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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFC078 it is the complementary color #103F87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFC078. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFC078 shade: #F4C073, #FFD286, #FFE499, #FFF6AC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFC078. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFC078 shade: #EFC078, #DEAE65, #CD9C52, #BC8A3F and #AB782C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFC078 shade: #EFBF76, #EF9F76, #EF7E76 and #EF7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFC078 shade: #EFBF76, #EFE076, #DDEF76, #BDEF76 and #9CEF76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFC078 shade matches the following richer shades: #EFBF76 and #FBC26A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFC078 shade: #EFBF76, #E3BD82, #D6BA8F, #CAB79B and #BDB5A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFC078 shade: #EF7E76, #EF9E76, #EFBF76, #EFDF76 and #DFEF76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFC078 shade: #E69D2C, #EBAE51, #EFBF76, #F3D09B and #F8E2C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFC078 shade: #EFC078, #8EEF76 and #8E76EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFC078 shade: #EFC078, #76EFBF and #BF76EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFC078 shade: #EFC078, #8EEF76, #76A6EF and #D776EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFC078 shade: #EFC078, #76EF82, #76A6EF and #EF76E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 50 / 6

HEX #EFC078

RGB 239 192 120

HSL 36.3, 0.79%, 0.7%

LAB 80.41, 8.15, 42.46

 

Complementary color

CMYK 88 / 53 / 0 / 47

HEX #103F87

RGB 16 63 135

HSL 216.3, 0.79%, 0.3%

LAB 27.88, 13.88, -44.53

 

CMYK 0 / 21 / 53 / 4

HEX #F4C073

RGB 244 192 115

HSL 35.81, 0.85%, 0.7%

LAB 80.83, 9.74, 45.6

 

CMYK 0 / 18 / 47 / 0

HEX #FFD286

RGB 255 210 134

HSL 37.69, 1%, 0.76%

LAB 86.54, 6.49, 43.45

 

CMYK 0 / 11 / 40 / 0

HEX #FFE499

RGB 255 228 153

HSL 44.12, 1%, 0.8%

LAB 91.26, -0.82, 39.97

 

CMYK 0 / 4 / 33 / 0

HEX #FFF6AC

RGB 255 246 172

HSL 53.49, 1%, 0.84%

LAB 96.06, -7.72, 36.75

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 20 / 50 / 6

HEX #EFC078

RGB 239 192 120

HSL 36.3, 0.79%, 0.7%

LAB 80.41, 8.15, 42.46

 

CMYK 0 / 22 / 55 / 13

HEX #DEAE65

RGB 222 174 101

HSL 36.2, 0.65%, 0.63%

LAB 74.02, 9.05, 43.8

 

CMYK 0 / 24 / 60 / 20

HEX #CD9C52

RGB 205 156 82

HSL 36.1, 0.55%, 0.56%

LAB 67.55, 10.1, 45.16

 

CMYK 0 / 27 / 66 / 26

HEX #BC8A3F

RGB 188 138 63

HSL 36, 0.5%, 0.49%

LAB 60.98, 11.33, 46.5

 

CMYK 0 / 30 / 74 / 33

HEX #AB782C

RGB 171 120 44

HSL 35.91, 0.59%, 0.42%

LAB 54.32, 12.8, 47.67

 

CMYK 0 / 20 / 51 / 6

HEX #EFBF76

RGB 239 191 118

HSL 36.2, 0.79%, 0.7%

LAB 80.13, 8.5, 43.13

 

CMYK 0 / 33 / 51 / 6

HEX #EF9F76

RGB 239 159 118

HSL 20.33, 0.79%, 0.7%

LAB 72.53, 25.4, 33.5

 

CMYK 0 / 47 / 51 / 6

HEX #EF7E76

RGB 239 126 118

HSL 3.97, 0.79%, 0.7%

LAB 65.42, 42.54, 24.15

 

CMYK 0 / 51 / 51 / 6

HEX #EF7676

RGB 239 118 118

HSL 0, 0.79%, 0.7%

LAB 63.85, 46.52, 22.03

 

CMYK 0 / 20 / 51 / 6

HEX #EFBF76

RGB 239 191 118

HSL 36.2, 0.79%, 0.7%

LAB 80.13, 8.5, 43.13

 

CMYK 0 / 6 / 51 / 6

HEX #EFE076

RGB 239 224 118

HSL 52.56, 0.79%, 0.7%

LAB 88.43, -8.45, 53.22

 

CMYK 8 / 0 / 51 / 6

HEX #DDEF76

RGB 221 239 118

HSL 68.93, 0.79%, 0.7%

LAB 90.97, -22.93, 55.89

 

CMYK 21 / 0 / 51 / 6

HEX #BDEF76

RGB 189 239 118

HSL 84.79, 0.79%, 0.7%

LAB 88.86, -35, 52.86

 

CMYK 35 / 0 / 51 / 6

HEX #9CEF76

RGB 156 239 118

HSL 101.16, 0.79%, 0.7%

LAB 87.05, -46.43, 50.26

 

CMYK 0 / 20 / 51 / 6

HEX #EFBF76

RGB 239 191 118

HSL 36.2, 0.79%, 0.7%

LAB 80.13, 8.5, 43.13

 

CMYK 0 / 23 / 58 / 2

HEX #FBC26A

RGB 251 194 106

HSL 36.41, 0.95%, 0.7%

LAB 81.91, 10.85, 51.47

 

CMYK 0 / 20 / 51 / 6

HEX #EFBF76

RGB 239 191 118

HSL 36.2, 0.79%, 0.7%

LAB 80.13, 8.5, 43.13

 

CMYK 0 / 17 / 43 / 11

HEX #E3BD82

RGB 227 189 130

HSL 36.49, 0.63%, 0.7%

LAB 78.66, 5.86, 34.87

 

CMYK 0 / 13 / 33 / 16

HEX #D6BA8F

RGB 214 186 143

HSL 36.34, 0.46%, 0.7%

LAB 76.92, 3.78, 25.51

 

CMYK 0 / 9 / 23 / 21

HEX #CAB79B

RGB 202 183 155

HSL 35.74, 0.31%, 0.7%

LAB 75.32, 2.34, 16.71

 

CMYK 0 / 4 / 11 / 26

HEX #BDB5A8

RGB 189 181 168

HSL 37.14, 0.14%, 0.7%

LAB 73.99, 0.57, 7.62

 

CMYK 0 / 47 / 51 / 6

HEX #EF7E76

RGB 239 126 118

HSL 3.97, 0.79%, 0.7%

LAB 65.42, 42.54, 24.15

 

CMYK 0 / 34 / 51 / 6

HEX #EF9E76

RGB 239 158 118

HSL 19.83, 0.79%, 0.7%

LAB 72.3, 25.93, 33.2

 

CMYK 0 / 20 / 51 / 6

HEX #EFBF76

RGB 239 191 118

HSL 36.2, 0.79%, 0.7%

LAB 80.13, 8.5, 43.13

 

CMYK 0 / 7 / 51 / 6

HEX #EFDF76

RGB 239 223 118

HSL 52.07, 0.79%, 0.7%

LAB 88.18, -7.95, 52.92

 

CMYK 7 / 0 / 51 / 6

HEX #DFEF76

RGB 223 239 118

HSL 67.93, 0.79%, 0.7%

LAB 91.11, -22.15, 56.1

 

CMYK 0 / 32 / 81 / 10

HEX #E69D2C

RGB 230 157 44

HSL 36.45, 0.79%, 0.54%

LAB 70.26, 18.31, 65.16

 

CMYK 0 / 26 / 66 / 8

HEX #EBAE51

RGB 235 174 81

HSL 36.23, 0.79%, 0.62%

LAB 75.16, 13.07, 55.11

 

CMYK 0 / 20 / 51 / 6

HEX #EFBF76

RGB 239 191 118

HSL 36.2, 0.79%, 0.7%

LAB 80.13, 8.5, 43.13

 

CMYK 0 / 14 / 36 / 5

HEX #F3D09B

RGB 243 208 155

HSL 36.14, 0.79%, 0.78%

LAB 85.27, 5, 30.88

 

CMYK 0 / 9 / 23 / 3

HEX #F8E2C0

RGB 248 226 192

HSL 36.43, 0.8%, 0.86%

LAB 90.85, 2.34, 19.37

 

CMYK 0 / 20 / 50 / 6

HEX #EFC078

RGB 239 192 120

HSL 36.3, 0.79%, 0.7%

LAB 80.41, 8.15, 42.46

 

CMYK 41 / 0 / 51 / 6

HEX #8EEF76

RGB 142 239 118

HSL 108.1, 0.79%, 0.7%

LAB 86.4, -50.84, 49.32

 

CMYK 41 / 51 / 0 / 6

HEX #8E76EF

RGB 142 118 239

HSL 251.9, 0.79%, 0.7%

LAB 57.02, 37.45, -58.07

 

CMYK 0 / 20 / 50 / 6

HEX #EFC078

RGB 239 192 120

HSL 36.3, 0.79%, 0.7%

LAB 80.41, 8.15, 42.46

 

CMYK 51 / 0 / 20 / 6

HEX #76EFBF

RGB 118 239 191

HSL 156.2, 0.79%, 0.7%

LAB 86.68, -45.11, 12.91

 

CMYK 20 / 51 / 0 / 6

HEX #BF76EF

RGB 191 118 239

HSL 276.2, 0.79%, 0.7%

LAB 61.88, 49.75, -50.02

 

CMYK 0 / 20 / 50 / 6

HEX #EFC078

RGB 239 192 120

HSL 36.3, 0.79%, 0.7%

LAB 80.41, 8.15, 42.46

 

CMYK 41 / 0 / 51 / 6

HEX #8EEF76

RGB 142 239 118

HSL 108.1, 0.79%, 0.7%

LAB 86.4, -50.84, 49.32

 

CMYK 51 / 31 / 0 / 6

HEX #76A6EF

RGB 118 166 239

HSL 216.2, 0.79%, 0.7%

LAB 67.54, 3.95, -41.5

 

CMYK 10 / 51 / 0 / 6

HEX #D776EF

RGB 215 118 239

HSL 288.1, 0.79%, 0.7%

LAB 64.67, 56.12, -45.43

 

CMYK 0 / 20 / 50 / 6

HEX #EFC078

RGB 239 192 120

HSL 36.3, 0.79%, 0.7%

LAB 80.41, 8.15, 42.46

 

CMYK 51 / 0 / 46 / 6

HEX #76EF82

RGB 118 239 130

HSL 125.95, 0.79%, 0.7%

LAB 85.6, -56, 42.4

 

CMYK 51 / 31 / 0 / 6

HEX #76A6EF

RGB 118 166 239

HSL 216.2, 0.79%, 0.7%

LAB 67.54, 3.95, -41.5

 

CMYK 0 / 51 / 5 / 6

HEX #EF76E3

RGB 239 118 227

HSL 305.95, 0.79%, 0.7%

LAB 67.17, 60.54, -34.67

 

Description

Color code: HEX #EFC078 | qconv.com Color code: HEX #EFC078 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 192 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 192 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 50 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 50% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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