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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE478 it is the complementary color #111B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE478 shade: #F3E473, #FFF686, #FFFF99, #FFFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE478 shade: #EEE478, #DDD265, #CCC052, #BBAE3F and #AA9C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE478 shade: #EEE477, #EEC477, #EEA477, #EE8477 and #EE7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE478 shade: #EEE477, #D8EE77, #B8EE77, #98EE77 and #78EE77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE478 shade matches the following richer shades: #EEE477 and #FBEE6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE478 shade: #EEE477, #E2DA83, #D5D090, #C9C59C and #BDBBA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE478 shade: #EEA377, #EEC277, #EEE277, #DAEE77 and #BAEE77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE478 shade: #E5D62D, #EADD52, #EEE477, #F3EB9C and #F7F3C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE478 shade: #EEE478, #77EE83 and #B377EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE478 shade: #EEE478, #77EEE2 and #E277EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE478 shade: #EEE478, #77EE83, #7783EE and #EE77E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE478 shade: #EEE478, #77EEA7, #7783EE and #EE77BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 50 / 7

HEX #EEE478

RGB 238 228 120

HSL 54.92, 0.78%, 0.7%

LAB 89.4, -10.68, 53.42

 

Complementary color

CMYK 87 / 80 / 0 / 47

HEX #111B87

RGB 17 27 135

HSL 234.92, 0.78%, 0.3%

LAB 18.59, 38.19, -59.76

 

CMYK 0 / 6 / 53 / 5

HEX #F3E473

RGB 243 228 115

HSL 52.97, 0.84%, 0.7%

LAB 89.76, -9.1, 56.27

 

CMYK 0 / 4 / 47 / 0

HEX #FFF686

RGB 255 246 134

HSL 55.54, 1%, 0.76%

LAB 95.54, -11.64, 54.55

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 4 / 50 / 7

HEX #EEE478

RGB 238 228 120

HSL 54.92, 0.78%, 0.7%

LAB 89.4, -10.68, 53.42

 

CMYK 0 / 5 / 54 / 13

HEX #DDD265

RGB 221 210 101

HSL 54.5, 0.64%, 0.63%

LAB 83.13, -10.08, 54.54

 

CMYK 0 / 6 / 60 / 20

HEX #CCC052

RGB 204 192 82

HSL 54.1, 0.54%, 0.56%

LAB 76.77, -9.37, 55.59

 

CMYK 0 / 7 / 66 / 27

HEX #BBAE3F

RGB 187 174 63

HSL 53.71, 0.5%, 0.49%

LAB 70.31, -8.52, 56.44

 

CMYK 0 / 8 / 74 / 33

HEX #AA9C2C

RGB 170 156 44

HSL 53.33, 0.59%, 0.42%

LAB 63.76, -7.48, 56.89

 

CMYK 0 / 4 / 50 / 7

HEX #EEE477

RGB 238 228 119

HSL 54.96, 0.78%, 0.7%

LAB 89.39, -10.76, 53.87

 

CMYK 0 / 18 / 50 / 7

HEX #EEC477

RGB 238 196 119

HSL 38.82, 0.78%, 0.7%

LAB 81.29, 5.57, 44.03

 

CMYK 0 / 31 / 50 / 7

HEX #EEA477

RGB 238 164 119

HSL 22.69, 0.78%, 0.7%

LAB 73.58, 22.45, 34.3

 

CMYK 0 / 45 / 50 / 7

HEX #EE8477

RGB 238 132 119

HSL 6.55, 0.78%, 0.7%

LAB 66.53, 39.21, 25.05

 

CMYK 0 / 50 / 50 / 7

HEX #EE7777

RGB 238 119 119

HSL 0, 0.78%, 0.7%

LAB 63.92, 45.76, 21.54

 

CMYK 0 / 4 / 50 / 7

HEX #EEE477

RGB 238 228 119

HSL 54.96, 0.78%, 0.7%

LAB 89.39, -10.76, 53.87

 

CMYK 9 / 0 / 50 / 7

HEX #D8EE77

RGB 216 238 119

HSL 71.09, 0.78%, 0.7%

LAB 90.36, -24.29, 54.62

 

CMYK 23 / 0 / 50 / 7

HEX #B8EE77

RGB 184 238 119

HSL 87.23, 0.78%, 0.7%

LAB 88.29, -36.25, 51.65

 

CMYK 36 / 0 / 50 / 7

HEX #98EE77

RGB 152 238 119

HSL 103.36, 0.78%, 0.7%

LAB 86.58, -47.19, 49.18

 

CMYK 50 / 0 / 50 / 7

HEX #78EE77

RGB 120 238 119

HSL 119.5, 0.78%, 0.7%

LAB 85.24, -56.59, 47.23

 

CMYK 0 / 4 / 50 / 7

HEX #EEE477

RGB 238 228 119

HSL 54.96, 0.78%, 0.7%

LAB 89.39, -10.76, 53.87

 

CMYK 0 / 5 / 58 / 2

HEX #FBEE6A

RGB 251 238 106

HSL 54.62, 0.95%, 0.7%

LAB 92.88, -11.51, 64.04

 

CMYK 0 / 4 / 50 / 7

HEX #EEE477

RGB 238 228 119

HSL 54.96, 0.78%, 0.7%

LAB 89.39, -10.76, 53.87

 

CMYK 0 / 4 / 42 / 11

HEX #E2DA83

RGB 226 218 131

HSL 54.95, 0.62%, 0.7%

LAB 85.98, -9.39, 43.7

 

CMYK 0 / 2 / 32 / 16

HEX #D5D090

RGB 213 208 144

HSL 55.65, 0.45%, 0.7%

LAB 82.52, -7.94, 32.46

 

CMYK 0 / 2 / 22 / 21

HEX #C9C59C

RGB 201 197 156

HSL 54.67, 0.29%, 0.7%

LAB 78.9, -5.27, 21.12

 

CMYK 0 / 1 / 11 / 26

HEX #BDBBA8

RGB 189 187 168

HSL 54.29, 0.14%, 0.7%

LAB 75.57, -2.62, 9.87

 

CMYK 0 / 32 / 50 / 7

HEX #EEA377

RGB 238 163 119

HSL 22.18, 0.78%, 0.7%

LAB 73.35, 22.98, 34

 

CMYK 0 / 18 / 50 / 7

HEX #EEC277

RGB 238 194 119

HSL 37.82, 0.78%, 0.7%

LAB 80.79, 6.61, 43.42

 

CMYK 0 / 5 / 50 / 7

HEX #EEE277

RGB 238 226 119

HSL 53.95, 0.78%, 0.7%

LAB 88.88, -9.77, 53.26

 

CMYK 8 / 0 / 50 / 7

HEX #DAEE77

RGB 218 238 119

HSL 70.08, 0.78%, 0.7%

LAB 90.5, -23.52, 54.82

 

CMYK 22 / 0 / 50 / 7

HEX #BAEE77

RGB 186 238 119

HSL 86.22, 0.78%, 0.7%

LAB 88.41, -35.53, 51.82

 

CMYK 0 / 7 / 80 / 10

HEX #E5D62D

RGB 229 214 45

HSL 55.11, 0.78%, 0.54%

LAB 84.45, -11.75, 77.25

 

CMYK 0 / 6 / 65 / 8

HEX #EADD52

RGB 234 221 82

HSL 54.87, 0.78%, 0.62%

LAB 86.91, -11.54, 67.2

 

CMYK 0 / 4 / 50 / 7

HEX #EEE477

RGB 238 228 119

HSL 54.96, 0.78%, 0.7%

LAB 89.39, -10.76, 53.87

 

CMYK 0 / 3 / 36 / 5

HEX #F3EB9C

RGB 243 235 156

HSL 54.48, 0.78%, 0.78%

LAB 92.07, -8.63, 39.34

 

CMYK 0 / 2 / 22 / 3

HEX #F7F3C0

RGB 247 243 192

HSL 55.64, 0.77%, 0.86%

LAB 95.03, -6.63, 25.14

 

CMYK 0 / 4 / 50 / 7

HEX #EEE478

RGB 238 228 120

HSL 54.92, 0.78%, 0.7%

LAB 89.4, -10.68, 53.42

 

CMYK 50 / 0 / 45 / 7

HEX #77EE83

RGB 119 238 131

HSL 126.05, 0.78%, 0.7%

LAB 85.36, -55.2, 41.61

 

CMYK 25 / 50 / 0 / 7

HEX #B377EE

RGB 179 119 238

HSL 270.25, 0.78%, 0.7%

LAB 60.74, 45.85, -51.37

 

CMYK 0 / 4 / 50 / 7

HEX #EEE478

RGB 238 228 120

HSL 54.92, 0.78%, 0.7%

LAB 89.4, -10.68, 53.42

 

CMYK 50 / 0 / 5 / 7

HEX #77EEE2

RGB 119 238 226

HSL 173.95, 0.78%, 0.7%

LAB 87.27, -36.43, -4.52

 

CMYK 5 / 50 / 0 / 7

HEX #E277EE

RGB 226 119 238

HSL 293.95, 0.78%, 0.7%

LAB 66.16, 58.41, -42.45

 

CMYK 0 / 4 / 50 / 7

HEX #EEE478

RGB 238 228 120

HSL 54.92, 0.78%, 0.7%

LAB 89.4, -10.68, 53.42

 

CMYK 50 / 0 / 45 / 7

HEX #77EE83

RGB 119 238 131

HSL 126.05, 0.78%, 0.7%

LAB 85.36, -55.2, 41.61

 

CMYK 50 / 45 / 0 / 7

HEX #7783EE

RGB 119 131 238

HSL 233.95, 0.78%, 0.7%

LAB 58.35, 24.29, -55.48

 

CMYK 0 / 50 / 5 / 7

HEX #EE77E2

RGB 238 119 226

HSL 306.05, 0.78%, 0.7%

LAB 67.17, 59.62, -34.12

 

CMYK 0 / 4 / 50 / 7

HEX #EEE478

RGB 238 228 120

HSL 54.92, 0.78%, 0.7%

LAB 89.4, -10.68, 53.42

 

CMYK 50 / 0 / 30 / 7

HEX #77EEA7

RGB 119 238 167

HSL 144.2, 0.78%, 0.7%

LAB 85.94, -49.23, 24.31

 

CMYK 50 / 45 / 0 / 7

HEX #7783EE

RGB 119 131 238

HSL 233.95, 0.78%, 0.7%

LAB 58.35, 24.29, -55.48

 

CMYK 0 / 50 / 20 / 7

HEX #EE77BE

RGB 238 119 190

HSL 324.2, 0.78%, 0.7%

LAB 65.82, 54.04, -16.06

 

Description

Color code: HEX #EEE478 | qconv.com Color code: HEX #EEE478 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 228 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 228 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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