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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF481ACE it is the complementary color #10B7E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF481ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF481ACE shade: #F44815CE, #FF5A28CE, #FF6C3BCE, #FF7E4ECE and #FF9061CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF481ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF481ACE shade: #EF481ACE, #DE3607CE, #CD2400CE, #BC1200CE and #AB0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF481ACE shade: #EF481A and #EF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF481ACE shade: #EF481A, #EF821A, #EFBB1A, #EAEF1A and #B0EF1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF481ACE shade matches the following richer shades: #EF481A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF481ACE shade: #EF481A, #DB532E, #C75F42, #B46A56 and #A07569

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF481ACE shade: #EF1A61, #EF1A28, #EF451A, #EF7E1A and #EFB61A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF481ACE shade: #AB2E0C, #D1390F, #EF481A, #F26741 and #F48667

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF481ACE shade: #EF481A, #9AEF1A and #1A45EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF481ACE shade: #EF481A, #1AEF45 and #451AEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF481ACE shade: #EF481A, #9AEF1A, #1AC4EF and #6F1AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF481ACE shade: #EF481A, #5AEF1A, #1AC4EF and #AF1AEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 72 / 5

HEX #EF481ACE

RGBA 239 72 26 0.81

HSLA 12.96, 0.87%, 0.52%, 0.81

LABA 55.13, 62.05, 59.54, 0.81

 

Complementary color

CMYK 75 / 16 / 0 / 8

HEX #10B7E5CE

RGBA 16 183 229 0.81

HSLA 192.96, 0.87%, 0.48%, 0.81

LABA 69.21, -22.03, -33.66, 0.81

 

CMYK 0 / 57 / 74 / 3

HEX #F44815CE

RGBA 244 72 21 0.81

HSLA 13.72, 0.91%, 0.52%, 0.81

LABA 56.01, 63.56, 62.23, 0.81

 

CMYK 0 / 52 / 68 / 0

HEX #FF5A28CE

RGBA 255 90 40 0.81

HSLA 13.95, 1%, 0.58%, 0.81

LABA 60.54, 60.59, 59.56, 0.81

 

CMYK 0 / 47 / 62 / 0

HEX #FF6C3BCE

RGBA 255 108 59 0.81

HSLA 15, 1%, 0.62%, 0.81

LABA 63.59, 53.42, 53.9, 0.81

 

CMYK 0 / 41 / 56 / 0

HEX #FF7E4ECE

RGBA 255 126 78 0.81

HSLA 16.27, 1%, 0.65%, 0.81

LABA 67.08, 45.75, 48.26, 0.81

 

CMYK 0 / 35 / 50 / 0

HEX #FF9061CE

RGBA 255 144 97 0.81

HSLA 17.85, 1%, 0.69%, 0.81

LABA 70.92, 37.85, 42.98, 0.81

 

CMYK 0 / 57 / 72 / 5

HEX #EF481ACE

RGBA 239 72 26 0.81

HSLA 12.96, 0.87%, 0.52%, 0.81

LABA 55.13, 62.05, 59.54, 0.81

 

CMYK 0 / 61 / 78 / 10

HEX #DE3607CE

RGBA 222 54 7 0.81

HSLA 13.12, 0.94%, 0.45%, 0.81

LABA 49.72, 62.68, 60.09, 0.81

 

CMYK 0 / 67 / 81 / 16

HEX #CD2400CE

RGBA 205 36 0 0.81

HSLA 10.54, 1%, 0.4%, 0.81

LABA 44.58, 62.67, 57.72, 0.81

 

CMYK 0 / 73 / 81 / 21

HEX #BC1200CE

RGBA 188 18 0 0.81

HSLA 5.74, 1%, 0.37%, 0.81

LABA 39.79, 61.59, 53.72, 0.81

 

CMYK 0 / 81 / 81 / 27

HEX #AB0000CE

RGBA 171 0 0 0.81

HSLA 0, 1%, 0.34%, 0.81

LABA 35.32, 59.38, 49.65, 0.81

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 0 / 89 / 89 / 6

HEX #EF1A1A

RGB 239 26 26

HSL 0, 0.87%, 0.52%

LAB 50.88, 74, 56.48

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 0 / 46 / 89 / 6

HEX #EF821A

RGB 239 130 26

HSL 29.3, 0.87%, 0.52%

LAB 65.27, 35.79, 67.06

 

CMYK 0 / 22 / 89 / 6

HEX #EFBB1A

RGB 239 187 26

HSL 45.35, 0.87%, 0.52%

LAB 78.44, 5.89, 77.12

 

CMYK 2 / 0 / 89 / 6

HEX #EAEF1A

RGB 234 239 26

HSL 61.41, 0.87%, 0.52%

LAB 91.37, -22.32, 87

 

CMYK 26 / 0 / 89 / 6

HEX #B0EF1A

RGB 176 239 26

HSL 77.75, 0.87%, 0.52%

LAB 87.5, -45.33, 82.28

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 0 / 62 / 79 / 14

HEX #DB532E

RGB 219 83 46

HSL 12.83, 0.71%, 0.52%

LAB 53.43, 51.43, 48.11

 

CMYK 0 / 52 / 67 / 22

HEX #C75F42

RGB 199 95 66

HSL 13.08, 0.54%, 0.52%

LAB 52.64, 39.3, 35.84

 

CMYK 0 / 41 / 52 / 29

HEX #B46A56

RGB 180 106 86

HSL 12.77, 0.39%, 0.52%

LAB 52.6, 27.44, 23.89

 

CMYK 0 / 27 / 34 / 37

HEX #A07569

RGB 160 117 105

HSL 13.09, 0.22%, 0.52%

LAB 53.19, 15.2, 13.25

 

CMYK 0 / 89 / 59 / 6

HEX #EF1A61

RGB 239 26 97

HSL 340, 0.87%, 0.52%

LAB 51.78, 76.57, 18.01

 

CMYK 0 / 89 / 83 / 6

HEX #EF1A28

RGB 239 26 40

HSL 356.06, 0.87%, 0.52%

LAB 50.97, 74.27, 50.07

 

CMYK 0 / 71 / 89 / 6

HEX #EF451A

RGB 239 69 26

HSL 12.11, 0.87%, 0.52%

LAB 54.74, 63.13, 59.26

 

CMYK 0 / 47 / 89 / 6

HEX #EF7E1A

RGB 239 126 26

HSL 28.17, 0.87%, 0.52%

LAB 64.44, 37.83, 66.43

 

CMYK 0 / 24 / 89 / 6

HEX #EFB61A

RGB 239 182 26

HSL 43.94, 0.87%, 0.52%

LAB 77.21, 8.51, 76.17

 

CMYK 0 / 73 / 93 / 33

HEX #AB2E0C

RGB 171 46 12

HSL 12.83, 0.87%, 0.36%

LAB 38.96, 49.35, 47.24

 

CMYK 0 / 73 / 93 / 18

HEX #D1390F

RGB 209 57 15

HSL 12.99, 0.87%, 0.44%

LAB 47.64, 57.74, 55.49

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 0 / 57 / 73 / 5

HEX #F26741

RGB 242 103 65

HSL 12.88, 0.87%, 0.6%

LAB 60.75, 51.31, 47.33

 

CMYK 0 / 45 / 58 / 4

HEX #F48667

RGB 244 134 103

HSL 13.19, 0.87%, 0.68%

LAB 67.47, 39.15, 35.22

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 36 / 0 / 89 / 6

HEX #9AEF1A

RGB 154 239 26

HSL 83.94, 0.87%, 0.52%

LAB 86.34, -53.24, 80.85

 

CMYK 89 / 71 / 0 / 6

HEX #1A45EF

RGB 26 69 239

HSL 227.89, 0.87%, 0.52%

LAB 39.08, 50.41, -87.56

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 89 / 0 / 71 / 6

HEX #1AEF45

RGB 26 239 69

HSL 132.11, 0.87%, 0.52%

LAB 83.12, -78.07, 65.43

 

CMYK 71 / 89 / 0 / 6

HEX #451AEF

RGB 69 26 239

HSL 252.11, 0.87%, 0.52%

LAB 34.47, 71.72, -95.15

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 36 / 0 / 89 / 6

HEX #9AEF1A

RGB 154 239 26

HSL 83.94, 0.87%, 0.52%

LAB 86.34, -53.24, 80.85

 

CMYK 89 / 18 / 0 / 6

HEX #1AC4EF

RGB 26 196 239

HSL 192.11, 0.87%, 0.52%

LAB 73.5, -24.87, -32.44

 

CMYK 54 / 89 / 0 / 6

HEX #6F1AEF

RGB 111 26 239

HSL 263.94, 0.87%, 0.52%

LAB 38.46, 74.57, -88.41

 

CMYK 0 / 70 / 89 / 6

HEX #EF481A

RGB 239 72 26

HSL 12.96, 0.87%, 0.52%

LAB 55.13, 62.05, 59.54

 

CMYK 62 / 0 / 89 / 6

HEX #5AEF1A

RGB 90 239 26

HSL 101.97, 0.87%, 0.52%

LAB 83.96, -71.55, 77.89

 

CMYK 89 / 18 / 0 / 6

HEX #1AC4EF

RGB 26 196 239

HSL 192.11, 0.87%, 0.52%

LAB 73.5, -24.87, -32.44

 

CMYK 27 / 89 / 0 / 6

HEX #AF1AEF

RGB 175 26 239

HSL 281.97, 0.87%, 0.52%

LAB 47.09, 81.72, -73.93

 

Description

Color code: HEX #EF481ACE | qconv.com Color code: HEX #EF481ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 72 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 72 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 72 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 72% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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