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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF1EEE it is the complementary color #10E111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF1EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF1EEE shade: #F41EE9, #FF30FC, #FF42FF, #FF54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF1EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF1EEE shade: #EF1EEE, #DE0CDB, #CD00C8, #BC00B5 and #AB00A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF1EEE shade: #EF1FEE, #EF1FB6, #EF1F7E, #EF1F46 and #EF1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF1EEE shade: #EF1FEE, #B81FEF, #801FEF, #481FEF and #1F1FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF1EEE shade matches the following richer shades: #EF1FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF1EEE shade: #EF1FEE, #DC32DB, #C946C8, #B559B5 and #A26CA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF1EEE shade: #801FEF, #B81FEF, #EF1FEF, #EF1FB8 and #EF1F80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF1EEE shade: #B00CAF, #D60FD5, #EF1FEE, #F245F1 and #F56CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF1EEE shade: #EF1EEE, #EF491F and #1FEF9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF1EEE shade: #EF1EEE, #EFEF1F and #1FEFEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF1EEE shade: #EF1EEE, #EF491F, #1FEF1F and #1FC6EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF1EEE shade: #EF1EEE, #EF871F, #1FEF1F and #1F87EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 0 / 6

HEX #EF1EEE

RGB 239 30 238

HSL 300.29, 0.87%, 0.53%

LAB 57.51, 90.74, -56.02

 

Complementary color

CMYK 93 / 0 / 92 / 12

HEX #10E111

RGB 16 225 17

HSL 120.29, 0.87%, 0.47%

LAB 78.46, -77.51, 74.1

 

CMYK 0 / 88 / 5 / 4

HEX #F41EE9

RGB 244 30 233

HSL 303.08, 0.91%, 0.54%

LAB 58.08, 90.89, -52.26

 

CMYK 0 / 81 / 1 / 0

HEX #FF30FC

RGB 255 48 252

HSL 300.87, 1%, 0.59%

LAB 62, 92.4, -56.5

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 87 / 0 / 6

HEX #EF1EEE

RGB 239 30 238

HSL 300.29, 0.87%, 0.53%

LAB 57.51, 90.74, -56.02

 

CMYK 0 / 95 / 1 / 13

HEX #DE0CDB

RGB 222 12 219

HSL 300.86, 0.9%, 0.46%

LAB 52.85, 87.2, -52.91

 

CMYK 0 / 100 / 2 / 20

HEX #CD00C8

RGB 205 0 200

HSL 301.46, 1%, 0.4%

LAB 48.45, 82.63, -49.2

 

CMYK 0 / 100 / 4 / 26

HEX #BC00B5

RGB 188 0 181

HSL 302.23, 1%, 0.37%

LAB 44.27, 77.12, -44.94

 

CMYK 0 / 100 / 5 / 33

HEX #AB00A2

RGB 171 0 162

HSL 303.16, 1%, 0.34%

LAB 40.03, 71.51, -40.57

 

CMYK 0 / 87 / 0 / 6

HEX #EF1FEE

RGB 239 31 238

HSL 300.29, 0.87%, 0.53%

LAB 57.56, 90.59, -55.94

 

CMYK 0 / 87 / 24 / 6

HEX #EF1FB6

RGB 239 31 182

HSL 316.44, 0.87%, 0.53%

LAB 54.77, 83.29, -28.37

 

CMYK 0 / 87 / 47 / 6

HEX #EF1F7E

RGB 239 31 126

HSL 332.6, 0.87%, 0.53%

LAB 52.77, 77.81, 1.82

 

CMYK 0 / 87 / 71 / 6

HEX #EF1F46

RGB 239 31 70

HSL 348.75, 0.87%, 0.53%

LAB 51.58, 74.42, 33.99

 

CMYK 0 / 87 / 87 / 6

HEX #EF1F1F

RGB 239 31 31

HSL 0, 0.87%, 0.53%

LAB 51.19, 73.28, 54.56

 

CMYK 0 / 87 / 0 / 6

HEX #EF1FEE

RGB 239 31 238

HSL 300.29, 0.87%, 0.53%

LAB 57.56, 90.59, -55.94

 

CMYK 23 / 87 / 0 / 6

HEX #B81FEF

RGB 184 31 239

HSL 284.13, 0.87%, 0.53%

LAB 48.76, 82.07, -71.14

 

CMYK 46 / 87 / 0 / 6

HEX #801FEF

RGB 128 31 239

HSL 267.98, 0.87%, 0.53%

LAB 40.9, 74.99, -84.32

 

CMYK 70 / 87 / 0 / 6

HEX #481FEF

RGB 72 31 239

HSL 251.83, 0.87%, 0.53%

LAB 35.18, 70.41, -93.96

 

CMYK 87 / 87 / 0 / 6

HEX #1F1FEF

RGB 31 31 239

HSL 240, 0.87%, 0.53%

LAB 32.93, 68.79, -97.78

 

CMYK 0 / 87 / 0 / 6

HEX #EF1FEE

RGB 239 31 238

HSL 300.29, 0.87%, 0.53%

LAB 57.56, 90.59, -55.94

 

CMYK 0 / 87 / 0 / 6

HEX #EF1FEE

RGB 239 31 238

HSL 300.29, 0.87%, 0.53%

LAB 57.56, 90.59, -55.94

 

CMYK 0 / 77 / 0 / 14

HEX #DC32DB

RGB 220 50 219

HSL 300.35, 0.71%, 0.53%

LAB 54.67, 80.54, -50.02

 

CMYK 0 / 65 / 0 / 21

HEX #C946C8

RGB 201 70 200

HSL 300.46, 0.55%, 0.53%

LAB 52.91, 67.06, -42.14

 

CMYK 0 / 51 / 0 / 29

HEX #B559B5

RGB 181 89 181

HSL 300, 0.38%, 0.53%

LAB 52.18, 50.18, -32.52

 

CMYK 0 / 33 / 0 / 36

HEX #A26CA2

RGB 162 108 162

HSL 300, 0.23%, 0.53%

LAB 52.97, 30.54, -20.44

 

CMYK 46 / 87 / 0 / 6

HEX #801FEF

RGB 128 31 239

HSL 267.98, 0.87%, 0.53%

LAB 40.9, 74.99, -84.32

 

CMYK 23 / 87 / 0 / 6

HEX #B81FEF

RGB 184 31 239

HSL 284.13, 0.87%, 0.53%

LAB 48.76, 82.07, -71.14

 

CMYK 0 / 87 / 0 / 6

HEX #EF1FEF

RGB 239 31 239

HSL 300, 0.87%, 0.53%

LAB 57.62, 90.74, -56.41

 

CMYK 0 / 87 / 23 / 6

HEX #EF1FB8

RGB 239 31 184

HSL 315.87, 0.87%, 0.53%

LAB 54.86, 83.52, -29.4

 

CMYK 0 / 87 / 46 / 6

HEX #EF1F80

RGB 239 31 128

HSL 332.02, 0.87%, 0.53%

LAB 52.83, 77.97, 0.7

 

CMYK 0 / 93 / 1 / 31

HEX #B00CAF

RGB 176 12 175

HSL 300.37, 0.87%, 0.37%

LAB 42.14, 73.04, -44.92

 

CMYK 0 / 93 / 0 / 16

HEX #D60FD5

RGB 214 15 213

HSL 300.3, 0.87%, 0.45%

LAB 51.2, 84.77, -52.19

 

CMYK 0 / 87 / 0 / 6

HEX #EF1FEE

RGB 239 31 238

HSL 300.29, 0.87%, 0.53%

LAB 57.56, 90.59, -55.94

 

CMYK 0 / 71 / 0 / 5

HEX #F245F1

RGB 242 69 241

HSL 300.35, 0.87%, 0.61%

LAB 61.21, 82.92, -51.78

 

CMYK 0 / 56 / 0 / 4

HEX #F56CF4

RGB 245 108 244

HSL 300.44, 0.87%, 0.69%

LAB 67.03, 69.48, -44.22

 

CMYK 0 / 87 / 0 / 6

HEX #EF1EEE

RGB 239 30 238

HSL 300.29, 0.87%, 0.53%

LAB 57.51, 90.74, -56.02

 

CMYK 0 / 69 / 87 / 6

HEX #EF491F

RGB 239 73 31

HSL 12.12, 0.87%, 0.53%

LAB 55.29, 61.78, 57.78

 

CMYK 87 / 0 / 35 / 6

HEX #1FEF9C

RGB 31 239 156

HSL 156.06, 0.87%, 0.53%

LAB 84.19, -65.34, 27.25

 

CMYK 0 / 87 / 0 / 6

HEX #EF1EEE

RGB 239 30 238

HSL 300.29, 0.87%, 0.53%

LAB 57.51, 90.74, -56.02

 

CMYK 0 / 0 / 87 / 6

HEX #EFEF1F

RGB 239 239 31

HSL 60, 0.87%, 0.53%

LAB 91.77, -20.17, 86.68

 

CMYK 87 / 0 / 0 / 6

HEX #1FEFEF

RGB 31 239 239

HSL 180, 0.87%, 0.53%

LAB 86.13, -44.81, -13.23

 

CMYK 0 / 87 / 0 / 6

HEX #EF1EEE

RGB 239 30 238

HSL 300.29, 0.87%, 0.53%

LAB 57.51, 90.74, -56.02

 

CMYK 0 / 69 / 87 / 6

HEX #EF491F

RGB 239 73 31

HSL 12.12, 0.87%, 0.53%

LAB 55.29, 61.78, 57.78

 

CMYK 87 / 0 / 87 / 6

HEX #1FEF1F

RGB 31 239 31

HSL 120, 0.87%, 0.53%

LAB 82.98, -79.97, 75.79

 

CMYK 87 / 17 / 0 / 6

HEX #1FC6EF

RGB 31 198 239

HSL 191.83, 0.87%, 0.53%

LAB 74.13, -25.61, -31.46

 

CMYK 0 / 87 / 0 / 6

HEX #EF1EEE

RGB 239 30 238

HSL 300.29, 0.87%, 0.53%

LAB 57.51, 90.74, -56.02

 

CMYK 0 / 44 / 87 / 6

HEX #EF871F

RGB 239 135 31

HSL 30, 0.87%, 0.53%

LAB 66.35, 33.32, 66.49

 

CMYK 87 / 0 / 87 / 6

HEX #1FEF1F

RGB 31 239 31

HSL 120, 0.87%, 0.53%

LAB 82.98, -79.97, 75.79

 

CMYK 87 / 44 / 0 / 6

HEX #1F87EF

RGB 31 135 239

HSL 210, 0.87%, 0.53%

LAB 55.94, 9.46, -60.09

 

Description

Color code: HEX #EF1EEE | qconv.com Color code: HEX #EF1EEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 30 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 30 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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