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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF5E56 it is the complementary color #10A1A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF5E56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF5E56 shade: #F45E51, #FF7064, #FF8277, #FF948A and #FFA69D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF5E56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF5E56 shade: #EF5E56, #DE4C43, #CD3A30, #BC281D and #AB160A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF5E56 shade: #EF5F57 and #EF5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF5E56 shade: #EF5F57, #EF8857, #EFB157, #EFDA57 and #DBEF57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF5E56 shade matches the following richer shades: #EF5F57 and #FE5248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF5E56 shade: #EF5F57, #E16C66, #D27A75, #C38784 and #B49492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF5E56 shade: #EF57A1, #EF5778, #EF5F57, #EF8757 and #EFB057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF5E56 shade: #DF1F15, #EC3B31, #EF5F57, #F3837D and #F6A7A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF5E56 shade: #EF5E56, #C9EF57 and #578CEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF5E56 shade: #EF5E56, #57EF5F and #5F57EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF5E56 shade: #EF5E56, #C9EF57, #57E8EF and #7D57EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF5E56 shade: #EF5E56, #9CEF57, #57E8EF and #AB57EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 64 / 6

HEX #EF5E56

RGB 239 94 86

HSL 3.14, 0.83%, 0.64%

LAB 59, 55.37, 33.84

 

Complementary color

CMYK 91 / 5 / 0 / 34

HEX #10A1A9

RGB 16 161 169

HSL 183.14, 0.83%, 0.36%

LAB 60.31, -30.92, -13.99

 

CMYK 0 / 61 / 67 / 4

HEX #F45E51

RGB 244 94 81

HSL 4.79, 0.88%, 0.64%

LAB 59.74, 56.78, 37.71

 

CMYK 0 / 56 / 61 / 0

HEX #FF7064

RGB 255 112 100

HSL 4.65, 1%, 0.7%

LAB 64.78, 53.65, 33.79

 

CMYK 0 / 49 / 53 / 0

HEX #FF8277

RGB 255 130 119

HSL 4.85, 1%, 0.73%

LAB 68.43, 46.46, 27.99

 

CMYK 0 / 42 / 46 / 0

HEX #FF948A

RGB 255 148 138

HSL 5.13, 1%, 0.77%

LAB 72.41, 39.12, 22.85

 

CMYK 0 / 35 / 38 / 0

HEX #FFA69D

RGB 255 166 157

HSL 5.51, 1%, 0.81%

LAB 76.66, 31.81, 18.3

 

CMYK 0 / 61 / 64 / 6

HEX #EF5E56

RGB 239 94 86

HSL 3.14, 0.83%, 0.64%

LAB 59, 55.37, 33.84

 

CMYK 0 / 66 / 70 / 13

HEX #DE4C43

RGB 222 76 67

HSL 3.48, 0.7%, 0.57%

LAB 53.06, 56.28, 36.7

 

CMYK 0 / 72 / 77 / 20

HEX #CD3A30

RGB 205 58 48

HSL 3.82, 0.62%, 0.5%

LAB 47.26, 56.92, 39.96

 

CMYK 0 / 79 / 85 / 26

HEX #BC281D

RGB 188 40 29

HSL 4.15, 0.73%, 0.43%

LAB 41.69, 57.04, 43.45

 

CMYK 0 / 87 / 94 / 33

HEX #AB160A

RGB 171 22 10

HSL 4.47, 0.89%, 0.35%

LAB 36.47, 56.31, 46.33

 

CMYK 0 / 60 / 64 / 6

HEX #EF5F57

RGB 239 95 87

HSL 3.16, 0.83%, 0.64%

LAB 59.18, 54.99, 33.5

 

CMYK 0 / 64 / 64 / 6

HEX #EF5757

RGB 239 87 87

HSL 0, 0.83%, 0.64%

LAB 57.9, 58.41, 31.9

 

CMYK 0 / 60 / 64 / 6

HEX #EF5F57

RGB 239 95 87

HSL 3.16, 0.83%, 0.64%

LAB 59.18, 54.99, 33.5

 

CMYK 0 / 43 / 64 / 6

HEX #EF8857

RGB 239 136 87

HSL 19.34, 0.83%, 0.64%

LAB 67.01, 35.1, 43

 

CMYK 0 / 26 / 64 / 6

HEX #EFB157

RGB 239 177 87

HSL 35.53, 0.83%, 0.64%

LAB 76.36, 13.52, 53.79

 

CMYK 0 / 9 / 64 / 6

HEX #EFDA57

RGB 239 218 87

HSL 51.71, 0.83%, 0.64%

LAB 86.59, -7.68, 64.96

 

CMYK 8 / 0 / 64 / 6

HEX #DBEF57

RGB 219 239 87

HSL 67.89, 0.83%, 0.64%

LAB 90.54, -26.07, 68.67

 

CMYK 0 / 60 / 64 / 6

HEX #EF5F57

RGB 239 95 87

HSL 3.16, 0.83%, 0.64%

LAB 59.18, 54.99, 33.5

 

CMYK 0 / 68 / 72 / 0

HEX #FE5248

RGB 254 82 72

HSL 3.3, 0.99%, 0.64%

LAB 59.5, 64.43, 42.8

 

CMYK 0 / 60 / 64 / 6

HEX #EF5F57

RGB 239 95 87

HSL 3.16, 0.83%, 0.64%

LAB 59.18, 54.99, 33.5

 

CMYK 0 / 52 / 55 / 12

HEX #E16C66

RGB 225 108 102

HSL 2.93, 0.67%, 0.64%

LAB 59.61, 45.05, 25.11

 

CMYK 0 / 42 / 44 / 18

HEX #D27A75

RGB 210 122 117

HSL 3.23, 0.51%, 0.64%

LAB 60.7, 33.66, 17.66

 

CMYK 0 / 31 / 32 / 24

HEX #C38784

RGB 195 135 132

HSL 2.86, 0.34%, 0.64%

LAB 62.17, 22.6, 10.89

 

CMYK 0 / 18 / 19 / 29

HEX #B49492

RGB 180 148 146

HSL 3.53, 0.18%, 0.64%

LAB 64.13, 11.64, 5.55

 

CMYK 0 / 64 / 33 / 6

HEX #EF57A1

RGB 239 87 161

HSL 330.79, 0.83%, 0.64%

LAB 59.65, 64.87, -8.72

 

CMYK 0 / 64 / 50 / 6

HEX #EF5778

RGB 239 87 120

HSL 346.97, 0.83%, 0.64%

LAB 58.53, 60.78, 13.58

 

CMYK 0 / 60 / 64 / 6

HEX #EF5F57

RGB 239 95 87

HSL 3.16, 0.83%, 0.64%

LAB 59.18, 54.99, 33.5

 

CMYK 0 / 44 / 64 / 6

HEX #EF8757

RGB 239 135 87

HSL 18.95, 0.83%, 0.64%

LAB 66.8, 35.62, 42.75

 

CMYK 0 / 26 / 64 / 6

HEX #EFB057

RGB 239 176 87

HSL 35.13, 0.83%, 0.64%

LAB 76.12, 14.05, 53.52

 

CMYK 0 / 86 / 91 / 13

HEX #DF1F15

RGB 223 31 21

HSL 2.97, 0.83%, 0.48%

LAB 47.91, 68.92, 54.9

 

CMYK 0 / 75 / 79 / 7

HEX #EC3B31

RGB 236 59 49

HSL 3.21, 0.83%, 0.56%

LAB 53.15, 66.07, 47.32

 

CMYK 0 / 60 / 64 / 6

HEX #EF5F57

RGB 239 95 87

HSL 3.16, 0.83%, 0.64%

LAB 59.18, 54.99, 33.5

 

CMYK 0 / 46 / 49 / 5

HEX #F3837D

RGB 243 131 125

HSL 3.05, 0.83%, 0.72%

LAB 67.1, 42.12, 22.59

 

CMYK 0 / 32 / 34 / 4

HEX #F6A7A3

RGB 246 167 163

HSL 2.89, 0.82%, 0.8%

LAB 75.99, 28.64, 13.95

 

CMYK 0 / 61 / 64 / 6

HEX #EF5E56

RGB 239 94 86

HSL 3.14, 0.83%, 0.64%

LAB 59, 55.37, 33.84

 

CMYK 16 / 0 / 64 / 6

HEX #C9EF57

RGB 201 239 87

HSL 75, 0.83%, 0.64%

LAB 89.32, -33.11, 67

 

CMYK 64 / 41 / 0 / 6

HEX #578CEF

RGB 87 140 239

HSL 219.08, 0.83%, 0.64%

LAB 58.99, 12.95, -55.12

 

CMYK 0 / 61 / 64 / 6

HEX #EF5E56

RGB 239 94 86

HSL 3.14, 0.83%, 0.64%

LAB 59, 55.37, 33.84

 

CMYK 64 / 0 / 60 / 6

HEX #57EF5F

RGB 87 239 95

HSL 123.16, 0.83%, 0.64%

LAB 84.27, -67.57, 56.69

 

CMYK 60 / 64 / 0 / 6

HEX #5F57EF

RGB 95 87 239

HSL 243.16, 0.83%, 0.64%

LAB 46.29, 46.26, -75.6

 

CMYK 0 / 61 / 64 / 6

HEX #EF5E56

RGB 239 94 86

HSL 3.14, 0.83%, 0.64%

LAB 59, 55.37, 33.84

 

CMYK 16 / 0 / 64 / 6

HEX #C9EF57

RGB 201 239 87

HSL 75, 0.83%, 0.64%

LAB 89.32, -33.11, 67

 

CMYK 64 / 3 / 0 / 6

HEX #57E8EF

RGB 87 232 239

HSL 182.76, 0.83%, 0.64%

LAB 84.98, -36.08, -14.86

 

CMYK 48 / 64 / 0 / 6

HEX #7D57EF

RGB 125 87 239

HSL 255, 0.83%, 0.64%

LAB 48.77, 51.3, -71.45

 

CMYK 0 / 61 / 64 / 6

HEX #EF5E56

RGB 239 94 86

HSL 3.14, 0.83%, 0.64%

LAB 59, 55.37, 33.84

 

CMYK 35 / 0 / 64 / 6

HEX #9CEF57

RGB 156 239 87

HSL 92.76, 0.83%, 0.64%

LAB 86.75, -49.46, 63.48

 

CMYK 64 / 3 / 0 / 6

HEX #57E8EF

RGB 87 232 239

HSL 182.76, 0.83%, 0.64%

LAB 84.98, -36.08, -14.86

 

CMYK 28 / 64 / 0 / 6

HEX #AB57EF

RGB 171 87 239

HSL 273.16, 0.83%, 0.64%

LAB 53.71, 60.54, -63.21

 

Description

Color code: HEX #EF5E56 | qconv.com Color code: HEX #EF5E56 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 94 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 94 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 64 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 64% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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