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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9CF8 it is the complementary color #106307. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9CF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9CF8 shade: #F49CF3, #FFAEFF, #FFC0FF, #FFD2FF and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9CF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9CF8 shade: #EF9CF8, #DE8AE5, #CD78D2, #BC66BF and #AB54AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9CF8 shade: #EF9BF8, #F89BE8, #F89BCF, #F89BB6 and #F89B9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9CF8 shade: #EF9BF8, #D69BF8, #BD9BF8, #A49BF8 and #9B9BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9CF8 shade matches the following richer shades: #EF9BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9CF8 shade: #EF9BF8, #E8A4EF, #E1ACE7, #DAB5DE and #D3BED5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9CF8 shade: #BD9BF8, #D69BF8, #EF9BF8, #F89BE9 and #F89BD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9CF8 shade: #E34EF3, #E974F5, #EF9BF8, #F5C1FB and #FBE8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9CF8 shade: #EF9CF8, #F8A49B and #9BF8C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9CF8 shade: #EF9CF8, #F8EF9B and #9BF8EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9CF8 shade: #EF9CF8, #F8A49B, #A4F89B and #9BEFF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9CF8 shade: #EF9CF8, #F8C09B, #A4F89B and #9BD3F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 37 / 0 / 3

HEX #EF9CF8

RGB 239 156 248

HSL 294.13, 0.87%, 0.79%

LAB 75.39, 45.29, -33.44

 

Complementary color

CMYK 84 / 0 / 93 / 61

HEX #106307

RGB 16 99 7

HSL 114.13, 0.87%, 0.21%

LAB 36.08, -40.77, 39.81

 

CMYK 0 / 36 / 0 / 4

HEX #F49CF3

RGB 244 156 243

HSL 300.68, 0.8%, 0.78%

LAB 75.75, 45.89, -30.13

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 4 / 37 / 0 / 3

HEX #EF9CF8

RGB 239 156 248

HSL 294.13, 0.87%, 0.79%

LAB 75.39, 45.29, -33.44

 

CMYK 3 / 40 / 0 / 10

HEX #DE8AE5

RGB 222 138 229

HSL 295.38, 0.64%, 0.72%

LAB 69.01, 46.02, -33.08

 

CMYK 2 / 43 / 0 / 18

HEX #CD78D2

RGB 205 120 210

HSL 296.67, 0.5%, 0.65%

LAB 62.56, 46.76, -32.67

 

CMYK 2 / 47 / 0 / 25

HEX #BC66BF

RGB 188 102 191

HSL 297.98, 0.41%, 0.57%

LAB 56.04, 47.49, -32.19

 

CMYK 1 / 51 / 0 / 33

HEX #AB54AC

RGB 171 84 172

HSL 299.32, 0.35%, 0.5%

LAB 49.47, 48.15, -31.61

 

CMYK 4 / 38 / 0 / 3

HEX #EF9BF8

RGB 239 155 248

HSL 294.19, 0.87%, 0.79%

LAB 75.18, 45.81, -33.76

 

CMYK 0 / 38 / 6 / 3

HEX #F89BE8

RGB 248 155 232

HSL 310.32, 0.87%, 0.79%

LAB 75.59, 45.72, -24.36

 

CMYK 0 / 38 / 17 / 3

HEX #F89BCF

RGB 248 155 207

HSL 326.45, 0.87%, 0.79%

LAB 74.76, 41.69, -11.93

 

CMYK 0 / 38 / 27 / 3

HEX #F89BB6

RGB 248 155 182

HSL 342.58, 0.87%, 0.79%

LAB 74.05, 38.09, 0.77

 

CMYK 0 / 38 / 37 / 3

HEX #F89B9D

RGB 248 155 157

HSL 358.71, 0.87%, 0.79%

LAB 73.44, 34.95, 13.68

 

CMYK 4 / 38 / 0 / 3

HEX #EF9BF8

RGB 239 155 248

HSL 294.19, 0.87%, 0.79%

LAB 75.18, 45.81, -33.76

 

CMYK 14 / 38 / 0 / 3

HEX #D69BF8

RGB 214 155 248

HSL 278.06, 0.87%, 0.79%

LAB 72.57, 38.38, -38.01

 

CMYK 24 / 38 / 0 / 3

HEX #BD9BF8

RGB 189 155 248

HSL 261.94, 0.87%, 0.79%

LAB 70.2, 31.12, -41.89

 

CMYK 34 / 38 / 0 / 3

HEX #A49BF8

RGB 164 155 248

HSL 245.81, 0.87%, 0.79%

LAB 68.1, 24.2, -45.33

 

CMYK 38 / 38 / 0 / 3

HEX #9B9BF8

RGB 155 155 248

HSL 240, 0.87%, 0.79%

LAB 67.42, 21.83, -46.45

 

CMYK 4 / 38 / 0 / 3

HEX #EF9BF8

RGB 239 155 248

HSL 294.19, 0.87%, 0.79%

LAB 75.18, 45.81, -33.76

 

CMYK 4 / 38 / 0 / 3

HEX #EF9BF8

RGB 239 155 248

HSL 294.19, 0.87%, 0.79%

LAB 75.18, 45.81, -33.76

 

CMYK 3 / 31 / 0 / 6

HEX #E8A4EF

RGB 232 164 239

HSL 294.4, 0.7%, 0.79%

LAB 76.03, 37.26, -27.64

 

CMYK 3 / 26 / 0 / 9

HEX #E1ACE7

RGB 225 172 231

HSL 293.9, 0.55%, 0.79%

LAB 76.85, 29.25, -22.12

 

CMYK 2 / 18 / 0 / 13

HEX #DAB5DE

RGB 218 181 222

HSL 294.15, 0.38%, 0.79%

LAB 78.01, 20.4, -15.55

 

CMYK 1 / 11 / 0 / 16

HEX #D3BED5

RGB 211 190 213

HSL 294.78, 0.21%, 0.79%

LAB 79.32, 11.51, -8.8

 

CMYK 24 / 38 / 0 / 3

HEX #BD9BF8

RGB 189 155 248

HSL 261.94, 0.87%, 0.79%

LAB 70.2, 31.12, -41.89

 

CMYK 14 / 38 / 0 / 3

HEX #D69BF8

RGB 214 155 248

HSL 278.06, 0.87%, 0.79%

LAB 72.57, 38.38, -38.01

 

CMYK 4 / 38 / 0 / 3

HEX #EF9BF8

RGB 239 155 248

HSL 294.19, 0.87%, 0.79%

LAB 75.18, 45.81, -33.76

 

CMYK 0 / 38 / 6 / 3

HEX #F89BE9

RGB 248 155 233

HSL 309.68, 0.87%, 0.79%

LAB 75.63, 45.89, -24.85

 

CMYK 0 / 38 / 16 / 3

HEX #F89BD0

RGB 248 155 208

HSL 325.81, 0.87%, 0.79%

LAB 74.8, 41.85, -12.44

 

CMYK 7 / 68 / 0 / 5

HEX #E34EF3

RGB 227 78 243

HSL 294.18, 0.87%, 0.63%

LAB 60.11, 77.1, -54.77

 

CMYK 5 / 53 / 0 / 4

HEX #E974F5

RGB 233 116 245

HSL 294.42, 0.87%, 0.71%

LAB 66.83, 62.97, -45.2

 

CMYK 4 / 38 / 0 / 3

HEX #EF9BF8

RGB 239 155 248

HSL 294.19, 0.87%, 0.79%

LAB 75.18, 45.81, -33.76

 

CMYK 2 / 23 / 0 / 2

HEX #F5C1FB

RGB 245 193 251

HSL 293.79, 0.88%, 0.87%

LAB 84.23, 28.22, -21.47

 

CMYK 1 / 8 / 0 / 1

HEX #FBE8FD

RGB 251 232 253

HSL 294.29, 0.84%, 0.95%

LAB 94.02, 10.08, -7.81

 

CMYK 4 / 37 / 0 / 3

HEX #EF9CF8

RGB 239 156 248

HSL 294.13, 0.87%, 0.79%

LAB 75.39, 45.29, -33.44

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49B

RGB 248 164 155

HSL 5.81, 0.87%, 0.79%

LAB 75.37, 30.01, 17.48

 

CMYK 38 / 0 / 19 / 3

HEX #9BF8C9

RGB 155 248 201

HSL 149.68, 0.87%, 0.79%

LAB 90.93, -37.7, 13.96

 

CMYK 4 / 37 / 0 / 3

HEX #EF9CF8

RGB 239 156 248

HSL 294.13, 0.87%, 0.79%

LAB 75.39, 45.29, -33.44

 

CMYK 0 / 4 / 38 / 3

HEX #F8EF9B

RGB 248 239 155

HSL 54.19, 0.87%, 0.79%

LAB 93.47, -8.82, 41.72

 

CMYK 38 / 0 / 4 / 3

HEX #9BF8EF

RGB 155 248 239

HSL 174.19, 0.87%, 0.79%

LAB 91.84, -29.63, -4.42

 

CMYK 4 / 37 / 0 / 3

HEX #EF9CF8

RGB 239 156 248

HSL 294.13, 0.87%, 0.79%

LAB 75.39, 45.29, -33.44

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49B

RGB 248 164 155

HSL 5.81, 0.87%, 0.79%

LAB 75.37, 30.01, 17.48

 

CMYK 34 / 0 / 38 / 3

HEX #A4F89B

RGB 164 248 155

HSL 114.19, 0.87%, 0.79%

LAB 90.5, -42.93, 36.82

 

CMYK 38 / 4 / 0 / 3

HEX #9BEFF8

RGB 155 239 248

HSL 185.81, 0.87%, 0.79%

LAB 89.62, -23.19, -12.4

 

CMYK 4 / 37 / 0 / 3

HEX #EF9CF8

RGB 239 156 248

HSL 294.13, 0.87%, 0.79%

LAB 75.39, 45.29, -33.44

 

CMYK 0 / 23 / 38 / 3

HEX #F8C09B

RGB 248 192 155

HSL 23.87, 0.87%, 0.79%

LAB 81.85, 15.28, 26.37

 

CMYK 34 / 0 / 38 / 3

HEX #A4F89B

RGB 164 248 155

HSL 114.19, 0.87%, 0.79%

LAB 90.5, -42.93, 36.82

 

CMYK 38 / 15 / 0 / 3

HEX #9BD3F8

RGB 155 211 248

HSL 203.87, 0.87%, 0.79%

LAB 82.02, -9.01, -23.85

 

Description

Color code: HEX #EF9CF8 | qconv.com Color code: HEX #EF9CF8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 156 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 156 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 37 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 37% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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