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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9318CE it is the complementary color #106CE7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9318CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9318CE shade: #F49313CE, #FFA526CE, #FFB739CE, #FFC94CCE and #FFDB5FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9318CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9318CE shade: #EF9318CE, #DE8105CE, #CD6F00CE, #BC5D00CE and #AB4B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9318CE shade: #EF941A, #EF5B1A, #EF211A and #EF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9318CE shade: #EF941A, #EFCD1A, #D7EF1A, #9EEF1A and #64EF1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9318CE shade matches the following richer shades: #EF941A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9318CE shade: #EF941A, #DB912E, #C78E42, #B48B56 and #A08969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9318CE shade: #EF211A, #EF5A1A, #EF931A, #EFCC1A and #DAEF1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9318CE shade: #AB670C, #D17E0F, #EF941A, #F2A641 and #F4B867

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9318CE shade: #EF9318, #4CEF1A and #3E1AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9318CE shade: #EF9318, #1AEF93 and #931AEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9318CE shade: #EF9318, #4CEF1A, #1A76EF and #BD1AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9318CE shade: #EF9318, #1AEF28, #1A76EF and #EF1AE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 73 / 5

HEX #EF9318CE

RGBA 239 147 24 0.81

HSLA 34.33, 0.87%, 0.52%, 0.81

LABA 68.96, 26.93, 70.32, 0.81

 

Complementary color

CMYK 75 / 43 / 0 / 8

HEX #106CE7CE

RGBA 16 108 231 0.81

HSLA 214.33, 0.87%, 0.48%, 0.81

LABA 47.76, 22.58, -68.84, 0.81

 

CMYK 0 / 32 / 75 / 3

HEX #F49313CE

RGBA 244 147 19 0.81

HSLA 34.13, 0.91%, 0.52%, 0.81

LABA 69.57, 28.93, 72.11, 0.81

 

CMYK 0 / 29 / 69 / 0

HEX #FFA526CE

RGBA 255 165 38 0.81

HSLA 35.12, 1%, 0.57%, 0.81

LABA 75.02, 24.44, 72.28, 0.81

 

CMYK 0 / 23 / 63 / 0

HEX #FFB739CE

RGBA 255 183 57 0.81

HSLA 38.18, 1%, 0.61%, 0.81

LABA 79.28, 15.6, 69.84, 0.81

 

CMYK 0 / 17 / 57 / 0

HEX #FFC94CCE

RGBA 255 201 76 0.81

HSLA 41.9, 1%, 0.65%, 0.81

LABA 83.73, 7.06, 66.94, 0.81

 

CMYK 0 / 11 / 51 / 0

HEX #FFDB5FCE

RGBA 255 219 95 0.81

HSLA 46.5, 1%, 0.69%, 0.81

LABA 88.33, -1.11, 63.86, 0.81

 

CMYK 0 / 31 / 73 / 5

HEX #EF9318CE

RGBA 239 147 24 0.81

HSLA 34.33, 0.87%, 0.52%, 0.81

LABA 68.96, 26.93, 70.32, 0.81

 

CMYK 0 / 34 / 79 / 10

HEX #DE8105CE

RGBA 222 129 5 0.81

HSLA 34.29, 0.96%, 0.45%, 0.81

LABA 62.71, 29.08, 68.29, 0.81

 

CMYK 0 / 37 / 81 / 16

HEX #CD6F00CE

RGBA 205 111 0 0.81

HSLA 32.49, 1%, 0.4%, 0.81

LABA 56.43, 31.44, 63.99, 0.81

 

CMYK 0 / 41 / 81 / 21

HEX #BC5D00CE

RGBA 188 93 0 0.81

HSLA 29.68, 1%, 0.37%, 0.81

LABA 50.12, 33.87, 58.91, 0.81

 

CMYK 0 / 45 / 81 / 27

HEX #AB4B00CE

RGBA 171 75 0 0.81

HSLA 26.32, 1%, 0.34%, 0.81

LABA 43.79, 36.24, 53.84, 0.81

 

CMYK 0 / 38 / 89 / 6

HEX #EF941A

RGB 239 148 26

HSL 34.37, 0.87%, 0.52%

LAB 69.19, 26.43, 70.02

 

CMYK 0 / 62 / 89 / 6

HEX #EF5B1A

RGB 239 91 26

HSL 18.31, 0.87%, 0.52%

LAB 57.95, 54.46, 61.6

 

CMYK 0 / 86 / 89 / 6

HEX #EF211A

RGB 239 33 26

HSL 1.97, 0.87%, 0.52%

LAB 51.28, 72.85, 56.77

 

CMYK 0 / 89 / 89 / 6

HEX #EF1A1A

RGB 239 26 26

HSL 0, 0.87%, 0.52%

LAB 50.88, 74, 56.48

 

CMYK 0 / 38 / 89 / 6

HEX #EF941A

RGB 239 148 26

HSL 34.37, 0.87%, 0.52%

LAB 69.19, 26.43, 70.02

 

CMYK 0 / 14 / 89 / 6

HEX #EFCD1A

RGB 239 205 26

HSL 50.42, 0.87%, 0.52%

LAB 82.96, -3.4, 80.61

 

CMYK 10 / 0 / 89 / 6

HEX #D7EF1A

RGB 215 239 26

HSL 66.76, 0.87%, 0.52%

LAB 89.98, -30.09, 85.3

 

CMYK 34 / 0 / 89 / 6

HEX #9EEF1A

RGB 158 239 26

HSL 82.82, 0.87%, 0.52%

LAB 86.54, -51.85, 81.09

 

CMYK 58 / 0 / 89 / 6

HEX #64EF1A

RGB 100 239 26

HSL 99.15, 0.87%, 0.52%

LAB 84.23, -69.25, 78.23

 

CMYK 0 / 38 / 89 / 6

HEX #EF941A

RGB 239 148 26

HSL 34.37, 0.87%, 0.52%

LAB 69.19, 26.43, 70.02

 

CMYK 0 / 38 / 89 / 6

HEX #EF941A

RGB 239 148 26

HSL 34.37, 0.87%, 0.52%

LAB 69.19, 26.43, 70.02

 

CMYK 0 / 34 / 79 / 14

HEX #DB912E

RGB 219 145 46

HSL 34.34, 0.71%, 0.52%

LAB 66.14, 20.11, 60.23

 

CMYK 0 / 29 / 67 / 22

HEX #C78E42

RGB 199 142 66

HSL 34.29, 0.54%, 0.52%

LAB 63.24, 14.09, 47.91

 

CMYK 0 / 23 / 52 / 29

HEX #B48B56

RGB 180 139 86

HSL 33.83, 0.39%, 0.52%

LAB 60.64, 9.08, 34.15

 

CMYK 0 / 14 / 34 / 37

HEX #A08969

RGB 160 137 105

HSL 34.91, 0.22%, 0.52%

LAB 58.4, 3.85, 20.4

 

CMYK 0 / 86 / 89 / 6

HEX #EF211A

RGB 239 33 26

HSL 1.97, 0.87%, 0.52%

LAB 51.28, 72.85, 56.77

 

CMYK 0 / 62 / 89 / 6

HEX #EF5A1A

RGB 239 90 26

HSL 18.03, 0.87%, 0.52%

LAB 57.79, 54.89, 61.48

 

CMYK 0 / 38 / 89 / 6

HEX #EF931A

RGB 239 147 26

HSL 34.08, 0.87%, 0.52%

LAB 68.96, 26.96, 69.85

 

CMYK 0 / 15 / 89 / 6

HEX #EFCC1A

RGB 239 204 26

HSL 50.14, 0.87%, 0.52%

LAB 82.71, -2.89, 80.42

 

CMYK 9 / 0 / 89 / 6

HEX #DAEF1A

RGB 218 239 26

HSL 65.92, 0.87%, 0.52%

LAB 90.19, -28.87, 85.56

 

CMYK 0 / 40 / 93 / 33

HEX #AB670C

RGB 171 103 12

HSL 34.34, 0.87%, 0.36%

LAB 49.96, 21.34, 55.03

 

CMYK 0 / 40 / 93 / 18

HEX #D17E0F

RGB 209 126 15

HSL 34.33, 0.87%, 0.44%

LAB 60.35, 25.3, 64.21

 

CMYK 0 / 38 / 89 / 6

HEX #EF941A

RGB 239 148 26

HSL 34.37, 0.87%, 0.52%

LAB 69.19, 26.43, 70.02

 

CMYK 0 / 31 / 73 / 5

HEX #F2A641

RGB 242 166 65

HSL 34.24, 0.87%, 0.6%

LAB 73.89, 19.4, 61.04

 

CMYK 0 / 25 / 58 / 4

HEX #F4B867

RGB 244 184 103

HSL 34.47, 0.87%, 0.68%

LAB 78.75, 12.99, 49.01

 

CMYK 0 / 38 / 90 / 6

HEX #EF9318

RGB 239 147 24

HSL 34.33, 0.87%, 0.52%

LAB 68.96, 26.93, 70.32

 

CMYK 68 / 0 / 89 / 6

HEX #4CEF1A

RGB 76 239 26

HSL 105.92, 0.87%, 0.52%

LAB 83.62, -74.36, 77.47

 

CMYK 74 / 89 / 0 / 6

HEX #3E1AEF

RGB 62 26 239

HSL 250.14, 0.87%, 0.52%

LAB 33.97, 71.39, -95.99

 

CMYK 0 / 38 / 90 / 6

HEX #EF9318

RGB 239 147 24

HSL 34.33, 0.87%, 0.52%

LAB 68.96, 26.93, 70.32

 

CMYK 89 / 0 / 38 / 6

HEX #1AEF93

RGB 26 239 147

HSL 154.08, 0.87%, 0.52%

LAB 84, -67.39, 31.55

 

CMYK 38 / 89 / 0 / 6

HEX #931AEF

RGB 147 26 239

HSL 274.08, 0.87%, 0.52%

LAB 43.02, 78.21, -80.73

 

CMYK 0 / 38 / 90 / 6

HEX #EF9318

RGB 239 147 24

HSL 34.33, 0.87%, 0.52%

LAB 68.96, 26.93, 70.32

 

CMYK 68 / 0 / 89 / 6

HEX #4CEF1A

RGB 76 239 26

HSL 105.92, 0.87%, 0.52%

LAB 83.62, -74.36, 77.47

 

CMYK 89 / 51 / 0 / 6

HEX #1A76EF

RGB 26 118 239

HSL 214.08, 0.87%, 0.52%

LAB 51.16, 19.74, -67.8

 

CMYK 21 / 89 / 0 / 6

HEX #BD1AEF

RGB 189 26 239

HSL 285.92, 0.87%, 0.52%

LAB 49.24, 83.66, -70.33

 

CMYK 0 / 38 / 90 / 6

HEX #EF9318

RGB 239 147 24

HSL 34.33, 0.87%, 0.52%

LAB 68.96, 26.93, 70.32

 

CMYK 89 / 0 / 83 / 6

HEX #1AEF28

RGB 26 239 40

HSL 123.94, 0.87%, 0.52%

LAB 82.97, -79.94, 73.89

 

CMYK 89 / 51 / 0 / 6

HEX #1A76EF

RGB 26 118 239

HSL 214.08, 0.87%, 0.52%

LAB 51.16, 19.74, -67.8

 

CMYK 0 / 89 / 6 / 6

HEX #EF1AE1

RGB 239 26 225

HSL 303.94, 0.87%, 0.52%

LAB 56.61, 89.45, -50.14

 

Description

Color code: HEX #EF9318CE | qconv.com Color code: HEX #EF9318CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 147 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 147 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 73 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 73% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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