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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFB2B5 it is the complementary color #104D4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFB2B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFB2B5 shade: #F4B2B0, #FFC4C3, #FFD6D6, #FFE8E9 and #FFFAFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFB2B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFB2B5 shade: #EFB2B5, #DEA0A2, #CD8E8F, #BC7C7C and #AB6A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFB2B5 shade: #EFB2B5 and #EFB2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFB2B5 shade: #EFB2B5, #EFB2C6, #EFB2D6, #EFB2E6 and #E7B2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFB2B5 shade matches the following richer shades: #EFB2B5, #F6ABAF and #FEA3A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFB2B5 shade: #EFB2B5, #E7BABC, #E0C1C3, #D9C9C9 and #D1D0D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFB2B5 shade: #EFB2D6, #EFB2C5, #EFB2B5, #EFBFB2 and #EFD0B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFB2B5 shade: #E16E73, #E89094, #EFB2B5, #F6D5D6 and #FDF7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFB2B5 shade: #EFB2B5, #E6EFB2 and #B2CEEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFB2B5 shade: #EFB2B5, #B5EFB2 and #B2B5EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFB2B5 shade: #EFB2B5, #E6EFB2, #B2EFEC and #BBB2EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFB2B5 shade: #EFB2B5, #D4EFB2, #B2EFEC and #CEB2EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

Complementary color

CMYK 79 / 0 / 4 / 70

HEX #104D4A

RGB 16 77 74

HSL 177.05, 0.66%, 0.18%

LAB 29.19, -19.38, -3.72

 

CMYK 0 / 27 / 28 / 4

HEX #F4B2B0

RGB 244 178 176

HSL 1.76, 0.76%, 0.82%

LAB 78.58, 23.76, 10.52

 

CMYK 0 / 23 / 24 / 0

HEX #FFC4C3

RGB 255 196 195

HSL 1, 1%, 0.88%

LAB 84.32, 20.9, 8.65

 

CMYK 0 / 16 / 16 / 0

HEX #FFD6D6

RGB 255 214 214

HSL 0, 1%, 0.92%

LAB 89.02, 14.29, 5.34

 

CMYK 0 / 9 / 9 / 0

HEX #FFE8E9

RGB 255 232 233

HSL 357.39, 1%, 0.95%

LAB 93.82, 7.99, 2.35

 

CMYK 0 / 2 / 1 / 0

HEX #FFFAFC

RGB 255 250 252

HSL 336, 1%, 0.99%

LAB 98.69, 2.01, -0.38

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 0 / 28 / 27 / 13

HEX #DEA0A2

RGB 222 160 162

HSL 358.06, 0.48%, 0.75%

LAB 71.74, 23.3, 8.11

 

CMYK 0 / 31 / 30 / 20

HEX #CD8E8F

RGB 205 142 143

HSL 359.05, 0.39%, 0.68%

LAB 65.21, 24.06, 9.14

 

CMYK 0 / 34 / 34 / 26

HEX #BC7C7C

RGB 188 124 124

HSL 0, 0.32%, 0.61%

LAB 58.57, 24.92, 10.27

 

CMYK 0 / 38 / 39 / 33

HEX #AB6A69

RGB 171 106 105

HSL 0.91, 0.28%, 0.54%

LAB 51.82, 25.87, 11.55

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 0 / 26 / 26 / 6

HEX #EFB2B2

RGB 239 178 178

HSL 0, 0.66%, 0.82%

LAB 78.11, 22.19, 8.7

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 0 / 26 / 17 / 6

HEX #EFB2C6

RGB 239 178 198

HSL 340.33, 0.66%, 0.82%

LAB 78.62, 25.12, -1.42

 

CMYK 0 / 26 / 10 / 6

HEX #EFB2D6

RGB 239 178 214

HSL 324.59, 0.66%, 0.82%

LAB 79.07, 27.68, -9.43

 

CMYK 0 / 26 / 4 / 6

HEX #EFB2E6

RGB 239 178 230

HSL 308.85, 0.66%, 0.82%

LAB 79.56, 30.42, -17.34

 

CMYK 3 / 26 / 0 / 6

HEX #E7B2EF

RGB 231 178 239

HSL 292.13, 0.66%, 0.82%

LAB 79.08, 29.47, -23

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 0 / 30 / 29 / 4

HEX #F6ABAF

RGB 246 171 175

HSL 356.8, 0.81%, 0.82%

LAB 77.17, 28.06, 9.08

 

CMYK 0 / 36 / 34 / 0

HEX #FEA3A8

RGB 254 163 168

HSL 356.7, 0.98%, 0.82%

LAB 76.13, 34.28, 11.54

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 0 / 19 / 19 / 9

HEX #E7BABC

RGB 231 186 188

HSL 357.33, 0.48%, 0.82%

LAB 79.46, 16.46, 5.12

 

CMYK 0 / 14 / 13 / 12

HEX #E0C1C3

RGB 224 193 195

HSL 356.13, 0.33%, 0.82%

LAB 80.7, 11.3, 3.06

 

CMYK 0 / 7 / 7 / 15

HEX #D9C9C9

RGB 217 201 201

HSL 0, 0.17%, 0.82%

LAB 82.24, 5.58, 2

 

CMYK 0 / 0 / 0 / 18

HEX #D1D0D0

RGB 209 208 208

HSL 0, 0.01%, 0.82%

LAB 83.56, 0.35, 0.11

 

CMYK 0 / 26 / 10 / 6

HEX #EFB2D6

RGB 239 178 214

HSL 324.59, 0.66%, 0.82%

LAB 79.07, 27.68, -9.43

 

CMYK 0 / 26 / 18 / 6

HEX #EFB2C5

RGB 239 178 197

HSL 341.31, 0.66%, 0.82%

LAB 78.59, 24.96, -0.92

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 0 / 20 / 26 / 6

HEX #EFBFB2

RGB 239 191 178

HSL 12.79, 0.66%, 0.82%

LAB 81.2, 15.3, 13.08

 

CMYK 0 / 13 / 26 / 6

HEX #EFD0B2

RGB 239 208 178

HSL 29.51, 0.66%, 0.82%

LAB 85.34, 6.37, 18.9

 

CMYK 0 / 51 / 49 / 12

HEX #E16E73

RGB 225 110 115

HSL 357.39, 0.66%, 0.66%

LAB 60.25, 45.18, 18.52

 

CMYK 0 / 38 / 36 / 9

HEX #E89094

RGB 232 144 148

HSL 357.27, 0.66%, 0.74%

LAB 68.93, 33.76, 12.04

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 0 / 13 / 13 / 4

HEX #F6D5D6

RGB 246 213 214

HSL 358.18, 0.65%, 0.9%

LAB 87.99, 11.63, 3.74

 

CMYK 0 / 2 / 2 / 1

HEX #FDF7F7

RGB 253 247 247

HSL 0, 0.6%, 0.98%

LAB 97.68, 2, 0.7

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 4 / 0 / 26 / 6

HEX #E6EFB2

RGB 230 239 178

HSL 68.85, 0.66%, 0.82%

LAB 92.47, -12.75, 28.58

 

CMYK 26 / 14 / 0 / 6

HEX #B2CEEF

RGB 178 206 239

HSL 212.46, 0.66%, 0.82%

LAB 81.75, -2.15, -19.34

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 24 / 0 / 26 / 6

HEX #B5EFB2

RGB 181 239 178

HSL 117.05, 0.66%, 0.82%

LAB 89.29, -29.82, 23.71

 

CMYK 26 / 24 / 0 / 6

HEX #B2B5EF

RGB 178 181 239

HSL 237.05, 0.66%, 0.82%

LAB 75.29, 11.37, -29.18

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 4 / 0 / 26 / 6

HEX #E6EFB2

RGB 230 239 178

HSL 68.85, 0.66%, 0.82%

LAB 92.47, -12.75, 28.58

 

CMYK 26 / 0 / 1 / 6

HEX #B2EFEC

RGB 178 239 236

HSL 177.05, 0.66%, 0.82%

LAB 90.44, -19.71, -4.79

 

CMYK 22 / 26 / 0 / 6

HEX #BBB2EF

RGB 187 178 239

HSL 248.85, 0.66%, 0.82%

LAB 75.23, 15.71, -29.23

 

CMYK 0 / 26 / 24 / 6

HEX #EFB2B5

RGB 239 178 181

HSL 357.05, 0.66%, 0.82%

LAB 78.19, 22.61, 7.18

 

CMYK 11 / 0 / 26 / 6

HEX #D4EFB2

RGB 212 239 178

HSL 86.56, 0.66%, 0.82%

LAB 91.21, -19.22, 26.65

 

CMYK 26 / 0 / 1 / 6

HEX #B2EFEC

RGB 178 239 236

HSL 177.05, 0.66%, 0.82%

LAB 90.44, -19.71, -4.79

 

CMYK 14 / 26 / 0 / 6

HEX #CEB2EF

RGB 206 178 239

HSL 267.54, 0.66%, 0.82%

LAB 76.8, 21.55, -26.68

 

Description

Color code: HEX #EFB2B5 | qconv.com Color code: HEX #EFB2B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 178 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 178 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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