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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF7ECD it is the complementary color #108132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF7ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF7ECD shade: #F47EC8, #FF90DB, #FFA2EE, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF7ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF7ECD shade: #EF7ECD, #DE6CBA, #CD5AA7, #BC4894 and #AB3681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF7ECD shade: #EF80CE, #EF80B0, #EF8092 and #EF8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF7ECD shade: #EF80CE, #EF80EC, #D580EF, #B780EF and #9980EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF7ECD shade matches the following richer shades: #EF80CE and #FB74D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF7ECD shade: #EF80CE, #E48BC9, #D897C5, #CDA3C0 and #C1AEBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF7ECD shade: #D580EF, #EF80EC, #EF80CE, #EF80B0 and #EF8092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF7ECD shade: #E636B1, #EB5BC0, #EF80CE, #F4A5DC and #F8C9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF7ECD shade: #EF7ECD, #EFB880 and #80EFE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF7ECD shade: #EF7ECD, #CEEF80 and #80CEEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF7ECD shade: #EF7ECD, #EFB880, #80EFA1 and #80B8EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF7ECD shade: #EF7ECD, #EFD980, #80EFA1 and #8096EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 14 / 6

HEX #EF7ECD

RGB 239 126 205

HSL 318.05, 0.78%, 0.72%

LAB 67.78, 53.17, -21.48

 

Complementary color

CMYK 88 / 0 / 61 / 49

HEX #108132

RGB 16 129 50

HSL 138.05, 0.78%, 0.28%

LAB 47.03, -46.86, 34.03

 

CMYK 0 / 48 / 18 / 4

HEX #F47EC8

RGB 244 126 200

HSL 322.37, 0.84%, 0.73%

LAB 68.26, 53.96, -17.9

 

CMYK 0 / 44 / 14 / 0

HEX #FF90DB

RGB 255 144 219

HSL 319.46, 1%, 0.78%

LAB 73.75, 51.38, -19.97

 

CMYK 0 / 36 / 7 / 0

HEX #FFA2EE

RGB 255 162 238

HSL 310.97, 1%, 0.82%

LAB 78.04, 45.33, -23.81

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 47 / 14 / 6

HEX #EF7ECD

RGB 239 126 205

HSL 318.05, 0.78%, 0.72%

LAB 67.78, 53.17, -21.48

 

CMYK 0 / 51 / 16 / 13

HEX #DE6CBA

RGB 222 108 186

HSL 318.95, 0.63%, 0.65%

LAB 61.48, 53.84, -20.58

 

CMYK 0 / 56 / 19 / 20

HEX #CD5AA7

RGB 205 90 167

HSL 319.83, 0.53%, 0.58%

LAB 55.16, 54.41, -19.51

 

CMYK 0 / 62 / 21 / 26

HEX #BC4894

RGB 188 72 148

HSL 320.69, 0.46%, 0.51%

LAB 48.84, 54.79, -18.19

 

CMYK 0 / 68 / 25 / 33

HEX #AB3681

RGB 171 54 129

HSL 321.54, 0.52%, 0.44%

LAB 42.58, 54.83, -16.52

 

CMYK 0 / 46 / 14 / 6

HEX #EF80CE

RGB 239 128 206

HSL 317.84, 0.78%, 0.72%

LAB 68.2, 52.34, -21.4

 

CMYK 0 / 46 / 26 / 6

HEX #EF80B0

RGB 239 128 176

HSL 334.05, 0.78%, 0.72%

LAB 67.22, 48, -6.05

 

CMYK 0 / 46 / 39 / 6

HEX #EF8092

RGB 239 128 146

HSL 350.27, 0.78%, 0.72%

LAB 66.42, 44.32, 9.74

 

CMYK 0 / 46 / 46 / 6

HEX #EF8080

RGB 239 128 128

HSL 0, 0.78%, 0.72%

LAB 66.02, 42.45, 19.34

 

CMYK 0 / 46 / 14 / 6

HEX #EF80CE

RGB 239 128 206

HSL 317.84, 0.78%, 0.72%

LAB 68.2, 52.34, -21.4

 

CMYK 0 / 46 / 1 / 6

HEX #EF80EC

RGB 239 128 236

HSL 301.62, 0.78%, 0.72%

LAB 69.36, 57.28, -36.23

 

CMYK 11 / 46 / 0 / 6

HEX #D580EF

RGB 213 128 239

HSL 285.95, 0.78%, 0.72%

LAB 66.38, 50.52, -42.77

 

CMYK 23 / 46 / 0 / 6

HEX #B780EF

RGB 183 128 239

HSL 269.73, 0.78%, 0.72%

LAB 63.13, 42.27, -48.11

 

CMYK 36 / 46 / 0 / 6

HEX #9980EF

RGB 153 128 239

HSL 253.51, 0.78%, 0.72%

LAB 60.29, 34.4, -52.79

 

CMYK 0 / 46 / 14 / 6

HEX #EF80CE

RGB 239 128 206

HSL 317.84, 0.78%, 0.72%

LAB 68.2, 52.34, -21.4

 

CMYK 0 / 54 / 16 / 2

HEX #FB74D2

RGB 251 116 210

HSL 318.22, 0.94%, 0.72%

LAB 67.76, 62.22, -24.15

 

CMYK 0 / 46 / 14 / 6

HEX #EF80CE

RGB 239 128 206

HSL 317.84, 0.78%, 0.72%

LAB 68.2, 52.34, -21.4

 

CMYK 0 / 39 / 12 / 11

HEX #E48BC9

RGB 228 139 201

HSL 318.2, 0.62%, 0.72%

LAB 68.88, 42.48, -17.71

 

CMYK 0 / 30 / 9 / 15

HEX #D897C5

RGB 216 151 197

HSL 317.54, 0.45%, 0.72%

LAB 70.01, 31.45, -13.91

 

CMYK 0 / 20 / 6 / 20

HEX #CDA3C0

RGB 205 163 192

HSL 318.57, 0.3%, 0.72%

LAB 71.54, 20.25, -8.97

 

CMYK 0 / 10 / 3 / 24

HEX #C1AEBB

RGB 193 174 187

HSL 318.95, 0.13%, 0.72%

LAB 73.02, 9.13, -4.15

 

CMYK 11 / 46 / 0 / 6

HEX #D580EF

RGB 213 128 239

HSL 285.95, 0.78%, 0.72%

LAB 66.38, 50.52, -42.77

 

CMYK 0 / 46 / 1 / 6

HEX #EF80EC

RGB 239 128 236

HSL 301.62, 0.78%, 0.72%

LAB 69.36, 57.28, -36.23

 

CMYK 0 / 46 / 14 / 6

HEX #EF80CE

RGB 239 128 206

HSL 317.84, 0.78%, 0.72%

LAB 68.2, 52.34, -21.4

 

CMYK 0 / 46 / 26 / 6

HEX #EF80B0

RGB 239 128 176

HSL 334.05, 0.78%, 0.72%

LAB 67.22, 48, -6.05

 

CMYK 0 / 46 / 39 / 6

HEX #EF8092

RGB 239 128 146

HSL 350.27, 0.78%, 0.72%

LAB 66.42, 44.32, 9.74

 

CMYK 0 / 77 / 23 / 10

HEX #E636B1

RGB 230 54 177

HSL 318.07, 0.78%, 0.56%

LAB 54.7, 75.78, -25.7

 

CMYK 0 / 61 / 18 / 8

HEX #EB5BC0

RGB 235 91 192

HSL 317.92, 0.78%, 0.64%

LAB 60.74, 66.07, -24.97

 

CMYK 0 / 46 / 14 / 6

HEX #EF80CE

RGB 239 128 206

HSL 317.84, 0.78%, 0.72%

LAB 68.2, 52.34, -21.4

 

CMYK 0 / 32 / 10 / 4

HEX #F4A5DC

RGB 244 165 220

HSL 318.23, 0.78%, 0.8%

LAB 76.87, 37.23, -15.93

 

CMYK 0 / 19 / 6 / 3

HEX #F8C9EA

RGB 248 201 234

HSL 317.87, 0.77%, 0.88%

LAB 85.84, 21.93, -9.99

 

CMYK 0 / 47 / 14 / 6

HEX #EF7ECD

RGB 239 126 205

HSL 318.05, 0.78%, 0.72%

LAB 67.78, 53.17, -21.48

 

CMYK 0 / 23 / 46 / 6

HEX #EFB880

RGB 239 184 128

HSL 30.27, 0.78%, 0.72%

LAB 78.57, 13.1, 36.03

 

CMYK 46 / 0 / 5 / 6

HEX #80EFE4

RGB 128 239 228

HSL 174.05, 0.78%, 0.72%

LAB 87.93, -34.45, -4.56

 

CMYK 0 / 47 / 14 / 6

HEX #EF7ECD

RGB 239 126 205

HSL 318.05, 0.78%, 0.72%

LAB 67.78, 53.17, -21.48

 

CMYK 14 / 0 / 46 / 6

HEX #CEEF80

RGB 206 239 128

HSL 77.84, 0.78%, 0.72%

LAB 90.05, -27.68, 49.88

 

CMYK 46 / 14 / 0 / 6

HEX #80CEEF

RGB 128 206 239

HSL 197.84, 0.78%, 0.72%

LAB 79.02, -15.44, -23.74

 

CMYK 0 / 47 / 14 / 6

HEX #EF7ECD

RGB 239 126 205

HSL 318.05, 0.78%, 0.72%

LAB 67.78, 53.17, -21.48

 

CMYK 0 / 23 / 46 / 6

HEX #EFB880

RGB 239 184 128

HSL 30.27, 0.78%, 0.72%

LAB 78.57, 13.1, 36.03

 

CMYK 46 / 0 / 33 / 6

HEX #80EFA1

RGB 128 239 161

HSL 137.84, 0.78%, 0.72%

LAB 86.45, -48.47, 28.13

 

CMYK 46 / 23 / 0 / 6

HEX #80B8EF

RGB 128 184 239

HSL 209.73, 0.78%, 0.72%

LAB 72.96, -3.75, -33.04

 

CMYK 0 / 47 / 14 / 6

HEX #EF7ECD

RGB 239 126 205

HSL 318.05, 0.78%, 0.72%

LAB 67.78, 53.17, -21.48

 

CMYK 0 / 9 / 46 / 6

HEX #EFD980

RGB 239 217 128

HSL 48.11, 0.78%, 0.72%

LAB 86.77, -4.02, 46.39

 

CMYK 46 / 0 / 33 / 6

HEX #80EFA1

RGB 128 239 161

HSL 137.84, 0.78%, 0.72%

LAB 86.45, -48.47, 28.13

 

CMYK 46 / 37 / 0 / 6

HEX #8096EF

RGB 128 150 239

HSL 228.11, 0.78%, 0.72%

LAB 63.86, 15.46, -47.25

 

Description

Color code: HEX #EF7ECD | qconv.com Color code: HEX #EF7ECD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 126 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 126 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 14 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 14% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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