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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFA027 it is the complementary color #105FD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFA027. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFA027 shade: #F4A022, #FFB235, #FFC448, #FFD65B and #FFE86E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFA027. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFA027 shade: #EFA027, #DE8E14, #CD7C01, #BC6A00 and #AB5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFA027 shade: #EFA12A, #EF6C2A, #EF372A and #EF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFA027 shade: #EFA12A, #EFD62A, #D2EF2A, #9DEF2A and #68EF2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFA027 shade matches the following richer shades: #EFA12A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFA027 shade: #EFA12A, #DC9D3C, #CA994F, #B79561 and #A59174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFA027 shade: #EF372A, #EF6B2A, #EFA02A, #EFD52A and #D5EF2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFA027 shade: #B8750E, #DE8D11, #EFA12A, #F2B250 and #F5C376

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFA027 shade: #EFA027, #51EF2A and #512AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFA027 shade: #EFA027, #2AEFA0 and #A02AEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFA027 shade: #EFA027, #51EF2A, #2A79EF and #C72AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFA027 shade: #EFA027, #2AEF3D, #2A79EF and #EF2ADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 84 / 6

HEX #EFA027

RGB 239 160 39

HSL 36.3, 0.86%, 0.55%

LAB 71.99, 20.39, 68.69

 

Complementary color

CMYK 93 / 56 / 0 / 15

HEX #105FD8

RGB 16 95 216

HSL 216.3, 0.86%, 0.45%

LAB 43.14, 25.13, -67.84

 

CMYK 0 / 34 / 86 / 4

HEX #F4A022

RGB 244 160 34

HSL 36, 0.91%, 0.55%

LAB 72.55, 22.38, 70.85

 

CMYK 0 / 30 / 79 / 0

HEX #FFB235

RGB 255 178 53

HSL 37.13, 1%, 0.6%

LAB 78.09, 18.08, 70.15

 

CMYK 0 / 23 / 72 / 0

HEX #FFC448

RGB 255 196 72

HSL 40.66, 1%, 0.64%

LAB 82.49, 9.45, 67.28

 

CMYK 0 / 16 / 64 / 0

HEX #FFD65B

RGB 255 214 91

HSL 45, 1%, 0.68%

LAB 87.05, 1.19, 64.19

 

CMYK 0 / 9 / 57 / 0

HEX #FFE86E

RGB 255 232 110

HSL 50.48, 1%, 0.72%

LAB 91.73, -6.64, 61.08

 

CMYK 0 / 33 / 84 / 6

HEX #EFA027

RGB 239 160 39

HSL 36.3, 0.86%, 0.55%

LAB 71.99, 20.39, 68.69

 

CMYK 0 / 36 / 91 / 13

HEX #DE8E14

RGB 222 142 20

HSL 36.24, 0.83%, 0.47%

LAB 65.69, 22.34, 67.83

 

CMYK 0 / 40 / 100 / 20

HEX #CD7C01

RGB 205 124 1

HSL 36.18, 0.99%, 0.4%

LAB 59.34, 24.5, 65.65

 

CMYK 0 / 44 / 100 / 26

HEX #BC6A00

RGB 188 106 0

HSL 33.83, 1%, 0.37%

LAB 52.95, 26.94, 60.64

 

CMYK 0 / 49 / 100 / 33

HEX #AB5800

RGB 171 88 0

HSL 30.88, 1%, 0.34%

LAB 46.5, 29.42, 55.43

 

CMYK 0 / 33 / 82 / 6

HEX #EFA12A

RGB 239 161 42

HSL 36.24, 0.86%, 0.55%

LAB 72.23, 19.94, 67.96

 

CMYK 0 / 55 / 82 / 6

HEX #EF6C2A

RGB 239 108 42

HSL 20.1, 0.86%, 0.55%

LAB 61, 47.07, 58.13

 

CMYK 0 / 77 / 82 / 6

HEX #EF372A

RGB 239 55 42

HSL 3.96, 0.86%, 0.55%

LAB 53.22, 67.96, 51.12

 

CMYK 0 / 82 / 82 / 6

HEX #EF2A2A

RGB 239 42 42

HSL 0, 0.86%, 0.55%

LAB 52.03, 71.32, 50.03

 

CMYK 0 / 33 / 82 / 6

HEX #EFA12A

RGB 239 161 42

HSL 36.24, 0.86%, 0.55%

LAB 72.23, 19.94, 67.96

 

CMYK 0 / 10 / 82 / 6

HEX #EFD62A

RGB 239 214 42

HSL 52.39, 0.86%, 0.55%

LAB 85.31, -7.61, 79.09

 

CMYK 12 / 0 / 82 / 6

HEX #D2EF2A

RGB 210 239 42

HSL 68.83, 0.86%, 0.55%

LAB 89.67, -31.73, 81.9

 

CMYK 34 / 0 / 82 / 6

HEX #9DEF2A

RGB 157 239 42

HSL 84.97, 0.86%, 0.55%

LAB 86.54, -51.73, 77.95

 

CMYK 56 / 0 / 82 / 6

HEX #68EF2A

RGB 104 239 42

HSL 101.12, 0.86%, 0.55%

LAB 84.4, -67.71, 75.24

 

CMYK 0 / 33 / 82 / 6

HEX #EFA12A

RGB 239 161 42

HSL 36.24, 0.86%, 0.55%

LAB 72.23, 19.94, 67.96

 

CMYK 0 / 33 / 82 / 6

HEX #EFA12A

RGB 239 161 42

HSL 36.24, 0.86%, 0.55%

LAB 72.23, 19.94, 67.96

 

CMYK 0 / 29 / 73 / 14

HEX #DC9D3C

RGB 220 157 60

HSL 36.38, 0.7%, 0.55%

LAB 69.22, 14.66, 57.63

 

CMYK 0 / 24 / 61 / 21

HEX #CA994F

RGB 202 153 79

HSL 36.1, 0.54%, 0.55%

LAB 66.45, 10.24, 45.29

 

CMYK 0 / 19 / 47 / 28

HEX #B79561

RGB 183 149 97

HSL 36.28, 0.37%, 0.55%

LAB 63.69, 5.9, 32.17

 

CMYK 0 / 12 / 30 / 35

HEX #A59174

RGB 165 145 116

HSL 35.51, 0.21%, 0.55%

LAB 61.23, 2.92, 18.15

 

CMYK 0 / 77 / 82 / 6

HEX #EF372A

RGB 239 55 42

HSL 3.96, 0.86%, 0.55%

LAB 53.22, 67.96, 51.12

 

CMYK 0 / 55 / 82 / 6

HEX #EF6B2A

RGB 239 107 42

HSL 19.8, 0.86%, 0.55%

LAB 60.81, 47.54, 57.97

 

CMYK 0 / 33 / 82 / 6

HEX #EFA02A

RGB 239 160 42

HSL 35.94, 0.86%, 0.55%

LAB 72, 20.47, 67.76

 

CMYK 0 / 11 / 82 / 6

HEX #EFD52A

RGB 239 213 42

HSL 52.08, 0.86%, 0.55%

LAB 85.05, -7.1, 78.88

 

CMYK 11 / 0 / 82 / 6

HEX #D5EF2A

RGB 213 239 42

HSL 67.92, 0.86%, 0.55%

LAB 89.88, -30.52, 82.15

 

CMYK 0 / 36 / 92 / 28

HEX #B8750E

RGB 184 117 14

HSL 36.35, 0.86%, 0.39%

LAB 55.02, 19.34, 59.07

 

CMYK 0 / 36 / 92 / 13

HEX #DE8D11

RGB 222 141 17

HSL 36.29, 0.86%, 0.47%

LAB 65.45, 22.83, 68.26

 

CMYK 0 / 33 / 82 / 6

HEX #EFA12A

RGB 239 161 42

HSL 36.24, 0.86%, 0.55%

LAB 72.23, 19.94, 67.96

 

CMYK 0 / 26 / 67 / 5

HEX #F2B250

RGB 242 178 80

HSL 36.3, 0.86%, 0.63%

LAB 76.86, 13.83, 57.63

 

CMYK 0 / 20 / 52 / 4

HEX #F5C376

RGB 245 195 118

HSL 36.38, 0.86%, 0.71%

LAB 81.7, 8.84, 45.19

 

CMYK 0 / 33 / 84 / 6

HEX #EFA027

RGB 239 160 39

HSL 36.3, 0.86%, 0.55%

LAB 71.99, 20.39, 68.69

 

CMYK 66 / 0 / 82 / 6

HEX #51EF2A

RGB 81 239 42

HSL 108.12, 0.86%, 0.55%

LAB 83.78, -72.82, 74.45

 

CMYK 66 / 82 / 0 / 6

HEX #512AEF

RGB 81 42 239

HSL 251.88, 0.86%, 0.55%

LAB 37.18, 67.17, -90.62

 

CMYK 0 / 33 / 84 / 6

HEX #EFA027

RGB 239 160 39

HSL 36.3, 0.86%, 0.55%

LAB 71.99, 20.39, 68.69

 

CMYK 82 / 0 / 33 / 6

HEX #2AEFA0

RGB 42 239 160

HSL 155.94, 0.86%, 0.55%

LAB 84.36, -63.71, 25.46

 

CMYK 33 / 82 / 0 / 6

HEX #A02AEF

RGB 160 42 239

HSL 275.94, 0.86%, 0.55%

LAB 46.13, 76.04, -75.58

 

CMYK 0 / 33 / 84 / 6

HEX #EFA027

RGB 239 160 39

HSL 36.3, 0.86%, 0.55%

LAB 71.99, 20.39, 68.69

 

CMYK 66 / 0 / 82 / 6

HEX #51EF2A

RGB 81 239 42

HSL 108.12, 0.86%, 0.55%

LAB 83.78, -72.82, 74.45

 

CMYK 82 / 49 / 0 / 6

HEX #2A79EF

RGB 42 121 239

HSL 215.94, 0.86%, 0.55%

LAB 52.29, 18.92, -65.96

 

CMYK 17 / 82 / 0 / 6

HEX #C72AEF

RGB 199 42 239

HSL 287.82, 0.86%, 0.55%

LAB 51.87, 82.02, -65.99

 

CMYK 0 / 33 / 84 / 6

HEX #EFA027

RGB 239 160 39

HSL 36.3, 0.86%, 0.55%

LAB 71.99, 20.39, 68.69

 

CMYK 82 / 0 / 74 / 6

HEX #2AEF3D

RGB 42 239 61

HSL 125.79, 0.86%, 0.55%

LAB 83.21, -77.41, 68.29

 

CMYK 82 / 49 / 0 / 6

HEX #2A79EF

RGB 42 121 239

HSL 215.94, 0.86%, 0.55%

LAB 52.29, 18.92, -65.96

 

CMYK 0 / 82 / 8 / 6

HEX #EF2ADB

RGB 239 42 219

HSL 306.09, 0.86%, 0.55%

LAB 57.19, 86, -45.82

 

Description

Color code: HEX #EFA027 | qconv.com Color code: HEX #EFA027 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 160 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 160 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 84 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 84% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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