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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9B9D it is the complementary color #106462. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9B9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9B9D shade: #F49B98, #FFADAB, #FFBFBE, #FFD1D1 and #FFE3E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9B9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9B9D shade: #EF9B9D, #DE898A, #CD7777, #BC6564 and #AB5351

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9B9D shade: #EF9A9C and #EF9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9B9D shade: #EF9A9C, #EF9AB3, #EF9ACA, #EF9AE0 and #E69AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9B9D shade matches the following richer shades: #EF9A9C and #F89193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9B9D shade: #EF9A9C, #E5A4A5, #DCADAE, #D2B7B7 and #C9C0C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9B9D shade: #EF9ACA, #EF9AB3, #EF9A9D, #EFAE9A and #EFC49A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9B9D shade: #E35357, #E97779, #EF9A9C, #F4BEBF and #FAE1E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9B9D shade: #EF9B9D, #E1EF9A and #9ABFEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9B9D shade: #EF9B9D, #9DEF9A and #9A9DEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9B9D shade: #EF9B9D, #E1EF9A, #9AEFEC and #A89AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9B9D shade: #EF9B9D, #C7EF9A, #9AEFEC and #C29AEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 34 / 6

HEX #EF9B9D

RGB 239 155 157

HSL 358.57, 0.72%, 0.77%

LAB 72.38, 31.64, 12.04

 

Complementary color

CMYK 84 / 0 / 2 / 61

HEX #106462

RGB 16 100 98

HSL 178.57, 0.72%, 0.23%

LAB 38.03, -23.56, -5.67

 

CMYK 0 / 36 / 38 / 4

HEX #F49B98

RGB 244 155 152

HSL 1.96, 0.81%, 0.78%

LAB 72.85, 32.9, 15.55

 

CMYK 0 / 32 / 33 / 0

HEX #FFADAB

RGB 255 173 171

HSL 1.43, 1%, 0.84%

LAB 78.51, 29.8, 13.3

 

CMYK 0 / 25 / 25 / 0

HEX #FFBFBE

RGB 255 191 190

HSL 0.92, 1%, 0.87%

LAB 83.04, 22.83, 9.49

 

CMYK 0 / 18 / 18 / 0

HEX #FFD1D1

RGB 255 209 209

HSL 0, 1%, 0.91%

LAB 87.71, 16.14, 6.09

 

CMYK 0 / 11 / 11 / 0

HEX #FFE3E4

RGB 255 227 228

HSL 357.86, 1%, 0.95%

LAB 92.49, 9.75, 3.01

 

CMYK 0 / 35 / 34 / 6

HEX #EF9B9D

RGB 239 155 157

HSL 358.57, 0.72%, 0.77%

LAB 72.38, 31.64, 12.04

 

CMYK 0 / 38 / 38 / 13

HEX #DE898A

RGB 222 137 138

HSL 359.29, 0.56%, 0.7%

LAB 65.95, 32.56, 13.28

 

CMYK 0 / 42 / 42 / 20

HEX #CD7777

RGB 205 119 119

HSL 0, 0.46%, 0.64%

LAB 59.44, 33.57, 14.68

 

CMYK 0 / 46 / 47 / 26

HEX #BC6564

RGB 188 101 100

HSL 0.68, 0.4%, 0.56%

LAB 52.86, 34.66, 16.28

 

CMYK 0 / 51 / 53 / 33

HEX #AB5351

RGB 171 83 81

HSL 1.33, 0.36%, 0.49%

LAB 46.23, 35.82, 18.16

 

CMYK 0 / 36 / 35 / 6

HEX #EF9A9C

RGB 239 154 156

HSL 358.59, 0.73%, 0.77%

LAB 72.14, 32.04, 12.25

 

CMYK 0 / 36 / 36 / 6

HEX #EF9A9A

RGB 239 154 154

HSL 0, 0.73%, 0.77%

LAB 72.09, 31.8, 13.29

 

CMYK 0 / 36 / 35 / 6

HEX #EF9A9C

RGB 239 154 156

HSL 358.59, 0.73%, 0.77%

LAB 72.14, 32.04, 12.25

 

CMYK 0 / 36 / 25 / 6

HEX #EF9AB3

RGB 239 154 179

HSL 342.35, 0.73%, 0.77%

LAB 72.7, 35.04, 0.34

 

CMYK 0 / 36 / 15 / 6

HEX #EF9ACA

RGB 239 154 202

HSL 326.12, 0.73%, 0.77%

LAB 73.37, 38.44, -11.38

 

CMYK 0 / 36 / 6 / 6

HEX #EF9AE0

RGB 239 154 224

HSL 310.59, 0.73%, 0.77%

LAB 74.09, 42.04, -22.37

 

CMYK 4 / 36 / 0 / 6

HEX #E69AEF

RGB 230 154 239

HSL 293.65, 0.73%, 0.77%

LAB 73.65, 41.93, -31.31

 

CMYK 0 / 36 / 35 / 6

HEX #EF9A9C

RGB 239 154 156

HSL 358.59, 0.73%, 0.77%

LAB 72.14, 32.04, 12.25

 

CMYK 0 / 42 / 41 / 3

HEX #F89193

RGB 248 145 147

HSL 358.83, 0.88%, 0.77%

LAB 71.09, 39.01, 15.92

 

CMYK 0 / 36 / 35 / 6

HEX #EF9A9C

RGB 239 154 156

HSL 358.59, 0.73%, 0.77%

LAB 72.14, 32.04, 12.25

 

CMYK 0 / 28 / 28 / 10

HEX #E5A4A5

RGB 229 164 165

HSL 359.08, 0.56%, 0.77%

LAB 73.5, 24.17, 9.06

 

CMYK 0 / 21 / 21 / 14

HEX #DCADAE

RGB 220 173 174

HSL 358.72, 0.4%, 0.77%

LAB 74.92, 17.28, 6.05

 

CMYK 0 / 13 / 13 / 18

HEX #D2B7B7

RGB 210 183 183

HSL 0, 0.23%, 0.77%

LAB 76.67, 9.65, 3.55

 

CMYK 0 / 4 / 4 / 21

HEX #C9C0C0

RGB 201 192 192

HSL 0, 0.08%, 0.77%

LAB 78.42, 3.15, 1.12

 

CMYK 0 / 36 / 15 / 6

HEX #EF9ACA

RGB 239 154 202

HSL 326.12, 0.73%, 0.77%

LAB 73.37, 38.44, -11.38

 

CMYK 0 / 36 / 25 / 6

HEX #EF9AB3

RGB 239 154 179

HSL 342.35, 0.73%, 0.77%

LAB 72.7, 35.04, 0.34

 

CMYK 0 / 36 / 34 / 6

HEX #EF9A9D

RGB 239 154 157

HSL 357.88, 0.73%, 0.77%

LAB 72.16, 32.16, 11.73

 

CMYK 0 / 27 / 36 / 6

HEX #EFAE9A

RGB 239 174 154

HSL 14.12, 0.73%, 0.77%

LAB 76.65, 21.21, 19.65

 

CMYK 0 / 18 / 36 / 6

HEX #EFC49A

RGB 239 196 154

HSL 29.65, 0.73%, 0.77%

LAB 81.93, 9.59, 26.85

 

CMYK 0 / 63 / 62 / 11

HEX #E35357

RGB 227 83 87

HSL 358.33, 0.72%, 0.61%

LAB 55.28, 56.15, 28.17

 

CMYK 0 / 49 / 48 / 9

HEX #E97779

RGB 233 119 121

HSL 358.95, 0.72%, 0.69%

LAB 63.26, 44.14, 19.39

 

CMYK 0 / 36 / 35 / 6

HEX #EF9A9C

RGB 239 154 156

HSL 358.59, 0.73%, 0.77%

LAB 72.14, 32.04, 12.25

 

CMYK 0 / 22 / 22 / 4

HEX #F4BEBF

RGB 244 190 191

HSL 358.89, 0.71%, 0.85%

LAB 81.74, 19.5, 6.95

 

CMYK 0 / 10 / 10 / 2

HEX #FAE1E2

RGB 250 225 226

HSL 357.6, 0.71%, 0.93%

LAB 91.53, 8.73, 2.63

 

CMYK 0 / 35 / 34 / 6

HEX #EF9B9D

RGB 239 155 157

HSL 358.57, 0.72%, 0.77%

LAB 72.38, 31.64, 12.04

 

CMYK 6 / 0 / 36 / 6

HEX #E1EF9A

RGB 225 239 154

HSL 69.88, 0.73%, 0.77%

LAB 91.72, -17.66, 39.61

 

CMYK 36 / 20 / 0 / 6

HEX #9ABFEF

RGB 154 191 239

HSL 213.88, 0.73%, 0.77%

LAB 76.29, -0.92, -27.79

 

CMYK 0 / 35 / 34 / 6

HEX #EF9B9D

RGB 239 155 157

HSL 358.57, 0.72%, 0.77%

LAB 72.38, 31.64, 12.04

 

CMYK 34 / 0 / 36 / 6

HEX #9DEF9A

RGB 157 239 154

HSL 117.88, 0.73%, 0.77%

LAB 87.6, -41.3, 33.43

 

CMYK 36 / 34 / 0 / 6

HEX #9A9DEF

RGB 154 157 239

HSL 237.88, 0.73%, 0.77%

LAB 67.44, 18.03, -41.5

 

CMYK 0 / 35 / 34 / 6

HEX #EF9B9D

RGB 239 155 157

HSL 358.57, 0.72%, 0.77%

LAB 72.38, 31.64, 12.04

 

CMYK 6 / 0 / 36 / 6

HEX #E1EF9A

RGB 225 239 154

HSL 69.88, 0.73%, 0.77%

LAB 91.72, -17.66, 39.61

 

CMYK 36 / 0 / 1 / 6

HEX #9AEFEC

RGB 154 239 236

HSL 177.88, 0.73%, 0.77%

LAB 89.23, -26.27, -6.7

 

CMYK 30 / 36 / 0 / 6

HEX #A89AEF

RGB 168 154 239

HSL 249.88, 0.73%, 0.77%

LAB 67.78, 23.58, -40.9

 

CMYK 0 / 35 / 34 / 6

HEX #EF9B9D

RGB 239 155 157

HSL 358.57, 0.72%, 0.77%

LAB 72.38, 31.64, 12.04

 

CMYK 17 / 0 / 36 / 6

HEX #C7EF9A

RGB 199 239 154

HSL 88.24, 0.73%, 0.77%

LAB 89.96, -27.19, 36.97

 

CMYK 36 / 0 / 1 / 6

HEX #9AEFEC

RGB 154 239 236

HSL 177.88, 0.73%, 0.77%

LAB 89.23, -26.27, -6.7

 

CMYK 19 / 36 / 0 / 6

HEX #C29AEF

RGB 194 154 239

HSL 268.24, 0.73%, 0.77%

LAB 70.04, 31.08, -37.19

 

Description

Color code: HEX #EF9B9D | qconv.com Color code: HEX #EF9B9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 155 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 155 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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