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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF596ACE it is the complementary color #10A695CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF596ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF596ACE shade: #F45965CE, #FF6B78CE, #FF7D8BCE, #FF8F9ECE and #FFA1B1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF596ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF596ACE shade: #EF596ACE, #DE4757CE, #CD3544CE, #BC2331CE and #AB111ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF596ACE shade: #EE5869 and #EE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF596ACE shade: #EE5869, #EE5892, #EE58BA, #EE58E3 and #D258EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF596ACE shade matches the following richer shades: #EE5869 and #FD495E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF596ACE shade: #EE5869, #E06774, #D17680, #C2848B and #B39397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF596ACE shade: #EE58BA, #EE5892, #EE5869, #EE6F58 and #EE9758

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF596ACE shade: #DE162D, #EB3247, #EE5869, #F27D8B and #F6A3AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF596ACE shade: #EF596A, #E2EE58 and #58A6EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF596ACE shade: #EF596A, #69EE58 and #5869EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF596ACE shade: #EF596A, #E2EE58, #58EEDD and #6458EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF596ACE shade: #EF596A, #B5EE58, #58EEDD and #9258EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 45 / 5

HEX #EF596ACE

RGBA 239 89 106 0.81

HSLA 353.2, 0.82%, 0.64%, 0.81

LABA 58.54, 58.84, 21.77, 0.81

 

Complementary color

CMYK 73 / 0 / 8 / 28

HEX #10A695CE

RGBA 16 166 149 0.81

HSLA 173.2, 0.82%, 0.36%, 0.81

LABA 61.27, -39.29, -1.29, 0.81

 

CMYK 0 / 51 / 47 / 3

HEX #F45965CE

RGBA 244 89 101 0.81

HSLA 355.35, 0.88%, 0.65%, 0.81

LABA 59.27, 60.09, 25.78, 0.81

 

CMYK 0 / 47 / 43 / 0

HEX #FF6B78CE

RGBA 255 107 120 0.81

HSLA 354.73, 1%, 0.71%, 0.81

LABA 64.27, 57.35, 21.87, 0.81

 

CMYK 0 / 41 / 37 / 0

HEX #FF7D8BCE

RGBA 255 125 139 0.81

HSLA 353.54, 1%, 0.75%, 0.81

LABA 67.87, 50.65, 16.04, 0.81

 

CMYK 0 / 36 / 31 / 0

HEX #FF8F9ECE

RGBA 255 143 158 0.81

HSLA 351.96, 1%, 0.78%, 0.81

LABA 71.81, 43.74, 10.95, 0.81

 

CMYK 0 / 30 / 25 / 0

HEX #FFA1B1CE

RGBA 255 161 177 0.81

HSLA 349.79, 1%, 0.82%, 0.81

LABA 76.02, 36.8, 6.48, 0.81

 

CMYK 0 / 51 / 45 / 5

HEX #EF596ACE

RGBA 239 89 106 0.81

HSLA 353.2, 0.82%, 0.64%, 0.81

LABA 58.54, 58.84, 21.77, 0.81

 

CMYK 0 / 55 / 49 / 10

HEX #DE4757CE

RGBA 222 71 87 0.81

HSLA 353.64, 0.7%, 0.57%, 0.81

LABA 52.65, 59.39, 24.59, 0.81

 

CMYK 0 / 60 / 54 / 16

HEX #CD3544CE

RGBA 205 53 68 0.81

HSLA 354.08, 0.6%, 0.51%, 0.81

LABA 46.9, 59.56, 27.96, 0.81

 

CMYK 0 / 66 / 60 / 21

HEX #BC2331CE

RGBA 188 35 49 0.81

HSLA 354.51, 0.69%, 0.44%, 0.81

LABA 41.4, 59.1, 31.98, 0.81

 

CMYK 0 / 73 / 67 / 27

HEX #AB111ECE

RGBA 171 17 30 0.81

HSLA 354.94, 0.82%, 0.37%, 0.81

LABA 36.28, 57.65, 36.61, 0.81

 

CMYK 0 / 63 / 56 / 7

HEX #EE5869

RGB 238 88 105

HSL 353.2, 0.82%, 0.64%

LAB 58.2, 58.86, 21.87

 

CMYK 0 / 63 / 63 / 7

HEX #EE5858

RGB 238 88 88

HSL 0, 0.82%, 0.64%

LAB 57.91, 57.73, 31.3

 

CMYK 0 / 63 / 56 / 7

HEX #EE5869

RGB 238 88 105

HSL 353.2, 0.82%, 0.64%

LAB 58.2, 58.86, 21.87

 

CMYK 0 / 63 / 39 / 7

HEX #EE5892

RGB 238 88 146

HSL 336.8, 0.82%, 0.64%

LAB 59.19, 62.52, -0.7

 

CMYK 0 / 63 / 22 / 7

HEX #EE58BA

RGB 238 88 186

HSL 320.8, 0.82%, 0.64%

LAB 60.52, 67.28, -21.84

 

CMYK 0 / 63 / 5 / 7

HEX #EE58E3

RGB 238 88 227

HSL 304.4, 0.82%, 0.64%

LAB 62.26, 73.23, -42.35

 

CMYK 12 / 63 / 0 / 7

HEX #D258EE

RGB 210 88 238

HSL 288.8, 0.82%, 0.64%

LAB 58.84, 68.56, -54.16

 

CMYK 0 / 63 / 56 / 7

HEX #EE5869

RGB 238 88 105

HSL 353.2, 0.82%, 0.64%

LAB 58.2, 58.86, 21.87

 

CMYK 0 / 71 / 63 / 1

HEX #FD495E

RGB 253 73 94

HSL 353, 0.98%, 0.64%

LAB 58.47, 68.46, 29.09

 

CMYK 0 / 63 / 56 / 7

HEX #EE5869

RGB 238 88 105

HSL 353.2, 0.82%, 0.64%

LAB 58.2, 58.86, 21.87

 

CMYK 0 / 54 / 48 / 12

HEX #E06774

RGB 224 103 116

HSL 353.55, 0.66%, 0.64%

LAB 58.8, 48.33, 15.93

 

CMYK 0 / 44 / 39 / 18

HEX #D17680

RGB 209 118 128

HSL 353.41, 0.5%, 0.64%

LAB 59.95, 36.61, 10.29

 

CMYK 0 / 32 / 28 / 24

HEX #C2848B

RGB 194 132 139

HSL 353.23, 0.34%, 0.64%

LAB 61.51, 24.82, 5.96

 

CMYK 0 / 18 / 16 / 30

HEX #B39397

RGB 179 147 151

HSL 352.5, 0.17%, 0.64%

LAB 63.91, 12.63, 2.4

 

CMYK 0 / 63 / 22 / 7

HEX #EE58BA

RGB 238 88 186

HSL 320.8, 0.82%, 0.64%

LAB 60.52, 67.28, -21.84

 

CMYK 0 / 63 / 39 / 7

HEX #EE5892

RGB 238 88 146

HSL 336.8, 0.82%, 0.64%

LAB 59.19, 62.52, -0.7

 

CMYK 0 / 63 / 56 / 7

HEX #EE5869

RGB 238 88 105

HSL 353.2, 0.82%, 0.64%

LAB 58.2, 58.86, 21.87

 

CMYK 0 / 53 / 63 / 7

HEX #EE6F58

RGB 238 111 88

HSL 9.2, 0.82%, 0.64%

LAB 61.87, 47.31, 36.23

 

CMYK 0 / 37 / 63 / 7

HEX #EE9758

RGB 238 151 88

HSL 25.2, 0.82%, 0.64%

LAB 70.19, 26.92, 46.2

 

CMYK 0 / 90 / 80 / 13

HEX #DE162D

RGB 222 22 45

HSL 353.1, 0.82%, 0.48%

LAB 47.36, 70.66, 42.75

 

CMYK 0 / 79 / 70 / 8

HEX #EB3247

RGB 235 50 71

HSL 353.19, 0.82%, 0.56%

LAB 52.28, 69.23, 34.06

 

CMYK 0 / 63 / 56 / 7

HEX #EE5869

RGB 238 88 105

HSL 353.2, 0.82%, 0.64%

LAB 58.2, 58.86, 21.87

 

CMYK 0 / 48 / 43 / 5

HEX #F27D8B

RGB 242 125 139

HSL 352.82, 0.82%, 0.72%

LAB 66.07, 46.13, 13.26

 

CMYK 0 / 34 / 30 / 4

HEX #F6A3AC

RGB 246 163 172

HSL 353.49, 0.82%, 0.8%

LAB 75.31, 31.88, 8.06

 

CMYK 0 / 63 / 56 / 6

HEX #EF596A

RGB 239 89 106

HSL 353.2, 0.82%, 0.64%

LAB 58.54, 58.84, 21.77

 

CMYK 5 / 0 / 63 / 7

HEX #E2EE58

RGB 226 238 88

HSL 64.8, 0.82%, 0.64%

LAB 90.79, -22.74, 68.69

 

CMYK 63 / 30 / 0 / 7

HEX #58A6EE

RGB 88 166 238

HSL 208.8, 0.82%, 0.64%

LAB 66.15, -2.35, -43.23

 

CMYK 0 / 63 / 56 / 6

HEX #EF596A

RGB 239 89 106

HSL 353.2, 0.82%, 0.64%

LAB 58.54, 58.84, 21.77

 

CMYK 56 / 0 / 63 / 7

HEX #69EE58

RGB 105 238 88

HSL 113.2, 0.82%, 0.64%

LAB 84.41, -63.94, 59.93

 

CMYK 63 / 56 / 0 / 7

HEX #5869EE

RGB 88 105 238

HSL 233.2, 0.82%, 0.64%

LAB 49.92, 34.11, -69.15

 

CMYK 0 / 63 / 56 / 6

HEX #EF596A

RGB 239 89 106

HSL 353.2, 0.82%, 0.64%

LAB 58.54, 58.84, 21.77

 

CMYK 5 / 0 / 63 / 7

HEX #E2EE58

RGB 226 238 88

HSL 64.8, 0.82%, 0.64%

LAB 90.79, -22.74, 68.69

 

CMYK 63 / 0 / 7 / 7

HEX #58EEDD

RGB 88 238 221

HSL 173.2, 0.82%, 0.64%

LAB 86.23, -43.44, -3.54

 

CMYK 58 / 63 / 0 / 7

HEX #6458EE

RGB 100 88 238

HSL 244.8, 0.82%, 0.64%

LAB 46.79, 46.15, -74.2

 

CMYK 0 / 63 / 56 / 6

HEX #EF596A

RGB 239 89 106

HSL 353.2, 0.82%, 0.64%

LAB 58.54, 58.84, 21.77

 

CMYK 24 / 0 / 63 / 7

HEX #B5EE58

RGB 181 238 88

HSL 82.8, 0.82%, 0.64%

LAB 87.81, -40.13, 64.62

 

CMYK 63 / 0 / 7 / 7

HEX #58EEDD

RGB 88 238 221

HSL 173.2, 0.82%, 0.64%

LAB 86.23, -43.44, -3.54

 

CMYK 39 / 63 / 0 / 7

HEX #9258EE

RGB 146 88 238

HSL 263.2, 0.82%, 0.64%

LAB 50.99, 54.58, -67.18

 

Description

Color code: HEX #EF596ACE | qconv.com Color code: HEX #EF596ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 89 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 89 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 45 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 45% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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