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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDFDC it is the complementary color #112023. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDFDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDFDC shade: #F3DFD7, #FFF1EA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDFDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDFDC shade: #EEDFDC, #DDCDC9, #CCBBB6, #BBA9A3 and #AA9790

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDFDC shade: #EEDFDC and #EEDCDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDFDC shade: #EEDFDC, #EEE4DC, #EEE9DC, #EEEDDC and #EAEEDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDFDC shade matches the following richer shades: #EEDFDC, #F2DCD8, #F6DAD4, #FAD7D0 and #FED4CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDFDC shade: #EEDFDC, #EAE2E0, #E6E5E4, #E2E7E8 and #DDEAED

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDFDC shade: #EEDCE3, #EEDCDE, #EEDFDC, #EEE4DC and #EEE9DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDFDC shade: #D3ACA4, #E1C6C0, #EEDFDC and #FBF8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDFDC shade: #EEDFDC, #E7EEDC and #DCE0EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDFDC shade: #EEDFDC, #DCEEDF and #DFDCEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDFDC shade: #EEDFDC, #E7EEDC, #DCEBEE and #E3DCEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDFDC shade: #EEDFDC, #E2EEDC, #DCEBEE and #E8DCEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

Complementary color

CMYK 51 / 9 / 0 / 86

HEX #112023

RGB 17 32 35

HSL 190, 0.35%, 0.1%

LAB 11.09, -5.37, -4.06

 

CMYK 0 / 8 / 12 / 5

HEX #F3DFD7

RGB 243 223 215

HSL 17.14, 0.54%, 0.9%

LAB 90.2, 5.54, 6.38

 

CMYK 0 / 5 / 8 / 0

HEX #FFF1EA

RGB 255 241 234

HSL 20, 1%, 0.96%

LAB 96.04, 3.54, 5.05

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 0 / 7 / 9 / 13

HEX #DDCDC9

RGB 221 205 201

HSL 12, 0.23%, 0.83%

LAB 83.57, 4.88, 3.98

 

CMYK 0 / 8 / 11 / 20

HEX #CCBBB6

RGB 204 187 182

HSL 13.64, 0.18%, 0.76%

LAB 77.13, 5.17, 4.7

 

CMYK 0 / 10 / 13 / 27

HEX #BBA9A3

RGB 187 169 163

HSL 15, 0.15%, 0.69%

LAB 70.58, 5.48, 5.45

 

CMYK 0 / 11 / 15 / 33

HEX #AA9790

RGB 170 151 144

HSL 16.15, 0.13%, 0.62%

LAB 63.91, 5.83, 6.24

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 0 / 8 / 8 / 7

HEX #EEDCDC

RGB 238 220 220

HSL 0, 0.35%, 0.9%

LAB 89.17, 6.17, 2.22

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 0 / 4 / 8 / 7

HEX #EEE4DC

RGB 238 228 220

HSL 26.67, 0.35%, 0.9%

LAB 91.16, 2.04, 5.1

 

CMYK 0 / 2 / 8 / 7

HEX #EEE9DC

RGB 238 233 220

HSL 43.33, 0.35%, 0.9%

LAB 92.41, -0.53, 6.9

 

CMYK 0 / 0 / 8 / 7

HEX #EEEDDC

RGB 238 237 220

HSL 56.67, 0.35%, 0.9%

LAB 93.41, -2.56, 8.34

 

CMYK 2 / 0 / 8 / 7

HEX #EAEEDC

RGB 234 238 220

HSL 73.33, 0.35%, 0.9%

LAB 93.37, -4.45, 8.24

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 0 / 9 / 11 / 5

HEX #F2DCD8

RGB 242 220 216

HSL 9.23, 0.5%, 0.9%

LAB 89.4, 6.9, 4.7

 

CMYK 0 / 11 / 14 / 4

HEX #F6DAD4

RGB 246 218 212

HSL 10.59, 0.65%, 0.9%

LAB 89.15, 8.71, 6.48

 

CMYK 0 / 14 / 17 / 2

HEX #FAD7D0

RGB 250 215 208

HSL 10, 0.81%, 0.9%

LAB 88.68, 11.08, 7.94

 

CMYK 0 / 17 / 20 / 0

HEX #FED4CC

RGB 254 212 204

HSL 9.6, 0.96%, 0.9%

LAB 88.22, 13.47, 9.44

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 0 / 3 / 4 / 8

HEX #EAE2E0

RGB 234 226 224

HSL 12, 0.19%, 0.9%

LAB 90.44, 2.37, 1.93

 

CMYK 0 / 0 / 1 / 10

HEX #E6E5E4

RGB 230 229 228

HSL 30, 0.04%, 0.9%

LAB 90.99, 0.16, 0.6

 

CMYK 3 / 0 / 0 / 9

HEX #E2E7E8

RGB 226 231 232

HSL 190, 0.12%, 0.9%

LAB 91.3, -1.48, -1.08

 

CMYK 7 / 1 / 0 / 7

HEX #DDEAED

RGB 221 234 237

HSL 191.25, 0.31%, 0.9%

LAB 91.83, -3.73, -2.95

 

CMYK 0 / 8 / 5 / 7

HEX #EEDCE3

RGB 238 220 227

HSL 336.67, 0.35%, 0.9%

LAB 89.35, 7.36, -1.2

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDE

RGB 238 220 222

HSL 353.33, 0.35%, 0.9%

LAB 89.22, 6.51, 1.24

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 0 / 4 / 8 / 7

HEX #EEE4DC

RGB 238 228 220

HSL 26.67, 0.35%, 0.9%

LAB 91.16, 2.04, 5.1

 

CMYK 0 / 2 / 8 / 7

HEX #EEE9DC

RGB 238 233 220

HSL 43.33, 0.35%, 0.9%

LAB 92.41, -0.53, 6.9

 

CMYK 0 / 18 / 22 / 17

HEX #D3ACA4

RGB 211 172 164

HSL 10.21, 0.35%, 0.74%

LAB 73.57, 12.98, 9.46

 

CMYK 0 / 12 / 15 / 12

HEX #E1C6C0

RGB 225 198 192

HSL 10.91, 0.35%, 0.82%

LAB 81.95, 8.53, 6.48

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 0 / 1 / 1 / 2

HEX #FBF8F8

RGB 251 248 248

HSL 0, 0.27%, 0.98%

LAB 97.8, 1, 0.34

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 3 / 0 / 8 / 7

HEX #E7EEDC

RGB 231 238 220

HSL 83.33, 0.35%, 0.9%

LAB 93.15, -5.47, 7.9

 

CMYK 8 / 6 / 0 / 7

HEX #DCE0EE

RGB 220 224 238

HSL 226.67, 0.35%, 0.9%

LAB 89.25, 1.28, -7.29

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 8 / 0 / 6 / 7

HEX #DCEEDF

RGB 220 238 223

HSL 130, 0.35%, 0.9%

LAB 92.44, -8.66, 5.22

 

CMYK 6 / 8 / 0 / 7

HEX #DFDCEE

RGB 223 220 238

HSL 250, 0.35%, 0.9%

LAB 88.47, 4.34, -8.42

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 3 / 0 / 8 / 7

HEX #E7EEDC

RGB 231 238 220

HSL 83.33, 0.35%, 0.9%

LAB 93.15, -5.47, 7.9

 

CMYK 8 / 1 / 0 / 7

HEX #DCEBEE

RGB 220 235 238

HSL 190, 0.35%, 0.9%

LAB 92.05, -4.38, -3.17

 

CMYK 5 / 8 / 0 / 7

HEX #E3DCEE

RGB 227 220 238

HSL 263.33, 0.35%, 0.9%

LAB 88.78, 5.65, -7.93

 

CMYK 0 / 6 / 8 / 7

HEX #EEDFDC

RGB 238 223 220

HSL 10, 0.35%, 0.9%

LAB 89.91, 4.61, 3.3

 

CMYK 5 / 0 / 8 / 7

HEX #E2EEDC

RGB 226 238 220

HSL 100, 0.35%, 0.9%

LAB 92.79, -7.17, 7.33

 

CMYK 8 / 1 / 0 / 7

HEX #DCEBEE

RGB 220 235 238

HSL 190, 0.35%, 0.9%

LAB 92.05, -4.38, -3.17

 

CMYK 3 / 8 / 0 / 7

HEX #E8DCEE

RGB 232 220 238

HSL 280, 0.35%, 0.9%

LAB 89.17, 7.31, -7.31

 

Description

Color code: HEX #EEDFDC | qconv.com Color code: HEX #EEDFDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 223 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 223 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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