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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF7DD5 it is the complementary color #10822A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF7DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF7DD5 shade: #F47DD0, #FF8FE3, #FFA1F6, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF7DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF7DD5 shade: #EF7DD5, #DE6BC2, #CD59AF, #BC479C and #AB3589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF7DD5 shade: #EF7BD4, #EF7BB5, #EF7B96 and #EF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF7DD5 shade: #EF7BD4, #EA7BEF, #CB7BEF, #AC7BEF and #8D7BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF7DD5 shade matches the following richer shades: #EF7BD4 and #FB6FDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF7DD5 shade: #EF7BD4, #E387CE, #D793C7, #CB9FC1 and #BFABBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF7DD5 shade: #CA7BEF, #E97BEF, #EF7BD6, #EF7BB7 and #EF7B98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF7DD5 shade: #E632BD, #EA57C9, #EF7BD4, #F3A0E0 and #F8C5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF7DD5 shade: #EF7DD5, #EFAB7B and #7BEFDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF7DD5 shade: #EF7DD5, #D6EF7B and #7BD6EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF7DD5 shade: #EF7DD5, #EFAB7B, #7BEF94 and #7BBFEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF7DD5 shade: #EF7DD5, #EFCE7B, #7BEF94 and #7B9CEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 11 / 6

HEX #EF7DD5

RGB 239 125 213

HSL 313.68, 0.78%, 0.71%

LAB 67.89, 54.91, -25.78

 

Complementary color

CMYK 88 / 0 / 68 / 49

HEX #10822A

RGB 16 130 42

HSL 133.68, 0.78%, 0.29%

LAB 47.29, -48.21, 38.12

 

CMYK 0 / 49 / 15 / 4

HEX #F47DD0

RGB 244 125 208

HSL 318.15, 0.84%, 0.72%

LAB 68.35, 55.64, -22.22

 

CMYK 0 / 44 / 11 / 0

HEX #FF8FE3

RGB 255 143 227

HSL 315, 1%, 0.78%

LAB 73.84, 53.12, -24.23

 

CMYK 0 / 37 / 4 / 0

HEX #FFA1F6

RGB 255 161 246

HSL 305.74, 1%, 0.82%

LAB 78.11, 47.2, -28.02

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 48 / 11 / 6

HEX #EF7DD5

RGB 239 125 213

HSL 313.68, 0.78%, 0.71%

LAB 67.89, 54.91, -25.78

 

CMYK 0 / 52 / 13 / 13

HEX #DE6BC2

RGB 222 107 194

HSL 314.61, 0.64%, 0.65%

LAB 61.6, 55.55, -24.94

 

CMYK 0 / 57 / 15 / 20

HEX #CD59AF

RGB 205 89 175

HSL 315.52, 0.54%, 0.58%

LAB 55.3, 56.07, -23.94

 

CMYK 0 / 62 / 17 / 26

HEX #BC479C

RGB 188 71 156

HSL 316.41, 0.47%, 0.51%

LAB 49.01, 56.39, -22.7

 

CMYK 0 / 69 / 20 / 33

HEX #AB3589

RGB 171 53 137

HSL 317.29, 0.53%, 0.44%

LAB 42.78, 56.33, -21.11

 

CMYK 0 / 49 / 11 / 6

HEX #EF7BD4

RGB 239 123 212

HSL 313.97, 0.78%, 0.71%

LAB 67.48, 55.73, -25.85

 

CMYK 0 / 49 / 24 / 6

HEX #EF7BB5

RGB 239 123 181

HSL 330, 0.78%, 0.71%

LAB 66.41, 51.15, -10.08

 

CMYK 0 / 49 / 37 / 6

HEX #EF7B96

RGB 239 123 150

HSL 346.03, 0.78%, 0.71%

LAB 65.53, 47.26, 6.2

 

CMYK 0 / 49 / 49 / 6

HEX #EF7B7B

RGB 239 123 123

HSL 0, 0.78%, 0.71%

LAB 64.92, 44.49, 20.66

 

CMYK 0 / 49 / 11 / 6

HEX #EF7BD4

RGB 239 123 212

HSL 313.97, 0.78%, 0.71%

LAB 67.48, 55.73, -25.85

 

CMYK 2 / 49 / 0 / 6

HEX #EA7BEF

RGB 234 123 239

HSL 297.41, 0.78%, 0.71%

LAB 67.94, 58.84, -40.14

 

CMYK 15 / 49 / 0 / 6

HEX #CB7BEF

RGB 203 123 239

HSL 281.38, 0.78%, 0.71%

LAB 64.24, 50.35, -46.22

 

CMYK 28 / 49 / 0 / 6

HEX #AC7BEF

RGB 172 123 239

HSL 265.34, 0.78%, 0.71%

LAB 60.93, 42.09, -51.66

 

CMYK 41 / 49 / 0 / 6

HEX #8D7BEF

RGB 141 123 239

HSL 249.31, 0.78%, 0.71%

LAB 58.09, 34.33, -56.35

 

CMYK 0 / 49 / 11 / 6

HEX #EF7BD4

RGB 239 123 212

HSL 313.97, 0.78%, 0.71%

LAB 67.48, 55.73, -25.85

 

CMYK 0 / 56 / 13 / 2

HEX #FB6FDB

RGB 251 111 219

HSL 313.71, 0.95%, 0.71%

LAB 67.27, 65.79, -29.93

 

CMYK 0 / 49 / 11 / 6

HEX #EF7BD4

RGB 239 123 212

HSL 313.97, 0.78%, 0.71%

LAB 67.48, 55.73, -25.85

 

CMYK 0 / 41 / 9 / 11

HEX #E387CE

RGB 227 135 206

HSL 313.7, 0.62%, 0.71%

LAB 68.11, 45.06, -21.68

 

CMYK 0 / 32 / 7 / 16

HEX #D793C7

RGB 215 147 199

HSL 314.12, 0.46%, 0.71%

LAB 69.07, 33.61, -16.45

 

CMYK 0 / 22 / 5 / 20

HEX #CB9FC1

RGB 203 159 193

HSL 313.64, 0.3%, 0.71%

LAB 70.42, 21.93, -11.22

 

CMYK 0 / 10 / 3 / 25

HEX #BFABBA

RGB 191 171 186

HSL 315, 0.14%, 0.71%

LAB 72.06, 9.88, -5.04

 

CMYK 15 / 49 / 0 / 6

HEX #CA7BEF

RGB 202 123 239

HSL 280.86, 0.78%, 0.71%

LAB 64.12, 50.08, -46.4

 

CMYK 3 / 49 / 0 / 6

HEX #E97BEF

RGB 233 123 239

HSL 296.9, 0.78%, 0.71%

LAB 67.81, 58.56, -40.35

 

CMYK 0 / 49 / 10 / 6

HEX #EF7BD6

RGB 239 123 214

HSL 312.93, 0.78%, 0.71%

LAB 67.55, 56.04, -26.85

 

CMYK 0 / 49 / 23 / 6

HEX #EF7BB7

RGB 239 123 183

HSL 328.97, 0.78%, 0.71%

LAB 66.47, 51.42, -11.11

 

CMYK 0 / 49 / 36 / 6

HEX #EF7B98

RGB 239 123 152

HSL 345, 0.78%, 0.71%

LAB 65.58, 47.49, 5.14

 

CMYK 0 / 78 / 18 / 10

HEX #E632BD

RGB 230 50 189

HSL 313.67, 0.78%, 0.55%

LAB 54.84, 78.36, -32.44

 

CMYK 0 / 63 / 14 / 8

HEX #EA57C9

RGB 234 87 201

HSL 313.47, 0.78%, 0.63%

LAB 60.36, 68.71, -30.69

 

CMYK 0 / 49 / 11 / 6

HEX #EF7BD4

RGB 239 123 212

HSL 313.97, 0.78%, 0.71%

LAB 67.48, 55.73, -25.85

 

CMYK 0 / 34 / 8 / 5

HEX #F3A0E0

RGB 243 160 224

HSL 313.73, 0.78%, 0.79%

LAB 75.81, 40.19, -19.72

 

CMYK 0 / 21 / 5 / 3

HEX #F8C5EC

RGB 248 197 236

HSL 314.12, 0.78%, 0.87%

LAB 84.97, 24.39, -12.35

 

CMYK 0 / 48 / 11 / 6

HEX #EF7DD5

RGB 239 125 213

HSL 313.68, 0.78%, 0.71%

LAB 67.89, 54.91, -25.78

 

CMYK 0 / 28 / 49 / 6

HEX #EFAB7B

RGB 239 171 123

HSL 24.83, 0.78%, 0.71%

LAB 75.39, 19.5, 34.54

 

CMYK 49 / 0 / 9 / 6

HEX #7BEFDA

RGB 123 239 218

HSL 169.14, 0.78%, 0.71%

LAB 87.49, -37.94, 0

 

CMYK 0 / 48 / 11 / 6

HEX #EF7DD5

RGB 239 125 213

HSL 313.68, 0.78%, 0.71%

LAB 67.89, 54.91, -25.78

 

CMYK 10 / 0 / 49 / 6

HEX #D6EF7B

RGB 214 239 123

HSL 72.93, 0.78%, 0.71%

LAB 90.53, -25.16, 52.94

 

CMYK 49 / 10 / 0 / 6

HEX #7BD6EF

RGB 123 214 239

HSL 192.93, 0.78%, 0.71%

LAB 81.04, -20.65, -20.7

 

CMYK 0 / 48 / 11 / 6

HEX #EF7DD5

RGB 239 125 213

HSL 313.68, 0.78%, 0.71%

LAB 67.89, 54.91, -25.78

 

CMYK 0 / 28 / 49 / 6

HEX #EFAB7B

RGB 239 171 123

HSL 24.83, 0.78%, 0.71%

LAB 75.39, 19.5, 34.54

 

CMYK 49 / 0 / 38 / 6

HEX #7BEF94

RGB 123 239 148

HSL 132.93, 0.78%, 0.71%

LAB 86.05, -51.96, 34.13

 

CMYK 49 / 20 / 0 / 6

HEX #7BBFEF

RGB 123 191 239

HSL 204.83, 0.78%, 0.71%

LAB 74.64, -8.7, -30.47

 

CMYK 0 / 48 / 11 / 6

HEX #EF7DD5

RGB 239 125 213

HSL 313.68, 0.78%, 0.71%

LAB 67.89, 54.91, -25.78

 

CMYK 0 / 14 / 49 / 6

HEX #EFCE7B

RGB 239 206 123

HSL 42.93, 0.78%, 0.71%

LAB 83.93, 1.14, 45.33

 

CMYK 49 / 0 / 38 / 6

HEX #7BEF94

RGB 123 239 148

HSL 132.93, 0.78%, 0.71%

LAB 86.05, -51.96, 34.13

 

CMYK 49 / 35 / 0 / 6

HEX #7B9CEF

RGB 123 156 239

HSL 222.93, 0.78%, 0.71%

LAB 65.14, 10.82, -45.26

 

Description

Color code: HEX #EF7DD5 | qconv.com Color code: HEX #EF7DD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 125 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 125 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 11 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 11% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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