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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9EAF it is the complementary color #106150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EF9EAF: #F49EAA, #FFB0BD, #FFC2D0, #FFD4E3 and #FFE6F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EF9EAF: #EF9EAF, #DE8C9C, #CD7A89, #BC6876 and #AB5663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 27 / 6

HEX #EF9EAF

RGB 239 158 175

HSL 347.41, 0.72%, 0.78%

LAB 73.48, 32.38, 3.68

 

Complementary color

CMYK 84 / 0 / 18 / 62

HEX #106150

RGB 16 97 80

HSL 167.41, 0.72%, 0.22%

LAB 36.44, -27.65, 3.1

 

CMYK 0 / 35 / 30 / 4

HEX #F49EAA

RGB 244 158 170

HSL 351.63, 0.8%, 0.79%

LAB 73.93, 33.52, 7.15

 

CMYK 0 / 31 / 26 / 0

HEX #FFB0BD

RGB 255 176 189

HSL 350.13, 1%, 0.85%

LAB 79.61, 30.56, 5.1

 

CMYK 0 / 24 / 18 / 0

HEX #FFC2D0

RGB 255 194 208

HSL 346.23, 1%, 0.88%

LAB 84.17, 23.84, 1.49

 

CMYK 0 / 17 / 11 / 0

HEX #FFD4E3

RGB 255 212 227

HSL 339.07, 1%, 0.92%

LAB 88.87, 17.38, -1.73

 

CMYK 0 / 10 / 4 / 0

HEX #FFE6F6

RGB 255 230 246

HSL 321.6, 1%, 0.95%

LAB 93.67, 11.21, -4.64

 

CMYK 0 / 34 / 27 / 6

HEX #EF9EAF

RGB 239 158 175

HSL 347.41, 0.72%, 0.78%

LAB 73.48, 32.38, 3.68

 

CMYK 0 / 37 / 30 / 13

HEX #DE8C9C

RGB 222 140 156

HSL 348.29, 0.55%, 0.71%

LAB 67.04, 33.21, 4.7

 

CMYK 0 / 40 / 33 / 20

HEX #CD7A89

RGB 205 122 137

HSL 349.16, 0.45%, 0.64%

LAB 60.52, 34.11, 5.85

 

CMYK 0 / 45 / 37 / 26

HEX #BC6876

RGB 188 104 118

HSL 350, 0.39%, 0.57%

LAB 53.92, 35.07, 7.17

 

CMYK 0 / 50 / 42 / 33

HEX #AB5663

RGB 171 86 99

HSL 350.82, 0.34%, 0.5%

LAB 47.25, 36.08, 8.71

 

CMYK 0 / 34 / 27 / 6

HEX #EF9EAF

RGB 239 158 175

HSL 347.41, 0.72%, 0.78%

LAB 73.48, 32.38, 3.68

 

CMYK 0 / 34 / 32 / 6

HEX #EF9EA2

RGB 239 158 162

HSL 357.04, 0.72%, 0.78%

LAB 73.16, 30.67, 10.39

 

CMYK 0 / 30 / 34 / 6

HEX #EFA79E

RGB 239 167 158

HSL 6.67, 0.72%, 0.78%

LAB 75.11, 25.41, 15.33

 

CMYK 0 / 24 / 34 / 6

HEX #EFB59E

RGB 239 181 158

HSL 17.04, 0.72%, 0.78%

LAB 78.38, 17.98, 19.88

 

CMYK 0 / 19 / 34 / 6

HEX #EFC29E

RGB 239 194 158

HSL 26.67, 0.72%, 0.78%

LAB 81.51, 11.12, 24.18

 

CMYK 0 / 34 / 27 / 6

HEX #EF9EAF

RGB 239 158 175

HSL 347.41, 0.72%, 0.78%

LAB 73.48, 32.38, 3.68

 

CMYK 0 / 34 / 26 / 86

HEX #23171A

RGB 35 23 26

HSL 345, 0.21%, 0.11%

LAB 9.36, 6.67, 0.27

 

CMYK 0 / 34 / 27 / 66

HEX #56393F

RGB 86 57 63

HSL 347.59, 0.2%, 0.28%

LAB 27.47, 13.87, 1.51

 

CMYK 0 / 34 / 27 / 46

HEX #895B64

RGB 137 91 100

HSL 348.26, 0.2%, 0.45%

LAB 43.83, 20.23, 2.59

 

CMYK 0 / 34 / 27 / 26

HEX #BC7C8A

RGB 188 124 138

HSL 346.88, 0.32%, 0.61%

LAB 58.92, 26.83, 2.71

 

CMYK 0 / 34 / 27 / 6

HEX #EF9EAF

RGB 239 158 175

HSL 347.41, 0.72%, 0.78%

LAB 73.48, 32.38, 3.68

 

CMYK 0 / 1 / 34 / 6

HEX #EFED9E

RGB 239 237 158

HSL 58.52, 0.72%, 0.78%

LAB 92.3, -10.92, 38.58

 

CMYK 34 / 13 / 0 / 6

HEX #9ED0EF

RGB 158 208 239

HSL 202.96, 0.72%, 0.78%

LAB 81.08, -8.88, -20.47

 

CMYK 0 / 34 / 27 / 6

HEX #EF9EAF

RGB 239 158 175

HSL 347.41, 0.72%, 0.78%

LAB 73.48, 32.38, 3.68

 

CMYK 26 / 0 / 34 / 6

HEX #B0EF9E

RGB 176 239 158

HSL 106.67, 0.72%, 0.78%

LAB 88.65, -34.58, 32.99

 

CMYK 34 / 26 / 0 / 6

HEX #9EB0EF

RGB 158 176 239

HSL 226.67, 0.72%, 0.78%

LAB 72.6, 8.41, -33.46

 

CMYK 0 / 34 / 27 / 6

HEX #EF9EAF

RGB 239 158 175

HSL 347.41, 0.72%, 0.78%

LAB 73.48, 32.38, 3.68

 

CMYK 0 / 1 / 34 / 6

HEX #EFED9E

RGB 239 237 158

HSL 58.52, 0.72%, 0.78%

LAB 92.3, -10.92, 38.58

 

CMYK 34 / 0 / 8 / 6

HEX #9EEFDD

RGB 158 239 221

HSL 166.67, 0.72%, 0.78%

LAB 89.03, -28.56, 0.86

 

CMYK 34 / 33 / 0 / 6

HEX #9E9FEF

RGB 158 159 239

HSL 239.26, 0.72%, 0.78%

LAB 68.24, 17.98, -40.23

 

CMYK 0 / 34 / 27 / 6

HEX #EF9EAF

RGB 239 158 175

HSL 347.41, 0.72%, 0.78%

LAB 73.48, 32.38, 3.68

 

CMYK 10 / 0 / 34 / 6

HEX #D8EF9E

RGB 216 239 158

HSL 77.04, 0.72%, 0.78%

LAB 91.14, -20.51, 36.74

 

CMYK 34 / 0 / 8 / 6

HEX #9EEFDD

RGB 158 239 221

HSL 166.67, 0.72%, 0.78%

LAB 89.03, -28.56, 0.86

 

CMYK 24 / 34 / 0 / 6

HEX #B59EEF

RGB 181 158 239

HSL 257.04, 0.72%, 0.78%

LAB 69.83, 25.04, -37.61

 

Description

Color code: HEX #EF9EAF | qconv.com Color code: HEX #EF9EAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 158 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 158 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 27 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 27% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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