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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFBD96 it is the complementary color #104269. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFBD96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFBD96 shade: #F4BD91, #FFCFA4, #FFE1B7, #FFF3CA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFBD96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFBD96 shade: #EFBD96, #DEAB83, #CD9970, #BC875D and #AB754A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFBD96 shade: #EFBC95, #EFA495 and #EF9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFBD96 shade: #EFBC95, #EFD595, #EFED95, #D9EF95 and #C0EF95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFBD96 shade matches the following richer shades: #EFBC95 and #F9BB8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFBD96 shade: #EFBC95, #E5BD9E, #DBBFA8, #D1C0B2 and #C7C1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFBD96 shade: #EF959E, #EFA495, #EFBC95, #EFD495 and #EFEC95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFBD96 shade: #E48F4D, #EAA671, #EFBC95, #F4D3B8 and #FAE9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFBD96 shade: #EFBD96, #B6EF95 and #9895EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFBD96 shade: #EFBD96, #95EFBC and #BC95EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFBD96 shade: #EFBD96, #B6EF95, #95C8EF and #CE95EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFBD96 shade: #EFBD96, #9BEF95, #95C8EF and #E995EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 37 / 6

HEX #EFBD96

RGB 239 189 150

HSL 26.29, 0.74%, 0.76%

LAB 80.15, 12.8, 26.56

 

Complementary color

CMYK 85 / 37 / 0 / 59

HEX #104269

RGB 16 66 105

HSL 206.29, 0.74%, 0.24%

LAB 26.81, -0.85, -27.34

 

CMYK 0 / 23 / 41 / 4

HEX #F4BD91

RGB 244 189 145

HSL 26.67, 0.82%, 0.76%

LAB 80.56, 14.19, 29.83

 

CMYK 0 / 19 / 36 / 0

HEX #FFCFA4

RGB 255 207 164

HSL 28.35, 1%, 0.82%

LAB 86.29, 11.18, 27.77

 

CMYK 0 / 12 / 28 / 0

HEX #FFE1B7

RGB 255 225 183

HSL 35, 1%, 0.86%

LAB 91.02, 4.23, 24.36

 

CMYK 0 / 5 / 21 / 0

HEX #FFF3CA

RGB 255 243 202

HSL 46.42, 1%, 0.9%

LAB 95.84, -2.34, 21.25

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 21 / 37 / 6

HEX #EFBD96

RGB 239 189 150

HSL 26.29, 0.74%, 0.76%

LAB 80.15, 12.8, 26.56

 

CMYK 0 / 23 / 41 / 13

HEX #DEAB83

RGB 222 171 131

HSL 26.37, 0.58%, 0.69%

LAB 73.74, 13.53, 27.78

 

CMYK 0 / 25 / 45 / 20

HEX #CD9970

RGB 205 153 112

HSL 26.45, 0.48%, 0.62%

LAB 67.23, 14.37, 29.09

 

CMYK 0 / 28 / 51 / 26

HEX #BC875D

RGB 188 135 93

HSL 26.53, 0.41%, 0.55%

LAB 60.61, 15.34, 30.52

 

CMYK 0 / 32 / 57 / 33

HEX #AB754A

RGB 171 117 74

HSL 26.6, 0.4%, 0.48%

LAB 53.89, 16.47, 32.07

 

CMYK 0 / 21 / 38 / 6

HEX #EFBC95

RGB 239 188 149

HSL 26, 0.74%, 0.76%

LAB 79.89, 13.21, 26.74

 

CMYK 0 / 31 / 38 / 6

HEX #EFA495

RGB 239 164 149

HSL 10, 0.74%, 0.76%

LAB 74.24, 25.93, 19.02

 

CMYK 0 / 38 / 38 / 6

HEX #EF9595

RGB 239 149 149

HSL 0, 0.74%, 0.76%

LAB 70.88, 33.84, 14.36

 

CMYK 0 / 21 / 38 / 6

HEX #EFBC95

RGB 239 188 149

HSL 26, 0.74%, 0.76%

LAB 79.89, 13.21, 26.74

 

CMYK 0 / 11 / 38 / 6

HEX #EFD595

RGB 239 213 149

HSL 42.67, 0.74%, 0.76%

LAB 86.06, 0.18, 34.95

 

CMYK 0 / 1 / 38 / 6

HEX #EFED95

RGB 239 237 149

HSL 58.67, 0.74%, 0.76%

LAB 92.17, -11.93, 42.87

 

CMYK 9 / 0 / 38 / 6

HEX #D9EF95

RGB 217 239 149

HSL 74.67, 0.74%, 0.76%

LAB 91.08, -21.24, 41.15

 

CMYK 20 / 0 / 38 / 6

HEX #C0EF95

RGB 192 239 149

HSL 91.33, 0.74%, 0.76%

LAB 89.44, -30.33, 38.71

 

CMYK 0 / 21 / 38 / 6

HEX #EFBC95

RGB 239 188 149

HSL 26, 0.74%, 0.76%

LAB 79.89, 13.21, 26.74

 

CMYK 0 / 25 / 44 / 2

HEX #F9BB8B

RGB 249 187 139

HSL 26.18, 0.9%, 0.76%

LAB 80.48, 16.57, 32.98

 

CMYK 0 / 21 / 38 / 6

HEX #EFBC95

RGB 239 188 149

HSL 26, 0.74%, 0.76%

LAB 79.89, 13.21, 26.74

 

CMYK 0 / 17 / 31 / 10

HEX #E5BD9E

RGB 229 189 158

HSL 26.2, 0.58%, 0.76%

LAB 79.34, 9.91, 21.05

 

CMYK 0 / 13 / 23 / 14

HEX #DBBFA8

RGB 219 191 168

HSL 27.06, 0.41%, 0.76%

LAB 79.13, 6.4, 15.26

 

CMYK 0 / 8 / 15 / 18

HEX #D1C0B2

RGB 209 192 178

HSL 27.1, 0.25%, 0.76%

LAB 78.73, 3.67, 9.21

 

CMYK 0 / 3 / 6 / 22

HEX #C7C1BC

RGB 199 193 188

HSL 27.27, 0.09%, 0.76%

LAB 78.41, 1.21, 3.25

 

CMYK 0 / 38 / 34 / 6

HEX #EF959E

RGB 239 149 158

HSL 354, 0.74%, 0.76%

LAB 71.09, 34.91, 9.65

 

CMYK 0 / 31 / 38 / 6

HEX #EFA495

RGB 239 164 149

HSL 10, 0.74%, 0.76%

LAB 74.24, 25.93, 19.02

 

CMYK 0 / 21 / 38 / 6

HEX #EFBC95

RGB 239 188 149

HSL 26, 0.74%, 0.76%

LAB 79.89, 13.21, 26.74

 

CMYK 0 / 11 / 38 / 6

HEX #EFD495

RGB 239 212 149

HSL 42, 0.74%, 0.76%

LAB 85.81, 0.7, 34.62

 

CMYK 0 / 1 / 38 / 6

HEX #EFEC95

RGB 239 236 149

HSL 58, 0.74%, 0.76%

LAB 91.91, -11.44, 42.54

 

CMYK 0 / 37 / 66 / 11

HEX #E48F4D

RGB 228 143 77

HSL 26.23, 0.74%, 0.6%

LAB 67.03, 26.41, 47.74

 

CMYK 0 / 29 / 52 / 8

HEX #EAA671

RGB 234 166 113

HSL 26.28, 0.74%, 0.68%

LAB 73.52, 19.25, 37.29

 

CMYK 0 / 21 / 38 / 6

HEX #EFBC95

RGB 239 188 149

HSL 26, 0.74%, 0.76%

LAB 79.89, 13.21, 26.74

 

CMYK 0 / 14 / 25 / 4

HEX #F4D3B8

RGB 244 211 184

HSL 27, 0.73%, 0.84%

LAB 86.64, 7.49, 17.62

 

CMYK 0 / 7 / 12 / 2

HEX #FAE9DC

RGB 250 233 220

HSL 26, 0.75%, 0.92%

LAB 93.35, 3.64, 8.38

 

CMYK 0 / 21 / 37 / 6

HEX #EFBD96

RGB 239 189 150

HSL 26.29, 0.74%, 0.76%

LAB 80.15, 12.8, 26.56

 

CMYK 24 / 0 / 38 / 6

HEX #B6EF95

RGB 182 239 149

HSL 98, 0.74%, 0.76%

LAB 88.85, -33.82, 37.83

 

CMYK 36 / 38 / 0 / 6

HEX #9895EF

RGB 152 149 239

HSL 242, 0.74%, 0.76%

LAB 65.28, 22.07, -44.9

 

CMYK 0 / 21 / 37 / 6

HEX #EFBD96

RGB 239 189 150

HSL 26.29, 0.74%, 0.76%

LAB 80.15, 12.8, 26.56

 

CMYK 38 / 0 / 21 / 6

HEX #95EFBC

RGB 149 239 188

HSL 146, 0.74%, 0.76%

LAB 87.85, -37.81, 16.31

 

CMYK 21 / 38 / 0 / 6

HEX #BC95EF

RGB 188 149 239

HSL 266, 0.74%, 0.76%

LAB 68.33, 32.09, -39.91

 

CMYK 0 / 21 / 37 / 6

HEX #EFBD96

RGB 239 189 150

HSL 26.29, 0.74%, 0.76%

LAB 80.15, 12.8, 26.56

 

CMYK 24 / 0 / 38 / 6

HEX #B6EF95

RGB 182 239 149

HSL 98, 0.74%, 0.76%

LAB 88.85, -33.82, 37.83

 

CMYK 38 / 16 / 0 / 6

HEX #95C8EF

RGB 149 200 239

HSL 206, 0.74%, 0.76%

LAB 78.42, -7.08, -24.56

 

CMYK 14 / 38 / 0 / 6

HEX #CE95EF

RGB 206 149 239

HSL 278, 0.74%, 0.76%

LAB 70.07, 37.37, -37.06

 

CMYK 0 / 21 / 37 / 6

HEX #EFBD96

RGB 239 189 150

HSL 26.29, 0.74%, 0.76%

LAB 80.15, 12.8, 26.56

 

CMYK 35 / 0 / 38 / 6

HEX #9BEF95

RGB 155 239 149

HSL 116, 0.74%, 0.76%

LAB 87.42, -42.67, 35.69

 

CMYK 38 / 16 / 0 / 6

HEX #95C8EF

RGB 149 200 239

HSL 206, 0.74%, 0.76%

LAB 78.42, -7.08, -24.56

 

CMYK 3 / 38 / 0 / 6

HEX #E995EF

RGB 233 149 239

HSL 296, 0.74%, 0.76%

LAB 72.93, 45.46, -32.41

 

Description

Color code: HEX #EFBD96 | qconv.com Color code: HEX #EFBD96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 189 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 189 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 37 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 37% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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