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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE4253F it is the complementary color #111BDA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE4253F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE4253F shade: #F3E4203F, #FFF6333F, #FFFF463F, #FFFF593F and #FFFF6C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE4253F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE4253F shade: #EEE4253F, #DDD2123F, #CCC0003F, #BBAE003F and #AA9C003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE4253F shade: #EFE525, #EFAE25, #EF7825, #EF4125 and #EF2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE4253F shade: #EFE525, #C2EF25, #8CEF25, #55EF25 and #25EF2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE4253F shade matches the following richer shades: #EFE525

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE4253F shade: #EFE525, #DCD338, #C9C24B, #B6B15E and #A3A071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE4253F shade: #EF7925, #EFAF25, #EFE425, #C3EF25 and #8DEF25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE4253F shade: #B3AB0E, #DAD010, #EFE525, #F1E94B and #F4EE72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE4253F shade: #EEE425, #25EF43 and #9425EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE4253F shade: #EEE425, #25EFE4 and #E425EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE4253F shade: #EEE425, #25EF43, #252FEF and #EF25D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE4253F shade: #EEE425, #25EF80, #252FEF and #EF2594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 21 / 2

HEX #EEE4253F

RGBA 238 228 37 0.25

HSLA 57.01, 0.86%, 0.54%, 0.25

LABA 88.83, -15.11, 83.13, 0.25

 

Complementary color

CMYK 23 / 22 / 0 / 4

HEX #111BDA3F

RGBA 17 27 218 0.25

HSLA 237.01, 0.86%, 0.46%, 0.25

LABA 29.32, 64.08, -91.78, 0.25

 

CMYK 0 / 2 / 22 / 1

HEX #F3E4203F

RGBA 243 228 32 0.25

HSLA 55.73, 0.9%, 0.54%, 0.25

LABA 89.23, -13.12, 84.61, 0.25

 

CMYK 0 / 1 / 20 / 0

HEX #FFF6333F

RGBA 255 246 51 0.25

HSLA 57.35, 1%, 0.6%, 0.25

LABA 94.91, -16.46, 85.55, 0.25

 

CMYK 0 / 0 / 18 / 0

HEX #FFFF463F

RGBA 255 255 70 0.25

HSLA 60, 1%, 0.64%, 0.25

LABA 97.32, -20.11, 82.31, 0.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFF593F

RGBA 255 255 89 0.25

HSLA 60, 1%, 0.67%, 0.25

LABA 97.43, -19.21, 75.87, 0.25

 

CMYK 0 / 0 / 14 / 0

HEX #FFFF6C3F

RGBA 255 255 108 0.25

HSLA 60, 1%, 0.71%, 0.25

LABA 97.58, -18.05, 68.48, 0.25

 

CMYK 0 / 1 / 21 / 2

HEX #EEE4253F

RGBA 238 228 37 0.25

HSLA 57.01, 0.86%, 0.54%, 0.25

LABA 88.83, -15.11, 83.13, 0.25

 

CMYK 0 / 1 / 23 / 3

HEX #DDD2123F

RGBA 221 210 18 0.25

HSLA 56.75, 0.85%, 0.47%, 0.25

LABA 82.65, -13.74, 80.91, 0.25

 

CMYK 0 / 1 / 25 / 5

HEX #CCC0003F

RGBA 204 192 0 0.25

HSLA 56.47, 1%, 0.4%, 0.25

LABA 76.4, -12.21, 77.51, 0.25

 

CMYK 0 / 2 / 25 / 7

HEX #BBAE003F

RGBA 187 174 0 0.25

HSLA 55.83, 1%, 0.37%, 0.25

LABA 70.06, -10.44, 72.26, 0.25

 

CMYK 0 / 2 / 25 / 8

HEX #AA9C003F

RGBA 170 156 0 0.25

HSLA 55.06, 1%, 0.33%, 0.25

LABA 63.61, -8.61, 66.91, 0.25

 

CMYK 0 / 4 / 85 / 6

HEX #EFE525

RGB 239 229 37

HSL 57.03, 0.86%, 0.54%

LAB 89.17, -15.18, 83.44

 

CMYK 0 / 27 / 85 / 6

HEX #EFAE25

RGB 239 174 37

HSL 40.69, 0.86%, 0.54%

LAB 75.3, 12.94, 72.04

 

CMYK 0 / 50 / 85 / 6

HEX #EF7825

RGB 239 120 37

HSL 24.65, 0.86%, 0.54%

LAB 63.27, 41.08, 62.02

 

CMYK 0 / 73 / 85 / 6

HEX #EF4125

RGB 239 65 37

HSL 8.32, 0.86%, 0.54%

LAB 54.31, 64.72, 54.43

 

CMYK 0 / 85 / 85 / 6

HEX #EF2525

RGB 239 37 37

HSL 0, 0.86%, 0.54%

LAB 51.62, 72.28, 52.13

 

CMYK 0 / 4 / 85 / 6

HEX #EFE525

RGB 239 229 37

HSL 57.03, 0.86%, 0.54%

LAB 89.17, -15.18, 83.44

 

CMYK 19 / 0 / 85 / 6

HEX #C2EF25

RGB 194 239 37

HSL 73.37, 0.86%, 0.54%

LAB 88.61, -38.19, 81.65

 

CMYK 41 / 0 / 85 / 6

HEX #8CEF25

RGB 140 239 37

HSL 89.41, 0.86%, 0.54%

LAB 85.73, -57.59, 78.05

 

CMYK 64 / 0 / 85 / 6

HEX #55EF25

RGB 85 239 37

HSL 105.74, 0.86%, 0.54%

LAB 83.86, -72.23, 75.69

 

CMYK 85 / 0 / 82 / 6

HEX #25EF2B

RGB 37 239 43

HSL 121.78, 0.86%, 0.54%

LAB 83.07, -78.97, 73.3

 

CMYK 0 / 4 / 85 / 6

HEX #EFE525

RGB 239 229 37

HSL 57.03, 0.86%, 0.54%

LAB 89.17, -15.18, 83.44

 

CMYK 0 / 4 / 85 / 6

HEX #EFE525

RGB 239 229 37

HSL 57.03, 0.86%, 0.54%

LAB 89.17, -15.18, 83.44

 

CMYK 0 / 4 / 75 / 14

HEX #DCD338

RGB 220 211 56

HSL 56.71, 0.7%, 0.54%

LAB 82.96, -13.66, 72.38

 

CMYK 0 / 3 / 63 / 21

HEX #C9C24B

RGB 201 194 75

HSL 56.67, 0.54%, 0.54%

LAB 76.99, -12.12, 58.79

 

CMYK 0 / 3 / 48 / 29

HEX #B6B15E

RGB 182 177 94

HSL 56.59, 0.38%, 0.54%

LAB 71.01, -9.84, 42.78

 

CMYK 0 / 2 / 31 / 36

HEX #A3A071

RGB 163 160 113

HSL 56.4, 0.21%, 0.54%

LAB 65.06, -6.49, 24.95

 

CMYK 0 / 49 / 85 / 6

HEX #EF7925

RGB 239 121 37

HSL 24.95, 0.86%, 0.54%

LAB 63.47, 40.58, 62.19

 

CMYK 0 / 27 / 85 / 6

HEX #EFAF25

RGB 239 175 37

HSL 40.99, 0.86%, 0.54%

LAB 75.54, 12.42, 72.24

 

CMYK 0 / 5 / 85 / 6

HEX #EFE425

RGB 239 228 37

HSL 56.73, 0.86%, 0.54%

LAB 88.91, -14.69, 83.23

 

CMYK 18 / 0 / 85 / 6

HEX #C3EF25

RGB 195 239 37

HSL 73.07, 0.86%, 0.54%

LAB 88.67, -37.8, 81.73

 

CMYK 41 / 0 / 85 / 6

HEX #8DEF25

RGB 141 239 37

HSL 89.11, 0.86%, 0.54%

LAB 85.77, -57.27, 78.1

 

CMYK 0 / 4 / 92 / 30

HEX #B3AB0E

RGB 179 171 14

HSL 57.09, 0.85%, 0.38%

LAB 68.56, -12.25, 69.1

 

CMYK 0 / 5 / 93 / 15

HEX #DAD010

RGB 218 208 16

HSL 57.03, 0.86%, 0.46%

LAB 81.87, -14.05, 80.46

 

CMYK 0 / 4 / 85 / 6

HEX #EFE525

RGB 239 229 37

HSL 57.03, 0.86%, 0.54%

LAB 89.17, -15.18, 83.44

 

CMYK 0 / 3 / 69 / 5

HEX #F1E94B

RGB 241 233 75

HSL 57.11, 0.86%, 0.62%

LAB 90.55, -14.96, 73.73

HEX #F1E94B

CMYK 0 / 2 / 53 / 4

HEX #F4EE72

RGB 244 238 114

HSL 57.23, 0.86%, 0.7%

LAB 92.4, -13.72, 59.81

HEX #F4EE72

CMYK 0 / 4 / 84 / 7

HEX #EEE425

RGB 238 228 37

HSL 57.01, 0.86%, 0.54%

LAB 88.83, -15.11, 83.13

 

CMYK 85 / 0 / 72 / 6

HEX #25EF43

RGB 37 239 67

HSL 128.91, 0.86%, 0.54%

LAB 83.2, -77.42, 66.24

 

CMYK 38 / 85 / 0 / 6

HEX #9425EF

RGB 148 37 239

HSL 272.97, 0.86%, 0.54%

LAB 44.02, 75.78, -79.1

 

CMYK 0 / 4 / 84 / 7

HEX #EEE425

RGB 238 228 37

HSL 57.01, 0.86%, 0.54%

LAB 88.83, -15.11, 83.13

 

CMYK 85 / 0 / 5 / 6

HEX #25EFE4

RGB 37 239 228

HSL 176.73, 0.86%, 0.54%

LAB 85.87, -47.58, -7.84

 

CMYK 5 / 85 / 0 / 6

HEX #E425EF

RGB 228 37 239

HSL 296.73, 0.86%, 0.54%

LAB 56.14, 87.89, -58.88

 

CMYK 0 / 4 / 84 / 7

HEX #EEE425

RGB 238 228 37

HSL 57.01, 0.86%, 0.54%

LAB 88.83, -15.11, 83.13

 

CMYK 85 / 0 / 72 / 6

HEX #25EF43

RGB 37 239 67

HSL 128.91, 0.86%, 0.54%

LAB 83.2, -77.42, 66.24

 

CMYK 85 / 80 / 0 / 6

HEX #252FEF

RGB 37 47 239

HSL 237.03, 0.86%, 0.54%

LAB 35.32, 62.49, -93.79

 

CMYK 0 / 85 / 13 / 6

HEX #EF25D0

RGB 239 37 208

HSL 309.21, 0.86%, 0.54%

LAB 56.32, 85.48, -40.95

 

CMYK 0 / 4 / 84 / 7

HEX #EEE425

RGB 238 228 37

HSL 57.01, 0.86%, 0.54%

LAB 88.83, -15.11, 83.13

 

CMYK 85 / 0 / 46 / 6

HEX #25EF80

RGB 37 239 128

HSL 147.03, 0.86%, 0.54%

LAB 83.8, -70.01, 40.72

 

CMYK 85 / 80 / 0 / 6

HEX #252FEF

RGB 37 47 239

HSL 237.03, 0.86%, 0.54%

LAB 35.32, 62.49, -93.79

 

CMYK 0 / 85 / 38 / 6

HEX #EF2594

RGB 239 37 148

HSL 327.03, 0.86%, 0.54%

LAB 53.83, 78.66, -9.8

 

Description

Color code: HEX #EEE4253F | qconv.com Color code: HEX #EEE4253F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 228 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 228 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 21 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 21% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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