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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE314 it is the complementary color #111CEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE314. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE314 shade: #F3E30F, #FFF522, #FFFF35, #FFFF48 and #FFFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE314. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE314 shade: #EEE314, #DDD101, #CCBF00, #BBAD00 and #AA9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE314 shade: #EFE415, #EFA915, #EF6F15, #EF3415 and #EF1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE314 shade: #EFE415, #BFEF15, #84EF15, #4AEF15 and #15EF1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE314 shade matches the following richer shades: #EFE415

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE314 shade: #EFE415, #DBD22A, #C6BF3E, #B2AD52 and #9E9B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE314 shade: #EF6C15, #EFA615, #EFE015, #C3EF15 and #89EF15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE314 shade: #A69E0C, #CDC30E, #EFE415, #F1E83C and #F4ED62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE314 shade: #EEE314, #15EF32 and #8915EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE314 shade: #EEE314, #15EFE0 and #E015EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE314 shade: #EEE314, #15EF32, #1524EF and #EF15D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE314 shade: #EEE314, #15EF74, #1524EF and #EF1591

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 92 / 7

HEX #EEE314

RGB 238 227 20

HSL 56.97, 0.87%, 0.51%

LAB 88.53, -14.93, 85.76

 

Complementary color

CMYK 93 / 88 / 0 / 8

HEX #111CEB

RGB 17 28 235

HSL 236.97, 0.87%, 0.49%

LAB 31.69, 68.45, -97.58

 

CMYK 0 / 7 / 94 / 5

HEX #F3E30F

RGB 243 227 15

HSL 55.79, 0.9%, 0.51%

LAB 88.94, -12.88, 86.82

 

CMYK 0 / 4 / 87 / 0

HEX #FFF522

RGB 255 245 34

HSL 57.29, 1%, 0.57%

LAB 94.6, -16.38, 88.95

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF35

RGB 255 255 53

HSL 60, 1%, 0.6%

LAB 97.24, -20.71, 87.06

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 5 / 92 / 7

HEX #EEE314

RGB 238 227 20

HSL 56.97, 0.87%, 0.51%

LAB 88.53, -14.93, 85.76

 

CMYK 0 / 5 / 100 / 13

HEX #DDD101

RGB 221 209 1

HSL 56.73, 0.99%, 0.44%

LAB 82.37, -13.42, 82.4

 

CMYK 0 / 6 / 100 / 20

HEX #CCBF00

RGB 204 191 0

HSL 56.18, 1%, 0.4%

LAB 76.13, -11.7, 77.32

 

CMYK 0 / 7 / 100 / 27

HEX #BBAD00

RGB 187 173 0

HSL 55.51, 1%, 0.37%

LAB 69.79, -9.92, 72.06

 

CMYK 0 / 9 / 100 / 33

HEX #AA9B00

RGB 170 155 0

HSL 54.71, 1%, 0.33%

LAB 63.33, -8.08, 66.71

 

CMYK 0 / 5 / 91 / 6

HEX #EFE415

RGB 239 228 21

HSL 56.97, 0.87%, 0.51%

LAB 88.87, -14.99, 85.93

 

CMYK 0 / 29 / 91 / 6

HEX #EFA915

RGB 239 169 21

HSL 40.73, 0.87%, 0.51%

LAB 74.05, 15.27, 74.73

 

CMYK 0 / 54 / 91 / 6

HEX #EF6F15

RGB 239 111 21

HSL 24.77, 0.87%, 0.51%

LAB 61.46, 45.19, 65.58

 

CMYK 0 / 78 / 91 / 6

HEX #EF3415

RGB 239 52 21

HSL 8.53, 0.87%, 0.51%

LAB 52.8, 68.41, 59.67

 

CMYK 0 / 91 / 91 / 6

HEX #EF1515

RGB 239 21 21

HSL 0, 0.87%, 0.51%

LAB 50.62, 74.62, 58.26

 

CMYK 0 / 5 / 91 / 6

HEX #EFE415

RGB 239 228 21

HSL 56.97, 0.87%, 0.51%

LAB 88.87, -14.99, 85.93

 

CMYK 20 / 0 / 91 / 6

HEX #BFEF15

RGB 191 239 21

HSL 73.21, 0.87%, 0.51%

LAB 88.38, -39.71, 84.06

 

CMYK 45 / 0 / 91 / 6

HEX #84EF15

RGB 132 239 21

HSL 89.45, 0.87%, 0.51%

LAB 85.35, -60.54, 80.35

 

CMYK 69 / 0 / 91 / 6

HEX #4AEF15

RGB 74 239 21

HSL 105.41, 0.87%, 0.51%

LAB 83.57, -74.85, 78.15

 

CMYK 91 / 0 / 89 / 6

HEX #15EF1B

RGB 21 239 27

HSL 121.65, 0.87%, 0.51%

LAB 82.9, -80.73, 76.4

 

CMYK 0 / 5 / 91 / 6

HEX #EFE415

RGB 239 228 21

HSL 56.97, 0.87%, 0.51%

LAB 88.87, -14.99, 85.93

 

CMYK 0 / 5 / 91 / 6

HEX #EFE415

RGB 239 228 21

HSL 56.97, 0.87%, 0.51%

LAB 88.87, -14.99, 85.93

 

CMYK 0 / 4 / 81 / 14

HEX #DBD22A

RGB 219 210 42

HSL 56.95, 0.71%, 0.51%

LAB 82.55, -14.08, 76.07

 

CMYK 0 / 4 / 69 / 22

HEX #C6BF3E

RGB 198 191 62

HSL 56.91, 0.54%, 0.51%

LAB 75.83, -12.62, 62.77

 

CMYK 0 / 3 / 54 / 30

HEX #B2AD52

RGB 178 173 82

HSL 56.88, 0.38%, 0.51%

LAB 69.44, -10.49, 46.71

 

CMYK 0 / 2 / 35 / 38

HEX #9E9B66

RGB 158 155 102

HSL 56.79, 0.22%, 0.51%

LAB 63.07, -7.26, 28.22

 

CMYK 0 / 55 / 91 / 6

HEX #EF6C15

RGB 239 108 21

HSL 23.94, 0.87%, 0.51%

LAB 60.9, 46.63, 65.19

 

CMYK 0 / 31 / 91 / 6

HEX #EFA615

RGB 239 166 21

HSL 39.91, 0.87%, 0.51%

LAB 73.34, 16.85, 74.2

 

CMYK 0 / 6 / 91 / 6

HEX #EFE015

RGB 239 224 21

HSL 55.87, 0.87%, 0.51%

LAB 87.83, -13.02, 85.13

 

CMYK 18 / 0 / 91 / 6

HEX #C3EF15

RGB 195 239 21

HSL 72.11, 0.87%, 0.51%

LAB 88.63, -38.15, 84.37

 

CMYK 43 / 0 / 91 / 6

HEX #89EF15

RGB 137 239 21

HSL 88.07, 0.87%, 0.51%

LAB 85.56, -58.98, 80.6

 

CMYK 0 / 5 / 93 / 35

HEX #A69E0C

RGB 166 158 12

HSL 56.88, 0.87%, 0.35%

LAB 63.83, -11.31, 65.25

 

CMYK 0 / 5 / 93 / 20

HEX #CDC30E

RGB 205 195 14

HSL 56.86, 0.87%, 0.43%

LAB 77.31, -13.14, 76.75

 

CMYK 0 / 5 / 91 / 6

HEX #EFE415

RGB 239 228 21

HSL 56.97, 0.87%, 0.51%

LAB 88.87, -14.99, 85.93

 

CMYK 0 / 4 / 75 / 5

HEX #F1E83C

RGB 241 232 60

HSL 57.02, 0.87%, 0.59%

LAB 90.2, -15.12, 78.43

 

CMYK 0 / 3 / 60 / 4

HEX #F4ED62

RGB 244 237 98

HSL 57.12, 0.87%, 0.67%

LAB 91.99, -14.38, 66.31

 

CMYK 0 / 5 / 92 / 7

HEX #EEE314

RGB 238 227 20

HSL 56.97, 0.87%, 0.51%

LAB 88.53, -14.93, 85.76

 

CMYK 91 / 0 / 79 / 6

HEX #15EF32

RGB 21 239 50

HSL 127.98, 0.87%, 0.51%

LAB 82.98, -79.7, 71.33

 

CMYK 43 / 91 / 0 / 6

HEX #8915EF

RGB 137 21 239

HSL 271.93, 0.87%, 0.51%

LAB 41.35, 78.05, -83.53

 

CMYK 0 / 5 / 92 / 7

HEX #EEE314

RGB 238 227 20

HSL 56.97, 0.87%, 0.51%

LAB 88.53, -14.93, 85.76

 

CMYK 91 / 0 / 6 / 6

HEX #15EFE0

RGB 21 239 224

HSL 175.87, 0.87%, 0.51%

LAB 85.64, -49.49, -6.09

 

CMYK 6 / 91 / 0 / 6

HEX #E015EF

RGB 224 21 239

HSL 295.87, 0.87%, 0.51%

LAB 54.67, 89.6, -61.26

 

CMYK 0 / 5 / 92 / 7

HEX #EEE314

RGB 238 227 20

HSL 56.97, 0.87%, 0.51%

LAB 88.53, -14.93, 85.76

 

CMYK 91 / 0 / 79 / 6

HEX #15EF32

RGB 21 239 50

HSL 127.98, 0.87%, 0.51%

LAB 82.98, -79.7, 71.33

 

CMYK 91 / 85 / 0 / 6

HEX #1524EF

RGB 21 36 239

HSL 235.87, 0.87%, 0.51%

LAB 33.25, 66.75, -97.25

 

CMYK 0 / 91 / 12 / 6

HEX #EF15D2

RGB 239 21 210

HSL 307.98, 0.87%, 0.51%

LAB 55.62, 88.05, -43.18

 

CMYK 0 / 5 / 92 / 7

HEX #EEE314

RGB 238 227 20

HSL 56.97, 0.87%, 0.51%

LAB 88.53, -14.93, 85.76

 

CMYK 91 / 0 / 51 / 6

HEX #15EF74

RGB 21 239 116

HSL 146.15, 0.87%, 0.51%

LAB 83.52, -72.9, 46.09

 

CMYK 91 / 85 / 0 / 6

HEX #1524EF

RGB 21 36 239

HSL 235.87, 0.87%, 0.51%

LAB 33.25, 66.75, -97.25

 

CMYK 0 / 91 / 39 / 6

HEX #EF1591

RGB 239 21 145

HSL 325.87, 0.87%, 0.51%

LAB 52.87, 80.84, -9.44

 

Description

Color code: HEX #EEE314 | qconv.com Color code: HEX #EEE314 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 227 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 227 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 92 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 92% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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