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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFA91B it is the complementary color #1056E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFA91B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFA91B shade: #F4A916, #FFBB29, #FFCD3C, #FFDF4F and #FFF162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFA91B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFA91B shade: #EFA91B, #DE9708, #CD8500, #BC7300 and #AB6100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFA91B shade: #EFA91A, #EF6F1A, #EF361A and #EF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFA91B shade: #EFA91A, #EFE21A, #C3EF1A, #89EF1A and #50EF1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFA91B shade matches the following richer shades: #EFA91A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFA91B shade: #EFA91A, #DBA22E, #C79B42, #B49556 and #A08E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFA91B shade: #EF371A, #EF6F1A, #EFA81A, #EFE11A and #C4EF1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFA91B shade: #AB760C, #D1910F, #EFA91A, #F2B741 and #F4C667

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFA91B shade: #EFA91B, #37EF1A and #531AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFA91B shade: #EFA91B, #1AEFA8 and #A81AEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFA91B shade: #EFA91B, #37EF1A, #1A61EF and #D31AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFA91B shade: #EFA91B, #1AEF3E, #1A61EF and #EF1ACC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 89 / 6

HEX #EFA91B

RGB 239 169 27

HSL 40.19, 0.87%, 0.52%

LAB 74.07, 15.37, 73.53

 

Complementary color

CMYK 93 / 62 / 0 / 11

HEX #1056E4

RGB 16 86 228

HSL 220.19, 0.87%, 0.48%

LAB 41.79, 35.58, -76.88

 

CMYK 0 / 31 / 91 / 4

HEX #F4A916

RGB 244 169 22

HSL 39.73, 0.91%, 0.52%

LAB 74.61, 17.42, 75.21

 

CMYK 0 / 27 / 84 / 0

HEX #FFBB29

RGB 255 187 41

HSL 40.93, 1%, 0.58%

LAB 80.16, 13.04, 75.67

 

CMYK 0 / 20 / 76 / 0

HEX #FFCD3C

RGB 255 205 60

HSL 44.62, 1%, 0.62%

LAB 84.61, 4.32, 73.73

 

CMYK 0 / 13 / 69 / 0

HEX #FFDF4F

RGB 255 223 79

HSL 49.09, 1%, 0.65%

LAB 89.21, -4.01, 71.3

 

CMYK 0 / 5 / 62 / 0

HEX #FFF162

RGB 255 241 98

HSL 54.65, 1%, 0.69%

LAB 93.91, -11.9, 68.64

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91B

RGB 239 169 27

HSL 40.19, 0.87%, 0.52%

LAB 74.07, 15.37, 73.53

 

CMYK 0 / 32 / 96 / 13

HEX #DE9708

RGB 222 151 8

HSL 40.09, 0.93%, 0.45%

LAB 67.78, 17.37, 71.3

 

CMYK 0 / 35 / 100 / 20

HEX #CD8500

RGB 205 133 0

HSL 38.93, 1%, 0.4%

LAB 61.44, 19.61, 67.18

 

CMYK 0 / 39 / 100 / 26

HEX #BC7300

RGB 188 115 0

HSL 36.7, 1%, 0.37%

LAB 55.02, 22.02, 61.95

 

CMYK 0 / 43 / 100 / 33

HEX #AB6100

RGB 171 97 0

HSL 34.04, 1%, 0.34%

LAB 48.52, 24.5, 56.68

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91A

RGB 239 169 26

HSL 40.28, 0.87%, 0.52%

LAB 74.06, 15.35, 73.75

 

CMYK 0 / 54 / 89 / 6

HEX #EF6F1A

RGB 239 111 26

HSL 23.94, 0.87%, 0.52%

LAB 61.48, 45.27, 64.21

 

CMYK 0 / 77 / 89 / 6

HEX #EF361A

RGB 239 54 26

HSL 7.89, 0.87%, 0.52%

LAB 53.02, 67.92, 58.01

 

CMYK 0 / 89 / 89 / 6

HEX #EF1A1A

RGB 239 26 26

HSL 0, 0.87%, 0.52%

LAB 50.88, 74, 56.48

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91A

RGB 239 169 26

HSL 40.28, 0.87%, 0.52%

LAB 74.06, 15.35, 73.75

 

CMYK 0 / 5 / 89 / 6

HEX #EFE21A

RGB 239 226 26

HSL 56.34, 0.87%, 0.52%

LAB 88.36, -13.93, 84.81

 

CMYK 18 / 0 / 89 / 6

HEX #C3EF1A

RGB 195 239 26

HSL 72.39, 0.87%, 0.52%

LAB 88.64, -38.06, 83.67

 

CMYK 43 / 0 / 89 / 6

HEX #89EF1A

RGB 137 239 26

HSL 88.73, 0.87%, 0.52%

LAB 85.57, -58.87, 79.89

 

CMYK 67 / 0 / 89 / 6

HEX #50EF1A

RGB 80 239 26

HSL 104.79, 0.87%, 0.52%

LAB 83.71, -73.6, 77.58

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91A

RGB 239 169 26

HSL 40.28, 0.87%, 0.52%

LAB 74.06, 15.35, 73.75

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91A

RGB 239 169 26

HSL 40.28, 0.87%, 0.52%

LAB 74.06, 15.35, 73.75

 

CMYK 0 / 26 / 79 / 14

HEX #DBA22E

RGB 219 162 46

HSL 40.23, 0.71%, 0.52%

LAB 70.24, 10.98, 64

 

CMYK 0 / 22 / 67 / 22

HEX #C79B42

RGB 199 155 66

HSL 40.15, 0.54%, 0.52%

LAB 66.5, 7.01, 51.45

 

CMYK 0 / 17 / 52 / 29

HEX #B49556

RGB 180 149 86

HSL 40.21, 0.39%, 0.52%

LAB 63.24, 3.56, 37.36

 

CMYK 0 / 11 / 34 / 37

HEX #A08E69

RGB 160 142 105

HSL 40.36, 0.22%, 0.52%

LAB 59.74, 1.06, 22.21

 

CMYK 0 / 77 / 89 / 6

HEX #EF371A

RGB 239 55 26

HSL 8.17, 0.87%, 0.52%

LAB 53.12, 67.63, 58.08

 

CMYK 0 / 54 / 89 / 6

HEX #EF6F1A

RGB 239 111 26

HSL 23.94, 0.87%, 0.52%

LAB 61.48, 45.27, 64.21

 

CMYK 0 / 30 / 89 / 6

HEX #EFA81A

RGB 239 168 26

HSL 40, 0.87%, 0.52%

LAB 73.82, 15.88, 73.56

 

CMYK 0 / 6 / 89 / 6

HEX #EFE11A

RGB 239 225 26

HSL 56.06, 0.87%, 0.52%

LAB 88.1, -13.44, 84.61

 

CMYK 18 / 0 / 89 / 6

HEX #C4EF1A

RGB 196 239 26

HSL 72.11, 0.87%, 0.52%

LAB 88.71, -37.67, 83.75

 

CMYK 0 / 31 / 93 / 33

HEX #AB760C

RGB 171 118 12

HSL 40, 0.87%, 0.36%

LAB 53.64, 12.91, 57.75

 

CMYK 0 / 31 / 93 / 18

HEX #D1910F

RGB 209 145 15

HSL 40.21, 0.87%, 0.44%

LAB 64.84, 15.02, 67.47

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91A

RGB 239 169 26

HSL 40.28, 0.87%, 0.52%

LAB 74.06, 15.35, 73.75

 

CMYK 0 / 24 / 73 / 5

HEX #F2B741

RGB 242 183 65

HSL 40, 0.87%, 0.6%

LAB 77.95, 10.45, 65.08

 

CMYK 0 / 19 / 58 / 4

HEX #F4C667

RGB 244 198 103

HSL 40.43, 0.87%, 0.68%

LAB 82.16, 5.68, 53.02

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91B

RGB 239 169 27

HSL 40.19, 0.87%, 0.52%

LAB 74.07, 15.37, 73.53

 

CMYK 77 / 0 / 89 / 6

HEX #37EF1A

RGB 55 239 26

HSL 111.83, 0.87%, 0.52%

LAB 83.24, -77.67, 77

 

CMYK 65 / 89 / 0 / 6

HEX #531AEF

RGB 83 26 239

HSL 256.06, 0.87%, 0.52%

LAB 35.62, 72.5, -93.22

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91B

RGB 239 169 27

HSL 40.19, 0.87%, 0.52%

LAB 74.07, 15.37, 73.53

 

CMYK 89 / 0 / 30 / 6

HEX #1AEFA8

RGB 26 239 168

HSL 160, 0.87%, 0.52%

LAB 84.37, -63.13, 21.34

 

CMYK 30 / 89 / 0 / 6

HEX #A81AEF

RGB 168 26 239

HSL 280, 0.87%, 0.52%

LAB 46.04, 80.79, -75.68

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91B

RGB 239 169 27

HSL 40.19, 0.87%, 0.52%

LAB 74.07, 15.37, 73.53

 

CMYK 77 / 0 / 89 / 6

HEX #37EF1A

RGB 55 239 26

HSL 111.83, 0.87%, 0.52%

LAB 83.24, -77.67, 77

 

CMYK 89 / 59 / 0 / 6

HEX #1A61EF

RGB 26 97 239

HSL 220, 0.87%, 0.52%

LAB 45.64, 33.11, -76.79

 

CMYK 12 / 89 / 0 / 6

HEX #D31AEF

RGB 211 26 239

HSL 292.11, 0.87%, 0.52%

LAB 52.75, 86.94, -64.47

 

CMYK 0 / 29 / 89 / 6

HEX #EFA91B

RGB 239 169 27

HSL 40.19, 0.87%, 0.52%

LAB 74.07, 15.37, 73.53

 

CMYK 89 / 0 / 74 / 6

HEX #1AEF3E

RGB 26 239 62

HSL 130.14, 0.87%, 0.52%

LAB 83.07, -78.62, 67.78

 

CMYK 89 / 59 / 0 / 6

HEX #1A61EF

RGB 26 97 239

HSL 220, 0.87%, 0.52%

LAB 45.64, 33.11, -76.79

 

CMYK 0 / 89 / 15 / 6

HEX #EF1ACC

RGB 239 26 204

HSL 309.86, 0.87%, 0.52%

LAB 55.53, 86.68, -39.89

 

Description

Color code: HEX #EFA91B | qconv.com Color code: HEX #EFA91B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 169 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 169 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 89 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 89% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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