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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF977F it is the complementary color #106880. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF977F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF977F shade: #F4977A, #FFA98D, #FFBBA0, #FFCDB3 and #FFDFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF977F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF977F shade: #EF977F, #DE856C, #CD7359, #BC6146 and #AB4F33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF977F shade: #EF9880 and #EF8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF977F shade: #EF9880, #EFB680, #EFD480, #EDEF80 and #CFEF80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF977F shade matches the following richer shades: #EF9880 and #FB9174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF977F shade: #EF9880, #E49E8B, #D8A597, #CDACA3 and #C1B2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF977F shade: #EF80A5, #EF8087, #EF9680, #EFB480 and #EFD280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF977F shade: #E65C36, #EB7A5B, #EF9880, #F4B6A5 and #F8D3C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF977F shade: #EF977F, #C3EF80 and #8096EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF977F shade: #EF977F, #80EF96 and #9680EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF977F shade: #EF977F, #C3EF80, #80D9EF and #AC80EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF977F shade: #EF977F, #A1EF80, #80D9EF and #CE80EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 47 / 6

HEX #EF977F

RGB 239 151 127

HSL 12.86, 0.78%, 0.72%

LAB 70.88, 30.46, 26.47

 

Complementary color

CMYK 88 / 19 / 0 / 50

HEX #106880

RGB 16 104 128

HSL 192.86, 0.78%, 0.28%

LAB 40.52, -15.23, -20.22

 

CMYK 0 / 38 / 50 / 4

HEX #F4977A

RGB 244 151 122

HSL 14.26, 0.85%, 0.72%

LAB 71.4, 31.92, 29.99

 

CMYK 0 / 34 / 45 / 0

HEX #FFA98D

RGB 255 169 141

HSL 14.74, 1%, 0.78%

LAB 77.02, 28.55, 27.43

 

CMYK 0 / 27 / 37 / 0

HEX #FFBBA0

RGB 255 187 160

HSL 17.05, 1%, 0.81%

LAB 81.48, 21.16, 23.33

 

CMYK 0 / 20 / 30 / 0

HEX #FFCDB3

RGB 255 205 179

HSL 20.53, 1%, 0.85%

LAB 86.1, 14.05, 19.64

 

CMYK 0 / 13 / 22 / 0

HEX #FFDFC6

RGB 255 223 198

HSL 26.32, 1%, 0.89%

LAB 90.83, 7.28, 16.31

 

CMYK 0 / 37 / 47 / 6

HEX #EF977F

RGB 239 151 127

HSL 12.86, 0.78%, 0.72%

LAB 70.88, 30.46, 26.47

 

CMYK 0 / 40 / 51 / 13

HEX #DE856C

RGB 222 133 108

HSL 13.16, 0.63%, 0.65%

LAB 64.47, 31.59, 28.06

 

CMYK 0 / 44 / 57 / 20

HEX #CD7359

RGB 205 115 89

HSL 13.45, 0.54%, 0.58%

LAB 58, 32.85, 29.82

 

CMYK 0 / 48 / 63 / 26

HEX #BC6146

RGB 188 97 70

HSL 13.73, 0.47%, 0.51%

LAB 51.48, 34.22, 31.82

 

CMYK 0 / 54 / 70 / 33

HEX #AB4F33

RGB 171 79 51

HSL 14, 0.54%, 0.44%

LAB 44.93, 35.71, 34.08

 

CMYK 0 / 36 / 46 / 6

HEX #EF9880

RGB 239 152 128

HSL 12.97, 0.78%, 0.72%

LAB 71.12, 30.03, 26.25

 

CMYK 0 / 46 / 46 / 6

HEX #EF8080

RGB 239 128 128

HSL 0, 0.78%, 0.72%

LAB 66.02, 42.45, 19.34

 

CMYK 0 / 36 / 46 / 6

HEX #EF9880

RGB 239 152 128

HSL 12.97, 0.78%, 0.72%

LAB 71.12, 30.03, 26.25

 

CMYK 0 / 24 / 46 / 6

HEX #EFB680

RGB 239 182 128

HSL 29.19, 0.78%, 0.72%

LAB 78.09, 14.16, 35.41

 

CMYK 0 / 11 / 46 / 6

HEX #EFD480

RGB 239 212 128

HSL 45.41, 0.78%, 0.72%

LAB 85.5, -1.47, 44.82

 

CMYK 1 / 0 / 46 / 6

HEX #EDEF80

RGB 237 239 128

HSL 61.08, 0.78%, 0.72%

LAB 92.26, -15.79, 53.08

 

CMYK 13 / 0 / 46 / 6

HEX #CFEF80

RGB 207 239 128

HSL 77.3, 0.78%, 0.72%

LAB 90.12, -27.31, 49.97

 

CMYK 0 / 36 / 46 / 6

HEX #EF9880

RGB 239 152 128

HSL 12.97, 0.78%, 0.72%

LAB 71.12, 30.03, 26.25

 

CMYK 0 / 42 / 54 / 2

HEX #FB9174

RGB 251 145 116

HSL 12.89, 0.94%, 0.72%

LAB 70.89, 37.2, 32.73

 

CMYK 0 / 36 / 46 / 6

HEX #EF9880

RGB 239 152 128

HSL 12.97, 0.78%, 0.72%

LAB 71.12, 30.03, 26.25

 

CMYK 0 / 31 / 39 / 11

HEX #E49E8B

RGB 228 158 139

HSL 12.81, 0.62%, 0.72%

LAB 71.43, 23.76, 20.43

 

CMYK 0 / 24 / 30 / 15

HEX #D8A597

RGB 216 165 151

HSL 12.92, 0.45%, 0.72%

LAB 72.06, 16.84, 14.52

 

CMYK 0 / 16 / 20 / 20

HEX #CDACA3

RGB 205 172 163

HSL 12.86, 0.3%, 0.72%

LAB 72.98, 10.58, 9.09

 

CMYK 0 / 8 / 10 / 24

HEX #C1B2AE

RGB 193 178 174

HSL 12.63, 0.13%, 0.72%

LAB 73.7, 4.66, 3.97

 

CMYK 0 / 46 / 31 / 6

HEX #EF80A5

RGB 239 128 165

HSL 340, 0.78%, 0.72%

LAB 66.9, 46.57, -0.3

 

CMYK 0 / 46 / 44 / 6

HEX #EF8087

RGB 239 128 135

HSL 356.22, 0.78%, 0.72%

LAB 66.17, 43.15, 15.6

 

CMYK 0 / 37 / 46 / 6

HEX #EF9680

RGB 239 150 128

HSL 11.89, 0.78%, 0.72%

LAB 70.68, 31.08, 25.66

 

CMYK 0 / 25 / 46 / 6

HEX #EFB480

RGB 239 180 128

HSL 28.11, 0.78%, 0.72%

LAB 77.61, 15.21, 34.78

 

CMYK 0 / 12 / 46 / 6

HEX #EFD280

RGB 239 210 128

HSL 44.32, 0.78%, 0.72%

LAB 85, -0.45, 44.19

 

CMYK 0 / 60 / 77 / 10

HEX #E65C36

RGB 230 92 54

HSL 12.95, 0.78%, 0.56%

LAB 56.82, 51.6, 48.17

 

CMYK 0 / 48 / 61 / 8

HEX #EB7A5B

RGB 235 122 91

HSL 12.92, 0.78%, 0.64%

LAB 63.62, 40.97, 36.65

 

CMYK 0 / 36 / 46 / 6

HEX #EF9880

RGB 239 152 128

HSL 12.97, 0.78%, 0.72%

LAB 71.12, 30.03, 26.25

 

CMYK 0 / 25 / 32 / 4

HEX #F4B6A5

RGB 244 182 165

HSL 12.91, 0.78%, 0.8%

LAB 79.27, 20.22, 17.43

 

CMYK 0 / 15 / 19 / 3

HEX #F8D3C9

RGB 248 211 201

HSL 12.77, 0.77%, 0.88%

LAB 87.37, 11.39, 9.74

 

CMYK 0 / 37 / 47 / 6

HEX #EF977F

RGB 239 151 127

HSL 12.86, 0.78%, 0.72%

LAB 70.88, 30.46, 26.47

 

CMYK 18 / 0 / 46 / 6

HEX #C3EF80

RGB 195 239 128

HSL 83.78, 0.78%, 0.72%

LAB 89.34, -31.76, 48.85

 

CMYK 46 / 37 / 0 / 6

HEX #8096EF

RGB 128 150 239

HSL 228.11, 0.78%, 0.72%

LAB 63.86, 15.46, -47.25

 

CMYK 0 / 37 / 47 / 6

HEX #EF977F

RGB 239 151 127

HSL 12.86, 0.78%, 0.72%

LAB 70.88, 30.46, 26.47

 

CMYK 46 / 0 / 37 / 6

HEX #80EF96

RGB 128 239 150

HSL 131.89, 0.78%, 0.72%

LAB 86.27, -50.32, 33.45

 

CMYK 37 / 46 / 0 / 6

HEX #9680EF

RGB 150 128 239

HSL 251.89, 0.78%, 0.72%

LAB 60.03, 33.64, -53.22

 

CMYK 0 / 37 / 47 / 6

HEX #EF977F

RGB 239 151 127

HSL 12.86, 0.78%, 0.72%

LAB 70.88, 30.46, 26.47

 

CMYK 18 / 0 / 46 / 6

HEX #C3EF80

RGB 195 239 128

HSL 83.78, 0.78%, 0.72%

LAB 89.34, -31.76, 48.85

 

CMYK 46 / 9 / 0 / 6

HEX #80D9EF

RGB 128 217 239

HSL 191.89, 0.78%, 0.72%

LAB 82.08, -21.04, -19.1

 

CMYK 28 / 46 / 0 / 6

HEX #AC80EF

RGB 172 128 239

HSL 263.78, 0.78%, 0.72%

LAB 62.03, 39.32, -49.91

 

CMYK 0 / 37 / 47 / 6

HEX #EF977F

RGB 239 151 127

HSL 12.86, 0.78%, 0.72%

LAB 70.88, 30.46, 26.47

 

CMYK 33 / 0 / 46 / 6

HEX #A1EF80

RGB 161 239 128

HSL 102.16, 0.78%, 0.72%

LAB 87.42, -43.61, 46.04

 

CMYK 46 / 9 / 0 / 6

HEX #80D9EF

RGB 128 217 239

HSL 191.89, 0.78%, 0.72%

LAB 82.08, -21.04, -19.1

 

CMYK 14 / 46 / 0 / 6

HEX #CE80EF

RGB 206 128 239

HSL 282.16, 0.78%, 0.72%

LAB 65.59, 48.58, -44.07

 

Description

Color code: HEX #EF977F | qconv.com Color code: HEX #EF977F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 151 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 151 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 47 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 47% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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