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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDF46 it is the complementary color #1120B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDF46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDF46 shade: #F3DF41, #FFF154, #FFFF67, #FFFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDF46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDF46 shade: #EEDF46, #DDCD33, #CCBB20, #BBA90D and #AA9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDF46 shade: #EEDF44, #EEB144, #EE8344, #EE5644 and #EE4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDF46 shade: #EEDF44, #CFEE44, #A1EE44, #74EE44 and #46EE44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDF46 shade matches the following richer shades: #EEDF44 and #FEEC34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDF46 shade: #EEDF44, #DDD155, #CDC365, #BCB676 and #ACA886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDF46 shade: #EE8244, #EEB044, #EEDD44, #D1EE44 and #A4EE44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDF46 shade: #CCBC13, #EAD81F, #EEDF44, #F1E56A and #F5EC90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDF46 shade: #EEDF46, #44EE55 and #9944EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDF46 shade: #EEDF46, #44EEDD and #DD44EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDF46 shade: #EEDF46, #44EE55, #4455EE and #EE44DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDF46 shade: #EEDF46, #44EE88, #4455EE and #EE44AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 71 / 7

HEX #EEDF46

RGB 238 223 70

HSL 54.64, 0.83%, 0.6%

LAB 87.68, -11.5, 72.63

 

Complementary color

CMYK 91 / 83 / 0 / 27

HEX #1120B9

RGB 17 32 185

HSL 234.64, 0.83%, 0.4%

LAB 25.73, 52.22, -78.45

 

CMYK 0 / 8 / 73 / 5

HEX #F3DF41

RGB 243 223 65

HSL 53.26, 0.88%, 0.6%

LAB 88.07, -9.64, 74.89

 

CMYK 0 / 5 / 67 / 0

HEX #FFF154

RGB 255 241 84

HSL 55.09, 1%, 0.66%

LAB 93.8, -12.7, 74.05

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF46

RGB 238 223 70

HSL 54.64, 0.83%, 0.6%

LAB 87.68, -11.5, 72.63

 

CMYK 0 / 7 / 77 / 13

HEX #DDCD33

RGB 221 205 51

HSL 54.35, 0.71%, 0.53%

LAB 81.44, -10.42, 72.6

 

CMYK 0 / 8 / 84 / 20

HEX #CCBB20

RGB 204 187 32

HSL 54.07, 0.73%, 0.46%

LAB 75.13, -9.16, 71.77

 

CMYK 0 / 10 / 93 / 27

HEX #BBA90D

RGB 187 169 13

HSL 53.79, 0.87%, 0.39%

LAB 68.73, -7.67, 69.68

 

CMYK 0 / 11 / 100 / 33

HEX #AA9700

RGB 170 151 0

HSL 53.29, 1%, 0.33%

LAB 62.24, -5.95, 65.92

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF44

RGB 238 223 68

HSL 54.71, 0.83%, 0.6%

LAB 87.66, -11.59, 73.32

 

CMYK 0 / 26 / 71 / 7

HEX #EEB144

RGB 238 177 68

HSL 38.47, 0.83%, 0.6%

LAB 76.09, 12.05, 61.88

 

CMYK 0 / 45 / 71 / 7

HEX #EE8344

RGB 238 131 68

HSL 22.24, 0.83%, 0.6%

LAB 65.61, 36.23, 50.93

 

CMYK 0 / 64 / 71 / 7

HEX #EE5644

RGB 238 86 68

HSL 6.35, 0.83%, 0.6%

LAB 57.32, 57.51, 41.77

 

CMYK 0 / 71 / 71 / 7

HEX #EE4444

RGB 238 68 68

HSL 0, 0.83%, 0.6%

LAB 54.79, 64.4, 38.87

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF44

RGB 238 223 68

HSL 54.71, 0.83%, 0.6%

LAB 87.66, -11.59, 73.32

 

CMYK 13 / 0 / 71 / 7

HEX #CFEE44

RGB 207 238 68

HSL 70.94, 0.83%, 0.6%

LAB 89.31, -31.43, 74.11

 

CMYK 32 / 0 / 71 / 7

HEX #A1EE44

RGB 161 238 68

HSL 87.18, 0.83%, 0.6%

LAB 86.58, -48.67, 70.5

 

CMYK 51 / 0 / 71 / 7

HEX #74EE44

RGB 116 238 68

HSL 103.06, 0.83%, 0.6%

LAB 84.63, -62.77, 67.91

 

CMYK 71 / 0 / 71 / 7

HEX #46EE44

RGB 70 238 68

HSL 119.29, 0.83%, 0.6%

LAB 83.37, -72.9, 66.23

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF44

RGB 238 223 68

HSL 54.71, 0.83%, 0.6%

LAB 87.66, -11.59, 73.32

 

CMYK 0 / 7 / 80 / 0

HEX #FEEC34

RGB 254 236 52

HSL 54.65, 0.99%, 0.6%

LAB 92.27, -11.97, 82.98

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF44

RGB 238 223 68

HSL 54.71, 0.83%, 0.6%

LAB 87.66, -11.59, 73.32

 

CMYK 0 / 5 / 62 / 13

HEX #DDD155

RGB 221 209 85

HSL 54.71, 0.67%, 0.6%

LAB 82.72, -10.72, 61.19

 

CMYK 0 / 5 / 51 / 20

HEX #CDC365

RGB 205 195 101

HSL 54.23, 0.51%, 0.6%

LAB 77.84, -9, 48.01

 

CMYK 0 / 3 / 37 / 26

HEX #BCB676

RGB 188 182 118

HSL 54.86, 0.34%, 0.6%

LAB 73.19, -7.46, 33.36

 

CMYK 0 / 2 / 22 / 33

HEX #ACA886

RGB 172 168 134

HSL 53.68, 0.19%, 0.6%

LAB 68.39, -4.26, 18.12

 

CMYK 0 / 45 / 71 / 7

HEX #EE8244

RGB 238 130 68

HSL 21.88, 0.83%, 0.6%

LAB 65.4, 36.74, 50.71

 

CMYK 0 / 26 / 71 / 7

HEX #EEB044

RGB 238 176 68

HSL 38.12, 0.83%, 0.6%

LAB 75.85, 12.58, 61.63

 

CMYK 0 / 7 / 71 / 7

HEX #EEDD44

RGB 238 221 68

HSL 54, 0.83%, 0.6%

LAB 87.15, -10.6, 72.82

 

CMYK 12 / 0 / 71 / 7

HEX #D1EE44

RGB 209 238 68

HSL 70.24, 0.83%, 0.6%

LAB 89.45, -30.64, 74.29

 

CMYK 31 / 0 / 71 / 7

HEX #A4EE44

RGB 164 238 68

HSL 86.12, 0.83%, 0.6%

LAB 86.73, -47.62, 70.7

 

CMYK 0 / 8 / 91 / 20

HEX #CCBC13

RGB 204 188 19

HSL 54.81, 0.83%, 0.44%

LAB 75.36, -9.94, 74.53

 

CMYK 0 / 8 / 87 / 8

HEX #EAD81F

RGB 234 216 31

HSL 54.68, 0.83%, 0.52%

LAB 85.35, -10.99, 81.39

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF44

RGB 238 223 68

HSL 54.71, 0.83%, 0.6%

LAB 87.66, -11.59, 73.32

 

CMYK 0 / 5 / 56 / 5

HEX #F1E56A

RGB 241 229 106

HSL 54.67, 0.83%, 0.68%

LAB 89.76, -11.09, 60.3

 

CMYK 0 / 4 / 41 / 4

HEX #F5EC90

RGB 245 236 144

HSL 54.65, 0.83%, 0.76%

LAB 92.32, -9.65, 45.61

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF46

RGB 238 223 70

HSL 54.64, 0.83%, 0.6%

LAB 87.68, -11.5, 72.63

 

CMYK 71 / 0 / 64 / 7

HEX #44EE55

RGB 68 238 85

HSL 126, 0.83%, 0.6%

LAB 83.46, -71.7, 59.84

 

CMYK 36 / 71 / 0 / 7

HEX #9944EE

RGB 153 68 238

HSL 270, 0.83%, 0.6%

LAB 48.36, 65.41, -71.42

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF46

RGB 238 223 70

HSL 54.64, 0.83%, 0.6%

LAB 87.68, -11.5, 72.63

 

CMYK 71 / 0 / 7 / 7

HEX #44EEDD

RGB 68 238 221

HSL 174, 0.83%, 0.6%

LAB 85.81, -46.23, -4.21

 

CMYK 7 / 71 / 0 / 7

HEX #DD44EE

RGB 221 68 238

HSL 294, 0.83%, 0.6%

LAB 57.73, 78.47, -55.83

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF46

RGB 238 223 70

HSL 54.64, 0.83%, 0.6%

LAB 87.68, -11.5, 72.63

 

CMYK 71 / 0 / 64 / 7

HEX #44EE55

RGB 68 238 85

HSL 126, 0.83%, 0.6%

LAB 83.46, -71.7, 59.84

 

CMYK 71 / 64 / 0 / 7

HEX #4455EE

RGB 68 85 238

HSL 234, 0.83%, 0.6%

LAB 44.09, 43.58, -78.7

 

CMYK 0 / 71 / 7 / 7

HEX #EE44DD

RGB 238 68 221

HSL 306, 0.83%, 0.6%

LAB 59.46, 79.37, -43.38

 

CMYK 0 / 6 / 71 / 7

HEX #EEDF46

RGB 238 223 70

HSL 54.64, 0.83%, 0.6%

LAB 87.68, -11.5, 72.63

 

CMYK 71 / 0 / 43 / 7

HEX #44EE88

RGB 68 238 136

HSL 144, 0.83%, 0.6%

LAB 84.05, -64.83, 37.2

 

CMYK 71 / 64 / 0 / 7

HEX #4455EE

RGB 68 85 238

HSL 234, 0.83%, 0.6%

LAB 44.09, 43.58, -78.7

 

CMYK 0 / 71 / 29 / 7

HEX #EE44AA

RGB 238 68 170

HSL 324, 0.83%, 0.6%

LAB 57.28, 72.61, -17.54

 

Description

Color code: HEX #EEDF46 | qconv.com Color code: HEX #EEDF46 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 223 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 223 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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