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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9F92 it is the complementary color #10606D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9F92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9F92 shade: #F49F8D, #FFB1A0, #FFC3B3, #FFD5C6 and #FFE7D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9F92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9F92 shade: #EF9F92, #DE8D7F, #CD7B6C, #BC6959 and #AB5746

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9F92 shade: #EE9D90 and #EE9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9F92 shade: #EE9D90, #EEB790, #EED090, #EEEA90 and #DAEE90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9F92 shade matches the following richer shades: #EE9D90 and #F99686

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9F92 shade: #EE9D90, #E4A59A, #DAACA5, #CFB4AF and #C5BBB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9F92 shade: #EE90B6, #EE909D, #EE9D90, #EEB690 and #EECF90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9F92 shade: #E45E48, #E97E6C, #EE9D90, #F4BDB4 and #F9DDD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9F92 shade: #EF9F92, #CFEE90 and #90A9EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9F92 shade: #EF9F92, #90EE9D and #9D90EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9F92 shade: #EF9F92, #CFEE90, #90E2EE and #B090EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9F92 shade: #EF9F92, #B3EE90, #90E2EE and #CC90EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 39 / 6

HEX #EF9F92

RGB 239 159 146

HSL 8.39, 0.74%, 0.75%

LAB 73.04, 28.23, 19.01

 

Complementary color

CMYK 85 / 12 / 0 / 57

HEX #10606D

RGB 16 96 109

HSL 188.39, 0.74%, 0.25%

LAB 37.08, -17.65, -13.89

 

CMYK 0 / 35 / 42 / 4

HEX #F49F8D

RGB 244 159 141

HSL 10.49, 0.82%, 0.75%

LAB 73.51, 29.59, 22.49

 

CMYK 0 / 31 / 37 / 0

HEX #FFB1A0

RGB 255 177 160

HSL 10.74, 1%, 0.81%

LAB 79.18, 26.4, 20.17

 

CMYK 0 / 24 / 30 / 0

HEX #FFC3B3

RGB 255 195 179

HSL 12.63, 1%, 0.85%

LAB 83.73, 19.27, 16.34

 

CMYK 0 / 16 / 22 / 0

HEX #FFD5C6

RGB 255 213 198

HSL 15.79, 1%, 0.89%

LAB 88.41, 12.45, 12.89

 

CMYK 0 / 9 / 15 / 0

HEX #FFE7D9

RGB 255 231 217

HSL 22.11, 1%, 0.93%

LAB 93.2, 5.96, 9.77

 

CMYK 0 / 33 / 39 / 6

HEX #EF9F92

RGB 239 159 146

HSL 8.39, 0.74%, 0.75%

LAB 73.04, 28.23, 19.01

 

CMYK 0 / 36 / 43 / 13

HEX #DE8D7F

RGB 222 141 127

HSL 8.84, 0.59%, 0.68%

LAB 66.61, 29.2, 20.35

 

CMYK 0 / 40 / 47 / 20

HEX #CD7B6C

RGB 205 123 108

HSL 9.28, 0.49%, 0.61%

LAB 60.09, 30.28, 21.85

 

CMYK 0 / 44 / 53 / 26

HEX #BC6959

RGB 188 105 89

HSL 9.7, 0.42%, 0.54%

LAB 53.51, 31.47, 23.56

 

CMYK 0 / 49 / 59 / 33

HEX #AB5746

RGB 171 87 70

HSL 10.1, 0.42%, 0.47%

LAB 46.86, 32.77, 25.53

 

CMYK 0 / 34 / 39 / 7

HEX #EE9D90

RGB 238 157 144

HSL 8.3, 0.73%, 0.75%

LAB 72.43, 28.69, 19.25

 

CMYK 0 / 39 / 39 / 7

HEX #EE9090

RGB 238 144 144

HSL 0, 0.73%, 0.75%

LAB 69.57, 35.52, 15.28

 

CMYK 0 / 34 / 39 / 7

HEX #EE9D90

RGB 238 157 144

HSL 8.3, 0.73%, 0.75%

LAB 72.43, 28.69, 19.25

 

CMYK 0 / 23 / 39 / 7

HEX #EEB790

RGB 238 183 144

HSL 24.89, 0.73%, 0.75%

LAB 78.5, 14.9, 27.5

 

CMYK 0 / 13 / 39 / 7

HEX #EED090

RGB 238 208 144

HSL 40.85, 0.73%, 0.75%

LAB 84.64, 1.81, 35.63

 

CMYK 0 / 2 / 39 / 7

HEX #EEEA90

RGB 238 234 144

HSL 57.45, 0.73%, 0.75%

LAB 91.25, -11.36, 44.14

 

CMYK 8 / 0 / 39 / 7

HEX #DAEE90

RGB 218 238 144

HSL 72.77, 0.73%, 0.75%

LAB 90.81, -20.96, 43.28

 

CMYK 0 / 34 / 39 / 7

HEX #EE9D90

RGB 238 157 144

HSL 8.3, 0.73%, 0.75%

LAB 72.43, 28.69, 19.25

 

CMYK 0 / 40 / 46 / 2

HEX #F99686

RGB 249 150 134

HSL 8.35, 0.91%, 0.75%

LAB 72.01, 35.47, 24.37

 

CMYK 0 / 34 / 39 / 7

HEX #EE9D90

RGB 238 157 144

HSL 8.3, 0.73%, 0.75%

LAB 72.43, 28.69, 19.25

 

CMYK 0 / 28 / 32 / 11

HEX #E4A59A

RGB 228 165 154

HSL 8.92, 0.58%, 0.75%

LAB 73.37, 21.81, 14.91

 

CMYK 0 / 21 / 24 / 15

HEX #DAACA5

RGB 218 172 165

HSL 7.92, 0.42%, 0.75%

LAB 74.27, 15.76, 10.01

 

CMYK 0 / 13 / 15 / 19

HEX #CFB4AF

RGB 207 180 175

HSL 9.38, 0.25%, 0.75%

LAB 75.45, 8.87, 6.11

 

CMYK 0 / 5 / 6 / 23

HEX #C5BBB9

RGB 197 187 185

HSL 10, 0.09%, 0.75%

LAB 76.63, 3.17, 2.26

 

CMYK 0 / 39 / 24 / 7

HEX #EE90B6

RGB 238 144 182

HSL 335.74, 0.73%, 0.75%

LAB 70.53, 40.33, -4.54

 

CMYK 0 / 39 / 34 / 7

HEX #EE909D

RGB 238 144 157

HSL 351.7, 0.73%, 0.75%

LAB 69.87, 37.04, 8.45

 

CMYK 0 / 34 / 39 / 7

HEX #EE9D90

RGB 238 157 144

HSL 8.3, 0.73%, 0.75%

LAB 72.43, 28.69, 19.25

 

CMYK 0 / 24 / 39 / 7

HEX #EEB690

RGB 238 182 144

HSL 24.26, 0.73%, 0.75%

LAB 78.26, 15.43, 27.18

 

CMYK 0 / 13 / 39 / 7

HEX #EECF90

RGB 238 207 144

HSL 40.21, 0.73%, 0.75%

LAB 84.39, 2.33, 35.31

 

CMYK 0 / 59 / 68 / 11

HEX #E45E48

RGB 228 94 72

HSL 8.46, 0.74%, 0.59%

LAB 57.04, 50.79, 38.84

 

CMYK 0 / 46 / 54 / 9

HEX #E97E6C

RGB 233 126 108

HSL 8.64, 0.74%, 0.67%

LAB 64.43, 39.46, 28.27

 

CMYK 0 / 34 / 39 / 7

HEX #EE9D90

RGB 238 157 144

HSL 8.3, 0.73%, 0.75%

LAB 72.43, 28.69, 19.25

 

CMYK 0 / 23 / 26 / 4

HEX #F4BDB4

RGB 244 189 180

HSL 8.44, 0.74%, 0.83%

LAB 81.25, 18.48, 12.15

 

CMYK 0 / 11 / 13 / 2

HEX #F9DDD8

RGB 249 221 216

HSL 9.09, 0.73%, 0.91%

LAB 90.23, 8.84, 5.97

 

CMYK 0 / 33 / 39 / 6

HEX #EF9F92

RGB 239 159 146

HSL 8.39, 0.74%, 0.75%

LAB 73.04, 28.23, 19.01

 

CMYK 13 / 0 / 39 / 7

HEX #CFEE90

RGB 207 238 144

HSL 79.79, 0.73%, 0.75%

LAB 90.06, -25.06, 42.16

 

CMYK 39 / 29 / 0 / 7

HEX #90A9EE

RGB 144 169 238

HSL 224.04, 0.73%, 0.75%

LAB 69.81, 8.3, -37.31

 

CMYK 0 / 33 / 39 / 6

HEX #EF9F92

RGB 239 159 146

HSL 8.39, 0.74%, 0.75%

LAB 73.04, 28.23, 19.01

 

CMYK 39 / 0 / 34 / 7

HEX #90EE9D

RGB 144 238 157

HSL 128.3, 0.73%, 0.75%

LAB 86.76, -44.3, 30.69

 

CMYK 34 / 39 / 0 / 7

HEX #9D90EE

RGB 157 144 238

HSL 248.3, 0.73%, 0.75%

LAB 64.39, 26.01, -45.72

 

CMYK 0 / 33 / 39 / 6

HEX #EF9F92

RGB 239 159 146

HSL 8.39, 0.74%, 0.75%

LAB 73.04, 28.23, 19.01

 

CMYK 13 / 0 / 39 / 7

HEX #CFEE90

RGB 207 238 144

HSL 79.79, 0.73%, 0.75%

LAB 90.06, -25.06, 42.16

 

CMYK 39 / 5 / 0 / 7

HEX #90E2EE

RGB 144 226 238

HSL 187.66, 0.73%, 0.75%

LAB 85.25, -21.97, -13.73

 

CMYK 26 / 39 / 0 / 7

HEX #B090EE

RGB 176 144 238

HSL 260.43, 0.73%, 0.75%

LAB 66.02, 31.22, -43.05

 

CMYK 0 / 33 / 39 / 6

HEX #EF9F92

RGB 239 159 146

HSL 8.39, 0.74%, 0.75%

LAB 73.04, 28.23, 19.01

 

CMYK 25 / 0 / 39 / 7

HEX #B3EE90

RGB 179 238 144

HSL 97.66, 0.73%, 0.75%

LAB 88.33, -35.06, 39.59

 

CMYK 39 / 5 / 0 / 7

HEX #90E2EE

RGB 144 226 238

HSL 187.66, 0.73%, 0.75%

LAB 85.25, -21.97, -13.73

 

CMYK 14 / 39 / 0 / 7

HEX #CC90EE

RGB 204 144 238

HSL 278.3, 0.73%, 0.75%

LAB 68.72, 39.28, -38.63

 

Description

Color code: HEX #EF9F92 | qconv.com Color code: HEX #EF9F92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 159 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 159 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 39 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 39% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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