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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFBF6F it is the complementary color #104090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFBF6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFBF6F shade: #F4BF6A, #FFD17D, #FFE390, #FFF5A3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFBF6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFBF6F shade: #EFBF6F, #DEAD5C, #CD9B49, #BC8936 and #AB7723

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFBF6F shade: #EFC071, #EF9E71, #EF7C71 and #EF7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFBF6F shade: #EFC071, #EFE271, #DAEF71, #B8EF71 and #96EF71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFBF6F shade matches the following richer shades: #EFC071 and #FCC364

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFBF6F shade: #EFC071, #E2BD7E, #D6B98A, #C9B697 and #BCB3A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFBF6F shade: #EF7B71, #EF9D71, #EFBF71, #EFE071 and #DCEF71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFBF6F shade: #E79F26, #EBAF4C, #EFC071, #F3D096 and #F7E1BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFBF6F shade: #EFBF6F, #88EF71 and #8C71EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFBF6F shade: #EFBF6F, #71EFBF and #BF71EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFBF6F shade: #EFBF6F, #88EF71, #71A1EF and #D871EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFBF6F shade: #EFBF6F, #71EF7F, #71A1EF and #EF71E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 54 / 6

HEX #EFBF6F

RGB 239 191 111

HSL 37.5, 0.8%, 0.69%

LAB 80.04, 7.9, 46.51

 

Complementary color

CMYK 89 / 56 / 0 / 44

HEX #104090

RGB 16 64 144

HSL 217.5, 0.8%, 0.31%

LAB 28.88, 16.95, -48.48

 

CMYK 0 / 22 / 57 / 4

HEX #F4BF6A

RGB 244 191 106

HSL 36.96, 0.86%, 0.69%

LAB 80.48, 9.55, 49.6

 

CMYK 0 / 18 / 51 / 0

HEX #FFD17D

RGB 255 209 125

HSL 38.77, 1%, 0.75%

LAB 86.18, 6.21, 47.45

 

CMYK 0 / 11 / 44 / 0

HEX #FFE390

RGB 255 227 144

HSL 44.86, 1%, 0.78%

LAB 90.88, -1.23, 43.96

 

CMYK 0 / 4 / 36 / 0

HEX #FFF5A3

RGB 255 245 163

HSL 53.48, 1%, 0.82%

LAB 95.67, -8.25, 40.71

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 20 / 54 / 6

HEX #EFBF6F

RGB 239 191 111

HSL 37.5, 0.8%, 0.69%

LAB 80.04, 7.9, 46.51

 

CMYK 0 / 22 / 59 / 13

HEX #DEAD5C

RGB 222 173 92

HSL 37.38, 0.66%, 0.62%

LAB 73.67, 8.89, 47.84

 

CMYK 0 / 24 / 64 / 20

HEX #CD9B49

RGB 205 155 73

HSL 37.27, 0.57%, 0.55%

LAB 67.2, 10.03, 49.14

 

CMYK 0 / 27 / 71 / 26

HEX #BC8936

RGB 188 137 54

HSL 37.16, 0.55%, 0.47%

LAB 60.65, 11.37, 50.32

 

CMYK 0 / 30 / 80 / 33

HEX #AB7723

RGB 171 119 35

HSL 37.06, 0.66%, 0.4%

LAB 54, 12.97, 51.12

 

CMYK 0 / 20 / 53 / 6

HEX #EFC071

RGB 239 192 113

HSL 37.62, 0.8%, 0.69%

LAB 80.32, 7.54, 45.85

 

CMYK 0 / 34 / 53 / 6

HEX #EF9E71

RGB 239 158 113

HSL 21.43, 0.8%, 0.69%

LAB 72.23, 25.49, 35.76

 

CMYK 0 / 48 / 53 / 6

HEX #EF7C71

RGB 239 124 113

HSL 5.24, 0.8%, 0.69%

LAB 64.93, 43.12, 26.29

 

CMYK 0 / 53 / 53 / 6

HEX #EF7171

RGB 239 113 113

HSL 0, 0.8%, 0.69%

LAB 62.8, 48.52, 23.46

 

CMYK 0 / 20 / 53 / 6

HEX #EFC071

RGB 239 192 113

HSL 37.62, 0.8%, 0.69%

LAB 80.32, 7.54, 45.85

 

CMYK 0 / 5 / 53 / 6

HEX #EFE271

RGB 239 226 113

HSL 53.81, 0.8%, 0.69%

LAB 88.89, -9.86, 56.09

 

CMYK 9 / 0 / 53 / 6

HEX #DAEF71

RGB 218 239 113

HSL 70, 0.8%, 0.69%

LAB 90.7, -24.53, 57.8

 

CMYK 23 / 0 / 53 / 6

HEX #B8EF71

RGB 184 239 113

HSL 86.19, 0.8%, 0.69%

LAB 88.5, -37.32, 54.67

 

CMYK 37 / 0 / 53 / 6

HEX #96EF71

RGB 150 239 113

HSL 102.38, 0.8%, 0.69%

LAB 86.71, -48.93, 52.09

 

CMYK 0 / 20 / 53 / 6

HEX #EFC071

RGB 239 192 113

HSL 37.62, 0.8%, 0.69%

LAB 80.32, 7.54, 45.85

 

CMYK 0 / 23 / 60 / 1

HEX #FCC364

RGB 252 195 100

HSL 37.5, 0.96%, 0.69%

LAB 82.19, 10.32, 54.67

 

CMYK 0 / 20 / 53 / 6

HEX #EFC071

RGB 239 192 113

HSL 37.62, 0.8%, 0.69%

LAB 80.32, 7.54, 45.85

 

CMYK 0 / 16 / 44 / 11

HEX #E2BD7E

RGB 226 189 126

HSL 37.8, 0.63%, 0.69%

LAB 78.5, 5.05, 36.72

 

CMYK 0 / 14 / 36 / 16

HEX #D6B98A

RGB 214 185 138

HSL 37.11, 0.48%, 0.69%

LAB 76.58, 3.7, 27.7

 

CMYK 0 / 9 / 25 / 21

HEX #C9B697

RGB 201 182 151

HSL 37.2, 0.32%, 0.69%

LAB 74.89, 1.92, 18.26

 

CMYK 0 / 5 / 13 / 26

HEX #BCB3A4

RGB 188 179 164

HSL 37.5, 0.15%, 0.69%

LAB 73.29, 0.61, 8.79

 

CMYK 0 / 49 / 53 / 6

HEX #EF7B71

RGB 239 123 113

HSL 4.76, 0.8%, 0.69%

LAB 64.73, 43.62, 26.03

 

CMYK 0 / 34 / 53 / 6

HEX #EF9D71

RGB 239 157 113

HSL 20.95, 0.8%, 0.69%

LAB 72, 26.02, 35.47

 

CMYK 0 / 20 / 53 / 6

HEX #EFBF71

RGB 239 191 113

HSL 37.14, 0.8%, 0.69%

LAB 80.07, 8.07, 45.55

 

CMYK 0 / 6 / 53 / 6

HEX #EFE071

RGB 239 224 113

HSL 52.86, 0.8%, 0.69%

LAB 88.38, -8.86, 55.49

 

CMYK 8 / 0 / 53 / 6

HEX #DCEF71

RGB 220 239 113

HSL 69.05, 0.8%, 0.69%

LAB 90.84, -23.75, 58

 

CMYK 0 / 31 / 84 / 9

HEX #E79F26

RGB 231 159 38

HSL 37.62, 0.8%, 0.53%

LAB 70.82, 17.5, 67.64

 

CMYK 0 / 26 / 68 / 8

HEX #EBAF4C

RGB 235 175 76

HSL 37.36, 0.8%, 0.61%

LAB 75.35, 12.25, 57.57

 

CMYK 0 / 20 / 53 / 6

HEX #EFC071

RGB 239 192 113

HSL 37.62, 0.8%, 0.69%

LAB 80.32, 7.54, 45.85

 

CMYK 0 / 14 / 38 / 5

HEX #F3D096

RGB 243 208 150

HSL 37.42, 0.79%, 0.77%

LAB 85.18, 4.43, 33.35

 

CMYK 0 / 9 / 24 / 3

HEX #F7E1BB

RGB 247 225 187

HSL 38, 0.79%, 0.85%

LAB 90.42, 1.79, 21.35

 

CMYK 0 / 20 / 54 / 6

HEX #EFBF6F

RGB 239 191 111

HSL 37.5, 0.8%, 0.69%

LAB 80.04, 7.9, 46.51

 

CMYK 43 / 0 / 53 / 6

HEX #88EF71

RGB 136 239 113

HSL 109.05, 0.8%, 0.69%

LAB 86.09, -53.24, 51.2

 

CMYK 41 / 53 / 0 / 6

HEX #8C71EF

RGB 140 113 239

HSL 252.86, 0.8%, 0.69%

LAB 55.7, 39.86, -60.18

 

CMYK 0 / 20 / 54 / 6

HEX #EFBF6F

RGB 239 191 111

HSL 37.5, 0.8%, 0.69%

LAB 80.04, 7.9, 46.51

 

CMYK 53 / 0 / 20 / 6

HEX #71EFBF

RGB 113 239 191

HSL 157.14, 0.8%, 0.69%

LAB 86.51, -46.23, 12.65

 

CMYK 20 / 53 / 0 / 6

HEX #BF71EF

RGB 191 113 239

HSL 277.14, 0.8%, 0.69%

LAB 60.89, 52.34, -51.6

 

CMYK 0 / 20 / 54 / 6

HEX #EFBF6F

RGB 239 191 111

HSL 37.5, 0.8%, 0.69%

LAB 80.04, 7.9, 46.51

 

CMYK 43 / 0 / 53 / 6

HEX #88EF71

RGB 136 239 113

HSL 109.05, 0.8%, 0.69%

LAB 86.09, -53.24, 51.2

 

CMYK 53 / 33 / 0 / 6

HEX #71A1EF

RGB 113 161 239

HSL 217.14, 0.8%, 0.69%

LAB 65.93, 5.7, -44.05

 

CMYK 10 / 53 / 0 / 6

HEX #D871EF

RGB 216 113 239

HSL 289.05, 0.8%, 0.69%

LAB 63.87, 58.83, -46.69

 

CMYK 0 / 20 / 54 / 6

HEX #EFBF6F

RGB 239 191 111

HSL 37.5, 0.8%, 0.69%

LAB 80.04, 7.9, 46.51

 

CMYK 53 / 0 / 47 / 6

HEX #71EF7F

RGB 113 239 127

HSL 126.67, 0.8%, 0.69%

LAB 85.39, -57.69, 43.55

 

CMYK 53 / 33 / 0 / 6

HEX #71A1EF

RGB 113 161 239

HSL 217.14, 0.8%, 0.69%

LAB 65.93, 5.7, -44.05

 

CMYK 0 / 53 / 6 / 6

HEX #EF71E0

RGB 239 113 224

HSL 307.14, 0.8%, 0.69%

LAB 66.17, 62.37, -34.55

 

Description

Color code: HEX #EFBF6F | qconv.com Color code: HEX #EFBF6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 191 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 191 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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