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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFC059 it is the complementary color #103FA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFC059. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFC059 shade: #F4C054, #FFD267, #FFE47A, #FFF68D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFC059. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFC059 shade: #EFC059, #DEAE46, #CD9C33, #BC8A20 and #AB780D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFC059 shade: #EEBF58, #EE9758, #EE6E58 and #EE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFC059 shade: #EEBF58, #EEE858, #CCEE58, #A4EE58 and #7BEE58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFC059 shade matches the following richer shades: #EEBF58 and #FDC549

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFC059 shade: #EEBF58, #E0BA67, #D1B476, #C2AF84 and #B3A993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFC059 shade: #EE6F58, #EE9758, #EEBF58, #EEE758 and #CEEE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFC059 shade: #DE9F16, #EBB132, #EEBF58, #F2CE7D and #F6DCA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFC059 shade: #EFC059, #69EE58 and #8358EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFC059 shade: #EFC059, #58EEBF and #BF58EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFC059 shade: #EFC059, #69EE58, #5888EE and #DD58EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFC059 shade: #EFC059, #58EE74, #5888EE and #EE58D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 63 / 6

HEX #EFC059

RGB 239 192 89

HSL 41.2, 0.82%, 0.64%

LAB 80.05, 5.78, 56.98

 

Complementary color

CMYK 90 / 62 / 0 / 35

HEX #103FA6

RGB 16 63 166

HSL 221.2, 0.82%, 0.36%

LAB 30.44, 26.64, -59.3

 

CMYK 0 / 21 / 66 / 4

HEX #F4C054

RGB 244 192 84

HSL 40.5, 0.88%, 0.64%

LAB 80.5, 7.56, 59.85

 

CMYK 0 / 18 / 60 / 0

HEX #FFD267

RGB 255 210 103

HSL 42.24, 1%, 0.7%

LAB 86.17, 4, 57.91

 

CMYK 0 / 11 / 52 / 0

HEX #FFE47A

RGB 255 228 122

HSL 47.82, 1%, 0.74%

LAB 90.85, -3.72, 54.55

 

CMYK 0 / 4 / 45 / 0

HEX #FFF68D

RGB 255 246 141

HSL 55.26, 1%, 0.78%

LAB 95.62, -11, 51.35

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 20 / 63 / 6

HEX #EFC059

RGB 239 192 89

HSL 41.2, 0.82%, 0.64%

LAB 80.05, 5.78, 56.98

 

CMYK 0 / 22 / 68 / 13

HEX #DEAE46

RGB 222 174 70

HSL 41.05, 0.7%, 0.57%

LAB 73.7, 6.95, 58.04

 

CMYK 0 / 24 / 75 / 20

HEX #CD9C33

RGB 205 156 51

HSL 40.91, 0.61%, 0.5%

LAB 67.27, 8.31, 58.82

 

CMYK 0 / 27 / 83 / 26

HEX #BC8A20

RGB 188 138 32

HSL 40.77, 0.71%, 0.43%

LAB 60.76, 9.91, 58.98

 

CMYK 0 / 30 / 92 / 33

HEX #AB780D

RGB 171 120 13

HSL 40.63, 0.86%, 0.36%

LAB 54.15, 11.8, 57.93

 

CMYK 0 / 20 / 63 / 7

HEX #EEBF58

RGB 238 191 88

HSL 41.2, 0.82%, 0.64%

LAB 79.7, 5.82, 57.01

 

CMYK 0 / 37 / 63 / 7

HEX #EE9758

RGB 238 151 88

HSL 25.2, 0.82%, 0.64%

LAB 70.19, 26.92, 46.2

 

CMYK 0 / 54 / 63 / 7

HEX #EE6E58

RGB 238 110 88

HSL 8.8, 0.82%, 0.64%

LAB 61.68, 47.79, 36

 

CMYK 0 / 63 / 63 / 7

HEX #EE5858

RGB 238 88 88

HSL 0, 0.82%, 0.64%

LAB 57.91, 57.73, 31.3

 

CMYK 0 / 20 / 63 / 7

HEX #EEBF58

RGB 238 191 88

HSL 41.2, 0.82%, 0.64%

LAB 79.7, 5.82, 57.01

 

CMYK 0 / 3 / 63 / 7

HEX #EEE858

RGB 238 232 88

HSL 57.6, 0.82%, 0.64%

LAB 90.13, -14.99, 68.28

 

CMYK 14 / 0 / 63 / 7

HEX #CCEE58

RGB 204 238 88

HSL 73.6, 0.82%, 0.64%

LAB 89.25, -31.42, 66.59

 

CMYK 31 / 0 / 63 / 7

HEX #A4EE58

RGB 164 238 88

HSL 89.6, 0.82%, 0.64%

LAB 86.87, -46.22, 63.33

 

CMYK 48 / 0 / 63 / 7

HEX #7BEE58

RGB 123 238 88

HSL 106, 0.82%, 0.64%

LAB 85.03, -59.21, 60.79

 

CMYK 0 / 20 / 63 / 7

HEX #EEBF58

RGB 238 191 88

HSL 41.2, 0.82%, 0.64%

LAB 79.7, 5.82, 57.01

 

CMYK 0 / 22 / 71 / 1

HEX #FDC549

RGB 253 197 73

HSL 41.33, 0.98%, 0.64%

LAB 82.54, 8.15, 66.87

 

CMYK 0 / 20 / 63 / 7

HEX #EEBF58

RGB 238 191 88

HSL 41.2, 0.82%, 0.64%

LAB 79.7, 5.82, 57.01

 

CMYK 0 / 17 / 54 / 12

HEX #E0BA67

RGB 224 186 103

HSL 41.16, 0.66%, 0.64%

LAB 77.25, 3.7, 46.74

 

CMYK 0 / 14 / 44 / 18

HEX #D1B476

RGB 209 180 118

HSL 40.88, 0.5%, 0.64%

LAB 74.51, 2.1, 35.43

 

CMYK 0 / 10 / 32 / 24

HEX #C2AF84

RGB 194 175 132

HSL 41.61, 0.34%, 0.64%

LAB 72.09, 0.36, 24.57

 

CMYK 0 / 6 / 18 / 30

HEX #B3A993

RGB 179 169 147

HSL 41.25, 0.17%, 0.64%

LAB 69.52, -0.12, 12.65

 

CMYK 0 / 53 / 63 / 7

HEX #EE6F58

RGB 238 111 88

HSL 9.2, 0.82%, 0.64%

LAB 61.87, 47.31, 36.23

 

CMYK 0 / 37 / 63 / 7

HEX #EE9758

RGB 238 151 88

HSL 25.2, 0.82%, 0.64%

LAB 70.19, 26.92, 46.2

 

CMYK 0 / 20 / 63 / 7

HEX #EEBF58

RGB 238 191 88

HSL 41.2, 0.82%, 0.64%

LAB 79.7, 5.82, 57.01

 

CMYK 0 / 3 / 63 / 7

HEX #EEE758

RGB 238 231 88

HSL 57.2, 0.82%, 0.64%

LAB 89.87, -14.5, 68.01

 

CMYK 13 / 0 / 63 / 7

HEX #CEEE58

RGB 206 238 88

HSL 72.8, 0.82%, 0.64%

LAB 89.38, -30.65, 66.77

 

CMYK 0 / 28 / 90 / 13

HEX #DE9F16

RGB 222 159 22

HSL 41.1, 0.82%, 0.48%

LAB 69.74, 13.27, 70.45

 

CMYK 0 / 25 / 79 / 8

HEX #EBB132

RGB 235 177 50

HSL 41.19, 0.82%, 0.56%

LAB 75.66, 10.04, 68.17

 

CMYK 0 / 20 / 63 / 7

HEX #EEBF58

RGB 238 191 88

HSL 41.2, 0.82%, 0.64%

LAB 79.7, 5.82, 57.01

 

CMYK 0 / 15 / 48 / 5

HEX #F2CE7D

RGB 242 206 125

HSL 41.54, 0.82%, 0.72%

LAB 84.23, 2.53, 44.77

 

CMYK 0 / 11 / 34 / 4

HEX #F6DCA3

RGB 246 220 163

HSL 41.2, 0.82%, 0.8%

LAB 88.65, 0.91, 31.32

 

CMYK 0 / 20 / 63 / 6

HEX #EFC059

RGB 239 192 89

HSL 41.2, 0.82%, 0.64%

LAB 80.05, 5.78, 56.98

 

CMYK 56 / 0 / 63 / 7

HEX #69EE58

RGB 105 238 88

HSL 113.2, 0.82%, 0.64%

LAB 84.41, -63.94, 59.93

 

CMYK 45 / 63 / 0 / 7

HEX #8358EE

RGB 131 88 238

HSL 257.2, 0.82%, 0.64%

LAB 49.47, 51.61, -69.72

 

CMYK 0 / 20 / 63 / 6

HEX #EFC059

RGB 239 192 89

HSL 41.2, 0.82%, 0.64%

LAB 80.05, 5.78, 56.98

 

CMYK 63 / 0 / 20 / 7

HEX #58EEBF

RGB 88 238 191

HSL 161.2, 0.82%, 0.64%

LAB 85.5, -50.69, 11.12

 

CMYK 20 / 63 / 0 / 7

HEX #BF58EE

RGB 191 88 238

HSL 281.2, 0.82%, 0.64%

LAB 56.32, 64.26, -58.34

 

CMYK 0 / 20 / 63 / 6

HEX #EFC059

RGB 239 192 89

HSL 41.2, 0.82%, 0.64%

LAB 80.05, 5.78, 56.98

 

CMYK 56 / 0 / 63 / 7

HEX #69EE58

RGB 105 238 88

HSL 113.2, 0.82%, 0.64%

LAB 84.41, -63.94, 59.93

 

CMYK 63 / 43 / 0 / 7

HEX #5888EE

RGB 88 136 238

HSL 220.8, 0.82%, 0.64%

LAB 57.9, 15.19, -56.3

 

CMYK 7 / 63 / 0 / 7

HEX #DD58EE

RGB 221 88 238

HSL 293.2, 0.82%, 0.64%

LAB 60.36, 71.07, -51.65

 

CMYK 0 / 20 / 63 / 6

HEX #EFC059

RGB 239 192 89

HSL 41.2, 0.82%, 0.64%

LAB 80.05, 5.78, 56.98

 

CMYK 63 / 0 / 51 / 7

HEX #58EE74

RGB 88 238 116

HSL 131.2, 0.82%, 0.64%

LAB 84.22, -64.43, 47.17

 

CMYK 63 / 43 / 0 / 7

HEX #5888EE

RGB 88 136 238

HSL 220.8, 0.82%, 0.64%

LAB 57.9, 15.19, -56.3

 

CMYK 0 / 63 / 11 / 7

HEX #EE58D3

RGB 238 88 211

HSL 310.8, 0.82%, 0.64%

LAB 61.53, 70.79, -34.49

 

Description

Color code: HEX #EFC059 | qconv.com Color code: HEX #EFC059 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 192 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 192 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 63 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 63% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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