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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFABC0 it is the complementary color #10543F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFABC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFABC0 shade: #F4ABBB, #FFBDCE, #FFCFE1, #FFE1F4 and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFABC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFABC0 shade: #EFABC0, #DE99AD, #CD879A, #BC7587 and #AB6374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFABC0 shade: #EFA9BF, #EFA9AC and #EFA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFABC0 shade: #EFA9BF, #EFA9D1, #EFA9E4, #E7A9EF and #D4A9EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFABC0 shade matches the following richer shades: #EFA9BF and #F7A1BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFABC0 shade: #EFA9BF, #E6B2C2, #DEBAC5, #D6C2C8 and #CECACB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFABC0 shade: #EFA9E4, #EFA9D2, #EFA9BF, #EFA9AD and #EFB8A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFABC0 shade: #E1648B, #E887A5, #EFA9BF, #F5CCD9 and #FCEFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFABC0 shade: #EFABC0, #EFE7A9 and #A9DBEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFABC0 shade: #EFABC0, #BFEFA9 and #A9BFEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFABC0 shade: #EFABC0, #EFE7A9, #A9EFD9 and #A9B1EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFABC0 shade: #EFABC0, #E2EFA9, #A9EFD9 and #B6A9EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 20 / 6

HEX #EFABC0

RGB 239 171 192

HSL 341.47, 0.68%, 0.8%

LAB 76.85, 27.93, -0.75

 

Complementary color

CMYK 81 / 0 / 25 / 67

HEX #10543F

RGB 16 84 63

HSL 161.47, 0.68%, 0.2%

LAB 31.37, -26.28, 6.46

 

CMYK 0 / 30 / 23 / 4

HEX #F4ABBB

RGB 244 171 187

HSL 346.85, 0.77%, 0.81%

LAB 77.25, 28.98, 2.63

 

CMYK 0 / 26 / 19 / 0

HEX #FFBDCE

RGB 255 189 206

HSL 344.55, 1%, 0.87%

LAB 82.97, 26.17, 0.82

 

CMYK 0 / 19 / 12 / 0

HEX #FFCFE1

RGB 255 207 225

HSL 337.5, 1%, 0.91%

LAB 87.64, 19.67, -2.48

 

CMYK 0 / 12 / 4 / 0

HEX #FFE1F4

RGB 255 225 244

HSL 322, 1%, 0.94%

LAB 92.42, 13.45, -5.45

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 28 / 20 / 6

HEX #EFABC0

RGB 239 171 192

HSL 341.47, 0.68%, 0.8%

LAB 76.85, 27.93, -0.75

 

CMYK 0 / 31 / 22 / 13

HEX #DE99AD

RGB 222 153 173

HSL 342.61, 0.51%, 0.74%

LAB 70.41, 28.64, 0.08

 

CMYK 0 / 34 / 25 / 20

HEX #CD879A

RGB 205 135 154

HSL 343.71, 0.41%, 0.67%

LAB 63.87, 29.41, 0.99

 

CMYK 0 / 38 / 28 / 26

HEX #BC7587

RGB 188 117 135

HSL 344.79, 0.35%, 0.6%

LAB 57.23, 30.25, 2

 

CMYK 0 / 42 / 32 / 33

HEX #AB6374

RGB 171 99 116

HSL 345.83, 0.3%, 0.53%

LAB 50.5, 31.17, 3.15

 

CMYK 0 / 29 / 20 / 6

HEX #EFA9BF

RGB 239 169 191

HSL 341.14, 0.69%, 0.8%

LAB 76.37, 28.84, -0.91

 

CMYK 0 / 29 / 28 / 6

HEX #EFA9AC

RGB 239 169 172

HSL 357.43, 0.69%, 0.8%

LAB 75.89, 26.15, 8.78

 

CMYK 0 / 29 / 29 / 6

HEX #EFA9A9

RGB 239 169 169

HSL 0, 0.69%, 0.8%

LAB 75.82, 25.75, 10.32

 

CMYK 0 / 29 / 20 / 6

HEX #EFA9BF

RGB 239 169 191

HSL 341.14, 0.69%, 0.8%

LAB 76.37, 28.84, -0.91

 

CMYK 0 / 29 / 13 / 6

HEX #EFA9D1

RGB 239 169 209

HSL 325.71, 0.69%, 0.8%

LAB 76.88, 31.64, -9.98

 

CMYK 0 / 29 / 5 / 6

HEX #EFA9E4

RGB 239 169 228

HSL 309.43, 0.69%, 0.8%

LAB 77.48, 34.84, -19.41

 

CMYK 3 / 29 / 0 / 6

HEX #E7A9EF

RGB 231 169 239

HSL 293.14, 0.69%, 0.8%

LAB 77.04, 34.28, -26.11

 

CMYK 11 / 29 / 0 / 6

HEX #D4A9EF

RGB 212 169 239

HSL 276.86, 0.69%, 0.8%

LAB 75.2, 28.32, -29.08

 

CMYK 0 / 29 / 20 / 6

HEX #EFA9BF

RGB 239 169 191

HSL 341.14, 0.69%, 0.8%

LAB 76.37, 28.84, -0.91

 

CMYK 0 / 35 / 24 / 3

HEX #F7A1BC

RGB 247 161 188

HSL 341.16, 0.84%, 0.8%

LAB 75.39, 35.44, -0.59

 

CMYK 0 / 29 / 20 / 6

HEX #EFA9BF

RGB 239 169 191

HSL 341.14, 0.69%, 0.8%

LAB 76.37, 28.84, -0.91

 

CMYK 0 / 23 / 16 / 10

HEX #E6B2C2

RGB 230 178 194

HSL 341.54, 0.51%, 0.8%

LAB 77.61, 21.3, -0.83

 

CMYK 0 / 16 / 11 / 13

HEX #DEBAC5

RGB 222 186 197

HSL 341.67, 0.35%, 0.8%

LAB 78.86, 14.65, -0.73

 

CMYK 0 / 9 / 7 / 16

HEX #D6C2C8

RGB 214 194 200

HSL 342, 0.2%, 0.8%

LAB 80.21, 8.06, -0.45

 

CMYK 0 / 2 / 1 / 19

HEX #CECACB

RGB 206 202 203

HSL 345, 0.04%, 0.8%

LAB 81.66, 1.56, -0.02

 

CMYK 0 / 29 / 5 / 6

HEX #EFA9E4

RGB 239 169 228

HSL 309.43, 0.69%, 0.8%

LAB 77.48, 34.84, -19.41

 

CMYK 0 / 29 / 12 / 6

HEX #EFA9D2

RGB 239 169 210

HSL 324.86, 0.69%, 0.8%

LAB 76.91, 31.8, -10.48

 

CMYK 0 / 29 / 20 / 6

HEX #EFA9BF

RGB 239 169 191

HSL 341.14, 0.69%, 0.8%

LAB 76.37, 28.84, -0.91

 

CMYK 0 / 29 / 28 / 6

HEX #EFA9AD

RGB 239 169 173

HSL 356.57, 0.69%, 0.8%

LAB 75.91, 26.28, 8.27

 

CMYK 0 / 23 / 29 / 6

HEX #EFB8A9

RGB 239 184 169

HSL 12.86, 0.69%, 0.8%

LAB 79.33, 17.79, 15.28

 

CMYK 0 / 56 / 38 / 12

HEX #E1648B

RGB 225 100 139

HSL 341.28, 0.68%, 0.64%

LAB 58.96, 52.42, 2.8

 

CMYK 0 / 42 / 29 / 9

HEX #E887A5

RGB 232 135 165

HSL 341.44, 0.68%, 0.72%

LAB 67.43, 40.59, 0.35

 

CMYK 0 / 29 / 20 / 6

HEX #EFA9BF

RGB 239 169 191

HSL 341.14, 0.69%, 0.8%

LAB 76.37, 28.84, -0.91

 

CMYK 0 / 17 / 11 / 4

HEX #F5CCD9

RGB 245 204 217

HSL 340.98, 0.67%, 0.88%

LAB 85.81, 16.48, -1.03

 

CMYK 0 / 5 / 4 / 1

HEX #FCEFF3

RGB 252 239 243

HSL 341.54, 0.68%, 0.96%

LAB 95.54, 5.05, -0.37

 

CMYK 0 / 28 / 20 / 6

HEX #EFABC0

RGB 239 171 192

HSL 341.47, 0.68%, 0.8%

LAB 76.85, 27.93, -0.75

 

CMYK 0 / 3 / 29 / 6

HEX #EFE7A9

RGB 239 231 169

HSL 53.14, 0.69%, 0.8%

LAB 90.95, -6.6, 31.23

 

CMYK 29 / 8 / 0 / 6

HEX #A9DBEF

RGB 169 219 239

HSL 197.14, 0.69%, 0.8%

LAB 84.65, -11.53, -15.02

 

CMYK 0 / 28 / 20 / 6

HEX #EFABC0

RGB 239 171 192

HSL 341.47, 0.68%, 0.8%

LAB 76.85, 27.93, -0.75

 

CMYK 20 / 0 / 29 / 6

HEX #BFEFA9

RGB 191 239 169

HSL 101.14, 0.69%, 0.8%

LAB 89.71, -27.88, 28.98

 

CMYK 29 / 20 / 0 / 6

HEX #A9BFEF

RGB 169 191 239

HSL 221.14, 0.69%, 0.8%

LAB 77.24, 3.27, -26.26

 

CMYK 0 / 28 / 20 / 6

HEX #EFABC0

RGB 239 171 192

HSL 341.47, 0.68%, 0.8%

LAB 76.85, 27.93, -0.75

 

CMYK 0 / 3 / 29 / 6

HEX #EFE7A9

RGB 239 231 169

HSL 53.14, 0.69%, 0.8%

LAB 90.95, -6.6, 31.23

 

CMYK 29 / 0 / 9 / 6

HEX #A9EFD9

RGB 169 239 217

HSL 161.14, 0.69%, 0.8%

LAB 89.48, -26.31, 3.66

 

CMYK 29 / 26 / 0 / 6

HEX #A9B1EF

RGB 169 177 239

HSL 233.14, 0.69%, 0.8%

LAB 73.62, 10.96, -31.82

 

CMYK 0 / 28 / 20 / 6

HEX #EFABC0

RGB 239 171 192

HSL 341.47, 0.68%, 0.8%

LAB 76.85, 27.93, -0.75

 

CMYK 5 / 0 / 29 / 6

HEX #E2EFA9

RGB 226 239 169

HSL 71.14, 0.69%, 0.8%

LAB 92.03, -15.41, 32.5

 

CMYK 29 / 0 / 9 / 6

HEX #A9EFD9

RGB 169 239 217

HSL 161.14, 0.69%, 0.8%

LAB 89.48, -26.31, 3.66

 

CMYK 24 / 29 / 0 / 6

HEX #B6A9EF

RGB 182 169 239

HSL 251.14, 0.69%, 0.8%

LAB 72.6, 19.2, -33.31

 

Description

Color code: HEX #EFABC0 | qconv.com Color code: HEX #EFABC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 171 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 171 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 20 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 20% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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