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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE457 it is the complementary color #111BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE457 shade: #F3E452, #FFF665, #FFFF78, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE457 shade: #EEE457, #DDD244, #CCC031, #BBAE1E and #AA9C0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE457 shade: #EEE558, #EEBC58, #EE9358, #EE6B58 and #EE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE457 shade: #EEE558, #D0EE58, #A7EE58, #7FEE58 and #58EE5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE457 shade matches the following richer shades: #EEE558 and #FDF149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE457 shade: #EEE558, #E0D867, #D1CB76, #C2BE84 and #B3B193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE457 shade: #EE9458, #EEBC58, #EEE458, #D0EE58 and #A8EE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE457 shade: #DED116, #EBDF32, #EEE558, #F2EA7D and #F6F0A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE457 shade: #EEE457, #58EE6C and #A858EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE457 shade: #EEE457, #58EEE4 and #E458EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE457 shade: #EEE457, #58EE6C, #5862EE and #EE58DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE457 shade: #EEE457, #58EE99, #5862EE and #EE58AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 63 / 7

HEX #EEE457

RGB 238 228 87

HSL 56.03, 0.82%, 0.64%

LAB 89.09, -13.08, 67.58

 

Complementary color

CMYK 90 / 84 / 0 / 34

HEX #111BA8

RGB 17 27 168

HSL 236.03, 0.82%, 0.36%

LAB 22.76, 49.2, -73.19

 

CMYK 0 / 6 / 66 / 5

HEX #F3E452

RGB 243 228 82

HSL 54.41, 0.87%, 0.64%

LAB 89.46, -11.31, 70.08

 

CMYK 0 / 4 / 60 / 0

HEX #FFF665

RGB 255 246 101

HSL 56.49, 1%, 0.7%

LAB 95.21, -14.16, 68.81

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 4 / 63 / 7

HEX #EEE457

RGB 238 228 87

HSL 56.03, 0.82%, 0.64%

LAB 89.09, -13.08, 67.58

 

CMYK 0 / 5 / 69 / 13

HEX #DDD244

RGB 221 210 68

HSL 55.69, 0.69%, 0.57%

LAB 82.85, -12.2, 68.13

 

CMYK 0 / 6 / 76 / 20

HEX #CCC031

RGB 204 192 49

HSL 55.35, 0.61%, 0.5%

LAB 76.53, -11.16, 68.21

 

CMYK 0 / 7 / 84 / 27

HEX #BBAE1E

RGB 187 174 30

HSL 55.03, 0.72%, 0.43%

LAB 70.13, -9.93, 67.48

 

CMYK 0 / 8 / 94 / 33

HEX #AA9C0B

RGB 170 156 11

HSL 54.72, 0.88%, 0.35%

LAB 63.63, -8.46, 65.4

 

CMYK 0 / 4 / 63 / 7

HEX #EEE558

RGB 238 229 88

HSL 56.4, 0.82%, 0.64%

LAB 89.36, -13.51, 67.46

 

CMYK 0 / 21 / 63 / 7

HEX #EEBC58

RGB 238 188 88

HSL 40, 0.82%, 0.64%

LAB 78.95, 7.38, 56.19

 

CMYK 0 / 38 / 63 / 7

HEX #EE9358

RGB 238 147 88

HSL 23.6, 0.82%, 0.64%

LAB 69.29, 29.03, 45.15

 

CMYK 0 / 55 / 63 / 7

HEX #EE6B58

RGB 238 107 88

HSL 7.6, 0.82%, 0.64%

LAB 61.13, 49.22, 35.32

 

CMYK 0 / 63 / 63 / 7

HEX #EE5858

RGB 238 88 88

HSL 0, 0.82%, 0.64%

LAB 57.91, 57.73, 31.3

 

CMYK 0 / 4 / 63 / 7

HEX #EEE558

RGB 238 229 88

HSL 56.4, 0.82%, 0.64%

LAB 89.36, -13.51, 67.46

 

CMYK 13 / 0 / 63 / 7

HEX #D0EE58

RGB 208 238 88

HSL 72, 0.82%, 0.64%

LAB 89.52, -29.87, 66.95

 

CMYK 30 / 0 / 63 / 7

HEX #A7EE58

RGB 167 238 88

HSL 88.4, 0.82%, 0.64%

LAB 87.03, -45.17, 63.55

 

CMYK 47 / 0 / 63 / 7

HEX #7FEE58

RGB 127 238 88

HSL 104.4, 0.82%, 0.64%

LAB 85.18, -58.07, 61

 

CMYK 63 / 0 / 62 / 7

HEX #58EE5A

RGB 88 238 90

HSL 120.8, 0.82%, 0.64%

LAB 83.95, -67.56, 58.45

 

CMYK 0 / 4 / 63 / 7

HEX #EEE558

RGB 238 229 88

HSL 56.4, 0.82%, 0.64%

LAB 89.36, -13.51, 67.46

 

CMYK 0 / 5 / 71 / 1

HEX #FDF149

RGB 253 241 73

HSL 56, 0.98%, 0.64%

LAB 93.57, -14.04, 77.72

 

CMYK 0 / 4 / 63 / 7

HEX #EEE558

RGB 238 229 88

HSL 56.4, 0.82%, 0.64%

LAB 89.36, -13.51, 67.46

 

CMYK 0 / 4 / 54 / 12

HEX #E0D867

RGB 224 216 103

HSL 56.03, 0.66%, 0.64%

LAB 84.96, -11.72, 55.81

 

CMYK 0 / 3 / 44 / 18

HEX #D1CB76

RGB 209 203 118

HSL 56.04, 0.5%, 0.64%

LAB 80.5, -9.87, 42.99

 

CMYK 0 / 2 / 32 / 24

HEX #C2BE84

RGB 194 190 132

HSL 56.13, 0.34%, 0.64%

LAB 76.05, -7.55, 29.86

 

CMYK 0 / 1 / 18 / 30

HEX #B3B193

RGB 179 177 147

HSL 56.25, 0.17%, 0.64%

LAB 71.65, -4.41, 15.64

 

CMYK 0 / 38 / 63 / 7

HEX #EE9458

RGB 238 148 88

HSL 24, 0.82%, 0.64%

LAB 69.51, 28.5, 45.41

 

CMYK 0 / 21 / 63 / 7

HEX #EEBC58

RGB 238 188 88

HSL 40, 0.82%, 0.64%

LAB 78.95, 7.38, 56.19

 

CMYK 0 / 4 / 63 / 7

HEX #EEE458

RGB 238 228 88

HSL 56, 0.82%, 0.64%

LAB 89.1, -13.02, 67.18

 

CMYK 13 / 0 / 63 / 7

HEX #D0EE58

RGB 208 238 88

HSL 72, 0.82%, 0.64%

LAB 89.52, -29.87, 66.95

 

CMYK 29 / 0 / 63 / 7

HEX #A8EE58

RGB 168 238 88

HSL 88, 0.82%, 0.64%

LAB 87.08, -44.82, 63.62

 

CMYK 0 / 6 / 90 / 13

HEX #DED116

RGB 222 209 22

HSL 56.1, 0.82%, 0.48%

LAB 82.48, -12.76, 80.25

 

CMYK 0 / 5 / 79 / 8

HEX #EBDF32

RGB 235 223 50

HSL 56.11, 0.82%, 0.56%

LAB 87.32, -13.54, 78.58

 

CMYK 0 / 4 / 63 / 7

HEX #EEE558

RGB 238 229 88

HSL 56.4, 0.82%, 0.64%

LAB 89.36, -13.51, 67.46

 

CMYK 0 / 3 / 48 / 5

HEX #F2EA7D

RGB 242 234 125

HSL 55.9, 0.82%, 0.72%

LAB 91.33, -11.63, 53.45

 

CMYK 0 / 2 / 34 / 4

HEX #F6F0A3

RGB 246 240 163

HSL 55.66, 0.82%, 0.8%

LAB 93.69, -9.18, 38

 

CMYK 0 / 4 / 63 / 7

HEX #EEE457

RGB 238 228 87

HSL 56.03, 0.82%, 0.64%

LAB 89.09, -13.08, 67.58

 

CMYK 63 / 0 / 55 / 7

HEX #58EE6C

RGB 88 238 108

HSL 128, 0.82%, 0.64%

LAB 84.13, -65.49, 50.76

 

CMYK 29 / 63 / 0 / 7

HEX #A858EE

RGB 168 88 238

HSL 272, 0.82%, 0.64%

LAB 53.47, 59.19, -63.06

 

CMYK 0 / 4 / 63 / 7

HEX #EEE457

RGB 238 228 87

HSL 56.03, 0.82%, 0.64%

LAB 89.09, -13.08, 67.58

 

CMYK 63 / 0 / 4 / 7

HEX #58EEE4

RGB 88 238 228

HSL 176, 0.82%, 0.64%

LAB 86.42, -41.62, -6.94

 

CMYK 4 / 63 / 0 / 7

HEX #E458EE

RGB 228 88 238

HSL 296, 0.82%, 0.64%

LAB 61.35, 72.68, -50.02

 

CMYK 0 / 4 / 63 / 7

HEX #EEE457

RGB 238 228 87

HSL 56.03, 0.82%, 0.64%

LAB 89.09, -13.08, 67.58

 

CMYK 63 / 0 / 55 / 7

HEX #58EE6C

RGB 88 238 108

HSL 128, 0.82%, 0.64%

LAB 84.13, -65.49, 50.76

 

CMYK 63 / 59 / 0 / 7

HEX #5862EE

RGB 88 98 238

HSL 236, 0.82%, 0.64%

LAB 48.24, 38.37, -71.88

 

CMYK 0 / 63 / 8 / 7

HEX #EE58DA

RGB 238 88 218

HSL 308, 0.82%, 0.64%

LAB 61.84, 71.84, -37.95

 

CMYK 0 / 4 / 63 / 7

HEX #EEE457

RGB 238 228 87

HSL 56.03, 0.82%, 0.64%

LAB 89.09, -13.08, 67.58

 

CMYK 63 / 0 / 36 / 7

HEX #58EE99

RGB 88 238 153

HSL 146, 0.82%, 0.64%

LAB 84.75, -58.5, 29.69

 

CMYK 63 / 59 / 0 / 7

HEX #5862EE

RGB 88 98 238

HSL 236, 0.82%, 0.64%

LAB 48.24, 38.37, -71.88

 

CMYK 0 / 63 / 27 / 7

HEX #EE58AD

RGB 238 88 173

HSL 326, 0.82%, 0.64%

LAB 60.05, 65.61, -15.09

 

Description

Color code: HEX #EEE457 | qconv.com Color code: HEX #EEE457 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 228 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 228 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 63 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 63% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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