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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF7EB6BF it is the complementary color #108149BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF7EB6BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF7EB6BF shade: #F47EB1BF, #FF90C4BF, #FFA2D7BF, #FFB4EABF and #FFC6FDBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF7EB6BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF7EB6BF shade: #EF7EB6BF, #DE6CA3BF, #CD5A90BF, #BC487DBF and #AB366ABF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF7EB6BF shade: #EF80B7, #EF8099 and #EF8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF7EB6BF shade: #EF80B7, #EF80D5, #EB80EF, #CD80EF and #AF80EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF7EB6BF shade matches the following richer shades: #EF80B7 and #FB74B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF7EB6BF shade: #EF80B7, #E48BB7, #D897B7, #CDA3B7 and #C1AEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF7EB6BF shade: #EC80EF, #EF80D5, #EF80B8, #EF809A and #EF8480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF7EB6BF shade: #E6368E, #EB5BA2, #EF80B7, #F4A5CC and #F8C9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF7EB6BF shade: #EF7EB6, #EFCE80 and #80E4EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF7EB6BF shade: #EF7EB6, #B8EF80 and #80B8EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF7EB6BF shade: #EF7EB6, #EFCE80, #80EFB8 and #80A1EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF7EB6BF shade: #EF7EB6, #EFEF80, #80EFB8 and #8080EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 18 / 5

HEX #EF7EB6BF

RGBA 239 126 182 0.75

HSLA 330.27, 0.78%, 0.72%, 0.75

LABA 67.01, 49.81, -9.74, 0.75

 

Complementary color

CMYK 66 / 0 / 33 / 37

HEX #108149BF

RGBA 16 129 73 0.75

HSLA 150.27, 0.78%, 0.28%, 0.75

LABA 47.35, -42.96, 22.24, 0.75

 

CMYK 0 / 36 / 21 / 3

HEX #F47EB1BF

RGBA 244 126 177 0.75

HSLA 334.07, 0.84%, 0.73%, 0.75

LABA 67.52, 50.76, -6.09, 0.75

 

CMYK 0 / 33 / 17 / 0

HEX #FF90C4BF

RGBA 255 144 196 0.75

HSLA 331.89, 1%, 0.78%, 0.75

LABA 73.02, 48.01, -8.39, 0.75

 

CMYK 0 / 27 / 12 / 0

HEX #FFA2D7BF

RGBA 255 162 215 0.75

HSLA 325.81, 1%, 0.82%, 0.75

LABA 77.28, 41.62, -12.46, 0.75

 

CMYK 0 / 22 / 6 / 0

HEX #FFB4EABF

RGBA 255 180 234 0.75

HSLA 316.8, 1%, 0.85%, 0.75

LABA 81.75, 35.31, -16.03, 0.75

 

CMYK 0 / 17 / 1 / 0

HEX #FFC6FDBF

RGBA 255 198 253 0.75

HSLA 302.11, 1%, 0.89%, 0.75

LABA 86.38, 29.16, -19.2, 0.75

 

CMYK 0 / 35 / 18 / 5

HEX #EF7EB6BF

RGBA 239 126 182 0.75

HSLA 330.27, 0.78%, 0.72%, 0.75

LABA 67.01, 49.81, -9.74, 0.75

 

CMYK 0 / 39 / 20 / 10

HEX #DE6CA3BF

RGBA 222 108 163 0.75

HSLA 331.05, 0.63%, 0.65%, 0.75

LABA 60.69, 50.56, -8.59, 0.75

 

CMYK 0 / 42 / 22 / 15

HEX #CD5A90BF

RGBA 205 90 144 0.75

HSLA 331.83, 0.53%, 0.58%, 0.75

LABA 54.35, 51.24, -7.25, 0.75

 

CMYK 0 / 46 / 25 / 20

HEX #BC487DBF

RGBA 188 72 125 0.75

HSLA 332.59, 0.46%, 0.51%, 0.75

LABA 48.02, 51.77, -5.61, 0.75

 

CMYK 0 / 51 / 29 / 25

HEX #AB366ABF

RGBA 171 54 106 0.75

HSLA 333.33, 0.52%, 0.44%, 0.75

LABA 41.75, 51.99, -3.56, 0.75

 

CMYK 0 / 46 / 23 / 6

HEX #EF80B7

RGB 239 128 183

HSL 330.27, 0.78%, 0.72%

LAB 67.43, 48.96, -9.67

 

CMYK 0 / 46 / 36 / 6

HEX #EF8099

RGB 239 128 153

HSL 346.49, 0.78%, 0.72%

LAB 66.59, 45.11, 6.02

 

CMYK 0 / 46 / 46 / 6

HEX #EF8080

RGB 239 128 128

HSL 0, 0.78%, 0.72%

LAB 66.02, 42.45, 19.34

 

CMYK 0 / 46 / 23 / 6

HEX #EF80B7

RGB 239 128 183

HSL 330.27, 0.78%, 0.72%

LAB 67.43, 48.96, -9.67

 

CMYK 0 / 46 / 11 / 6

HEX #EF80D5

RGB 239 128 213

HSL 314.05, 0.78%, 0.72%

LAB 68.46, 53.45, -24.91

 

CMYK 2 / 46 / 0 / 6

HEX #EB80EF

RGB 235 128 239

HSL 297.84, 0.78%, 0.72%

LAB 68.99, 56.68, -38.49

 

CMYK 14 / 46 / 0 / 6

HEX #CD80EF

RGB 205 128 239

HSL 281.62, 0.78%, 0.72%

LAB 65.47, 48.3, -44.25

 

CMYK 27 / 46 / 0 / 6

HEX #AF80EF

RGB 175 128 239

HSL 265.41, 0.78%, 0.72%

LAB 62.33, 40.12, -49.43

 

CMYK 0 / 46 / 23 / 6

HEX #EF80B7

RGB 239 128 183

HSL 330.27, 0.78%, 0.72%

LAB 67.43, 48.96, -9.67

 

CMYK 0 / 54 / 27 / 2

HEX #FB74B7

RGB 251 116 183

HSL 330.22, 0.94%, 0.72%

LAB 66.84, 58.52, -10.39

 

CMYK 0 / 46 / 23 / 6

HEX #EF80B7

RGB 239 128 183

HSL 330.27, 0.78%, 0.72%

LAB 67.43, 48.96, -9.67

 

CMYK 0 / 39 / 20 / 11

HEX #E48BB7

RGB 228 139 183

HSL 330.34, 0.62%, 0.72%

LAB 68.3, 39.67, -8.53

 

CMYK 0 / 30 / 15 / 15

HEX #D897B7

RGB 216 151 183

HSL 330.46, 0.45%, 0.72%

LAB 69.58, 29.12, -6.78

 

CMYK 0 / 20 / 11 / 20

HEX #CDA3B7

RGB 205 163 183

HSL 331.43, 0.3%, 0.72%

LAB 71.28, 18.69, -4.39

 

CMYK 0 / 10 / 5 / 24

HEX #C1AEB8

RGB 193 174 184

HSL 328.42, 0.13%, 0.72%

LAB 72.94, 8.58, -2.62

 

CMYK 1 / 46 / 0 / 6

HEX #EC80EF

RGB 236 128 239

HSL 298.38, 0.78%, 0.72%

LAB 69.11, 56.96, -38.29

 

CMYK 0 / 46 / 11 / 6

HEX #EF80D5

RGB 239 128 213

HSL 314.05, 0.78%, 0.72%

LAB 68.46, 53.45, -24.91

 

CMYK 0 / 46 / 23 / 6

HEX #EF80B8

RGB 239 128 184

HSL 329.73, 0.78%, 0.72%

LAB 67.46, 49.1, -10.19

 

CMYK 0 / 46 / 36 / 6

HEX #EF809A

RGB 239 128 154

HSL 345.95, 0.78%, 0.72%

LAB 66.61, 45.23, 5.49

 

CMYK 0 / 45 / 46 / 6

HEX #EF8480

RGB 239 132 128

HSL 2.16, 0.78%, 0.72%

LAB 66.83, 40.42, 20.46

 

CMYK 0 / 77 / 38 / 10

HEX #E6368E

RGB 230 54 142

HSL 330, 0.78%, 0.56%

LAB 53.4, 71.88, -7.04

 

CMYK 0 / 61 / 31 / 8

HEX #EB5BA2

RGB 235 91 162

HSL 330.42, 0.78%, 0.64%

LAB 59.66, 62.18, -9.35

 

CMYK 0 / 46 / 23 / 6

HEX #EF80B7

RGB 239 128 183

HSL 330.27, 0.78%, 0.72%

LAB 67.43, 48.96, -9.67

 

CMYK 0 / 32 / 16 / 4

HEX #F4A5CC

RGB 244 165 204

HSL 330.38, 0.78%, 0.8%

LAB 76.38, 34.67, -7.94

 

CMYK 0 / 19 / 9 / 3

HEX #F8C9E1

RGB 248 201 225

HSL 329.36, 0.77%, 0.88%

LAB 85.59, 20.41, -5.58

 

CMYK 0 / 47 / 24 / 6

HEX #EF7EB6

RGB 239 126 182

HSL 330.27, 0.78%, 0.72%

LAB 67.01, 49.81, -9.74

 

CMYK 0 / 14 / 46 / 6

HEX #EFCE80

RGB 239 206 128

HSL 42.16, 0.78%, 0.72%

LAB 83.99, 1.61, 42.93

 

CMYK 46 / 5 / 0 / 6

HEX #80E4EF

RGB 128 228 239

HSL 185.95, 0.78%, 0.72%

LAB 85.15, -26.48, -14.47

 

CMYK 0 / 47 / 24 / 6

HEX #EF7EB6

RGB 239 126 182

HSL 330.27, 0.78%, 0.72%

LAB 67.01, 49.81, -9.74

 

CMYK 23 / 0 / 46 / 6

HEX #B8EF80

RGB 184 239 128

HSL 89.73, 0.78%, 0.72%

LAB 88.68, -35.73, 47.88

 

CMYK 46 / 23 / 0 / 6

HEX #80B8EF

RGB 128 184 239

HSL 209.73, 0.78%, 0.72%

LAB 72.96, -3.75, -33.04

 

CMYK 0 / 47 / 24 / 6

HEX #EF7EB6

RGB 239 126 182

HSL 330.27, 0.78%, 0.72%

LAB 67.01, 49.81, -9.74

 

CMYK 0 / 14 / 46 / 6

HEX #EFCE80

RGB 239 206 128

HSL 42.16, 0.78%, 0.72%

LAB 83.99, 1.61, 42.93

 

CMYK 46 / 0 / 23 / 6

HEX #80EFB8

RGB 128 239 184

HSL 150.27, 0.78%, 0.72%

LAB 86.89, -44.16, 16.9

 

CMYK 46 / 33 / 0 / 6

HEX #80A1EF

RGB 128 161 239

HSL 222.16, 0.78%, 0.72%

LAB 66.76, 9.12, -42.7

 

CMYK 0 / 47 / 24 / 6

HEX #EF7EB6

RGB 239 126 182

HSL 330.27, 0.78%, 0.72%

LAB 67.01, 49.81, -9.74

 

CMYK 0 / 0 / 46 / 6

HEX #EFEF80

RGB 239 239 128

HSL 60, 0.78%, 0.72%

LAB 92.42, -15.01, 53.3

 

CMYK 46 / 0 / 23 / 6

HEX #80EFB8

RGB 128 239 184

HSL 150.27, 0.78%, 0.72%

LAB 86.89, -44.16, 16.9

 

CMYK 46 / 46 / 0 / 6

HEX #8080EF

RGB 128 128 239

HSL 240, 0.78%, 0.72%

LAB 58.28, 28.38, -56.1

 

Description

Color code: HEX #EF7EB6BF | qconv.com Color code: HEX #EF7EB6BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 126 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 126 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 18 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 18% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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