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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEFBA5CE it is the complementary color #11045ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEFBA5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEFBA5CE shade: #F3FBA0CE, #FFFFB3CE, #FFFFC6CE, #FFFFD9CE and #FFFFECCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEFBA5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEFBA5CE shade: #EEFBA5CE, #DDE992CE, #CCD77FCE, #BBC56CCE and #AAB359CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEFBA5CE shade: #EEFBA7, #FBF1A7, #FBDAA7, #FBC4A7 and #FBADA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEFBA5CE shade: #EEFBA7, #D8FBA7, #C1FBA7, #ABFBA7 and #A7FBBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEFBA5CE shade matches the following richer shades: #EEFBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEFBA5CE shade: #EEFBA7, #E9F3AF, #E4ECB6, #DFE5BE and #DADDC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEFBA5CE shade: #FBDBA7, #FBF1A7, #EEFBA7, #D8FBA7 and #C2FBA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEFBA5CE shade: #DFF759, #E7F980, #EEFBA7, #F6FDCF and #FDFFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEFBA5CE shade: #EEFBA5, #A7FBC5 and #E6A7FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEFBA5CE shade: #EEFBA5, #A7EEFB and #FBA7EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEFBA5CE shade: #EEFBA5, #A7FBC5, #B4A7FB and #FBA7DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEFBA5CE shade: #EEFBA5, #A7FBDE, #B4A7FB and #FBA7C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 28 / 1

HEX #EEFBA5CE

RGBA 238 251 165 0.81

HSLA 69.07, 0.91%, 0.82%, 0.81

LABA 95.95, -17.35, 39.84, 0.81

 

Complementary color

CMYK 66 / 77 / 0 / 52

HEX #11045ACE

RGBA 17 4 90 0.81

HSLA 249.07, 0.91%, 0.18%, 0.81

LABA 8.52, 35.07, -47.19, 0.81

 

CMYK 3 / 0 / 29 / 1

HEX #F3FBA0CE

RGBA 243 251 160 0.81

HSLA 65.27, 0.92%, 0.81%, 0.81

LABA 96.24, -16.07, 42.75, 0.81

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFB3CE

RGBA 255 255 179 0.81

HSLA 60, 1%, 0.85%, 0.81

LABA 98.45, -11.32, 36.42, 0.81

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFC6CE

RGBA 255 255 198 0.81

HSLA 60, 1%, 0.89%, 0.81

LABA 98.77, -8.88, 27.33, 0.81

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFD9CE

RGBA 255 255 217 0.81

HSLA 60, 1%, 0.93%, 0.81

LABA 99.14, -6.17, 18.19, 0.81

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFECCE

RGBA 255 255 236 0.81

HSLA 60, 1%, 0.96%, 0.81

LABA 99.55, -3.2, 9.07, 0.81

 

CMYK 4 / 0 / 28 / 1

HEX #EEFBA5CE

RGBA 238 251 165 0.81

HSLA 69.07, 0.91%, 0.82%, 0.81

LABA 95.95, -17.35, 39.84, 0.81

 

CMYK 4 / 0 / 30 / 7

HEX #DDE992CE

RGBA 221 233 146 0.81

HSLA 68.28, 0.66%, 0.74%, 0.81

LABA 89.73, -17.16, 40.96, 0.81

 

CMYK 4 / 0 / 33 / 13

HEX #CCD77FCE

RGBA 204 215 127 0.81

HSLA 67.5, 0.52%, 0.67%, 0.81

LABA 83.43, -16.94, 42.1, 0.81

 

CMYK 4 / 0 / 37 / 18

HEX #BBC56CCE

RGBA 187 197 108 0.81

HSLA 66.74, 0.43%, 0.6%, 0.81

LABA 77.03, -16.66, 43.27, 0.81

 

CMYK 4 / 0 / 41 / 24

HEX #AAB359CE

RGBA 170 179 89 0.81

HSLA 66, 0.37%, 0.53%, 0.81

LABA 70.53, -16.3, 44.44, 0.81

 

CMYK 5 / 0 / 33 / 2

HEX #EEFBA7

RGB 238 251 167

HSL 69.29, 0.91%, 0.82%

LAB 95.98, -17.11, 38.89

 

CMYK 0 / 4 / 33 / 2

HEX #FBF1A7

RGB 251 241 167

HSL 52.86, 0.91%, 0.82%

LAB 94.4, -7.32, 37

 

CMYK 0 / 13 / 33 / 2

HEX #FBDAA7

RGB 251 218 167

HSL 36.43, 0.91%, 0.82%

LAB 88.66, 4.32, 29.35

 

CMYK 0 / 22 / 33 / 2

HEX #FBC4A7

RGB 251 196 167

HSL 20.71, 0.91%, 0.82%

LAB 83.33, 15.75, 22.09

 

CMYK 0 / 31 / 33 / 2

HEX #FBADA7

RGB 251 173 167

HSL 4.29, 0.91%, 0.82%

LAB 77.98, 27.83, 14.66

 

CMYK 5 / 0 / 33 / 2

HEX #EEFBA7

RGB 238 251 167

HSL 69.29, 0.91%, 0.82%

LAB 95.98, -17.11, 38.89

 

CMYK 14 / 0 / 33 / 2

HEX #D8FBA7

RGB 216 251 167

HSL 85, 0.91%, 0.82%

LAB 94.48, -25.11, 36.64

 

CMYK 23 / 0 / 33 / 2

HEX #C1FBA7

RGB 193 251 167

HSL 101.43, 0.91%, 0.82%

LAB 93.07, -33.1, 34.51

 

CMYK 32 / 0 / 33 / 2

HEX #ABFBA7

RGB 171 251 167

HSL 117.14, 0.91%, 0.82%

LAB 91.88, -40.27, 32.72

 

CMYK 33 / 0 / 25 / 2

HEX #A7FBBB

RGB 167 251 187

HSL 134.29, 0.91%, 0.82%

LAB 92.04, -38.21, 22.79

 

CMYK 5 / 0 / 33 / 2

HEX #EEFBA7

RGB 238 251 167

HSL 69.29, 0.91%, 0.82%

LAB 95.98, -17.11, 38.89

 

CMYK 5 / 0 / 33 / 2

HEX #EEFBA7

RGB 238 251 167

HSL 69.29, 0.91%, 0.82%

LAB 95.98, -17.11, 38.89

 

CMYK 4 / 0 / 28 / 5

HEX #E9F3AF

RGB 233 243 175

HSL 68.82, 0.74%, 0.82%

LAB 93.68, -14.03, 31.77

 

CMYK 3 / 0 / 23 / 7

HEX #E4ECB6

RGB 228 236 182

HSL 68.89, 0.59%, 0.82%

LAB 91.62, -11.43, 25.36

 

CMYK 3 / 0 / 17 / 10

HEX #DFE5BE

RGB 223 229 190

HSL 69.23, 0.43%, 0.82%

LAB 89.6, -8.54, 18.37

 

CMYK 1 / 0 / 11 / 13

HEX #DADDC5

RGB 218 221 197

HSL 67.5, 0.26%, 0.82%

LAB 87.31, -5.15, 11.43

 

CMYK 0 / 13 / 33 / 2

HEX #FBDBA7

RGB 251 219 167

HSL 37.14, 0.91%, 0.82%

LAB 88.9, 3.81, 29.68

 

CMYK 0 / 4 / 33 / 2

HEX #FBF1A7

RGB 251 241 167

HSL 52.86, 0.91%, 0.82%

LAB 94.4, -7.32, 37

 

CMYK 5 / 0 / 33 / 2

HEX #EEFBA7

RGB 238 251 167

HSL 69.29, 0.91%, 0.82%

LAB 95.98, -17.11, 38.89

 

CMYK 14 / 0 / 33 / 2

HEX #D8FBA7

RGB 216 251 167

HSL 85, 0.91%, 0.82%

LAB 94.48, -25.11, 36.64

 

CMYK 23 / 0 / 33 / 2

HEX #C2FBA7

RGB 194 251 167

HSL 100.71, 0.91%, 0.82%

LAB 93.13, -32.76, 34.6

 

CMYK 10 / 0 / 64 / 3

HEX #DFF759

RGB 223 247 89

HSL 69.11, 0.91%, 0.66%

LAB 92.98, -28.13, 70.53

 

CMYK 7 / 0 / 49 / 2

HEX #E7F980

RGB 231 249 128

HSL 68.93, 0.91%, 0.74%

LAB 94.44, -22.94, 55.6

 

CMYK 5 / 0 / 33 / 2

HEX #EEFBA7

RGB 238 251 167

HSL 69.29, 0.91%, 0.82%

LAB 95.98, -17.11, 38.89

 

CMYK 3 / 0 / 18 / 1

HEX #F6FDCF

RGB 246 253 207

HSL 69.13, 0.92%, 0.9%

LAB 97.77, -9.82, 21.28

 

CMYK 1 / 0 / 4 / 0

HEX #FDFFF6

RGB 253 255 246

HSL 73.33, 1%, 0.98%

LAB 99.63, -2.21, 4.05

 

CMYK 5 / 0 / 34 / 2

HEX #EEFBA5

RGB 238 251 165

HSL 69.07, 0.91%, 0.82%

LAB 95.95, -17.35, 39.84

 

CMYK 33 / 0 / 22 / 2

HEX #A7FBC5

RGB 167 251 197

HSL 141.43, 0.91%, 0.82%

LAB 92.24, -36.41, 17.94

 

CMYK 8 / 33 / 0 / 2

HEX #E6A7FB

RGB 230 167 251

HSL 285, 0.91%, 0.82%

LAB 76.94, 37.35, -32.75

 

CMYK 5 / 0 / 34 / 2

HEX #EEFBA5

RGB 238 251 165

HSL 69.07, 0.91%, 0.82%

LAB 95.95, -17.35, 39.84

 

CMYK 33 / 5 / 0 / 2

HEX #A7EEFB

RGB 167 238 251

HSL 189.29, 0.91%, 0.82%

LAB 90.01, -18.88, -13.32

 

CMYK 0 / 33 / 5 / 2

HEX #FBA7EE

RGB 251 167 238

HSL 309.29, 0.91%, 0.82%

LAB 78.65, 41.48, -22.92

 

CMYK 5 / 0 / 34 / 2

HEX #EEFBA5

RGB 238 251 165

HSL 69.07, 0.91%, 0.82%

LAB 95.95, -17.35, 39.84

 

CMYK 33 / 0 / 22 / 2

HEX #A7FBC5

RGB 167 251 197

HSL 141.43, 0.91%, 0.82%

LAB 92.24, -36.41, 17.94

 

CMYK 28 / 33 / 0 / 2

HEX #B4A7FB

RGB 180 167 251

HSL 249.29, 0.91%, 0.82%

LAB 72.43, 22.6, -40.09

 

CMYK 0 / 33 / 12 / 2

HEX #FBA7DE

RGB 251 167 222

HSL 320.71, 0.91%, 0.82%

LAB 78.12, 38.82, -15.05

 

CMYK 5 / 0 / 34 / 2

HEX #EEFBA5

RGB 238 251 165

HSL 69.07, 0.91%, 0.82%

LAB 95.95, -17.35, 39.84

 

CMYK 33 / 0 / 12 / 2

HEX #A7FBDE

RGB 167 251 222

HSL 159.29, 0.91%, 0.82%

LAB 92.79, -31.54, 5.84

 

CMYK 28 / 33 / 0 / 2

HEX #B4A7FB

RGB 180 167 251

HSL 249.29, 0.91%, 0.82%

LAB 72.43, 22.6, -40.09

 

CMYK 0 / 33 / 22 / 2

HEX #FBA7C5

RGB 251 167 197

HSL 338.57, 0.91%, 0.82%

LAB 77.39, 34.98, -2.53

 

Description

Color code: HEX #EEFBA5CE | qconv.com Color code: HEX #EEFBA5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 251 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 251 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 28% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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