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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFC0F8 it is the complementary color #103F07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFC0F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFC0F8 shade: #F4C0F3, #FFD2FF, #FFE4FF, #FFF6FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFC0F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFC0F8 shade: #EFC0F8, #DEAEE5, #CD9CD2, #BC8ABF and #AB78AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFC0F8 shade: #EFBFF8, #F8BFF2, #F8BFE2, #F8BFD3 and #F8BFC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFC0F8 shade: #EFBFF8, #DFBFF8, #D0BFF8, #C0BFF8 and #BFBFF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFC0F8 shade matches the following richer shades: #EFBFF8 and #F3B9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFC0F8 shade: #EFBFF8, #EBC5F2, #E7CAEC, #E3D0E7 and #DFD6E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFC0F8 shade: #D0BFF8, #DFBFF8, #EEBFF8, #F8BFF2 and #F8BFE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFC0F8 shade: #DC74F0, #E59AF4, #EFBFF8, #F8E4FC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFC0F8 shade: #EFC0F8, #F8C1BF and #BFF8D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFC0F8 shade: #EFC0F8, #F8EEBF and #BFF8EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFC0F8 shade: #EFC0F8, #F8C1BF, #C8F8BF and #BFF6F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFC0F8 shade: #EFC0F8, #F8D2BF, #C8F8BF and #BFE5F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 23 / 0 / 3

HEX #EFC0F8

RGB 239 192 248

HSL 290.36, 0.8%, 0.86%

LAB 83.35, 26.26, -21.26

 

Complementary color

CMYK 75 / 0 / 89 / 75

HEX #103F07

RGB 16 63 7

HSL 110.36, 0.8%, 0.14%

LAB 22.59, -27.6, 27.43

 

CMYK 0 / 21 / 0 / 4

HEX #F4C0F3

RGB 244 192 243

HSL 301.15, 0.7%, 0.85%

LAB 83.65, 26.96, -18.09

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 23 / 0 / 3

HEX #EFC0F8

RGB 239 192 248

HSL 290.36, 0.8%, 0.86%

LAB 83.35, 26.26, -21.26

 

CMYK 3 / 24 / 0 / 10

HEX #DEAEE5

RGB 222 174 229

HSL 292.36, 0.51%, 0.79%

LAB 76.96, 26.82, -20.9

 

CMYK 2 / 26 / 0 / 18

HEX #CD9CD2

RGB 205 156 210

HSL 294.44, 0.38%, 0.72%

LAB 70.46, 27.41, -20.53

 

CMYK 2 / 28 / 0 / 25

HEX #BC8ABF

RGB 188 138 191

HSL 296.6, 0.29%, 0.65%

LAB 63.86, 28.05, -20.15

 

CMYK 1 / 30 / 0 / 33

HEX #AB78AC

RGB 171 120 172

HSL 298.85, 0.24%, 0.57%

LAB 57.14, 28.74, -19.75

 

CMYK 4 / 23 / 0 / 3

HEX #EFBFF8

RGB 239 191 248

HSL 290.53, 0.8%, 0.86%

LAB 83.12, 26.79, -21.61

 

CMYK 0 / 23 / 2 / 3

HEX #F8BFF2

RGB 248 191 242

HSL 306.32, 0.8%, 0.86%

LAB 83.77, 28.61, -17.34

 

CMYK 0 / 23 / 9 / 3

HEX #F8BFE2

RGB 248 191 226

HSL 323.16, 0.8%, 0.86%

LAB 83.29, 25.85, -9.52

 

CMYK 0 / 23 / 15 / 3

HEX #F8BFD3

RGB 248 191 211

HSL 338.95, 0.8%, 0.86%

LAB 82.87, 23.42, -2.09

 

CMYK 0 / 23 / 21 / 3

HEX #F8BFC3

RGB 248 191 195

HSL 355.79, 0.8%, 0.86%

LAB 82.46, 21, 5.89

 

CMYK 4 / 23 / 0 / 3

HEX #EFBFF8

RGB 239 191 248

HSL 290.53, 0.8%, 0.86%

LAB 83.12, 26.79, -21.61

 

CMYK 10 / 23 / 0 / 3

HEX #DFBFF8

RGB 223 191 248

HSL 273.68, 0.8%, 0.86%

LAB 81.69, 21.7, -23.92

 

CMYK 16 / 23 / 0 / 3

HEX #D0BFF8

RGB 208 191 248

HSL 257.89, 0.8%, 0.86%

LAB 80.43, 17.01, -25.95

 

CMYK 23 / 23 / 0 / 3

HEX #C0BFF8

RGB 192 191 248

HSL 241.05, 0.8%, 0.86%

LAB 79.18, 12.15, -27.97

 

CMYK 23 / 23 / 0 / 3

HEX #BFBFF8

RGB 191 191 248

HSL 240, 0.8%, 0.86%

LAB 79.11, 11.85, -28.09

 

CMYK 4 / 23 / 0 / 3

HEX #EFBFF8

RGB 239 191 248

HSL 290.53, 0.8%, 0.86%

LAB 83.12, 26.79, -21.61

 

CMYK 4 / 27 / 0 / 0

HEX #F3B9FE

RGB 243 185 254

HSL 290.43, 0.97%, 0.86%

LAB 82.33, 32.38, -25.98

 

CMYK 4 / 23 / 0 / 3

HEX #EFBFF8

RGB 239 191 248

HSL 290.53, 0.8%, 0.86%

LAB 83.12, 26.79, -21.61

 

CMYK 3 / 19 / 0 / 5

HEX #EBC5F2

RGB 235 197 242

HSL 290.67, 0.63%, 0.86%

LAB 83.97, 21.18, -17.17

 

CMYK 2 / 14 / 0 / 7

HEX #E7CAEC

RGB 231 202 236

HSL 291.18, 0.47%, 0.86%

LAB 84.63, 16.09, -13.01

 

CMYK 2 / 10 / 0 / 9

HEX #E3D0E7

RGB 227 208 231

HSL 289.57, 0.32%, 0.86%

LAB 85.61, 10.65, -8.93

 

CMYK 1 / 5 / 0 / 12

HEX #DFD6E1

RGB 223 214 225

HSL 289.09, 0.15%, 0.86%

LAB 86.61, 5.05, -4.31

 

CMYK 16 / 23 / 0 / 3

HEX #D0BFF8

RGB 208 191 248

HSL 257.89, 0.8%, 0.86%

LAB 80.43, 17.01, -25.95

 

CMYK 10 / 23 / 0 / 3

HEX #DFBFF8

RGB 223 191 248

HSL 273.68, 0.8%, 0.86%

LAB 81.69, 21.7, -23.92

 

CMYK 4 / 23 / 0 / 3

HEX #EEBFF8

RGB 238 191 248

HSL 289.47, 0.8%, 0.86%

LAB 83.03, 26.47, -21.76

 

CMYK 0 / 23 / 2 / 3

HEX #F8BFF2

RGB 248 191 242

HSL 306.32, 0.8%, 0.86%

LAB 83.77, 28.61, -17.34

 

CMYK 0 / 23 / 8 / 3

HEX #F8BFE3

RGB 248 191 227

HSL 322.11, 0.8%, 0.86%

LAB 83.32, 26.02, -10.01

 

CMYK 8 / 52 / 0 / 6

HEX #DC74F0

RGB 220 116 240

HSL 290.32, 0.81%, 0.7%

LAB 64.96, 58.63, -45.49

 

CMYK 6 / 37 / 0 / 4

HEX #E59AF4

RGB 229 154 244

HSL 290, 0.8%, 0.78%

LAB 73.74, 42.58, -33.91

 

CMYK 4 / 23 / 0 / 3

HEX #EFBFF8

RGB 239 191 248

HSL 290.53, 0.8%, 0.86%

LAB 83.12, 26.79, -21.61

 

CMYK 2 / 10 / 0 / 1

HEX #F8E4FC

RGB 248 228 252

HSL 290, 0.8%, 0.94%

LAB 92.78, 10.98, -9.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 23 / 0 / 3

HEX #EFC0F8

RGB 239 192 248

HSL 290.36, 0.8%, 0.86%

LAB 83.35, 26.26, -21.26

 

CMYK 0 / 22 / 23 / 3

HEX #F8C1BF

RGB 248 193 191

HSL 2.11, 0.8%, 0.86%

LAB 82.84, 19.37, 8.57

 

CMYK 23 / 0 / 13 / 3

HEX #BFF8D7

RGB 191 248 215

HSL 145.26, 0.8%, 0.86%

LAB 93.07, -24.42, 10.02

 

CMYK 4 / 23 / 0 / 3

HEX #EFC0F8

RGB 239 192 248

HSL 290.36, 0.8%, 0.86%

LAB 83.35, 26.26, -21.26

 

CMYK 0 / 4 / 23 / 3

HEX #F8EEBF

RGB 248 238 191

HSL 49.47, 0.8%, 0.86%

LAB 93.83, -3.89, 24.01

 

CMYK 23 / 0 / 4 / 3

HEX #BFF8EE

RGB 191 248 238

HSL 169.47, 0.8%, 0.86%

LAB 93.62, -19.91, -1.08

 

CMYK 4 / 23 / 0 / 3

HEX #EFC0F8

RGB 239 192 248

HSL 290.36, 0.8%, 0.86%

LAB 83.35, 26.26, -21.26

 

CMYK 0 / 22 / 23 / 3

HEX #F8C1BF

RGB 248 193 191

HSL 2.11, 0.8%, 0.86%

LAB 82.84, 19.37, 8.57

 

CMYK 19 / 0 / 23 / 3

HEX #C8F8BF

RGB 200 248 191

HSL 110.53, 0.8%, 0.86%

LAB 93.09, -25.7, 22.47

 

CMYK 23 / 1 / 0 / 3

HEX #BFF6F8

RGB 191 246 248

HSL 182.11, 0.8%, 0.86%

LAB 93.35, -16.84, -6.66

 

CMYK 4 / 23 / 0 / 3

HEX #EFC0F8

RGB 239 192 248

HSL 290.36, 0.8%, 0.86%

LAB 83.35, 26.26, -21.26

 

CMYK 0 / 15 / 23 / 3

HEX #F8D2BF

RGB 248 210 191

HSL 20, 0.8%, 0.86%

LAB 86.9, 10.47, 14.36

 

CMYK 19 / 0 / 23 / 3

HEX #C8F8BF

RGB 200 248 191

HSL 110.53, 0.8%, 0.86%

LAB 93.09, -25.7, 22.47

 

CMYK 23 / 8 / 0 / 3

HEX #BFE5F8

RGB 191 229 248

HSL 200, 0.8%, 0.86%

LAB 88.87, -8.27, -13.31

 

Description

Color code: HEX #EFC0F8 | qconv.com Color code: HEX #EFC0F8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 192 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 192 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 23 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 23% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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