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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9FFB it is the complementary color #106004. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9FFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9FFB shade: #F49FF6, #FFB1FF, #FFC3FF, #FFD5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9FFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9FFB shade: #EF9FFB, #DE8DE8, #CD7BD5, #BC69C2 and #AB57AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9FFB shade: #EF9DFB, #FB9DEE, #FB9DD5, #FB9DBB and #FB9DA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9FFB shade: #EF9DFB, #D59DFB, #BC9DFB, #A39DFB and #9D9DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9FFB shade matches the following richer shades: #EF9DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9FFB shade: #EF9DFB, #E9A5F3, #E2AEEA, #DCB6E2 and #D6BEDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9FFB shade: #BC9DFB, #D59DFB, #EE9DFB, #FB9DEE and #FB9DD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9FFB shade: #E14EF8, #E875F9, #EF9DFB, #F5C5FD and #FCECFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9FFB shade: #EF9FFB, #FBA39D and #9DFBC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9FFB shade: #EF9FFB, #FBEE9D and #9DFBEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9FFB shade: #EF9FFB, #FBA39D, #AAFB9D and #9DF5FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9FFB shade: #EF9FFB, #FBBF9D, #AAFB9D and #9DD9FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 37 / 0 / 2

HEX #EF9FFB

RGB 239 159 251

HSL 292.17, 0.92%, 0.8%

LAB 76.14, 44.29, -33.91

 

Complementary color

CMYK 83 / 0 / 96 / 62

HEX #106004

RGB 16 96 4

HSL 112.17, 0.92%, 0.2%

LAB 34.97, -39.93, 39.73

 

CMYK 1 / 35 / 0 / 4

HEX #F49FF6

RGB 244 159 246

HSL 298.62, 0.83%, 0.79%

LAB 76.49, 44.87, -30.62

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 5 / 37 / 0 / 2

HEX #EF9FFB

RGB 239 159 251

HSL 292.17, 0.92%, 0.8%

LAB 76.14, 44.29, -33.91

 

CMYK 4 / 39 / 0 / 9

HEX #DE8DE8

RGB 222 141 232

HSL 293.41, 0.66%, 0.73%

LAB 69.76, 45.02, -33.57

 

CMYK 4 / 42 / 0 / 16

HEX #CD7BD5

RGB 205 123 213

HSL 294.67, 0.52%, 0.66%

LAB 63.3, 45.77, -33.2

 

CMYK 3 / 46 / 0 / 24

HEX #BC69C2

RGB 188 105 194

HSL 295.96, 0.42%, 0.59%

LAB 56.77, 46.51, -32.77

 

CMYK 2 / 50 / 0 / 31

HEX #AB57AF

RGB 171 87 175

HSL 297.27, 0.35%, 0.51%

LAB 50.18, 47.2, -32.25

 

CMYK 5 / 37 / 0 / 2

HEX #EF9DFB

RGB 239 157 251

HSL 292.34, 0.92%, 0.8%

LAB 75.72, 45.33, -34.56

 

CMYK 0 / 37 / 5 / 2

HEX #FB9DEE

RGB 251 157 238

HSL 308.3, 0.92%, 0.8%

LAB 76.56, 46.65, -26.11

 

CMYK 0 / 37 / 15 / 2

HEX #FB9DD5

RGB 251 157 213

HSL 324.26, 0.92%, 0.8%

LAB 75.72, 42.58, -13.76

 

CMYK 0 / 37 / 25 / 2

HEX #FB9DBB

RGB 251 157 187

HSL 340.85, 0.92%, 0.8%

LAB 74.96, 38.78, -0.62

 

CMYK 0 / 37 / 35 / 2

HEX #FB9DA2

RGB 251 157 162

HSL 356.81, 0.92%, 0.8%

LAB 74.34, 35.59, 12.25

 

CMYK 5 / 37 / 0 / 2

HEX #EF9DFB

RGB 239 157 251

HSL 292.34, 0.92%, 0.8%

LAB 75.72, 45.33, -34.56

 

CMYK 15 / 37 / 0 / 2

HEX #D59DFB

RGB 213 157 251

HSL 275.74, 0.92%, 0.8%

LAB 73.04, 37.63, -38.92

 

CMYK 25 / 37 / 0 / 2

HEX #BC9DFB

RGB 188 157 251

HSL 259.79, 0.92%, 0.8%

LAB 70.71, 30.43, -42.73

 

CMYK 35 / 37 / 0 / 2

HEX #A39DFB

RGB 163 157 251

HSL 243.83, 0.92%, 0.8%

LAB 68.65, 23.58, -46.1

 

CMYK 37 / 37 / 0 / 2

HEX #9D9DFB

RGB 157 157 251

HSL 240, 0.92%, 0.8%

LAB 68.2, 22.01, -46.84

 

CMYK 5 / 37 / 0 / 2

HEX #EF9DFB

RGB 239 157 251

HSL 292.34, 0.92%, 0.8%

LAB 75.72, 45.33, -34.56

 

CMYK 5 / 37 / 0 / 2

HEX #EF9DFB

RGB 239 157 251

HSL 292.34, 0.92%, 0.8%

LAB 75.72, 45.33, -34.56

 

CMYK 4 / 32 / 0 / 5

HEX #E9A5F3

RGB 233 165 243

HSL 292.31, 0.76%, 0.8%

LAB 76.5, 37.79, -29.08

 

CMYK 3 / 26 / 0 / 8

HEX #E2AEEA

RGB 226 174 234

HSL 292, 0.59%, 0.8%

LAB 77.51, 29.06, -22.73

 

CMYK 3 / 19 / 0 / 11

HEX #DCB6E2

RGB 220 182 226

HSL 291.82, 0.43%, 0.8%

LAB 78.56, 21.28, -16.87

 

CMYK 2 / 13 / 0 / 15

HEX #D6BEDA

RGB 214 190 218

HSL 291.43, 0.27%, 0.8%

LAB 79.72, 13.46, -10.87

 

CMYK 25 / 37 / 0 / 2

HEX #BC9DFB

RGB 188 157 251

HSL 259.79, 0.92%, 0.8%

LAB 70.71, 30.43, -42.73

 

CMYK 15 / 37 / 0 / 2

HEX #D59DFB

RGB 213 157 251

HSL 275.74, 0.92%, 0.8%

LAB 73.04, 37.63, -38.92

 

CMYK 5 / 37 / 0 / 2

HEX #EE9DFB

RGB 238 157 251

HSL 291.7, 0.92%, 0.8%

LAB 75.61, 45.03, -34.73

 

CMYK 0 / 37 / 5 / 2

HEX #FB9DEE

RGB 251 157 238

HSL 308.3, 0.92%, 0.8%

LAB 76.56, 46.65, -26.11

 

CMYK 0 / 37 / 15 / 2

HEX #FB9DD5

RGB 251 157 213

HSL 324.26, 0.92%, 0.8%

LAB 75.72, 42.58, -13.76

 

CMYK 9 / 69 / 0 / 3

HEX #E14EF8

RGB 225 78 248

HSL 291.88, 0.92%, 0.64%

LAB 60.1, 77.54, -57.59

 

CMYK 7 / 53 / 0 / 2

HEX #E875F9

RGB 232 117 249

HSL 292.27, 0.92%, 0.72%

LAB 67.06, 62.96, -47.03

 

CMYK 5 / 37 / 0 / 2

HEX #EF9DFB

RGB 239 157 251

HSL 292.34, 0.92%, 0.8%

LAB 75.72, 45.33, -34.56

 

CMYK 3 / 22 / 0 / 1

HEX #F5C5FD

RGB 245 197 253

HSL 291.43, 0.93%, 0.88%

LAB 85.22, 26.47, -21.04

 

CMYK 1 / 7 / 0 / 0

HEX #FCECFE

RGB 252 236 254

HSL 293.33, 0.9%, 0.96%

LAB 95.09, 8.52, -6.73

 

CMYK 5 / 37 / 0 / 2

HEX #EF9FFB

RGB 239 159 251

HSL 292.17, 0.92%, 0.8%

LAB 76.14, 44.29, -33.91

 

CMYK 0 / 35 / 37 / 2

HEX #FBA39D

RGB 251 163 157

HSL 3.83, 0.92%, 0.8%

LAB 75.54, 31.89, 16.67

 

CMYK 37 / 0 / 20 / 2

HEX #9DFBC9

RGB 157 251 201

HSL 148.09, 0.92%, 0.8%

LAB 91.85, -38.5, 15.28

 

CMYK 5 / 37 / 0 / 2

HEX #EF9FFB

RGB 239 159 251

HSL 292.17, 0.92%, 0.8%

LAB 76.14, 44.29, -33.91

 

CMYK 0 / 5 / 37 / 2

HEX #FBEE9D

RGB 251 238 157

HSL 51.7, 0.92%, 0.8%

LAB 93.49, -6.96, 40.8

 

CMYK 37 / 0 / 5 / 2

HEX #9DFBEE

RGB 157 251 238

HSL 171.7, 0.92%, 0.8%

LAB 92.72, -30.77, -2.59

 

CMYK 5 / 37 / 0 / 2

HEX #EF9FFB

RGB 239 159 251

HSL 292.17, 0.92%, 0.8%

LAB 76.14, 44.29, -33.91

 

CMYK 0 / 35 / 37 / 2

HEX #FBA39D

RGB 251 163 157

HSL 3.83, 0.92%, 0.8%

LAB 75.54, 31.89, 16.67

 

CMYK 32 / 0 / 37 / 2

HEX #AAFB9D

RGB 170 251 157

HSL 111.7, 0.92%, 0.8%

LAB 91.67, -42.07, 37.42

 

CMYK 37 / 2 / 0 / 2

HEX #9DF5FB

RGB 157 245 251

HSL 183.83, 0.92%, 0.8%

LAB 91.43, -24.89, -11.25

 

CMYK 5 / 37 / 0 / 2

HEX #EF9FFB

RGB 239 159 251

HSL 292.17, 0.92%, 0.8%

LAB 76.14, 44.29, -33.91

 

CMYK 0 / 24 / 37 / 2

HEX #FBBF9D

RGB 251 191 157

HSL 21.7, 0.92%, 0.8%

LAB 81.95, 17.19, 25.5

 

CMYK 32 / 0 / 37 / 2

HEX #AAFB9D

RGB 170 251 157

HSL 111.7, 0.92%, 0.8%

LAB 91.67, -42.07, 37.42

 

CMYK 37 / 14 / 0 / 2

HEX #9DD9FB

RGB 157 217 251

HSL 201.7, 0.92%, 0.8%

LAB 83.84, -10.85, -22.67

 

Description

Color code: HEX #EF9FFB | qconv.com Color code: HEX #EF9FFB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 159 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 159 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 37 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 37% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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