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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEED5D it is the complementary color #1112A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEED5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEED5D shade: #F3ED58, #FFFF6B, #FFFF7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEED5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEED5D shade: #EEED5D, #DDDB4A, #CCC937, #BBB724 and #AAA511

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEED5D shade: #EEED5D, #EEC65D, #EE9F5D, #EE785D and #EE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEED5D shade: #EEED5D, #C8EE5D, #A1EE5D, #7AEE5D and #5DEE67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEED5D shade matches the following richer shades: #EEED5D and #FCFB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEED5D shade: #EEED5D, #DFDE6B, #D1D07A, #C2C288 and #B4B497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEED5D shade: #EE9E5D, #EEC55D, #EEEB5D, #C9EE5D and #A3EE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEED5D shade: #E1DF17, #EAE838, #EEED5D, #F1F182 and #F5F5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEED5D shade: #EEED5D, #5DEE77 and #B15DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEED5D shade: #EEED5D, #5DEEEB and #EB5DEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEED5D shade: #EEED5D, #5DEE77, #5D5FEE and #EE5DD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEED5D shade: #EEED5D, #5DEEA3, #5D5FEE and #EE5DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

Complementary color

CMYK 90 / 89 / 0 / 36

HEX #1112A2

RGB 17 18 162

HSL 239.59, 0.81%, 0.35%

LAB 20.68, 51.19, -73.02

 

CMYK 0 / 2 / 64 / 5

HEX #F3ED58

RGB 243 237 88

HSL 57.68, 0.87%, 0.65%

LAB 91.83, -15.4, 70.18

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 0 / 1 / 67 / 13

HEX #DDDB4A

RGB 221 219 74

HSL 59.18, 0.68%, 0.58%

LAB 85.27, -16.36, 68.3

 

CMYK 0 / 1 / 73 / 20

HEX #CCC937

RGB 204 201 55

HSL 58.79, 0.59%, 0.51%

LAB 78.98, -15.46, 68.51

 

CMYK 0 / 2 / 81 / 27

HEX #BBB724

RGB 187 183 36

HSL 58.41, 0.68%, 0.44%

LAB 72.6, -14.38, 68.03

 

CMYK 0 / 3 / 90 / 33

HEX #AAA511

RGB 170 165 17

HSL 58.04, 0.82%, 0.37%

LAB 66.13, -13.09, 66.38

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 0 / 17 / 61 / 7

HEX #EEC65D

RGB 238 198 93

HSL 43.45, 0.81%, 0.65%

LAB 81.49, 2.5, 56.74

 

CMYK 0 / 33 / 61 / 7

HEX #EE9F5D

RGB 238 159 93

HSL 27.31, 0.81%, 0.65%

LAB 72.07, 23.03, 45.9

 

CMYK 0 / 50 / 61 / 7

HEX #EE785D

RGB 238 120 93

HSL 11.17, 0.81%, 0.65%

LAB 63.67, 43.23, 35.72

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 16 / 0 / 61 / 7

HEX #C8EE5D

RGB 200 238 93

HSL 75.72, 0.81%, 0.65%

LAB 89.03, -32.61, 64.24

 

CMYK 32 / 0 / 61 / 7

HEX #A1EE5D

RGB 161 238 93

HSL 91.86, 0.81%, 0.65%

LAB 86.76, -46.84, 61.1

 

CMYK 49 / 0 / 61 / 7

HEX #7AEE5D

RGB 122 238 93

HSL 108, 0.81%, 0.65%

LAB 85.04, -59.01, 58.7

 

CMYK 61 / 0 / 57 / 7

HEX #5DEE67

RGB 93 238 103

HSL 124.14, 0.81%, 0.65%

LAB 84.2, -65.07, 53.14

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 0 / 0 / 69 / 1

HEX #FCFB4F

RGB 252 251 79

HSL 59.65, 0.97%, 0.65%

LAB 96.1, -19.01, 78.08

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 0 / 0 / 52 / 13

HEX #DFDE6B

RGB 223 222 107

HSL 59.48, 0.64%, 0.65%

LAB 86.5, -14.79, 55.73

 

CMYK 0 / 0 / 42 / 18

HEX #D1D07A

RGB 209 208 122

HSL 59.31, 0.49%, 0.65%

LAB 81.88, -12, 42.72

 

CMYK 0 / 0 / 30 / 24

HEX #C2C288

RGB 194 194 136

HSL 60, 0.32%, 0.65%

LAB 77.18, -9.12, 29.26

 

CMYK 0 / 0 / 16 / 29

HEX #B4B497

RGB 180 180 151

HSL 60, 0.16%, 0.65%

LAB 72.61, -5, 14.83

 

CMYK 0 / 34 / 61 / 7

HEX #EE9E5D

RGB 238 158 93

HSL 26.9, 0.81%, 0.65%

LAB 71.84, 23.56, 45.62

 

CMYK 0 / 17 / 61 / 7

HEX #EEC55D

RGB 238 197 93

HSL 43.03, 0.81%, 0.65%

LAB 81.24, 3.02, 56.46

 

CMYK 0 / 1 / 61 / 7

HEX #EEEB5D

RGB 238 235 93

HSL 58.76, 0.81%, 0.65%

LAB 90.95, -16.15, 67.12

 

CMYK 16 / 0 / 61 / 7

HEX #C9EE5D

RGB 201 238 93

HSL 75.31, 0.81%, 0.65%

LAB 89.09, -32.23, 64.33

 

CMYK 32 / 0 / 61 / 7

HEX #A3EE5D

RGB 163 238 93

HSL 91.03, 0.81%, 0.65%

LAB 86.86, -46.16, 61.24

 

CMYK 0 / 1 / 90 / 12

HEX #E1DF17

RGB 225 223 23

HSL 59.41, 0.81%, 0.49%

LAB 86.43, -18.39, 83.27

 

CMYK 0 / 1 / 76 / 8

HEX #EAE838

RGB 234 232 56

HSL 59.33, 0.81%, 0.57%

LAB 89.62, -18.16, 78.89

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 0 / 0 / 46 / 5

HEX #F1F182

RGB 241 241 130

HSL 60, 0.8%, 0.73%

LAB 93.11, -15.02, 53.24

 

CMYK 0 / 0 / 31 / 4

HEX #F5F5A8

RGB 245 245 168

HSL 60, 0.79%, 0.81%

LAB 94.97, -11.45, 37.16

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 61 / 0 / 50 / 7

HEX #5DEE77

RGB 93 238 119

HSL 130.76, 0.81%, 0.65%

LAB 84.38, -63, 45.99

 

CMYK 26 / 61 / 0 / 7

HEX #B15DEE

RGB 177 93 238

HSL 274.76, 0.81%, 0.65%

LAB 55.43, 58.76, -59.85

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 61 / 0 / 1 / 7

HEX #5DEEEB

RGB 93 238 235

HSL 178.76, 0.81%, 0.65%

LAB 86.74, -38.98, -10.12

 

CMYK 1 / 61 / 0 / 7

HEX #EB5DEE

RGB 235 93 238

HSL 298.76, 0.81%, 0.65%

LAB 63.06, 72.32, -47.24

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 61 / 0 / 50 / 7

HEX #5DEE77

RGB 93 238 119

HSL 130.76, 0.81%, 0.65%

LAB 84.38, -63, 45.99

 

CMYK 61 / 60 / 0 / 7

HEX #5D5FEE

RGB 93 95 238

HSL 239.17, 0.81%, 0.65%

LAB 47.86, 40.94, -72.48

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD3

RGB 238 93 211

HSL 311.17, 0.81%, 0.65%

LAB 62.26, 68.79, -33.36

 

CMYK 0 / 0 / 61 / 7

HEX #EEED5D

RGB 238 237 93

HSL 59.59, 0.81%, 0.65%

LAB 91.48, -17.12, 67.68

 

CMYK 61 / 0 / 32 / 7

HEX #5DEEA3

RGB 93 238 163

HSL 148.97, 0.81%, 0.65%

LAB 85.06, -55.67, 25.03

 

CMYK 61 / 60 / 0 / 7

HEX #5D5FEE

RGB 93 95 238

HSL 239.17, 0.81%, 0.65%

LAB 47.86, 40.94, -72.48

 

CMYK 0 / 61 / 29 / 7

HEX #EE5DA8

RGB 238 93 168

HSL 328.97, 0.81%, 0.65%

LAB 60.63, 62.93, -11.32

 

Description

Color code: HEX #EEED5D | qconv.com Color code: HEX #EEED5D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 237 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 237 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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