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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9D3E it is the complementary color #1062C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9D3E shade: #F49D39, #FFAF4C, #FFC15F, #FFD372 and #FFE585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9D3E shade: #EF9D3E, #DE8B2B, #CD7918, #BC6705 and #AB5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9D3E shade: #EF9C3D, #EF6D3D and #EF3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9D3E shade: #EF9C3D, #EFCC3D, #E1EF3D, #B1EF3D and #81EF3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9D3E shade matches the following richer shades: #EF9C3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9D3E shade: #EF9C3D, #DE9B4E, #CD9A5F, #BC9970 and #AB9881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9D3E shade: #EF3D3D, #EF6C3D, #EF9C3D, #EFCB3D and #E3EF3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9D3E shade: #CA7310, #EC8917, #EF9C3D, #F2B063 and #F5C389

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9D3E shade: #EF9D3E, #6CEF3D and #553DEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9D3E shade: #EF9D3E, #3DEF9C and #9C3DEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9D3E shade: #EF9D3E, #6CEF3D, #3D90EF and #BF3DEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9D3E shade: #EF9D3E, #3DEF43, #3D90EF and #EF3DE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 74 / 6

HEX #EF9D3E

RGB 239 157 62

HSL 32.2, 0.85%, 0.59%

LAB 71.43, 22.77, 59.72

 

Complementary color

CMYK 92 / 49 / 0 / 24

HEX #1062C1

RGB 16 98 193

HSL 212.2, 0.85%, 0.41%

LAB 42.3, 14.06, -55.97

 

CMYK 0 / 36 / 77 / 4

HEX #F49D39

RGB 244 157 57

HSL 32.09, 0.89%, 0.59%

LAB 71.99, 24.64, 62.52

 

CMYK 0 / 31 / 70 / 0

HEX #FFAF4C

RGB 255 175 76

HSL 33.18, 1%, 0.65%

LAB 77.54, 20.58, 60.56

 

CMYK 0 / 24 / 63 / 0

HEX #FFC15F

RGB 255 193 95

HSL 36.75, 1%, 0.69%

LAB 81.96, 12.26, 56.82

 

CMYK 0 / 17 / 55 / 0

HEX #FFD372

RGB 255 211 114

HSL 41.28, 1%, 0.72%

LAB 86.54, 4.29, 53.2

 

CMYK 0 / 10 / 48 / 0

HEX #FFE585

RGB 255 229 133

HSL 47.21, 1%, 0.76%

LAB 91.23, -3.28, 49.78

 

CMYK 0 / 34 / 74 / 6

HEX #EF9D3E

RGB 239 157 62

HSL 32.2, 0.85%, 0.59%

LAB 71.43, 22.77, 59.72

 

CMYK 0 / 37 / 81 / 13

HEX #DE8B2B

RGB 222 139 43

HSL 32.18, 0.73%, 0.52%

LAB 65.1, 24.49, 60.54

 

CMYK 0 / 41 / 88 / 20

HEX #CD7918

RGB 205 121 24

HSL 32.15, 0.79%, 0.45%

LAB 58.71, 26.44, 60.57

 

CMYK 0 / 45 / 97 / 26

HEX #BC6705

RGB 188 103 5

HSL 32.13, 0.95%, 0.38%

LAB 52.29, 28.62, 59.19

 

CMYK 0 / 50 / 100 / 33

HEX #AB5500

RGB 171 85 0

HSL 29.82, 1%, 0.34%

LAB 45.85, 31.03, 55.04

 

CMYK 0 / 35 / 74 / 6

HEX #EF9C3D

RGB 239 156 61

HSL 32.02, 0.85%, 0.59%

LAB 71.19, 23.26, 59.9

 

CMYK 0 / 54 / 74 / 6

HEX #EF6D3D

RGB 239 109 61

HSL 16.18, 0.85%, 0.59%

LAB 61.33, 47.24, 49.82

 

CMYK 0 / 74 / 74 / 6

HEX #EF3D3D

RGB 239 61 61

HSL 0, 0.85%, 0.59%

LAB 54.05, 66.73, 41.99

 

CMYK 0 / 35 / 74 / 6

HEX #EF9C3D

RGB 239 156 61

HSL 32.02, 0.85%, 0.59%

LAB 71.19, 23.26, 59.9

 

CMYK 0 / 15 / 74 / 6

HEX #EFCC3D

RGB 239 204 61

HSL 48.2, 0.85%, 0.59%

LAB 82.85, -1.88, 71.19

 

CMYK 6 / 0 / 74 / 6

HEX #E1EF3D

RGB 225 239 61

HSL 64.72, 0.85%, 0.59%

LAB 90.82, -25.01, 78.24

 

CMYK 26 / 0 / 74 / 6

HEX #B1EF3D

RGB 177 239 61

HSL 80.9, 0.85%, 0.59%

LAB 87.69, -43.73, 74.18

 

CMYK 46 / 0 / 74 / 6

HEX #81EF3D

RGB 129 239 61

HSL 97.08, 0.85%, 0.59%

LAB 85.37, -59.88, 71.15

 

CMYK 0 / 35 / 74 / 6

HEX #EF9C3D

RGB 239 156 61

HSL 32.02, 0.85%, 0.59%

LAB 71.19, 23.26, 59.9

 

CMYK 0 / 35 / 74 / 6

HEX #EF9C3D

RGB 239 156 61

HSL 32.02, 0.85%, 0.59%

LAB 71.19, 23.26, 59.9

 

CMYK 0 / 30 / 65 / 13

HEX #DE9B4E

RGB 222 155 78

HSL 32.08, 0.69%, 0.59%

LAB 69.13, 17.56, 49.42

 

CMYK 0 / 25 / 54 / 20

HEX #CD9A5F

RGB 205 154 95

HSL 32.18, 0.52%, 0.59%

LAB 67.21, 12.22, 38.14

 

CMYK 0 / 19 / 40 / 26

HEX #BC9970

RGB 188 153 112

HSL 32.37, 0.36%, 0.59%

LAB 65.47, 7.4, 26.46

 

CMYK 0 / 11 / 25 / 33

HEX #AB9881

RGB 171 152 129

HSL 32.86, 0.2%, 0.59%

LAB 63.92, 3.31, 14.68

 

CMYK 0 / 74 / 74 / 6

HEX #EF3D3D

RGB 239 61 61

HSL 0, 0.85%, 0.59%

LAB 54.05, 66.73, 41.99

 

CMYK 0 / 55 / 74 / 6

HEX #EF6C3D

RGB 239 108 61

HSL 15.84, 0.85%, 0.59%

LAB 61.14, 47.72, 49.63

 

CMYK 0 / 35 / 74 / 6

HEX #EF9C3D

RGB 239 156 61

HSL 32.02, 0.85%, 0.59%

LAB 71.19, 23.26, 59.9

 

CMYK 0 / 15 / 74 / 6

HEX #EFCB3D

RGB 239 203 61

HSL 47.87, 0.85%, 0.59%

LAB 82.59, -1.37, 70.95

 

CMYK 5 / 0 / 74 / 6

HEX #E3EF3D

RGB 227 239 61

HSL 64.04, 0.85%, 0.59%

LAB 90.96, -24.2, 78.43

 

CMYK 0 / 43 / 92 / 21

HEX #CA7310

RGB 202 115 16

HSL 31.94, 0.85%, 0.43%

LAB 56.93, 28.25, 61.11

 

CMYK 0 / 42 / 90 / 7

HEX #EC8917

RGB 236 137 23

HSL 32.11, 0.85%, 0.51%

LAB 66.36, 30.9, 68.44

 

CMYK 0 / 35 / 74 / 6

HEX #EF9C3D

RGB 239 156 61

HSL 32.02, 0.85%, 0.59%

LAB 71.19, 23.26, 59.9

 

CMYK 0 / 27 / 59 / 5

HEX #F2B063

RGB 242 176 99

HSL 32.31, 0.85%, 0.67%

LAB 76.58, 16.09, 48.35

 

CMYK 0 / 20 / 44 / 4

HEX #F5C389

RGB 245 195 137

HSL 32.22, 0.84%, 0.75%

LAB 81.97, 10.6, 35.89

 

CMYK 0 / 34 / 74 / 6

HEX #EF9D3E

RGB 239 157 62

HSL 32.2, 0.85%, 0.59%

LAB 71.43, 22.77, 59.72

 

CMYK 55 / 0 / 74 / 6

HEX #6CEF3D

RGB 108 239 61

HSL 104.16, 0.85%, 0.59%

LAB 84.62, -65.7, 70.15

 

CMYK 64 / 74 / 0 / 6

HEX #553DEF

RGB 85 61 239

HSL 248.09, 0.85%, 0.59%

LAB 40.41, 59.09, -85.27

 

CMYK 0 / 34 / 74 / 6

HEX #EF9D3E

RGB 239 157 62

HSL 32.2, 0.85%, 0.59%

LAB 71.43, 22.77, 59.72

 

CMYK 74 / 0 / 35 / 6

HEX #3DEF9C

RGB 61 239 156

HSL 152.02, 0.85%, 0.59%

LAB 84.55, -62.51, 27.8

 

CMYK 35 / 74 / 0 / 6

HEX #9C3DEF

RGB 156 61 239

HSL 272.02, 0.85%, 0.59%

LAB 47.8, 69.02, -72.88

 

CMYK 0 / 34 / 74 / 6

HEX #EF9D3E

RGB 239 157 62

HSL 32.2, 0.85%, 0.59%

LAB 71.43, 22.77, 59.72

 

CMYK 55 / 0 / 74 / 6

HEX #6CEF3D

RGB 108 239 61

HSL 104.16, 0.85%, 0.59%

LAB 84.62, -65.7, 70.15

 

CMYK 74 / 40 / 0 / 6

HEX #3D90EF

RGB 61 144 239

HSL 212.02, 0.85%, 0.59%

LAB 59.13, 6.77, -54.95

 

CMYK 20 / 74 / 0 / 6

HEX #BF3DEF

RGB 191 61 239

HSL 283.82, 0.85%, 0.59%

LAB 52.56, 75.18, -64.94

 

CMYK 0 / 34 / 74 / 6

HEX #EF9D3E

RGB 239 157 62

HSL 32.2, 0.85%, 0.59%

LAB 71.43, 22.77, 59.72

 

CMYK 74 / 0 / 72 / 6

HEX #3DEF43

RGB 61 239 67

HSL 122.02, 0.85%, 0.59%

LAB 83.51, -74.67, 66.66

 

CMYK 74 / 40 / 0 / 6

HEX #3D90EF

RGB 61 144 239

HSL 212.02, 0.85%, 0.59%

LAB 59.13, 6.77, -54.95

 

CMYK 0 / 74 / 3 / 6

HEX #EF3DE9

RGB 239 61 233

HSL 302.02, 0.85%, 0.59%

LAB 59.5, 83.44, -50.05

 

Description

Color code: HEX #EF9D3E | qconv.com Color code: HEX #EF9D3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 157 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 157 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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