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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDCEBCE it is the complementary color #112314CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDCEBCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDCEBCE shade: #F3DCE6CE, #FFEEF9CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDCEBCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDCEBCE shade: #EEDCEBCE, #DDCAD8CE, #CCB8C5CE, #BBA6B2CE and #AA949FCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDCEBCE shade: #EEDDEB, #EEDDE7, #EEDDE2 and #EEDDDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDCEBCE shade: #EEDDEB, #EDDDEE, #E8DDEE, #E3DDEE and #DEDDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDCEBCE shade matches the following richer shades: #EEDDEB, #F3D8EE, #F7D4F1, #FBD0F4 and #FFCCF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDCEBCE shade: #EEDDEB, #EAE1E9, #E6E5E6, #E2E9E3 and #DEEDE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDCEBCE shade: #E8DDEE, #EDDDEE, #EEDDEB, #EEDDE7 and #EEDDE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDCEBCE shade: #D4A5CC, #E1C1DC, #EEDDEB, #FCF8FB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDCEBCE shade: #EEDCEB, #EEE3DD and #DDEEEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDCEBCE shade: #EEDCEB, #EBEEDD and #DDEBEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDCEBCE shade: #EEDCEB, #EEE3DD, #DDEEE0 and #DDE8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDCEBCE shade: #EEDCEB, #EEE8DD, #DDEEE0 and #DDE3EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 1 / 5

HEX #EEDCEBCE

RGBA 238 220 235 0.81

HSLA 310, 0.35%, 0.9%, 0.81

LABA 89.56, 8.76, -5.1, 0.81

 

Complementary color

CMYK 42 / 0 / 35 / 70

HEX #112314CE

RGBA 17 35 20 0.81

HSLA 130, 0.35%, 0.1%, 0.81

LABA 11.77, -11.67, 7.76, 0.81

 

CMYK 0 / 8 / 4 / 4

HEX #F3DCE6CE

RGBA 243 220 230 0.81

HSLA 333.91, 0.49%, 0.91%, 0.81

LABA 89.84, 9.58, -2.02, 0.81

 

CMYK 0 / 5 / 2 / 0

HEX #FFEEF9CE

RGBA 255 238 249 0.81

HSLA 321.18, 1%, 0.97%, 0.81

LABA 95.68, 7.61, -3.24, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 6 / 1 / 5

HEX #EEDCEBCE

RGBA 238 220 235 0.81

HSLA 310, 0.35%, 0.9%, 0.81

LABA 89.56, 8.76, -5.1, 0.81

 

CMYK 0 / 7 / 2 / 11

HEX #DDCAD8CE

RGBA 221 202 216 0.81

HSLA 315.79, 0.22%, 0.83%, 0.81

LABA 83.22, 9.06, -4.54, 0.81

 

CMYK 0 / 8 / 3 / 16

HEX #CCB8C5CE

RGBA 204 184 197 0.81

HSLA 321, 0.16%, 0.76%, 0.81

LABA 76.77, 9.39, -3.97, 0.81

 

CMYK 0 / 9 / 4 / 22

HEX #BBA6B2CE

RGBA 187 166 178 0.81

HSLA 325.71, 0.13%, 0.69%, 0.81

LABA 70.21, 9.73, -3.38, 0.81

 

CMYK 0 / 10 / 5 / 27

HEX #AA949FCE

RGBA 170 148 159 0.81

HSLA 330, 0.11%, 0.62%, 0.81

LABA 63.53, 10.12, -2.77, 0.81

 

CMYK 0 / 7 / 1 / 7

HEX #EEDDEB

RGB 238 221 235

HSL 310.59, 0.33%, 0.9%

LAB 89.81, 8.24, -4.74

 

CMYK 0 / 7 / 3 / 7

HEX #EEDDE7

RGB 238 221 231

HSL 324.71, 0.33%, 0.9%

LAB 89.7, 7.54, -2.79

 

CMYK 0 / 7 / 5 / 7

HEX #EEDDE2

RGB 238 221 226

HSL 342.35, 0.33%, 0.9%

LAB 89.57, 6.67, -0.35

 

CMYK 0 / 7 / 7 / 7

HEX #EEDDDD

RGB 238 221 221

HSL 0, 0.33%, 0.9%

LAB 89.44, 5.82, 2.09

 

CMYK 0 / 7 / 1 / 7

HEX #EEDDEB

RGB 238 221 235

HSL 310.59, 0.33%, 0.9%

LAB 89.81, 8.24, -4.74

 

CMYK 0 / 7 / 0 / 7

HEX #EDDDEE

RGB 237 221 238

HSL 296.47, 0.33%, 0.9%

LAB 89.81, 8.45, -6.32

 

CMYK 3 / 7 / 0 / 7

HEX #E8DDEE

RGB 232 221 238

HSL 278.82, 0.33%, 0.9%

LAB 89.41, 6.78, -6.95

 

CMYK 5 / 7 / 0 / 7

HEX #E3DDEE

RGB 227 221 238

HSL 261.18, 0.33%, 0.9%

LAB 89.02, 5.13, -7.57

 

CMYK 7 / 7 / 0 / 7

HEX #DEDDEE

RGB 222 221 238

HSL 243.53, 0.33%, 0.9%

LAB 88.65, 3.49, -8.17

 

CMYK 0 / 7 / 1 / 7

HEX #EEDDEB

RGB 238 221 235

HSL 310.59, 0.33%, 0.9%

LAB 89.81, 8.24, -4.74

 

CMYK 0 / 11 / 2 / 5

HEX #F3D8EE

RGB 243 216 238

HSL 311.11, 0.53%, 0.9%

LAB 89.08, 13.07, -7.34

 

CMYK 0 / 14 / 2 / 3

HEX #F7D4F1

RGB 247 212 241

HSL 310.29, 0.69%, 0.9%

LAB 88.55, 17.03, -9.67

 

CMYK 0 / 17 / 3 / 2

HEX #FBD0F4

RGB 251 208 244

HSL 309.77, 0.84%, 0.9%

LAB 88.04, 21, -11.97

 

CMYK 0 / 20 / 4 / 0

HEX #FFCCF6

RGB 255 204 246

HSL 310.59, 1%, 0.9%

LAB 87.53, 24.77, -13.75

 

CMYK 0 / 7 / 1 / 7

HEX #EEDDEB

RGB 238 221 235

HSL 310.59, 0.33%, 0.9%

LAB 89.81, 8.24, -4.74

 

CMYK 0 / 4 / 0 / 8

HEX #EAE1E9

RGB 234 225 233

HSL 306.67, 0.18%, 0.9%

LAB 90.43, 4.46, -2.81

 

CMYK 0 / 0 / 0 / 10

HEX #E6E5E6

RGB 230 229 230

HSL 300, 0.02%, 0.9%

LAB 91.04, 0.52, -0.38

 

CMYK 3 / 0 / 3 / 9

HEX #E2E9E3

RGB 226 233 227

HSL 128.57, 0.14%, 0.9%

LAB 91.68, -3.41, 2.09

 

CMYK 6 / 0 / 5 / 7

HEX #DEEDE0

RGB 222 237 224

HSL 128, 0.29%, 0.9%

LAB 92.34, -7.31, 4.58

 

CMYK 3 / 7 / 0 / 7

HEX #E8DDEE

RGB 232 221 238

HSL 278.82, 0.33%, 0.9%

LAB 89.41, 6.78, -6.95

 

CMYK 0 / 7 / 0 / 7

HEX #EDDDEE

RGB 237 221 238

HSL 296.47, 0.33%, 0.9%

LAB 89.81, 8.45, -6.32

 

CMYK 0 / 7 / 1 / 7

HEX #EEDDEB

RGB 238 221 235

HSL 310.59, 0.33%, 0.9%

LAB 89.81, 8.24, -4.74

 

CMYK 0 / 7 / 3 / 7

HEX #EEDDE7

RGB 238 221 231

HSL 324.71, 0.33%, 0.9%

LAB 89.7, 7.54, -2.79

 

CMYK 0 / 7 / 5 / 7

HEX #EEDDE2

RGB 238 221 226

HSL 342.35, 0.33%, 0.9%

LAB 89.57, 6.67, -0.35

 

CMYK 0 / 22 / 4 / 17

HEX #D4A5CC

RGB 212 165 204

HSL 310.21, 0.35%, 0.74%

LAB 73.07, 23.73, -13.22

 

CMYK 0 / 14 / 2 / 12

HEX #E1C1DC

RGB 225 193 220

HSL 309.38, 0.35%, 0.82%

LAB 81.46, 15.94, -9.24

 

CMYK 0 / 7 / 1 / 7

HEX #EEDDEB

RGB 238 221 235

HSL 310.59, 0.33%, 0.9%

LAB 89.81, 8.24, -4.74

 

CMYK 0 / 2 / 0 / 1

HEX #FCF8FB

RGB 252 248 251

HSL 315, 0.4%, 0.98%

LAB 97.95, 1.86, -0.98

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 8 / 1 / 7

HEX #EEDCEB

RGB 238 220 235

HSL 310, 0.35%, 0.9%

LAB 89.56, 8.76, -5.1

 

CMYK 0 / 5 / 7 / 7

HEX #EEE3DD

RGB 238 227 221

HSL 21.18, 0.33%, 0.9%

LAB 90.93, 2.72, 4.25

 

CMYK 7 / 0 / 2 / 7

HEX #DDEEEA

RGB 221 238 234

HSL 165.88, 0.33%, 0.9%

LAB 92.78, -6.33, -0

 

CMYK 0 / 8 / 1 / 7

HEX #EEDCEB

RGB 238 220 235

HSL 310, 0.35%, 0.9%

LAB 89.56, 8.76, -5.1

 

CMYK 1 / 0 / 7 / 7

HEX #EBEEDD

RGB 235 238 221

HSL 70.59, 0.33%, 0.9%

LAB 93.46, -3.94, 7.87

 

CMYK 7 / 1 / 0 / 7

HEX #DDEBEE

RGB 221 235 238

HSL 190.59, 0.33%, 0.9%

LAB 92.11, -4.06, -3.06

 

CMYK 0 / 8 / 1 / 7

HEX #EEDCEB

RGB 238 220 235

HSL 310, 0.35%, 0.9%

LAB 89.56, 8.76, -5.1

 

CMYK 0 / 5 / 7 / 7

HEX #EEE3DD

RGB 238 227 221

HSL 21.18, 0.33%, 0.9%

LAB 90.93, 2.72, 4.25

 

CMYK 7 / 0 / 6 / 7

HEX #DDEEE0

RGB 221 238 224

HSL 130.59, 0.33%, 0.9%

LAB 92.53, -8.15, 4.84

 

CMYK 7 / 3 / 0 / 7

HEX #DDE8EE

RGB 221 232 238

HSL 201.18, 0.33%, 0.9%

LAB 91.35, -2.52, -4.18

 

CMYK 0 / 8 / 1 / 7

HEX #EEDCEB

RGB 238 220 235

HSL 310, 0.35%, 0.9%

LAB 89.56, 8.76, -5.1

 

CMYK 0 / 3 / 7 / 7

HEX #EEE8DD

RGB 238 232 221

HSL 38.82, 0.33%, 0.9%

LAB 92.18, 0.15, 6.05

 

CMYK 7 / 0 / 6 / 7

HEX #DDEEE0

RGB 221 238 224

HSL 130.59, 0.33%, 0.9%

LAB 92.53, -8.15, 4.84

 

CMYK 7 / 5 / 0 / 7

HEX #DDE3EE

RGB 221 227 238

HSL 218.82, 0.33%, 0.9%

LAB 90.08, 0.05, -6.05

 

Description

Color code: HEX #EEDCEBCE | qconv.com Color code: HEX #EEDCEBCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 220 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 220 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 1 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 1% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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