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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF5EBF it is the complementary color #10A140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF5EBF shade: #F45EBA, #FF70CD, #FF82E0, #FF94F3 and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF5EBF shade: #EF5EBF, #DE4CAC, #CD3A99, #BC2886 and #AB1673

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF5EBF shade: #EE5CBE, #EE5C97, #EE5C6F and #EE5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF5EBF shade: #EE5CBE, #EE5CE5, #D05CEE, #A85CEE and #815CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF5EBF shade matches the following richer shades: #EE5CBE and #FD4EC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF5EBF shade: #EE5CBE, #E06BB9, #D279B4, #C387AF and #B596AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF5EBF shade: #CF5CEE, #EE5CE7, #EE5CC0, #EE5C99 and #EE5C72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF5EBF shade: #E2169E, #EB37AF, #EE5CBE, #F282CD and #F6A7DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF5EBF shade: #EF5EBF, #EEA85C and #5CEEE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF5EBF shade: #EF5EBF, #C0EE5C and #5CC0EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF5EBF shade: #EF5EBF, #EEA85C, #5CEE8A and #5CA3EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF5EBF shade: #EF5EBF, #EED45C, #5CEE8A and #5C77EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 20 / 6

HEX #EF5EBF

RGB 239 94 191

HSL 319.86, 0.82%, 0.65%

LAB 61.76, 65.77, -22.79

 

Complementary color

CMYK 90 / 0 / 60 / 37

HEX #10A140

RGB 16 161 64

HSL 139.86, 0.82%, 0.35%

LAB 58.01, -55.68, 40.06

 

CMYK 0 / 61 / 24 / 4

HEX #F45EBA

RGB 244 94 186

HSL 323.2, 0.87%, 0.66%

LAB 62.32, 66.49, -19

 

CMYK 0 / 56 / 20 / 0

HEX #FF70CD

RGB 255 112 205

HSL 320.98, 1%, 0.72%

LAB 67.47, 64.45, -21.76

 

CMYK 0 / 49 / 12 / 0

HEX #FF82E0

RGB 255 130 224

HSL 314.88, 1%, 0.75%

LAB 71.29, 58.97, -26.48

 

CMYK 0 / 42 / 5 / 0

HEX #FF94F3

RGB 255 148 243

HSL 306.73, 1%, 0.79%

LAB 75.4, 53.26, -30.57

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 61 / 20 / 6

HEX #EF5EBF

RGB 239 94 191

HSL 319.86, 0.82%, 0.65%

LAB 61.76, 65.77, -22.79

 

CMYK 0 / 66 / 23 / 13

HEX #DE4CAC

RGB 222 76 172

HSL 320.55, 0.69%, 0.58%

LAB 55.76, 65.85, -21.26

 

CMYK 0 / 72 / 25 / 20

HEX #CD3A99

RGB 205 58 153

HSL 321.22, 0.6%, 0.52%

LAB 49.86, 65.52, -19.36

 

CMYK 0 / 79 / 29 / 26

HEX #BC2886

RGB 188 40 134

HSL 321.89, 0.65%, 0.45%

LAB 44.13, 64.55, -16.94

 

CMYK 0 / 87 / 33 / 33

HEX #AB1673

RGB 171 22 115

HSL 322.55, 0.77%, 0.38%

LAB 38.67, 62.61, -13.8

 

CMYK 0 / 61 / 20 / 7

HEX #EE5CBE

RGB 238 92 190

HSL 319.73, 0.81%, 0.65%

LAB 61.26, 66.19, -22.99

 

CMYK 0 / 61 / 37 / 7

HEX #EE5C97

RGB 238 92 151

HSL 335.75, 0.81%, 0.65%

LAB 59.95, 61.39, -2.5

 

CMYK 0 / 61 / 53 / 7

HEX #EE5C6F

RGB 238 92 111

HSL 352.19, 0.81%, 0.65%

LAB 58.96, 57.62, 19.4

 

CMYK 0 / 61 / 61 / 7

HEX #EE5C5C

RGB 238 92 92

HSL 0, 0.81%, 0.65%

LAB 58.61, 56.27, 29.9

 

CMYK 0 / 61 / 20 / 7

HEX #EE5CBE

RGB 238 92 190

HSL 319.73, 0.81%, 0.65%

LAB 61.26, 66.19, -22.99

 

CMYK 0 / 61 / 4 / 7

HEX #EE5CE5

RGB 238 92 229

HSL 303.7, 0.81%, 0.65%

LAB 62.92, 71.97, -42.43

 

CMYK 13 / 61 / 0 / 7

HEX #D05CEE

RGB 208 92 238

HSL 287.67, 0.81%, 0.65%

LAB 59.19, 66.37, -53.61

 

CMYK 29 / 61 / 0 / 7

HEX #A85CEE

RGB 168 92 238

HSL 271.23, 0.81%, 0.65%

LAB 54.19, 57.24, -61.9

 

CMYK 46 / 61 / 0 / 7

HEX #815CEE

RGB 129 92 238

HSL 255.21, 0.81%, 0.65%

LAB 50.09, 49.06, -68.73

 

CMYK 0 / 61 / 20 / 7

HEX #EE5CBE

RGB 238 92 190

HSL 319.73, 0.81%, 0.65%

LAB 61.26, 66.19, -22.99

 

CMYK 0 / 69 / 23 / 1

HEX #FD4EC3

RGB 253 78 195

HSL 319.89, 0.98%, 0.65%

LAB 61.89, 76.03, -24.68

 

CMYK 0 / 61 / 20 / 7

HEX #EE5CBE

RGB 238 92 190

HSL 319.73, 0.81%, 0.65%

LAB 61.26, 66.19, -22.99

 

CMYK 0 / 52 / 17 / 12

HEX #E06BB9

RGB 224 107 185

HSL 320, 0.65%, 0.65%

LAB 61.54, 54.77, -19.9

 

CMYK 0 / 42 / 14 / 18

HEX #D279B4

RGB 210 121 180

HSL 320.22, 0.5%, 0.65%

LAB 62.23, 42.59, -16.17

 

CMYK 0 / 31 / 10 / 24

HEX #C387AF

RGB 195 135 175

HSL 320, 0.33%, 0.65%

LAB 63.36, 29.17, -11.8

 

CMYK 0 / 17 / 6 / 29

HEX #B596AA

RGB 181 150 170

HSL 321.29, 0.17%, 0.65%

LAB 65.39, 14.99, -6.11

 

CMYK 13 / 61 / 0 / 7

HEX #CF5CEE

RGB 207 92 238

HSL 287.26, 0.81%, 0.65%

LAB 59.06, 66.14, -53.83

 

CMYK 0 / 61 / 3 / 7

HEX #EE5CE7

RGB 238 92 231

HSL 302.88, 0.81%, 0.65%

LAB 63.01, 72.29, -43.4

 

CMYK 0 / 61 / 19 / 7

HEX #EE5CC0

RGB 238 92 192

HSL 318.9, 0.81%, 0.65%

LAB 61.34, 66.47, -24.01

 

CMYK 0 / 61 / 36 / 7

HEX #EE5C99

RGB 238 92 153

HSL 334.93, 0.81%, 0.65%

LAB 60.01, 61.61, -3.57

 

CMYK 0 / 61 / 52 / 7

HEX #EE5C72

RGB 238 92 114

HSL 350.96, 0.81%, 0.65%

LAB 59.02, 57.86, 17.74

 

CMYK 0 / 90 / 30 / 11

HEX #E2169E

RGB 226 22 158

HSL 320, 0.82%, 0.49%

LAB 50.93, 79.26, -20.37

 

CMYK 0 / 77 / 26 / 8

HEX #EB37AF

RGB 235 55 175

HSL 320, 0.82%, 0.57%

LAB 55.57, 76.41, -23.11

 

CMYK 0 / 61 / 20 / 7

HEX #EE5CBE

RGB 238 92 190

HSL 319.73, 0.81%, 0.65%

LAB 61.26, 66.19, -22.99

 

CMYK 0 / 46 / 15 / 5

HEX #F282CD

RGB 242 130 205

HSL 319.82, 0.81%, 0.73%

LAB 68.93, 52.13, -19.69

 

CMYK 0 / 32 / 11 / 4

HEX #F6A7DC

RGB 246 167 220

HSL 319.75, 0.81%, 0.81%

LAB 77.52, 36.84, -14.93

 

CMYK 0 / 61 / 20 / 6

HEX #EF5EBF

RGB 239 94 191

HSL 319.86, 0.82%, 0.65%

LAB 61.76, 65.77, -22.79

 

CMYK 0 / 29 / 61 / 7

HEX #EEA85C

RGB 238 168 92

HSL 31.23, 0.81%, 0.65%

LAB 74.16, 18.19, 48.84

 

CMYK 61 / 0 / 5 / 7

HEX #5CEEE2

RGB 92 238 226

HSL 175.07, 0.81%, 0.65%

LAB 86.46, -41.51, -5.81

 

CMYK 0 / 61 / 20 / 6

HEX #EF5EBF

RGB 239 94 191

HSL 319.86, 0.82%, 0.65%

LAB 61.76, 65.77, -22.79

 

CMYK 19 / 0 / 61 / 7

HEX #C0EE5C

RGB 192 238 92

HSL 78.9, 0.81%, 0.65%

LAB 88.51, -35.73, 63.94

 

CMYK 61 / 19 / 0 / 7

HEX #5CC0EE

RGB 92 192 238

HSL 198.9, 0.81%, 0.65%

LAB 73.64, -15.81, -31.57

 

CMYK 0 / 61 / 20 / 6

HEX #EF5EBF

RGB 239 94 191

HSL 319.86, 0.82%, 0.65%

LAB 61.76, 65.77, -22.79

 

CMYK 0 / 29 / 61 / 7

HEX #EEA85C

RGB 238 168 92

HSL 31.23, 0.81%, 0.65%

LAB 74.16, 18.19, 48.84

 

CMYK 61 / 0 / 42 / 7

HEX #5CEE8A

RGB 92 238 138

HSL 138.9, 0.81%, 0.65%

LAB 84.62, -60.33, 37.06

 

CMYK 61 / 32 / 0 / 7

HEX #5CA3EE

RGB 92 163 238

HSL 210.82, 0.81%, 0.65%

LAB 65.47, 0.06, -44.29

 

CMYK 0 / 61 / 20 / 6

HEX #EF5EBF

RGB 239 94 191

HSL 319.86, 0.82%, 0.65%

LAB 61.76, 65.77, -22.79

 

CMYK 0 / 11 / 61 / 7

HEX #EED45C

RGB 238 212 92

HSL 49.32, 0.81%, 0.65%

LAB 85.02, -4.75, 61.1

 

CMYK 61 / 0 / 42 / 7

HEX #5CEE8A

RGB 92 238 138

HSL 138.9, 0.81%, 0.65%

LAB 84.62, -60.33, 37.06

 

CMYK 61 / 50 / 0 / 7

HEX #5C77EE

RGB 92 119 238

HSL 228.9, 0.81%, 0.65%

LAB 53.65, 26.21, -63.11

 

Description

Color code: HEX #EF5EBF | qconv.com Color code: HEX #EF5EBF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 94 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 94 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 20 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 20% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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