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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFB118 it is the complementary color #104EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFB118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFB118 shade: #F4B113, #FFC326, #FFD539, #FFE74C and #FFF95F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFB118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFB118 shade: #EFB118, #DE9F05, #CD8D00, #BC7B00 and #AB6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFB118 shade: #EFB21A, #EF781A, #EF3F1A and #EF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFB118 shade: #EFB21A, #EFEB1A, #BAEF1A, #80EF1A and #47EF1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFB118 shade matches the following richer shades: #EFB21A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFB118 shade: #EFB21A, #DBA92E, #C7A142, #B49956 and #A09069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFB118 shade: #EF3E1A, #EF761A, #EFAF1A, #EFE81A and #BDEF1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFB118 shade: #AB7D0C, #D1990F, #EFB21A, #F2BF41 and #F4CC67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFB118 shade: #EFB118, #2FEF1A and #5A1AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFB118 shade: #EFB118, #1AEFAF and #AF1AEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFB118 shade: #EFB118, #2FEF1A, #1A5AEF and #DA1AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFB118 shade: #EFB118, #1AEF45, #1A5AEF and #EF1AC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 90 / 6

HEX #EFB118

RGB 239 177 24

HSL 42.7, 0.87%, 0.52%

LAB 75.98, 11.1, 75.62

 

Complementary color

CMYK 93 / 66 / 0 / 9

HEX #104EE7

RGB 16 78 231

HSL 222.7, 0.87%, 0.48%

LAB 40.13, 41.77, -81.31

 

CMYK 0 / 27 / 92 / 4

HEX #F4B113

RGB 244 177 19

HSL 42.13, 0.91%, 0.52%

LAB 76.51, 13.17, 77.14

 

CMYK 0 / 24 / 85 / 0

HEX #FFC326

RGB 255 195 38

HSL 43.41, 1%, 0.57%

LAB 82.07, 8.81, 78.03

 

CMYK 0 / 16 / 78 / 0

HEX #FFD539

RGB 255 213 57

HSL 47.27, 1%, 0.61%

LAB 86.58, 0.12, 76.51

 

CMYK 0 / 9 / 70 / 0

HEX #FFE74C

RGB 255 231 76

HSL 51.96, 1%, 0.65%

LAB 91.2, -8.16, 74.41

 

CMYK 0 / 2 / 63 / 0

HEX #FFF95F

RGB 255 249 95

HSL 57.75, 1%, 0.69%

LAB 95.93, -15.98, 72

 

CMYK 0 / 26 / 90 / 6

HEX #EFB118

RGB 239 177 24

HSL 42.7, 0.87%, 0.52%

LAB 75.98, 11.1, 75.62

 

CMYK 0 / 28 / 98 / 13

HEX #DE9F05

RGB 222 159 5

HSL 42.58, 0.96%, 0.45%

LAB 69.71, 13.06, 73.01

 

CMYK 0 / 31 / 100 / 20

HEX #CD8D00

RGB 205 141 0

HSL 41.27, 1%, 0.4%

LAB 63.37, 15.26, 68.45

 

CMYK 0 / 35 / 100 / 26

HEX #BC7B00

RGB 188 123 0

HSL 39.26, 1%, 0.37%

LAB 56.94, 17.61, 63.2

 

CMYK 0 / 39 / 100 / 33

HEX #AB6900

RGB 171 105 0

HSL 36.84, 1%, 0.34%

LAB 50.41, 20.04, 57.88

 

CMYK 0 / 26 / 89 / 6

HEX #EFB21A

RGB 239 178 26

HSL 42.82, 0.87%, 0.52%

LAB 76.23, 10.61, 75.41

 

CMYK 0 / 50 / 89 / 6

HEX #EF781A

RGB 239 120 26

HSL 26.48, 0.87%, 0.52%

LAB 63.23, 40.85, 65.52

 

CMYK 0 / 74 / 89 / 6

HEX #EF3F1A

RGB 239 63 26

HSL 10.42, 0.87%, 0.52%

LAB 54.01, 65.17, 58.72

 

CMYK 0 / 89 / 89 / 6

HEX #EF1A1A

RGB 239 26 26

HSL 0, 0.87%, 0.52%

LAB 50.88, 74, 56.48

 

CMYK 0 / 26 / 89 / 6

HEX #EFB21A

RGB 239 178 26

HSL 42.82, 0.87%, 0.52%

LAB 76.23, 10.61, 75.41

 

CMYK 0 / 2 / 89 / 6

HEX #EFEB1A

RGB 239 235 26

HSL 58.87, 0.87%, 0.52%

LAB 90.71, -18.32, 86.65

 

CMYK 22 / 0 / 89 / 6

HEX #BAEF1A

RGB 186 239 26

HSL 74.93, 0.87%, 0.52%

LAB 88.09, -41.55, 82.99

 

CMYK 46 / 0 / 89 / 6

HEX #80EF1A

RGB 128 239 26

HSL 91.27, 0.87%, 0.52%

LAB 85.2, -61.65, 79.43

 

CMYK 70 / 0 / 89 / 6

HEX #47EF1A

RGB 71 239 26

HSL 107.32, 0.87%, 0.52%

LAB 83.52, -75.25, 77.34

 

CMYK 0 / 26 / 89 / 6

HEX #EFB21A

RGB 239 178 26

HSL 42.82, 0.87%, 0.52%

LAB 76.23, 10.61, 75.41

 

CMYK 0 / 26 / 89 / 6

HEX #EFB21A

RGB 239 178 26

HSL 42.82, 0.87%, 0.52%

LAB 76.23, 10.61, 75.41

 

CMYK 0 / 23 / 79 / 14

HEX #DBA92E

RGB 219 169 46

HSL 42.66, 0.71%, 0.52%

LAB 71.98, 7.24, 65.57

 

CMYK 0 / 19 / 67 / 22

HEX #C7A142

RGB 199 161 66

HSL 42.86, 0.54%, 0.52%

LAB 68.04, 3.77, 53.1

 

CMYK 0 / 15 / 52 / 29

HEX #B49956

RGB 180 153 86

HSL 42.77, 0.39%, 0.52%

LAB 64.29, 1.38, 38.64

 

CMYK 0 / 10 / 34 / 37

HEX #A09069

RGB 160 144 105

HSL 42.55, 0.22%, 0.52%

LAB 60.28, -0.05, 22.93

 

CMYK 0 / 74 / 89 / 6

HEX #EF3E1A

RGB 239 62 26

HSL 10.14, 0.87%, 0.52%

LAB 53.89, 65.49, 58.64

 

CMYK 0 / 51 / 89 / 6

HEX #EF761A

RGB 239 118 26

HSL 25.92, 0.87%, 0.52%

LAB 62.83, 41.85, 65.22

 

CMYK 0 / 27 / 89 / 6

HEX #EFAF1A

RGB 239 175 26

HSL 41.97, 0.87%, 0.52%

LAB 75.5, 12.19, 74.85

 

CMYK 0 / 3 / 89 / 6

HEX #EFE81A

RGB 239 232 26

HSL 58.03, 0.87%, 0.52%

LAB 89.92, -16.87, 86.03

 

CMYK 21 / 0 / 89 / 6

HEX #BDEF1A

RGB 189 239 26

HSL 74.08, 0.87%, 0.52%

LAB 88.27, -40.39, 83.22

 

CMYK 0 / 27 / 93 / 33

HEX #AB7D0C

RGB 171 125 12

HSL 42.64, 0.87%, 0.36%

LAB 55.43, 8.98, 59.09

 

CMYK 0 / 27 / 93 / 18

HEX #D1990F

RGB 209 153 15

HSL 42.68, 0.87%, 0.44%

LAB 66.8, 10.69, 68.91

 

CMYK 0 / 26 / 89 / 6

HEX #EFB21A

RGB 239 178 26

HSL 42.82, 0.87%, 0.52%

LAB 76.23, 10.61, 75.41

 

CMYK 0 / 21 / 73 / 5

HEX #F2BF41

RGB 242 191 65

HSL 42.71, 0.87%, 0.6%

LAB 79.91, 6.27, 67.01

 

CMYK 0 / 16 / 58 / 4

HEX #F4CC67

RGB 244 204 103

HSL 42.98, 0.87%, 0.68%

LAB 83.65, 2.58, 54.75

 

CMYK 0 / 26 / 90 / 6

HEX #EFB118

RGB 239 177 24

HSL 42.7, 0.87%, 0.52%

LAB 75.98, 11.1, 75.62

 

CMYK 80 / 0 / 89 / 6

HEX #2FEF1A

RGB 47 239 26

HSL 114.08, 0.87%, 0.52%

LAB 83.13, -78.64, 76.86

 

CMYK 62 / 89 / 0 / 6

HEX #5A1AEF

RGB 90 26 239

HSL 258.03, 0.87%, 0.52%

LAB 36.26, 72.95, -92.13

 

CMYK 0 / 26 / 90 / 6

HEX #EFB118

RGB 239 177 24

HSL 42.7, 0.87%, 0.52%

LAB 75.98, 11.1, 75.62

 

CMYK 89 / 0 / 27 / 6

HEX #1AEFAF

RGB 26 239 175

HSL 161.97, 0.87%, 0.52%

LAB 84.51, -61.58, 17.91

 

CMYK 27 / 89 / 0 / 6

HEX #AF1AEF

RGB 175 26 239

HSL 281.97, 0.87%, 0.52%

LAB 47.09, 81.72, -73.93

 

CMYK 0 / 26 / 90 / 6

HEX #EFB118

RGB 239 177 24

HSL 42.7, 0.87%, 0.52%

LAB 75.98, 11.1, 75.62

 

CMYK 80 / 0 / 89 / 6

HEX #2FEF1A

RGB 47 239 26

HSL 114.08, 0.87%, 0.52%

LAB 83.13, -78.64, 76.86

 

CMYK 89 / 62 / 0 / 6

HEX #1A5AEF

RGB 26 90 239

HSL 221.97, 0.87%, 0.52%

LAB 43.89, 37.55, -79.64

 

CMYK 9 / 89 / 0 / 6

HEX #DA1AEF

RGB 218 26 239

HSL 294.08, 0.87%, 0.52%

LAB 53.9, 88.03, -62.57

 

CMYK 0 / 26 / 90 / 6

HEX #EFB118

RGB 239 177 24

HSL 42.7, 0.87%, 0.52%

LAB 75.98, 11.1, 75.62

 

CMYK 89 / 0 / 71 / 6

HEX #1AEF45

RGB 26 239 69

HSL 132.11, 0.87%, 0.52%

LAB 83.12, -78.07, 65.43

 

CMYK 89 / 62 / 0 / 6

HEX #1A5AEF

RGB 26 90 239

HSL 221.97, 0.87%, 0.52%

LAB 43.89, 37.55, -79.64

 

CMYK 0 / 89 / 18 / 6

HEX #EF1AC4

RGB 239 26 196

HSL 312.11, 0.87%, 0.52%

LAB 55.15, 85.68, -35.89

 

Description

Color code: HEX #EFB118 | qconv.com Color code: HEX #EFB118 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 177 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 177 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 90% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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