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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF662A it is the complementary color #1099D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF662A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF662A shade: #F46625, #FF7838, #FF8A4B, #FF9C5E and #FFAE71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF662A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF662A shade: #EF662A, #DE5417, #CD4204, #BC3000 and #AB1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF662A shade: #EF662A, #EF302A and #EF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF662A shade: #EF662A, #EF9B2A, #EFD02A, #D9EF2A and #A3EF2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF662A shade matches the following richer shades: #EF662A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF662A shade: #EF662A, #DC6D3C, #CA744F, #B77B61 and #A58374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF662A shade: #EF2A58, #EF302A, #EF652A, #EF992A and #EFCE2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF662A shade: #B8420E, #DE4F11, #EF662A, #F28150 and #F59D76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF662A shade: #EF662A, #8CEF2A and #2A3DEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF662A shade: #EF662A, #2AEF65 and #652AEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF662A shade: #EF662A, #8CEF2A, #2AB4EF and #8C2AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF662A shade: #EF662A, #51EF2A, #2AB4EF and #C72AEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

Complementary color

CMYK 92 / 28 / 0 / 16

HEX #1099D5

RGB 16 153 213

HSL 198.27, 0.86%, 0.45%

LAB 59.61, -11.59, -39.79

 

CMYK 0 / 58 / 85 / 4

HEX #F46625

RGB 244 102 37

HSL 18.84, 0.9%, 0.55%

LAB 60.67, 51.57, 60.14

 

CMYK 0 / 53 / 78 / 0

HEX #FF7838

RGB 255 120 56

HSL 19.3, 1%, 0.61%

LAB 65.73, 47.72, 57.4

 

CMYK 0 / 46 / 71 / 0

HEX #FF8A4B

RGB 255 138 75

HSL 21, 1%, 0.65%

LAB 69.43, 39.65, 52.35

 

CMYK 0 / 39 / 63 / 0

HEX #FF9C5E

RGB 255 156 94

HSL 23.11, 1%, 0.68%

LAB 73.44, 31.49, 47.52

 

CMYK 0 / 32 / 56 / 0

HEX #FFAE71

RGB 255 174 113

HSL 25.77, 1%, 0.72%

LAB 77.71, 23.45, 43.03

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 0 / 62 / 90 / 13

HEX #DE5417

RGB 222 84 23

HSL 18.39, 0.81%, 0.48%

LAB 53.95, 51.48, 58.38

 

CMYK 0 / 68 / 98 / 20

HEX #CD4204

RGB 205 66 4

HSL 18.51, 0.96%, 0.41%

LAB 48.11, 52.93, 58.28

 

CMYK 0 / 74 / 100 / 26

HEX #BC3000

RGB 188 48 0

HSL 15.32, 1%, 0.37%

LAB 42.47, 54.02, 54.83

 

CMYK 0 / 82 / 100 / 33

HEX #AB1E00

RGB 171 30 0

HSL 10.53, 1%, 0.34%

LAB 37.09, 54.3, 50.49

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 0 / 80 / 82 / 6

HEX #EF302A

RGB 239 48 42

HSL 1.83, 0.86%, 0.55%

LAB 52.54, 69.87, 50.5

 

CMYK 0 / 82 / 82 / 6

HEX #EF2A2A

RGB 239 42 42

HSL 0, 0.86%, 0.55%

LAB 52.03, 71.32, 50.03

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 0 / 35 / 82 / 6

HEX #EF9B2A

RGB 239 155 42

HSL 34.42, 0.86%, 0.55%

LAB 70.84, 23.11, 66.76

 

CMYK 0 / 13 / 82 / 6

HEX #EFD02A

RGB 239 208 42

HSL 50.56, 0.86%, 0.55%

LAB 83.77, -4.57, 77.8

 

CMYK 9 / 0 / 82 / 6

HEX #D9EF2A

RGB 217 239 42

HSL 66.7, 0.86%, 0.55%

LAB 90.16, -28.91, 82.5

 

CMYK 32 / 0 / 82 / 6

HEX #A3EF2A

RGB 163 239 42

HSL 83.15, 0.86%, 0.55%

LAB 86.84, -49.62, 78.34

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 0 / 50 / 73 / 14

HEX #DC6D3C

RGB 220 109 60

HSL 18.38, 0.7%, 0.55%

LAB 58.49, 40.02, 46.45

 

CMYK 0 / 43 / 61 / 21

HEX #CA744F

RGB 202 116 79

HSL 18.05, 0.54%, 0.55%

LAB 57.67, 30.36, 34.85

 

CMYK 0 / 33 / 47 / 28

HEX #B77B61

RGB 183 123 97

HSL 18.14, 0.37%, 0.55%

LAB 57.17, 20.33, 23.7

 

CMYK 0 / 21 / 30 / 35

HEX #A58374

RGB 165 131 116

HSL 18.37, 0.21%, 0.55%

LAB 57.55, 10.78, 13.06

 

CMYK 0 / 82 / 63 / 6

HEX #EF2A58

RGB 239 42 88

HSL 345.99, 0.86%, 0.55%

LAB 52.63, 73.11, 24.57

 

CMYK 0 / 80 / 82 / 6

HEX #EF302A

RGB 239 48 42

HSL 1.83, 0.86%, 0.55%

LAB 52.54, 69.87, 50.5

 

CMYK 0 / 58 / 82 / 6

HEX #EF652A

RGB 239 101 42

HSL 17.97, 0.86%, 0.55%

LAB 59.73, 50.34, 57.01

 

CMYK 0 / 36 / 82 / 6

HEX #EF992A

RGB 239 153 42

HSL 33.81, 0.86%, 0.55%

LAB 70.39, 24.17, 66.36

 

CMYK 0 / 14 / 82 / 6

HEX #EFCE2A

RGB 239 206 42

HSL 49.95, 0.86%, 0.55%

LAB 83.26, -3.55, 77.37

 

CMYK 0 / 64 / 92 / 28

HEX #B8420E

RGB 184 66 14

HSL 18.35, 0.86%, 0.39%

LAB 44.4, 45.68, 51.44

 

CMYK 0 / 64 / 92 / 13

HEX #DE4F11

RGB 222 79 17

HSL 18.15, 0.86%, 0.47%

LAB 53.13, 53.54, 59.63

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 0 / 47 / 67 / 5

HEX #F28150

RGB 242 129 80

HSL 18.15, 0.86%, 0.63%

LAB 65.87, 39.43, 45.39

 

CMYK 0 / 36 / 52 / 4

HEX #F59D76

RGB 245 157 118

HSL 18.43, 0.86%, 0.71%

LAB 72.78, 28.82, 33.96

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 41 / 0 / 82 / 6

HEX #8CEF2A

RGB 140 239 42

HSL 90.15, 0.86%, 0.55%

LAB 85.74, -57.41, 76.95

 

CMYK 82 / 74 / 0 / 6

HEX #2A3DEF

RGB 42 61 239

HSL 234.21, 0.86%, 0.55%

LAB 37.95, 55.65, -89.41

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 82 / 0 / 58 / 6

HEX #2AEF65

RGB 42 239 101

HSL 137.97, 0.86%, 0.55%

LAB 83.53, -73.48, 53.01

 

CMYK 58 / 82 / 0 / 6

HEX #652AEF

RGB 101 42 239

HSL 257.97, 0.86%, 0.55%

LAB 38.99, 68.91, -87.57

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 41 / 0 / 82 / 6

HEX #8CEF2A

RGB 140 239 42

HSL 90.15, 0.86%, 0.55%

LAB 85.74, -57.41, 76.95

 

CMYK 82 / 25 / 0 / 6

HEX #2AB4EF

RGB 42 180 239

HSL 197.97, 0.86%, 0.55%

LAB 69.02, -15.54, -39.38

 

CMYK 41 / 82 / 0 / 6

HEX #8C2AEF

RGB 140 42 239

HSL 269.85, 0.86%, 0.55%

LAB 43.45, 73.32, -80.06

 

CMYK 0 / 57 / 82 / 6

HEX #EF662A

RGB 239 102 42

HSL 18.27, 0.86%, 0.55%

LAB 59.91, 49.88, 57.17

 

CMYK 66 / 0 / 82 / 6

HEX #51EF2A

RGB 81 239 42

HSL 108.12, 0.86%, 0.55%

LAB 83.78, -72.82, 74.45

 

CMYK 82 / 25 / 0 / 6

HEX #2AB4EF

RGB 42 180 239

HSL 197.97, 0.86%, 0.55%

LAB 69.02, -15.54, -39.38

 

CMYK 17 / 82 / 0 / 6

HEX #C72AEF

RGB 199 42 239

HSL 287.82, 0.86%, 0.55%

LAB 51.87, 82.02, -65.99

 

Description

Color code: HEX #EF662A | qconv.com Color code: HEX #EF662A | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 102 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 102 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 82 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 82% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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