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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFA049 it is the complementary color #105FB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFA049. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFA049 shade: #F4A044, #FFB257, #FFC46A, #FFD67D and #FFE890

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFA049. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFA049 shade: #EFA049, #DE8E36, #CD7C23, #BC6A10 and #AB5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFA049 shade: #EFA048, #EF7348 and #EF4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFA049 shade: #EFA048, #EFCD48, #E4EF48, #B7EF48 and #8AEF48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFA049 shade matches the following richer shades: #EFA048

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFA049 shade: #EFA048, #DF9F58, #CF9E68, #BF9D78 and #AF9C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFA049 shade: #EF484B, #EF7248, #EF9E48, #EFCB48 and #E7EF48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFA049 shade: #D27712, #EC8C22, #EFA048, #F2B36E and #F6C794

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFA049 shade: #EFA049, #77EF48 and #5C48EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFA049 shade: #EFA049, #48EF9E and #9E48EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFA049 shade: #EFA049, #77EF48, #4899EF and #C048EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFA049 shade: #EFA049, #48EF4B, #4899EF and #EF48EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 69 / 6

HEX #EFA049

RGB 239 160 73

HSL 31.45, 0.84%, 0.61%

LAB 72.21, 21.71, 55.7

 

Complementary color

CMYK 91 / 48 / 0 / 29

HEX #105FB6

RGB 16 95 182

HSL 211.45, 0.84%, 0.39%

LAB 40.69, 11.6, -52.15

 

CMYK 0 / 34 / 72 / 4

HEX #F4A044

RGB 244 160 68

HSL 31.36, 0.89%, 0.61%

LAB 72.75, 23.53, 58.68

 

CMYK 0 / 30 / 66 / 0

HEX #FFB257

RGB 255 178 87

HSL 32.5, 1%, 0.67%

LAB 78.34, 19.6, 56.47

 

CMYK 0 / 23 / 58 / 0

HEX #FFC46A

RGB 255 196 106

HSL 36.24, 1%, 0.71%

LAB 82.8, 11.44, 52.61

 

CMYK 0 / 16 / 51 / 0

HEX #FFD67D

RGB 255 214 125

HSL 41.08, 1%, 0.75%

LAB 87.4, 3.64, 48.96

 

CMYK 0 / 9 / 44 / 0

HEX #FFE890

RGB 255 232 144

HSL 47.57, 1%, 0.78%

LAB 92.13, -3.75, 45.54

 

CMYK 0 / 33 / 69 / 6

HEX #EFA049

RGB 239 160 73

HSL 31.45, 0.84%, 0.61%

LAB 72.21, 21.71, 55.7

 

CMYK 0 / 36 / 76 / 13

HEX #DE8E36

RGB 222 142 54

HSL 31.43, 0.72%, 0.54%

LAB 65.86, 23.29, 56.88

 

CMYK 0 / 40 / 83 / 20

HEX #CD7C23

RGB 205 124 35

HSL 31.41, 0.71%, 0.47%

LAB 59.45, 25.1, 57.62

 

CMYK 0 / 44 / 91 / 26

HEX #BC6A10

RGB 188 106 16

HSL 31.4, 0.84%, 0.4%

LAB 52.99, 27.15, 57.35

 

CMYK 0 / 49 / 100 / 33

HEX #AB5800

RGB 171 88 0

HSL 30.88, 1%, 0.34%

LAB 46.5, 29.42, 55.43

 

CMYK 0 / 33 / 70 / 6

HEX #EFA048

RGB 239 160 72

HSL 31.62, 0.84%, 0.61%

LAB 72.2, 21.66, 56.14

 

CMYK 0 / 52 / 70 / 6

HEX #EF7348

RGB 239 115 72

HSL 15.45, 0.84%, 0.61%

LAB 62.58, 44.84, 45.63

 

CMYK 0 / 70 / 70 / 6

HEX #EF4848

RGB 239 72 72

HSL 0, 0.84%, 0.61%

LAB 55.54, 63.47, 37.53

 

CMYK 0 / 33 / 70 / 6

HEX #EFA048

RGB 239 160 72

HSL 31.62, 0.84%, 0.61%

LAB 72.2, 21.66, 56.14

 

CMYK 0 / 14 / 70 / 6

HEX #EFCD48

RGB 239 205 72

HSL 47.78, 0.84%, 0.61%

LAB 83.17, -1.9, 67.45

 

CMYK 5 / 0 / 70 / 6

HEX #E4EF48

RGB 228 239 72

HSL 63.95, 0.84%, 0.61%

LAB 91.1, -23.3, 74.99

 

CMYK 23 / 0 / 70 / 6

HEX #B7EF48

RGB 183 239 72

HSL 80.12, 0.84%, 0.61%

LAB 88.1, -40.9, 71.02

 

CMYK 42 / 0 / 70 / 6

HEX #8AEF48

RGB 138 239 72

HSL 96.29, 0.84%, 0.61%

LAB 85.81, -56.43, 67.97

 

CMYK 0 / 33 / 70 / 6

HEX #EFA048

RGB 239 160 72

HSL 31.62, 0.84%, 0.61%

LAB 72.2, 21.66, 56.14

 

CMYK 0 / 33 / 70 / 6

HEX #EFA048

RGB 239 160 72

HSL 31.62, 0.84%, 0.61%

LAB 72.2, 21.66, 56.14

 

CMYK 0 / 29 / 61 / 13

HEX #DF9F58

RGB 223 159 88

HSL 31.56, 0.68%, 0.61%

LAB 70.31, 16.5, 45.9

 

CMYK 0 / 24 / 50 / 19

HEX #CF9E68

RGB 207 158 104

HSL 31.46, 0.52%, 0.61%

LAB 68.55, 11.69, 35.12

 

CMYK 0 / 18 / 37 / 25

HEX #BF9D78

RGB 191 157 120

HSL 31.27, 0.36%, 0.61%

LAB 66.94, 7.38, 24.09

 

CMYK 0 / 11 / 22 / 31

HEX #AF9C88

RGB 175 156 136

HSL 30.77, 0.2%, 0.61%

LAB 65.49, 3.73, 13.03

 

CMYK 0 / 70 / 69 / 6

HEX #EF484B

RGB 239 72 75

HSL 358.92, 0.84%, 0.61%

LAB 55.58, 63.61, 35.88

 

CMYK 0 / 52 / 70 / 6

HEX #EF7248

RGB 239 114 72

HSL 15.09, 0.84%, 0.61%

LAB 62.38, 45.33, 45.42

 

CMYK 0 / 34 / 70 / 6

HEX #EF9E48

RGB 239 158 72

HSL 30.9, 0.84%, 0.61%

LAB 71.74, 22.71, 55.65

 

CMYK 0 / 15 / 70 / 6

HEX #EFCB48

RGB 239 203 72

HSL 47.07, 0.84%, 0.61%

LAB 82.66, -0.88, 66.94

 

CMYK 3 / 0 / 70 / 6

HEX #E7EF48

RGB 231 239 72

HSL 62.87, 0.84%, 0.61%

LAB 91.32, -22.09, 75.29

 

CMYK 0 / 43 / 91 / 18

HEX #D27712

RGB 210 119 18

HSL 31.56, 0.84%, 0.45%

LAB 58.92, 29.51, 62.58

 

CMYK 0 / 41 / 86 / 7

HEX #EC8C22

RGB 236 140 34

HSL 31.49, 0.84%, 0.53%

LAB 67.05, 29.55, 65.98

 

CMYK 0 / 33 / 70 / 6

HEX #EFA048

RGB 239 160 72

HSL 31.62, 0.84%, 0.61%

LAB 72.2, 21.66, 56.14

 

CMYK 0 / 26 / 55 / 5

HEX #F2B36E

RGB 242 179 110

HSL 31.36, 0.84%, 0.69%

LAB 77.43, 15.35, 43.88

 

CMYK 0 / 19 / 40 / 4

HEX #F6C794

RGB 246 199 148

HSL 31.22, 0.84%, 0.77%

LAB 83.22, 10.06, 31.84

 

CMYK 0 / 33 / 69 / 6

HEX #EFA049

RGB 239 160 73

HSL 31.45, 0.84%, 0.61%

LAB 72.21, 21.71, 55.7

 

CMYK 50 / 0 / 70 / 6

HEX #77EF48

RGB 119 239 72

HSL 103.11, 0.84%, 0.61%

LAB 85.06, -62.02, 66.96

 

CMYK 62 / 70 / 0 / 6

HEX #5C48EF

RGB 92 72 239

HSL 247.19, 0.84%, 0.61%

LAB 42.98, 54.23, -81.03

 

CMYK 0 / 33 / 69 / 6

HEX #EFA049

RGB 239 160 73

HSL 31.45, 0.84%, 0.61%

LAB 72.21, 21.71, 55.7

 

CMYK 70 / 0 / 34 / 6

HEX #48EF9E

RGB 72 239 158

HSL 150.9, 0.84%, 0.61%

LAB 84.78, -60.61, 27.13

 

CMYK 34 / 70 / 0 / 6

HEX #9E48EF

RGB 158 72 239

HSL 270.9, 0.84%, 0.61%

LAB 49.66, 64.81, -69.84

 

CMYK 0 / 33 / 69 / 6

HEX #EFA049

RGB 239 160 73

HSL 31.45, 0.84%, 0.61%

LAB 72.21, 21.71, 55.7

 

CMYK 50 / 0 / 70 / 6

HEX #77EF48

RGB 119 239 72

HSL 103.11, 0.84%, 0.61%

LAB 85.06, -62.02, 66.96

 

CMYK 70 / 36 / 0 / 6

HEX #4899EF

RGB 72 153 239

HSL 210.9, 0.84%, 0.61%

LAB 61.99, 2.91, -50.38

 

CMYK 20 / 70 / 0 / 6

HEX #C048EF

RGB 192 72 239

HSL 283.11, 0.84%, 0.61%

LAB 54.1, 71.38, -62.44

 

CMYK 0 / 33 / 69 / 6

HEX #EFA049

RGB 239 160 73

HSL 31.45, 0.84%, 0.61%

LAB 72.21, 21.71, 55.7

 

CMYK 70 / 0 / 69 / 6

HEX #48EF4B

RGB 72 239 75

HSL 121.08, 0.84%, 0.61%

LAB 83.77, -72.3, 64.1

 

CMYK 70 / 36 / 0 / 6

HEX #4899EF

RGB 72 153 239

HSL 210.9, 0.84%, 0.61%

LAB 61.99, 2.91, -50.38

 

CMYK 0 / 70 / 1 / 6

HEX #EF48EC

RGB 239 72 236

HSL 301.08, 0.84%, 0.61%

LAB 60.82, 80.57, -49.64

 

Description

Color code: HEX #EFA049 | qconv.com Color code: HEX #EFA049 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 160 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 160 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 69 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 69% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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