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Color name
HEX #EF248B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF248B it is the complementary color #10DB74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF248B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF248B shade: #F42486, #FF3699, #FF48AC, #FF5ABF and #FF6CD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF248B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF248B shade: #EF248B, #DE1278, #CD0065, #BC0052 and #AB003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF248B shade: #EF258B, #EF2555 and #EF2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF248B shade: #EF258B, #EF25C2, #E525EF, #AF25EF and #7825EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF248B shade matches the following richer shades: #EF258B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF248B shade: #EF258B, #DC388B, #C94B8B, #B65E8A and #A3718A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF248B shade: #E425EF, #EF25C3, #EF258D, #EF2557 and #EF2825

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF248B shade: #B30E62, #DA1077, #EF258B, #F14BA0 and #F472B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF248B shade: #EF248B, #EFAF25 and #25DEEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF248B shade: #EF248B, #8DEF25 and #258DEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF248B shade: #EF248B, #EFAF25, #25EF86 and #2565EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF248B shade: #EF248B, #EFEB25, #25EF86 and #2528EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 42 / 6

HEX #EF248B

RGB 239 36 139

HSL 329.56, 0.86%, 0.54%

LAB 53.47, 78.02, -4.97

 

Complementary color

CMYK 93 / 0 / 47 / 14

HEX #10DB74

RGB 16 219 116

HSL 149.56, 0.86%, 0.46%

LAB 77.3, -66.73, 38.31

 

CMYK 0 / 85 / 45 / 4

HEX #F42486

RGB 244 36 134

HSL 331.73, 0.9%, 0.55%

LAB 54.26, 78.74, -0.71

 

CMYK 0 / 79 / 40 / 0

HEX #FF3699

RGB 255 54 153

HSL 330.45, 1%, 0.61%

LAB 58.22, 79.09, -5.89

 

CMYK 0 / 72 / 33 / 0

HEX #FF48AC

RGB 255 72 172

HSL 327.21, 1%, 0.64%

LAB 60.67, 75.84, -13.3

 

CMYK 0 / 65 / 25 / 0

HEX #FF5ABF

RGB 255 90 191

HSL 323.27, 1%, 0.68%

LAB 63.62, 71.7, -19.73

 

CMYK 0 / 58 / 18 / 0

HEX #FF6CD2

RGB 255 108 210

HSL 318.37, 1%, 0.71%

LAB 67, 66.89, -25.27

 

CMYK 0 / 85 / 42 / 6

HEX #EF248B

RGB 239 36 139

HSL 329.56, 0.86%, 0.54%

LAB 53.47, 78.02, -4.97

 

CMYK 0 / 92 / 46 / 13

HEX #DE1278

RGB 222 18 120

HSL 330, 0.85%, 0.47%

LAB 48.66, 75.3, -0.93

 

CMYK 0 / 100 / 51 / 20

HEX #CD0065

RGB 205 0 101

HSL 330.44, 1%, 0.4%

LAB 44.12, 71.68, 3.8

 

CMYK 0 / 100 / 56 / 26

HEX #BC0052

RGB 188 0 82

HSL 333.83, 1%, 0.37%

LAB 40.08, 66.48, 9.6

 

CMYK 0 / 100 / 63 / 33

HEX #AB003F

RGB 171 0 63

HSL 337.89, 1%, 0.34%

LAB 36.02, 61.27, 15.7

 

CMYK 0 / 85 / 42 / 6

HEX #EF258B

RGB 239 37 139

HSL 329.7, 0.86%, 0.54%

LAB 53.53, 77.83, -4.87

 

CMYK 0 / 85 / 64 / 6

HEX #EF2555

RGB 239 37 85

HSL 345.74, 0.86%, 0.54%

LAB 52.21, 74.01, 25.82

 

CMYK 0 / 85 / 85 / 6

HEX #EF2525

RGB 239 37 37

HSL 0, 0.86%, 0.54%

LAB 51.62, 72.28, 52.13

 

CMYK 0 / 85 / 42 / 6

HEX #EF258B

RGB 239 37 139

HSL 329.7, 0.86%, 0.54%

LAB 53.53, 77.83, -4.87

 

CMYK 0 / 85 / 19 / 6

HEX #EF25C2

RGB 239 37 194

HSL 313.37, 0.86%, 0.54%

LAB 55.65, 83.7, -33.95

 

CMYK 4 / 85 / 0 / 6

HEX #E525EF

RGB 229 37 239

HSL 297.03, 0.86%, 0.54%

LAB 56.3, 88.06, -58.61

 

CMYK 27 / 85 / 0 / 6

HEX #AF25EF

RGB 175 37 239

HSL 280.99, 0.86%, 0.54%

LAB 47.84, 79.49, -72.7

 

CMYK 50 / 85 / 0 / 6

HEX #7825EF

RGB 120 37 239

HSL 264.65, 0.86%, 0.54%

LAB 40.49, 72.49, -85.03

 

CMYK 0 / 85 / 42 / 6

HEX #EF258B

RGB 239 37 139

HSL 329.7, 0.86%, 0.54%

LAB 53.53, 77.83, -4.87

 

CMYK 0 / 85 / 42 / 6

HEX #EF258B

RGB 239 37 139

HSL 329.7, 0.86%, 0.54%

LAB 53.53, 77.83, -4.87

 

CMYK 0 / 75 / 37 / 14

HEX #DC388B

RGB 220 56 139

HSL 329.63, 0.7%, 0.54%

LAB 51.73, 68.43, -7.92

 

CMYK 0 / 63 / 31 / 21

HEX #C94B8B

RGB 201 75 139

HSL 329.52, 0.54%, 0.54%

LAB 51.05, 56.13, -9.27

 

CMYK 0 / 48 / 24 / 29

HEX #B65E8A

RGB 182 94 138

HSL 330, 0.38%, 0.54%

LAB 51.59, 40.87, -8.16

 

CMYK 0 / 31 / 15 / 36

HEX #A3718A

RGB 163 113 138

HSL 330, 0.21%, 0.54%

LAB 53.42, 23.67, -5.7

 

CMYK 5 / 85 / 0 / 6

HEX #E425EF

RGB 228 37 239

HSL 296.73, 0.86%, 0.54%

LAB 56.14, 87.89, -58.88

 

CMYK 0 / 85 / 18 / 6

HEX #EF25C3

RGB 239 37 195

HSL 313.07, 0.86%, 0.54%

LAB 55.7, 83.82, -34.45

 

CMYK 0 / 85 / 41 / 6

HEX #EF258D

RGB 239 37 141

HSL 329.11, 0.86%, 0.54%

LAB 53.6, 78.01, -5.97

 

CMYK 0 / 85 / 64 / 6

HEX #EF2557

RGB 239 37 87

HSL 345.15, 0.86%, 0.54%

LAB 52.24, 74.12, 24.67

 

CMYK 0 / 83 / 85 / 6

HEX #EF2825

RGB 239 40 37

HSL 0.89, 0.86%, 0.54%

LAB 51.84, 71.65, 52.32

 

CMYK 0 / 92 / 45 / 30

HEX #B30E62

RGB 179 14 98

HSL 329.45, 0.85%, 0.38%

LAB 39.21, 64.08, -2.1

 

CMYK 0 / 93 / 45 / 15

HEX #DA1077

RGB 218 16 119

HSL 329.41, 0.86%, 0.46%

LAB 47.76, 74.54, -1.73

 

CMYK 0 / 85 / 42 / 6

HEX #EF258B

RGB 239 37 139

HSL 329.7, 0.86%, 0.54%

LAB 53.53, 77.83, -4.87

 

CMYK 0 / 69 / 34 / 5

HEX #F14BA0

RGB 241 75 160

HSL 329.28, 0.86%, 0.62%

LAB 58.29, 69.86, -10.14

 

CMYK 0 / 53 / 26 / 4

HEX #F472B4

RGB 244 114 180

HSL 329.54, 0.86%, 0.7%

LAB 65.41, 56.9, -10.94

 

CMYK 0 / 85 / 42 / 6

HEX #EF248B

RGB 239 36 139

HSL 329.56, 0.86%, 0.54%

LAB 53.47, 78.02, -4.97

 

CMYK 0 / 27 / 85 / 6

HEX #EFAF25

RGB 239 175 37

HSL 40.99, 0.86%, 0.54%

LAB 75.54, 12.42, 72.24

 

CMYK 85 / 7 / 0 / 6

HEX #25DEEF

RGB 37 222 239

HSL 185.05, 0.86%, 0.54%

LAB 81.22, -36.81, -20.62

 

CMYK 0 / 85 / 42 / 6

HEX #EF248B

RGB 239 36 139

HSL 329.56, 0.86%, 0.54%

LAB 53.47, 78.02, -4.97

 

CMYK 41 / 0 / 85 / 6

HEX #8DEF25

RGB 141 239 37

HSL 89.11, 0.86%, 0.54%

LAB 85.77, -57.27, 78.1

 

CMYK 85 / 41 / 0 / 6

HEX #258DEF

RGB 37 141 239

HSL 209.11, 0.86%, 0.54%

LAB 57.73, 6.23, -57.22

 

CMYK 0 / 85 / 42 / 6

HEX #EF248B

RGB 239 36 139

HSL 329.56, 0.86%, 0.54%

LAB 53.47, 78.02, -4.97

 

CMYK 0 / 27 / 85 / 6

HEX #EFAF25

RGB 239 175 37

HSL 40.99, 0.86%, 0.54%

LAB 75.54, 12.42, 72.24

 

CMYK 85 / 0 / 44 / 6

HEX #25EF86

RGB 37 239 134

HSL 148.81, 0.86%, 0.54%

LAB 83.89, -69.01, 37.9

 

CMYK 85 / 58 / 0 / 6

HEX #2565EF

RGB 37 101 239

HSL 220.99, 0.86%, 0.54%

LAB 46.89, 31.19, -74.74

 

CMYK 0 / 85 / 42 / 6

HEX #EF248B

RGB 239 36 139

HSL 329.56, 0.86%, 0.54%

LAB 53.47, 78.02, -4.97

 

CMYK 0 / 2 / 85 / 6

HEX #EFEB25

RGB 239 235 37

HSL 58.81, 0.86%, 0.54%

LAB 90.73, -18.11, 84.72

 

CMYK 85 / 0 / 44 / 6

HEX #25EF86

RGB 37 239 134

HSL 148.81, 0.86%, 0.54%

LAB 83.89, -69.01, 37.9

 

CMYK 85 / 83 / 0 / 6

HEX #2528EF

RGB 37 40 239

HSL 239.11, 0.86%, 0.54%

LAB 34.28, 65.56, -95.52

 

Description

Color code: HEX #EF248B | qconv.com Color code: HEX #EF248B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 36 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 36 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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