18 / 0 / 6

HEX #E1C3EF

RGB 225 195 239

HSL 280.91, 0.58%, 0.85%

LAB 82.52, 18.42, -17.83

 

CMYK 1 / 18 / 0 / 6

HEX #EDC3EF

RGB 237 195 239

HSL 297.27, 0.58%, 0.85%

LAB 83.58, 22.34, -16.13

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 18 / 9 / 6

HEX #EFC3D9

RGB 239 195 217

HSL 330, 0.58%, 0.85%

LAB 83.12, 19.15, -5.04

 

CMYK 0 / 18 / 14 / 6

HEX #EFC3CE

RGB 239 195 206

HSL 345, 0.58%, 0.85%

LAB 82.83, 17.35, 0.42

 

CMYK 0 / 42 / 9 / 13

HEX #DE81C9

RGB 222 129 201

HSL 313.55, 0.58%, 0.69%

LAB 66.1, 45.74, -22.01

 

CMYK 0 / 30 / 7 / 10

HEX #E6A2D7

RGB 230 162 215

HSL 313.24, 0.58%, 0.77%

LAB 74.55, 33.34, -16.84

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 8 / 2 / 3

HEX #F8E3F3

RGB 248 227 243

HSL 314.29, 0.6%, 0.93%

LAB 92.29, 9.89, -5.17

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 11 / 18 / 6

HEX #EFD5C3

RGB 239 213 195

HSL 24.55, 0.58%, 0.85%

LAB 86.94, 6.2, 12.18

 

CMYK 18 / 0 / 3 / 6

HEX #C3EFE7

RGB 195 239 231

HSL 169.09, 0.58%, 0.85%

LAB 91.28, -15.68, -0.83

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 4 / 0 / 18 / 6

HEX #E5EFC3

RGB 229 239 195

HSL 73.64, 0.58%, 0.85%

LAB 92.72, -10.67, 20.2

 

CMYK 18 / 4 / 0 / 6

HEX #C3E5EF

RGB 195 229 239

HSL 193.64, 0.58%, 0.85%

LAB 88.86, -8.99, -8.58

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 11 / 18 / 6

HEX #EFD5C3

RGB 239 213 195

HSL 24.55, 0.58%, 0.85%

LAB 86.94, 6.2, 12.18

 

CMYK 18 / 0 / 15 / 6

HEX #C3EFCC

RGB 195 239 204

HSL 132.27, 0.58%, 0.85%

LAB 90.64, -20.79, 12.29

 

CMYK 18 / 8 / 0 / 6

HEX #C3DCEF

RGB 195 220 239

HSL 205.91, 0.58%, 0.85%

LAB 86.51, -4.36, -12.07

 

CMYK 0 / 18 / 4 / 6

HEX #EFC3E5

RGB 239 195 229

HSL 313.64, 0.58%, 0.85%

LAB 83.46, 21.21, -10.95

 

CMYK 0 / 5 / 18 / 6

HEX #EFE2C3

RGB 239 226 195

HSL 42.27, 0.58%, 0.85%

LAB 90.18, -0.51, 16.76

 

CMYK 18 / 0 / 15 / 6

HEX #C3EFCC

RGB 195 239 204

HSL 132.27, 0.58%, 0.85%

LAB 90.64, -20.79, 12.29

 

CMYK 18 / 13 / 0 / 6

HEX #C3CFEF

RGB 195 207 239

HSL 223.64, 0.58%, 0.85%

LAB 83.16, 2.46, -17.11

 

Description

Color code: HEX #EFC3E5 | qconv.com Color code: HEX #EFC3E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 195 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 195 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 4 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 4% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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