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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFBC0F it is the complementary color #1043F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFBC0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFBC0F shade: #F4BC0A, #FFCE1D, #FFE030, #FFF243 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFBC0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFBC0F shade: #EFBC0F, #DEAA00, #CD9800, #BC8600 and #AB7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFBC0F shade: #F0BD0F, #F0800F, #F0440F and #F00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFBC0F shade: #F0BD0F, #E6F00F, #AAF00F, #6DF00F and #31F00F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFBC0F shade matches the following richer shades: #F0BD0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFBC0F shade: #F0BD0F, #DBB124, #C6A639, #B29B4D and #9D9062

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFBC0F shade: #F0440F, #F0800F, #F0BB0F, #E8F00F and #ACF00F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFBC0F shade: #A2800A, #C99E0D, #F0BD0F, #F2C736 and #F5D25D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFBC0F shade: #EFBC0F, #17F00F and #620FF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFBC0F shade: #EFBC0F, #0FF0BB and #BB0FF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFBC0F shade: #EFBC0F, #17F00F, #0F44F0 and #E80FF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFBC0F shade: #EFBC0F, #0FF04B, #0F44F0 and #F00FB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 94 / 6

HEX #EFBC0F

RGB 239 188 15

HSL 46.34, 0.88%, 0.5%

LAB 78.67, 5.22, 79.05

 

Complementary color

CMYK 93 / 72 / 0 / 6

HEX #1043F0

RGB 16 67 240

HSL 226.34, 0.88%, 0.5%

LAB 38.58, 51.61, -88.97

 

CMYK 0 / 23 / 96 / 4

HEX #F4BC0A

RGB 244 188 10

HSL 45.64, 0.92%, 0.5%

LAB 79.17, 7.32, 80.22

 

CMYK 0 / 19 / 89 / 0

HEX #FFCE1D

RGB 255 206 29

HSL 46.99, 1%, 0.56%

LAB 84.74, 2.97, 82.1

 

CMYK 0 / 12 / 81 / 0

HEX #FFE030

RGB 255 224 48

HSL 51.01, 1%, 0.59%

LAB 89.29, -5.71, 81.5

 

CMYK 0 / 5 / 74 / 0

HEX #FFF243

RGB 255 242 67

HSL 55.85, 1%, 0.63%

LAB 93.96, -13.96, 80.12

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 21 / 94 / 6

HEX #EFBC0F

RGB 239 188 15

HSL 46.34, 0.88%, 0.5%

LAB 78.67, 5.22, 79.05

 

CMYK 0 / 23 / 100 / 13

HEX #DEAA00

RGB 222 170 0

HSL 45.95, 1%, 0.44%

LAB 72.41, 7.15, 75.49

 

CMYK 0 / 26 / 100 / 20

HEX #CD9800

RGB 205 152 0

HSL 44.49, 1%, 0.4%

LAB 66.09, 9.29, 70.29

 

CMYK 0 / 29 / 100 / 26

HEX #BC8600

RGB 188 134 0

HSL 42.77, 1%, 0.37%

LAB 59.65, 11.53, 65.01

 

CMYK 0 / 32 / 100 / 33

HEX #AB7400

RGB 171 116 0

HSL 40.7, 1%, 0.34%

LAB 53.11, 13.86, 59.65

 

CMYK 0 / 21 / 94 / 6

HEX #F0BD0F

RGB 240 189 15

HSL 46.4, 0.88%, 0.5%

LAB 79.02, 5.13, 79.35

 

CMYK 0 / 47 / 94 / 6

HEX #F0800F

RGB 240 128 15

HSL 30.13, 0.88%, 0.5%

LAB 64.96, 37.06, 69.39

 

CMYK 0 / 72 / 94 / 6

HEX #F0440F

RGB 240 68 15

HSL 14.13, 0.88%, 0.5%

LAB 54.76, 63.65, 62.79

 

CMYK 0 / 94 / 94 / 6

HEX #F00F0F

RGB 240 15 15

HSL 0, 0.88%, 0.5%

LAB 50.57, 75.46, 60.37

 

CMYK 0 / 21 / 94 / 6

HEX #F0BD0F

RGB 240 189 15

HSL 46.4, 0.88%, 0.5%

LAB 79.02, 5.13, 79.35

 

CMYK 4 / 0 / 94 / 6

HEX #E6F00F

RGB 230 240 15

HSL 62.67, 0.88%, 0.5%

LAB 91.31, -24.59, 88.17

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00F

RGB 170 240 15

HSL 78.67, 0.88%, 0.5%

LAB 87.44, -48.16, 83.48

 

CMYK 55 / 0 / 94 / 6

HEX #6DF00F

RGB 109 240 15

HSL 94.93, 0.88%, 0.5%

LAB 84.79, -67.57, 80.25

 

CMYK 80 / 0 / 94 / 6

HEX #31F00F

RGB 49 240 15

HSL 110.93, 0.88%, 0.5%

LAB 83.45, -78.96, 78.59

 

CMYK 0 / 21 / 94 / 6

HEX #F0BD0F

RGB 240 189 15

HSL 46.4, 0.88%, 0.5%

LAB 79.02, 5.13, 79.35

 

CMYK 0 / 21 / 94 / 6

HEX #F0BD0F

RGB 240 189 15

HSL 46.4, 0.88%, 0.5%

LAB 79.02, 5.13, 79.35

 

CMYK 0 / 19 / 84 / 14

HEX #DBB124

RGB 219 177 36

HSL 46.23, 0.72%, 0.5%

LAB 73.95, 2.7, 70.34

 

CMYK 0 / 16 / 71 / 22

HEX #C6A639

RGB 198 166 57

HSL 46.38, 0.55%, 0.5%

LAB 69.16, 0.16, 58.05

 

CMYK 0 / 13 / 57 / 30

HEX #B29B4D

RGB 178 155 77

HSL 46.34, 0.4%, 0.5%

LAB 64.52, -1.34, 43.42

 

CMYK 0 / 8 / 38 / 38

HEX #9D9062

RGB 157 144 98

HSL 46.78, 0.23%, 0.5%

LAB 59.89, -2.17, 26.22

 

CMYK 0 / 72 / 94 / 6

HEX #F0440F

RGB 240 68 15

HSL 14.13, 0.88%, 0.5%

LAB 54.76, 63.65, 62.79

 

CMYK 0 / 47 / 94 / 6

HEX #F0800F

RGB 240 128 15

HSL 30.13, 0.88%, 0.5%

LAB 64.96, 37.06, 69.39

 

CMYK 0 / 22 / 94 / 6

HEX #F0BB0F

RGB 240 187 15

HSL 45.87, 0.88%, 0.5%

LAB 78.52, 6.17, 78.99

 

CMYK 3 / 0 / 94 / 6

HEX #E8F00F

RGB 232 240 15

HSL 62.13, 0.88%, 0.5%

LAB 91.46, -23.77, 88.35

 

CMYK 28 / 0 / 94 / 6

HEX #ACF00F

RGB 172 240 15

HSL 78.13, 0.88%, 0.5%

LAB 87.55, -47.43, 83.61

 

CMYK 0 / 21 / 94 / 36

HEX #A2800A

RGB 162 128 10

HSL 46.58, 0.88%, 0.34%

LAB 55.22, 3.13, 58.84

 

CMYK 0 / 21 / 94 / 21

HEX #C99E0D

RGB 201 158 13

HSL 46.28, 0.88%, 0.42%

LAB 67.2, 4.42, 69.14

 

CMYK 0 / 21 / 94 / 6

HEX #F0BD0F

RGB 240 189 15

HSL 46.4, 0.88%, 0.5%

LAB 79.02, 5.13, 79.35

 

CMYK 0 / 18 / 78 / 5

HEX #F2C736

RGB 242 199 54

HSL 46.28, 0.88%, 0.58%

LAB 81.83, 1.69, 72.71

 

CMYK 0 / 14 / 62 / 4

HEX #F5D25D

RGB 245 210 93

HSL 46.18, 0.88%, 0.66%

LAB 85.15, -0.77, 60.99

 

CMYK 0 / 21 / 94 / 6

HEX #EFBC0F

RGB 239 188 15

HSL 46.34, 0.88%, 0.5%

LAB 78.67, 5.22, 79.05

 

CMYK 90 / 0 / 94 / 6

HEX #17F00F

RGB 23 240 15

HSL 117.87, 0.88%, 0.5%

LAB 83.2, -81.2, 78.29

 

CMYK 59 / 94 / 0 / 6

HEX #620FF0

RGB 98 15 240

HSL 262.13, 0.88%, 0.5%

LAB 36.42, 76, -92.4

 

CMYK 0 / 21 / 94 / 6

HEX #EFBC0F

RGB 239 188 15

HSL 46.34, 0.88%, 0.5%

LAB 78.67, 5.22, 79.05

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BB

RGB 15 240 187

HSL 165.87, 0.88%, 0.5%

LAB 85, -59.64, 12.36

 

CMYK 22 / 94 / 0 / 6

HEX #BB0FF0

RGB 187 15 240

HSL 285.87, 0.88%, 0.5%

LAB 48.51, 85.02, -72.09

 

CMYK 0 / 21 / 94 / 6

HEX #EFBC0F

RGB 239 188 15

HSL 46.34, 0.88%, 0.5%

LAB 78.67, 5.22, 79.05

 

CMYK 90 / 0 / 94 / 6

HEX #17F00F

RGB 23 240 15

HSL 117.87, 0.88%, 0.5%

LAB 83.2, -81.2, 78.29

 

CMYK 94 / 72 / 0 / 6

HEX #0F44F0

RGB 15 68 240

HSL 225.87, 0.88%, 0.5%

LAB 38.77, 51, -88.65

 

CMYK 3 / 94 / 0 / 6

HEX #E80FF0

RGB 232 15 240

HSL 297.87, 0.88%, 0.5%

LAB 55.88, 91.59, -59.82

 

CMYK 0 / 21 / 94 / 6

HEX #EFBC0F

RGB 239 188 15

HSL 46.34, 0.88%, 0.5%

LAB 78.67, 5.22, 79.05

 

CMYK 94 / 0 / 69 / 6

HEX #0FF04B

RGB 15 240 75

HSL 136, 0.88%, 0.5%

LAB 83.41, -78.38, 63.52

 

CMYK 94 / 72 / 0 / 6

HEX #0F44F0

RGB 15 68 240

HSL 225.87, 0.88%, 0.5%

LAB 38.77, 51, -88.65

 

CMYK 0 / 94 / 25 / 6

HEX #F00FB4

RGB 240 15 180

HSL 316, 0.88%, 0.5%

LAB 54.2, 85.22, -28.08

 

Description

Color code: HEX #EFBC0F | qconv.com Color code: HEX #EFBC0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 188 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 188 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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