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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE9BF it is the complementary color #111640. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE9BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EEE9BF: #F3E9BA, #FFFBCD, #FFFFE0, #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE9BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EEE9BF: #EEE9BF, #DDD7AC, #CCC599, #BBB386 and #AAA173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 20 / 7

HEX #EEE9BF

RGB 238 233 191

HSL 53.62, 0.58%, 0.84%

LAB 91.78, -5.01, 21.06

 

Complementary color

CMYK 73 / 66 / 0 / 75

HEX #111640

RGB 17 22 64

HSL 233.62, 0.58%, 0.16%

LAB 9.51, 13.88, -27.55

 

CMYK 0 / 4 / 23 / 5

HEX #F3E9BA

RGB 243 233 186

HSL 49.47, 0.7%, 0.84%

LAB 92.08, -3.89, 24.11

 

CMYK 0 / 2 / 20 / 0

HEX #FFFBCD

RGB 255 251 205

HSL 55.2, 1%, 0.9%

LAB 97.9, -5.92, 22.57

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 2 / 20 / 7

HEX #EEE9BF

RGB 238 233 191

HSL 53.62, 0.58%, 0.84%

LAB 91.78, -5.01, 21.06

 

CMYK 0 / 3 / 22 / 13

HEX #DDD7AC

RGB 221 215 172

HSL 52.65, 0.42%, 0.77%

LAB 85.48, -4.79, 22.01

 

CMYK 0 / 3 / 25 / 20

HEX #CCC599

RGB 204 197 153

HSL 51.76, 0.33%, 0.7%

LAB 79.08, -4.55, 23

 

CMYK 0 / 4 / 28 / 27

HEX #BBB386

RGB 187 179 134

HSL 50.94, 0.28%, 0.63%

LAB 72.58, -4.27, 24.05

 

CMYK 0 / 5 / 32 / 33

HEX #AAA173

RGB 170 161 115

HSL 50.18, 0.24%, 0.56%

LAB 65.96, -3.94, 25.18

 

CMYK 0 / 2 / 20 / 7

HEX #EEE9BF

RGB 238 233 191

HSL 53.62, 0.58%, 0.84%

LAB 91.78, -5.01, 21.06

 

CMYK 1 / 0 / 20 / 7

HEX #EBEDBE

RGB 235 237 190

HSL 62.55, 0.57%, 0.84%

LAB 92.55, -8.25, 22.61

 

CMYK 4 / 0 / 20 / 7

HEX #E3EDBE

RGB 227 237 190

HSL 72.77, 0.57%, 0.84%

LAB 91.96, -11.13, 21.7

 

CMYK 8 / 0 / 20 / 7

HEX #DBEDBE

RGB 219 237 190

HSL 82.98, 0.57%, 0.84%

LAB 91.39, -13.97, 20.82

 

CMYK 11 / 0 / 20 / 7

HEX #D3EDBE

RGB 211 237 190

HSL 93.19, 0.57%, 0.84%

LAB 90.84, -16.77, 19.97

 

CMYK 0 / 2 / 20 / 7

HEX #EEE9BF

RGB 238 233 191

HSL 53.62, 0.58%, 0.84%

LAB 91.78, -5.01, 21.06

 

CMYK 0 / 3 / 21 / 87

HEX #22211B

RGB 34 33 27

HSL 51.43, 0.11%, 0.12%

LAB 12.65, -0.9, 4.24

 

CMYK 0 / 2 / 20 / 67

HEX #555344

RGB 85 83 68

HSL 52.94, 0.11%, 0.3%

LAB 35.07, -2.1, 9.1

 

CMYK 0 / 2 / 20 / 47

HEX #88856D

RGB 136 133 109

HSL 53.33, 0.11%, 0.48%

LAB 55.19, -3.14, 13.37

 

CMYK 0 / 2 / 20 / 27

HEX #BBB796

RGB 187 183 150

HSL 53.51, 0.21%, 0.66%

LAB 73.95, -4.1, 17.32

 

CMYK 0 / 2 / 20 / 7

HEX #EEE9BF

RGB 238 233 191

HSL 53.62, 0.58%, 0.84%

LAB 91.78, -5.01, 21.06

 

CMYK 20 / 0 / 18 / 7

HEX #BEEDC2

RGB 190 237 194

HSL 125.11, 0.57%, 0.84%

LAB 89.58, -23.21, 15.95

 

CMYK 10 / 20 / 0 / 7

HEX #D5BEED

RGB 213 190 237

HSL 269.36, 0.57%, 0.84%

LAB 80.23, 16.84, -20.33

 

CMYK 0 / 2 / 20 / 7

HEX #EEE9BF

RGB 238 233 191

HSL 53.62, 0.58%, 0.84%

LAB 91.78, -5.01, 21.06

 

CMYK 20 / 0 / 2 / 7

HEX #BEEDE8

RGB 190 237 232

HSL 173.62, 0.57%, 0.84%

LAB 90.48, -16.01, -2.56

 

CMYK 2 / 20 / 0 / 7

HEX #E8BEED

RGB 232 190 237

HSL 293.62, 0.57%, 0.84%

LAB 81.89, 23, -17.65

 

CMYK 0 / 2 / 20 / 7

HEX #EEE9BF

RGB 238 233 191

HSL 53.62, 0.58%, 0.84%

LAB 91.78, -5.01, 21.06

 

CMYK 20 / 0 / 18 / 7

HEX #BEEDC2

RGB 190 237 194

HSL 125.11, 0.57%, 0.84%

LAB 89.58, -23.21, 15.95

 

CMYK 20 / 17 / 0 / 7

HEX #BEC4ED

RGB 190 196 237

HSL 232.34, 0.57%, 0.84%

LAB 79.92, 6.36, -20.96

 

CMYK 0 / 20 / 2 / 7

HEX #EDBEE9

RGB 237 190 233

HSL 305.11, 0.57%, 0.84%

LAB 82.23, 23.91, -14.96

 

CMYK 0 / 2 / 20 / 7

HEX #EEE9BF

RGB 238 233 191

HSL 53.62, 0.58%, 0.84%

LAB 91.78, -5.01, 21.06

 

CMYK 20 / 0 / 12 / 7

HEX #BEEDD0

RGB 190 237 208

HSL 142.98, 0.57%, 0.84%

LAB 89.89, -20.7, 9.11

 

CMYK 20 / 17 / 0 / 7

HEX #BEC4ED

RGB 190 196 237

HSL 232.34, 0.57%, 0.84%

LAB 79.92, 6.36, -20.96

 

CMYK 0 / 20 / 8 / 7

HEX #EDBEDB

RGB 237 190 219

HSL 322.98, 0.57%, 0.84%

LAB 81.81, 21.45, -8.08

 

Description

Color code: HEX #EEE9BF | qconv.com Color code: HEX #EEE9BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as LemonChiffon2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 233 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 233 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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