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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFA397 it is the complementary color #105C68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFA397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFA397 shade: #F4A392, #FFB5A5, #FFC7B8, #FFD9CB and #FFEBDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFA397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFA397 shade: #EFA397, #DE9184, #CD7F71, #BC6D5E and #AB5B4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFA397 shade: #EEA195 and #EE9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFA397 shade: #EEA195, #EEB995, #EED195, #EEEA95 and #DBEE95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFA397 shade matches the following richer shades: #EEA195 and #F89A8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFA397 shade: #EEA195, #E5A99F, #DBB0A9, #D1B7B3 and #C7BEBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFA397 shade: #EE95B9, #EE95A1, #EEA195, #EEB995 and #EED195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFA397 shade: #E3624E, #E98271, #EEA195, #F4C1B9 and #FAE0DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFA397 shade: #EFA397, #D1EE95 and #95ADEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFA397 shade: #EFA397, #95EEA1 and #A195EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFA397 shade: #EFA397, #D1EE95, #95E3EE and #B395EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFA397 shade: #EFA397, #B6EE95, #95E3EE and #CE95EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 37 / 6

HEX #EFA397

RGB 239 163 151

HSL 8.18, 0.73%, 0.76%

LAB 74.05, 26.69, 17.67

 

Complementary color

CMYK 85 / 12 / 0 / 59

HEX #105C68

RGB 16 92 104

HSL 188.18, 0.73%, 0.24%

LAB 35.53, -17.21, -13.16

 

CMYK 0 / 33 / 40 / 4

HEX #F4A392

RGB 244 163 146

HSL 10.41, 0.82%, 0.76%

LAB 74.51, 28.02, 21.12

 

CMYK 0 / 29 / 35 / 0

HEX #FFB5A5

RGB 255 181 165

HSL 10.67, 1%, 0.82%

LAB 80.19, 24.88, 18.89

 

CMYK 0 / 22 / 28 / 0

HEX #FFC7B8

RGB 255 199 184

HSL 12.68, 1%, 0.86%

LAB 84.78, 17.83, 15.15

 

CMYK 0 / 15 / 20 / 0

HEX #FFD9CB

RGB 255 217 203

HSL 16.15, 1%, 0.9%

LAB 89.49, 11.09, 11.79

 

CMYK 0 / 8 / 13 / 0

HEX #FFEBDE

RGB 255 235 222

HSL 23.64, 1%, 0.94%

LAB 94.29, 4.69, 8.74

 

CMYK 0 / 32 / 37 / 6

HEX #EFA397

RGB 239 163 151

HSL 8.18, 0.73%, 0.76%

LAB 74.05, 26.69, 17.67

 

CMYK 0 / 35 / 41 / 13

HEX #DE9184

RGB 222 145 132

HSL 8.67, 0.58%, 0.69%

LAB 67.61, 27.61, 18.95

 

CMYK 0 / 38 / 45 / 20

HEX #CD7F71

RGB 205 127 113

HSL 9.13, 0.48%, 0.62%

LAB 61.09, 28.63, 20.36

 

CMYK 0 / 42 / 50 / 26

HEX #BC6D5E

RGB 188 109 94

HSL 9.57, 0.41%, 0.55%

LAB 54.49, 29.77, 21.97

 

CMYK 0 / 47 / 56 / 33

HEX #AB5B4B

RGB 171 91 75

HSL 10, 0.39%, 0.48%

LAB 47.81, 31.03, 23.81

 

CMYK 0 / 32 / 37 / 7

HEX #EEA195

RGB 238 161 149

HSL 8.09, 0.72%, 0.76%

LAB 73.44, 27.14, 17.9

 

CMYK 0 / 37 / 37 / 7

HEX #EE9595

RGB 238 149 149

HSL 0, 0.72%, 0.76%

LAB 70.76, 33.47, 14.17

 

CMYK 0 / 32 / 37 / 7

HEX #EEA195

RGB 238 161 149

HSL 8.09, 0.72%, 0.76%

LAB 73.44, 27.14, 17.9

 

CMYK 0 / 22 / 37 / 7

HEX #EEB995

RGB 238 185 149

HSL 24.27, 0.72%, 0.76%

LAB 79.07, 14.41, 25.61

 

CMYK 0 / 12 / 37 / 7

HEX #EED195

RGB 238 209 149

HSL 40.45, 0.72%, 0.76%

LAB 84.97, 1.85, 33.5

 

CMYK 0 / 2 / 37 / 7

HEX #EEEA95

RGB 238 234 149

HSL 57.3, 0.72%, 0.76%

LAB 91.32, -10.83, 41.77

 

CMYK 8 / 0 / 37 / 7

HEX #DBEE95

RGB 219 238 149

HSL 72.81, 0.72%, 0.76%

LAB 90.95, -20.01, 41.01

 

CMYK 0 / 32 / 37 / 7

HEX #EEA195

RGB 238 161 149

HSL 8.09, 0.72%, 0.76%

LAB 73.44, 27.14, 17.9

 

CMYK 0 / 38 / 44 / 3

HEX #F89A8B

RGB 248 154 139

HSL 8.26, 0.89%, 0.76%

LAB 72.85, 33.51, 22.75

 

CMYK 0 / 32 / 37 / 7

HEX #EEA195

RGB 238 161 149

HSL 8.09, 0.72%, 0.76%

LAB 73.44, 27.14, 17.9

 

CMYK 0 / 26 / 31 / 10

HEX #E5A99F

RGB 229 169 159

HSL 8.57, 0.57%, 0.76%

LAB 74.53, 20.69, 13.82

 

CMYK 0 / 20 / 23 / 14

HEX #DBB0A9

RGB 219 176 169

HSL 8.4, 0.41%, 0.76%

LAB 75.44, 14.56, 9.5

 

CMYK 0 / 12 / 14 / 18

HEX #D1B7B3

RGB 209 183 179

HSL 8, 0.25%, 0.76%

LAB 76.48, 8.63, 5.44

 

CMYK 0 / 5 / 5 / 22

HEX #C7BEBD

RGB 199 190 189

HSL 6, 0.08%, 0.76%

LAB 77.66, 2.98, 1.62

 

CMYK 0 / 37 / 22 / 7

HEX #EE95B9

RGB 238 149 185

HSL 335.73, 0.72%, 0.76%

LAB 71.67, 38.16, -4.51

 

CMYK 0 / 37 / 32 / 7

HEX #EE95A1

RGB 238 149 161

HSL 351.91, 0.72%, 0.76%

LAB 71.04, 34.92, 7.9

 

CMYK 0 / 32 / 37 / 7

HEX #EEA195

RGB 238 161 149

HSL 8.09, 0.72%, 0.76%

LAB 73.44, 27.14, 17.9

 

CMYK 0 / 22 / 37 / 7

HEX #EEB995

RGB 238 185 149

HSL 24.27, 0.72%, 0.76%

LAB 79.07, 14.41, 25.61

 

CMYK 0 / 12 / 37 / 7

HEX #EED195

RGB 238 209 149

HSL 40.45, 0.72%, 0.76%

LAB 84.97, 1.85, 33.5

 

CMYK 0 / 57 / 66 / 11

HEX #E3624E

RGB 227 98 78

HSL 8.05, 0.73%, 0.6%

LAB 57.67, 48.92, 36.25

 

CMYK 0 / 44 / 52 / 9

HEX #E98271

RGB 233 130 113

HSL 8.5, 0.73%, 0.68%

LAB 65.34, 37.83, 26.69

 

CMYK 0 / 32 / 37 / 7

HEX #EEA195

RGB 238 161 149

HSL 8.09, 0.72%, 0.76%

LAB 73.44, 27.14, 17.9

 

CMYK 0 / 21 / 24 / 4

HEX #F4C1B9

RGB 244 193 185

HSL 8.14, 0.73%, 0.84%

LAB 82.31, 17.06, 10.98

 

CMYK 0 / 10 / 12 / 2

HEX #FAE0DD

RGB 250 224 221

HSL 6.21, 0.74%, 0.92%

LAB 91.17, 8.43, 4.71

 

CMYK 0 / 32 / 37 / 6

HEX #EFA397

RGB 239 163 151

HSL 8.18, 0.73%, 0.76%

LAB 74.05, 26.69, 17.67

 

CMYK 12 / 0 / 37 / 7

HEX #D1EE95

RGB 209 238 149

HSL 79.55, 0.72%, 0.76%

LAB 90.26, -23.72, 39.99

 

CMYK 37 / 27 / 0 / 7

HEX #95ADEE

RGB 149 173 238

HSL 223.82, 0.72%, 0.76%

LAB 71.18, 7.38, -35.16

 

CMYK 0 / 32 / 37 / 6

HEX #EFA397

RGB 239 163 151

HSL 8.18, 0.73%, 0.76%

LAB 74.05, 26.69, 17.67

 

CMYK 37 / 0 / 32 / 7

HEX #95EEA1

RGB 149 238 161

HSL 128.09, 0.72%, 0.76%

LAB 87.05, -42.18, 29.09

 

CMYK 32 / 37 / 0 / 7

HEX #A195EE

RGB 161 149 238

HSL 248.09, 0.72%, 0.76%

LAB 65.94, 24.23, -43.27

 

CMYK 0 / 32 / 37 / 6

HEX #EFA397

RGB 239 163 151

HSL 8.18, 0.73%, 0.76%

LAB 74.05, 26.69, 17.67

 

CMYK 12 / 0 / 37 / 7

HEX #D1EE95

RGB 209 238 149

HSL 79.55, 0.72%, 0.76%

LAB 90.26, -23.72, 39.99

 

CMYK 37 / 5 / 0 / 7

HEX #95E3EE

RGB 149 227 238

HSL 187.42, 0.72%, 0.76%

LAB 85.76, -21.2, -12.95

 

CMYK 25 / 37 / 0 / 7

HEX #B395EE

RGB 179 149 238

HSL 260.22, 0.72%, 0.76%

LAB 67.47, 29.27, -40.77

 

CMYK 0 / 32 / 37 / 6

HEX #EFA397

RGB 239 163 151

HSL 8.18, 0.73%, 0.76%

LAB 74.05, 26.69, 17.67

 

CMYK 24 / 0 / 37 / 7

HEX #B6EE95

RGB 182 238 149

HSL 97.75, 0.72%, 0.76%

LAB 88.57, -33.36, 37.47

 

CMYK 37 / 5 / 0 / 7

HEX #95E3EE

RGB 149 227 238

HSL 187.42, 0.72%, 0.76%

LAB 85.76, -21.2, -12.95

 

CMYK 13 / 37 / 0 / 7

HEX #CE95EE

RGB 206 149 238

HSL 278.43, 0.72%, 0.76%

LAB 70.03, 37.16, -36.58

 

Description

Color code: HEX #EFA397 | qconv.com Color code: HEX #EFA397 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 163 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 163 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 37 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 37% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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