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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFB33ACE it is the complementary color #104CC5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFB33ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFB33ACE shade: #F4B335CE, #FFC548CE, #FFD75BCE, #FFE96ECE and #FFFB81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFB33ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFB33ACE shade: #EFB33ACE, #DEA127CE, #CD8F14CE, #BC7D01CE and #AB6B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFB33ACE shade: #EFB339, #EF8139, #EF5039 and #EF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFB33ACE shade: #EFB339, #EFE439, #C9EF39, #98EF39 and #67EF39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFB33ACE shade matches the following richer shades: #EFB339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFB33ACE shade: #EFB339, #DEAD4A, #CCA75C, #BBA16D and #AA9B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFB33ACE shade: #EF5139, #EF8239, #EFB239, #EFE339 and #CBEF39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFB33ACE shade: #C58910, #EBA413, #EFB339, #F2C15F and #F5D085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFB33ACE shade: #EFB33A, #51EF39 and #6939EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFB33ACE shade: #EFB33A, #39EFB2 and #B239EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFB33ACE shade: #EFB33A, #51EF39, #3976EF and #D739EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFB33ACE shade: #EFB33A, #39EF57, #3976EF and #EF39D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 61 / 5

HEX #EFB33ACE

RGBA 239 179 58 0.81

HSLA 40.11, 0.85%, 0.58%, 0.81

LABA 76.62, 10.99, 66.36, 0.81

 

Complementary color

CMYK 74 / 50 / 0 / 18

HEX #104CC5CE

RGBA 16 76 197 0.81

HSLA 220.11, 0.85%, 0.42%, 0.81

LABA 36.57, 30.18, -67.61, 0.81

 

CMYK 0 / 22 / 63 / 3

HEX #F4B335CE

RGBA 244 179 53 0.81

HSLA 39.58, 0.9%, 0.58%, 0.81

LABA 77.12, 12.92, 68.83, 0.81

 

CMYK 0 / 18 / 58 / 0

HEX #FFC548CE

RGBA 255 197 72 0.81

HSLA 40.98, 1%, 0.64%, 0.81

LABA 82.73, 8.94, 67.52, 0.81

 

CMYK 0 / 13 / 52 / 0

HEX #FFD75BCE

RGBA 255 215 91 0.81

HSLA 45.37, 1%, 0.68%, 0.81

LABA 87.3, 0.68, 64.46, 0.81

 

CMYK 0 / 7 / 46 / 0

HEX #FFE96ECE

RGBA 255 233 110 0.81

HSLA 50.9, 1%, 0.72%, 0.81

LABA 91.98, -7.14, 61.36, 0.81

 

CMYK 0 / 1 / 40 / 0

HEX #FFFB81CE

RGBA 255 251 129 0.81

HSLA 58.1, 1%, 0.75%, 0.81

LABA 96.75, -14.52, 58.33, 0.81

 

CMYK 0 / 20 / 61 / 5

HEX #EFB33ACE

RGBA 239 179 58 0.81

HSLA 40.11, 0.85%, 0.58%, 0.81

LABA 76.62, 10.99, 66.36, 0.81

 

CMYK 0 / 22 / 67 / 10

HEX #DEA127CE

RGBA 222 161 39 0.81

HSLA 40, 0.73%, 0.51%, 0.81

LABA 70.29, 12.59, 66.48, 0.81

 

CMYK 0 / 24 / 73 / 16

HEX #CD8F14CE

RGBA 205 143 20 0.81

HSLA 39.89, 0.82%, 0.44%, 0.81

LABA 63.9, 14.43, 65.58, 0.81

 

CMYK 0 / 27 / 81 / 21

HEX #BC7D01CE

RGBA 188 125 1 0.81

HSLA 39.79, 0.99%, 0.37%, 0.81

LABA 57.43, 16.51, 63.34, 0.81

 

CMYK 0 / 30 / 81 / 27

HEX #AB6B00CE

RGBA 171 107 0 0.81

HSLA 37.54, 1%, 0.34%, 0.81

LABA 50.89, 18.92, 58.19, 0.81

 

CMYK 0 / 25 / 76 / 6

HEX #EFB339

RGB 239 179 57

HSL 40.22, 0.85%, 0.58%

LAB 76.61, 10.95, 66.73

 

CMYK 0 / 46 / 76 / 6

HEX #EF8139

RGB 239 129 57

HSL 23.74, 0.85%, 0.58%

LAB 65.24, 37.17, 55.7

 

CMYK 0 / 67 / 76 / 6

HEX #EF5039

RGB 239 80 57

HSL 7.58, 0.85%, 0.58%

LAB 56.47, 59.82, 46.74

 

CMYK 0 / 76 / 76 / 6

HEX #EF3939

RGB 239 57 57

HSL 0, 0.85%, 0.58%

LAB 53.57, 67.82, 43.66

 

CMYK 0 / 25 / 76 / 6

HEX #EFB339

RGB 239 179 57

HSL 40.22, 0.85%, 0.58%

LAB 76.61, 10.95, 66.73

 

CMYK 0 / 5 / 76 / 6

HEX #EFE439

RGB 239 228 57

HSL 56.37, 0.85%, 0.58%

LAB 88.99, -14.1, 78.17

 

CMYK 16 / 0 / 76 / 6

HEX #C9EF39

RGB 201 239 57

HSL 72.53, 0.85%, 0.58%

LAB 89.13, -34.76, 77.27

 

CMYK 36 / 0 / 76 / 6

HEX #98EF39

RGB 152 239 57

HSL 88.68, 0.85%, 0.58%

LAB 86.36, -52.79, 73.68

 

CMYK 57 / 0 / 76 / 6

HEX #67EF39

RGB 103 239 57

HSL 104.84, 0.85%, 0.58%

LAB 84.44, -67.19, 71.18

 

CMYK 0 / 25 / 76 / 6

HEX #EFB339

RGB 239 179 57

HSL 40.22, 0.85%, 0.58%

LAB 76.61, 10.95, 66.73

 

CMYK 0 / 25 / 76 / 6

HEX #EFB339

RGB 239 179 57

HSL 40.22, 0.85%, 0.58%

LAB 76.61, 10.95, 66.73

 

CMYK 0 / 22 / 67 / 13

HEX #DEAD4A

RGB 222 173 74

HSL 40.14, 0.69%, 0.58%

LAB 73.49, 7.7, 56.06

 

CMYK 0 / 18 / 55 / 20

HEX #CCA75C

RGB 204 167 92

HSL 40.18, 0.52%, 0.58%

LAB 70.35, 4.53, 43.46

 

CMYK 0 / 14 / 42 / 27

HEX #BBA16D

RGB 187 161 109

HSL 40, 0.36%, 0.58%

LAB 67.4, 2.29, 30.59

 

CMYK 0 / 9 / 26 / 33

HEX #AA9B7E

RGB 170 155 126

HSL 39.55, 0.21%, 0.58%

LAB 64.56, 0.83, 17.23

 

CMYK 0 / 66 / 76 / 6

HEX #EF5139

RGB 239 81 57

HSL 7.91, 0.85%, 0.58%

LAB 56.62, 59.43, 46.89

 

CMYK 0 / 46 / 76 / 6

HEX #EF8239

RGB 239 130 57

HSL 24.07, 0.85%, 0.58%

LAB 65.44, 36.66, 55.91

 

CMYK 0 / 26 / 76 / 6

HEX #EFB239

RGB 239 178 57

HSL 39.89, 0.85%, 0.58%

LAB 76.37, 11.47, 66.5

 

CMYK 0 / 5 / 76 / 6

HEX #EFE339

RGB 239 227 57

HSL 56.04, 0.85%, 0.58%

LAB 88.73, -13.61, 77.93

 

CMYK 15 / 0 / 76 / 6

HEX #CBEF39

RGB 203 239 57

HSL 71.87, 0.85%, 0.58%

LAB 89.26, -33.98, 77.44

 

CMYK 0 / 30 / 92 / 23

HEX #C58910

RGB 197 137 16

HSL 40.11, 0.85%, 0.42%

LAB 61.48, 14.1, 64.17

 

CMYK 0 / 30 / 92 / 8

HEX #EBA413

RGB 235 164 19

HSL 40.28, 0.85%, 0.5%

LAB 72.4, 16.17, 73.66

 

CMYK 0 / 25 / 76 / 6

HEX #EFB339

RGB 239 179 57

HSL 40.22, 0.85%, 0.58%

LAB 76.61, 10.95, 66.73

 

CMYK 0 / 20 / 61 / 5

HEX #F2C15F

RGB 242 193 95

HSL 40, 0.85%, 0.66%

LAB 80.65, 6.89, 54.98

 

CMYK 0 / 15 / 46 / 4

HEX #F5D085

RGB 245 208 133

HSL 40.18, 0.85%, 0.74%

LAB 85.11, 3.45, 41.94

 

CMYK 0 / 25 / 76 / 6

HEX #EFB33A

RGB 239 179 58

HSL 40.11, 0.85%, 0.58%

LAB 76.62, 10.99, 66.36

 

CMYK 66 / 0 / 76 / 6

HEX #51EF39

RGB 81 239 57

HSL 112.09, 0.85%, 0.58%

LAB 83.85, -72.01, 70.41

 

CMYK 56 / 76 / 0 / 6

HEX #6939EF

RGB 105 57 239

HSL 255.82, 0.85%, 0.58%

LAB 41.47, 63.26, -83.47

 

CMYK 0 / 25 / 76 / 6

HEX #EFB33A

RGB 239 179 58

HSL 40.11, 0.85%, 0.58%

LAB 76.62, 10.99, 66.36

 

CMYK 76 / 0 / 26 / 6

HEX #39EFB2

RGB 57 239 178

HSL 159.89, 0.85%, 0.58%

LAB 84.9, -58.4, 16.96

 

CMYK 26 / 76 / 0 / 6

HEX #B239EF

RGB 178 57 239

HSL 279.89, 0.85%, 0.58%

LAB 50.24, 74.22, -68.77

 

CMYK 0 / 25 / 76 / 6

HEX #EFB33A

RGB 239 179 58

HSL 40.11, 0.85%, 0.58%

LAB 76.62, 10.99, 66.36

 

CMYK 66 / 0 / 76 / 6

HEX #51EF39

RGB 81 239 57

HSL 112.09, 0.85%, 0.58%

LAB 83.85, -72.01, 70.41

 

CMYK 76 / 51 / 0 / 6

HEX #3976EF

RGB 57 118 239

HSL 219.89, 0.85%, 0.58%

LAB 51.9, 22.22, -66.56

 

CMYK 10 / 76 / 0 / 6

HEX #D739EF

RGB 215 57 239

HSL 292.09, 0.85%, 0.58%

LAB 55.69, 80.88, -59.71

 

CMYK 0 / 25 / 76 / 6

HEX #EFB33A

RGB 239 179 58

HSL 40.11, 0.85%, 0.58%

LAB 76.62, 10.99, 66.36

 

CMYK 76 / 0 / 64 / 6

HEX #39EF57

RGB 57 239 87

HSL 129.89, 0.85%, 0.58%

LAB 83.6, -73.4, 59.12

 

CMYK 76 / 51 / 0 / 6

HEX #3976EF

RGB 57 118 239

HSL 219.89, 0.85%, 0.58%

LAB 51.9, 22.22, -66.56

 

CMYK 0 / 76 / 13 / 6

HEX #EF39D1

RGB 239 57 209

HSL 309.89, 0.85%, 0.58%

LAB 57.92, 81.1, -38.99

 

Description

Color code: HEX #EFB33ACE | qconv.com Color code: HEX #EFB33ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 179 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 179 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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