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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE87B it is the complementary color #111784. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE87B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE87B shade: #F3E876, #FFFA89, #FFFF9C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE87B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE87B shade: #EEE87B, #DDD668, #CCC455, #BBB242 and #AAA02F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE87B shade: #EDE87C, #EDC97C, #EDAA7C, #ED8B7C and #ED7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE87B shade: #EDE87C, #D5ED7C, #B6ED7C, #97ED7C and #7CED7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE87B shade matches the following richer shades: #EDE87C and #F9F270

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE87B shade: #EDE87C, #E2DD88, #D6D294, #CAC7A0 and #BEBDAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE87B shade: #EDA97C, #EDC87C, #EDE67C, #D7ED7C and #B8ED7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE87B shade: #E4DB33, #E9E157, #EDE87C, #F2EEA0 and #F7F4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE87B shade: #EEE87B, #7CED8B and #B87CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE87B shade: #EEE87B, #7CEDE6 and #E67CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE87B shade: #EEE87B, #7CED8B, #7C83ED and #ED7CDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE87B shade: #EEE87B, #7CEDAD, #7C83ED and #ED7CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 48 / 7

HEX #EEE87B

RGB 238 232 123

HSL 56.87, 0.77%, 0.71%

LAB 90.47, -12.4, 53.29

 

Complementary color

CMYK 87 / 83 / 0 / 48

HEX #111784

RGB 17 23 132

HSL 236.87, 0.77%, 0.29%

LAB 17.45, 39.37, -59.77

 

CMYK 0 / 5 / 51 / 5

HEX #F3E876

RGB 243 232 118

HSL 54.72, 0.84%, 0.71%

LAB 90.81, -10.84, 56.13

 

CMYK 0 / 2 / 46 / 0

HEX #FFFA89

RGB 255 250 137

HSL 57.46, 1%, 0.77%

LAB 96.59, -13.33, 54.43

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 3 / 48 / 7

HEX #EEE87B

RGB 238 232 123

HSL 56.87, 0.77%, 0.71%

LAB 90.47, -12.4, 53.29

 

CMYK 0 / 3 / 53 / 13

HEX #DDD668

RGB 221 214 104

HSL 56.41, 0.63%, 0.64%

LAB 84.21, -11.85, 54.41

 

CMYK 0 / 4 / 58 / 20

HEX #CCC455

RGB 204 196 85

HSL 55.97, 0.54%, 0.57%

LAB 77.86, -11.2, 55.46

 

CMYK 0 / 5 / 65 / 27

HEX #BBB242

RGB 187 178 66

HSL 55.54, 0.48%, 0.5%

LAB 71.42, -10.42, 56.34

 

CMYK 0 / 6 / 72 / 33

HEX #AAA02F

RGB 170 160 47

HSL 55.12, 0.57%, 0.43%

LAB 64.88, -9.46, 56.85

 

CMYK 0 / 2 / 48 / 7

HEX #EDE87C

RGB 237 232 124

HSL 57.35, 0.76%, 0.71%

LAB 90.4, -12.71, 52.72

 

CMYK 0 / 15 / 48 / 7

HEX #EDC97C

RGB 237 201 124

HSL 40.88, 0.76%, 0.71%

LAB 82.5, 3.02, 43.02

 

CMYK 0 / 28 / 48 / 7

HEX #EDAA7C

RGB 237 170 124

HSL 24.42, 0.76%, 0.71%

LAB 74.96, 19.33, 33.41

 

CMYK 0 / 41 / 48 / 7

HEX #ED8B7C

RGB 237 139 124

HSL 7.96, 0.76%, 0.71%

LAB 67.97, 35.69, 24.17

 

CMYK 0 / 48 / 48 / 7

HEX #ED7C7C

RGB 237 124 124

HSL 0, 0.76%, 0.71%

LAB 64.86, 43.36, 19.97

 

CMYK 0 / 2 / 48 / 7

HEX #EDE87C

RGB 237 232 124

HSL 57.35, 0.76%, 0.71%

LAB 90.4, -12.71, 52.72

 

CMYK 10 / 0 / 48 / 7

HEX #D5ED7C

RGB 213 237 124

HSL 72.74, 0.76%, 0.71%

LAB 89.94, -24.49, 51.74

 

CMYK 23 / 0 / 48 / 7

HEX #B6ED7C

RGB 182 237 124

HSL 89.2, 0.76%, 0.71%

LAB 87.95, -35.98, 48.86

 

CMYK 36 / 0 / 48 / 7

HEX #97ED7C

RGB 151 237 124

HSL 105.66, 0.76%, 0.71%

LAB 86.31, -46.48, 46.47

 

CMYK 48 / 0 / 46 / 7

HEX #7CED7F

RGB 124 237 127

HSL 121.59, 0.76%, 0.71%

LAB 85.19, -54.05, 43.39

 

CMYK 0 / 2 / 48 / 7

HEX #EDE87C

RGB 237 232 124

HSL 57.35, 0.76%, 0.71%

LAB 90.4, -12.71, 52.72

 

CMYK 0 / 3 / 55 / 2

HEX #F9F270

RGB 249 242 112

HSL 56.93, 0.92%, 0.71%

LAB 93.8, -13.84, 62.42

 

CMYK 0 / 2 / 48 / 7

HEX #EDE87C

RGB 237 232 124

HSL 57.35, 0.76%, 0.71%

LAB 90.4, -12.71, 52.72

 

CMYK 0 / 2 / 40 / 11

HEX #E2DD88

RGB 226 221 136

HSL 56.67, 0.61%, 0.71%

LAB 86.83, -10.38, 42.29

 

CMYK 0 / 2 / 31 / 16

HEX #D6D294

RGB 214 210 148

HSL 56.36, 0.45%, 0.71%

LAB 83.19, -8.08, 31.3

 

CMYK 0 / 1 / 21 / 21

HEX #CAC7A0

RGB 202 199 160

HSL 55.71, 0.28%, 0.71%

LAB 79.58, -5.35, 19.95

 

CMYK 0 / 1 / 10 / 25

HEX #BEBDAB

RGB 190 189 171

HSL 56.84, 0.13%, 0.71%

LAB 76.24, -2.82, 9.22

 

CMYK 0 / 29 / 48 / 7

HEX #EDA97C

RGB 237 169 124

HSL 23.89, 0.76%, 0.71%

LAB 74.72, 19.86, 33.1

 

CMYK 0 / 16 / 48 / 7

HEX #EDC87C

RGB 237 200 124

HSL 40.35, 0.76%, 0.71%

LAB 82.25, 3.54, 42.71

 

CMYK 0 / 3 / 48 / 7

HEX #EDE67C

RGB 237 230 124

HSL 56.28, 0.76%, 0.71%

LAB 89.88, -11.72, 52.09

 

CMYK 9 / 0 / 48 / 7

HEX #D7ED7C

RGB 215 237 124

HSL 71.68, 0.76%, 0.71%

LAB 90.08, -23.72, 51.94

 

CMYK 22 / 0 / 48 / 7

HEX #B8ED7C

RGB 184 237 124

HSL 88.14, 0.76%, 0.71%

LAB 88.07, -35.26, 49.04

 

CMYK 0 / 4 / 78 / 11

HEX #E4DB33

RGB 228 219 51

HSL 56.95, 0.77%, 0.55%

LAB 85.7, -14.46, 76.65

 

CMYK 0 / 3 / 63 / 9

HEX #E9E157

RGB 233 225 87

HSL 56.71, 0.77%, 0.63%

LAB 87.9, -13.64, 66.2

 

CMYK 0 / 2 / 48 / 7

HEX #EDE87C

RGB 237 232 124

HSL 57.35, 0.76%, 0.71%

LAB 90.4, -12.71, 52.72

 

CMYK 0 / 2 / 34 / 5

HEX #F2EEA0

RGB 242 238 160

HSL 57.07, 0.76%, 0.79%

LAB 92.82, -10.05, 38.3

 

CMYK 0 / 1 / 20 / 3

HEX #F7F4C5

RGB 247 244 197

HSL 56.4, 0.76%, 0.87%

LAB 95.37, -6.43, 23.06

 

CMYK 0 / 3 / 48 / 7

HEX #EEE87B

RGB 238 232 123

HSL 56.87, 0.77%, 0.71%

LAB 90.47, -12.4, 53.29

 

CMYK 48 / 0 / 41 / 7

HEX #7CED8B

RGB 124 237 139

HSL 127.96, 0.76%, 0.71%

LAB 85.36, -52.3, 37.73

 

CMYK 22 / 48 / 0 / 7

HEX #B87CED

RGB 184 124 237

HSL 271.86, 0.76%, 0.71%

LAB 62.27, 44.25, -48.35

 

CMYK 0 / 3 / 48 / 7

HEX #EEE87B

RGB 238 232 123

HSL 56.87, 0.77%, 0.71%

LAB 90.47, -12.4, 53.29

 

CMYK 48 / 0 / 3 / 7

HEX #7CEDE6

RGB 124 237 230

HSL 176.28, 0.76%, 0.71%

LAB 87.27, -33.92, -6.6

 

CMYK 3 / 48 / 0 / 7

HEX #E67CED

RGB 230 124 237

HSL 296.28, 0.76%, 0.71%

LAB 67.54, 56.89, -39.7

 

CMYK 0 / 3 / 48 / 7

HEX #EEE87B

RGB 238 232 123

HSL 56.87, 0.77%, 0.71%

LAB 90.47, -12.4, 53.29

 

CMYK 48 / 0 / 41 / 7

HEX #7CED8B

RGB 124 237 139

HSL 127.96, 0.76%, 0.71%

LAB 85.36, -52.3, 37.73

 

CMYK 48 / 45 / 0 / 7

HEX #7C83ED

RGB 124 131 237

HSL 236.28, 0.76%, 0.71%

LAB 58.63, 25.11, -54.45

 

CMYK 0 / 48 / 6 / 7

HEX #ED7CDE

RGB 237 124 222

HSL 307.96, 0.76%, 0.71%

LAB 67.79, 56.27, -30.95

 

CMYK 0 / 3 / 48 / 7

HEX #EEE87B

RGB 238 232 123

HSL 56.87, 0.77%, 0.71%

LAB 90.47, -12.4, 53.29

 

CMYK 48 / 0 / 27 / 7

HEX #7CEDAD

RGB 124 237 173

HSL 146.02, 0.76%, 0.71%

LAB 85.94, -46.44, 21.25

 

CMYK 48 / 45 / 0 / 7

HEX #7C83ED

RGB 124 131 237

HSL 236.28, 0.76%, 0.71%

LAB 58.63, 25.11, -54.45

 

CMYK 0 / 48 / 21 / 7

HEX #ED7CBC

RGB 237 124 188

HSL 326.02, 0.76%, 0.71%

LAB 66.56, 51, -13.82

 

Description

Color code: HEX #EEE87B | qconv.com Color code: HEX #EEE87B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 232 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 232 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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