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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDCE2CE it is the complementary color #11231DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDCE2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDCE2CE shade: #F3DCDDCE, #FFEEF0CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDCE2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDCE2CE shade: #EEDCE2CE, #DDCACFCE, #CCB8BCCE, #BBA6A9CE and #AA9496CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDCE2CE shade: #EEDDE3, #EEDDDE and #EEDDDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDCE2CE shade: #EEDDE3, #EEDDE7, #EEDDEC, #ECDDEE and #E7DDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDCE2CE shade matches the following richer shades: #EEDDE3, #F3D8E1, #F7D4E0, #FBD0DE and #FFCCDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDCE2CE shade: #EEDDE3, #EAE1E4, #E6E5E5, #E2E9E7 and #DEEDE8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDCE2CE shade: #EEDDEC, #EEDDE7, #EEDDE3, #EEDDDE and #EEE0DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDCE2CE shade: #D4A5B4, #E1C1CB, #EEDDE3, #FCF8FA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDCE2CE shade: #EEDCE2, #EEECDD and #DDEAEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDCE2CE shade: #EEDCE2, #E3EEDD and #DDE3EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDCE2CE shade: #EEDCE2, #EEECDD, #DDEEE8 and #DDDFEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDCE2CE shade: #EEDCE2, #EBEEDD, #DDEEE8 and #E0DDEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 4 / 5

HEX #EEDCE2CE

RGBA 238 220 226 0.81

HSLA 340, 0.35%, 0.9%, 0.81

LABA 89.32, 7.19, -0.71, 0.81

 

Complementary color

CMYK 42 / 0 / 14 / 70

HEX #11231DCE

RGBA 17 35 29 0.81

HSLA 160, 0.35%, 0.1%, 0.81

LABA 12.02, -9.29, 1.7, 0.81

 

CMYK 0 / 8 / 7 / 4

HEX #F3DCDDCE

RGBA 243 220 221 0.81

HSLA 357.39, 0.49%, 0.91%, 0.81

LABA 89.61, 8.07, 2.38, 0.81

 

CMYK 0 / 5 / 5 / 0

HEX #FFEEF0CE

RGBA 255 238 240 0.81

HSLA 352.94, 1%, 0.97%, 0.81

LABA 95.46, 6.07, 1.09, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 6 / 4 / 5

HEX #EEDCE2CE

RGBA 238 220 226 0.81

HSLA 340, 0.35%, 0.9%, 0.81

LABA 89.32, 7.19, -0.71, 0.81

 

CMYK 0 / 7 / 5 / 11

HEX #DDCACFCE

RGBA 221 202 207 0.81

HSLA 344.21, 0.22%, 0.83%, 0.81

LABA 82.98, 7.48, -0.09, 0.81

 

CMYK 0 / 8 / 6 / 16

HEX #CCB8BCCE

RGBA 204 184 188 0.81

HSLA 348, 0.16%, 0.76%, 0.81

LABA 76.53, 7.79, 0.56, 0.81

 

CMYK 0 / 9 / 8 / 22

HEX #BBA6A9CE

RGBA 187 166 169 0.81

HSLA 351.43, 0.13%, 0.69%, 0.81

LABA 69.97, 8.14, 1.24, 0.81

 

CMYK 0 / 10 / 10 / 27

HEX #AA9496CE

RGBA 170 148 150 0.81

HSLA 354.55, 0.11%, 0.62%, 0.81

LABA 63.28, 8.52, 1.95, 0.81

 

CMYK 0 / 7 / 5 / 7

HEX #EEDDE3

RGB 238 221 227

HSL 338.82, 0.33%, 0.9%

LAB 89.6, 6.84, -0.84

 

CMYK 0 / 7 / 7 / 7

HEX #EEDDDE

RGB 238 221 222

HSL 356.47, 0.33%, 0.9%

LAB 89.47, 5.99, 1.6

 

CMYK 0 / 7 / 7 / 7

HEX #EEDDDD

RGB 238 221 221

HSL 0, 0.33%, 0.9%

LAB 89.44, 5.82, 2.09

 

CMYK 0 / 7 / 5 / 7

HEX #EEDDE3

RGB 238 221 227

HSL 338.82, 0.33%, 0.9%

LAB 89.6, 6.84, -0.84

 

CMYK 0 / 7 / 3 / 7

HEX #EEDDE7

RGB 238 221 231

HSL 324.71, 0.33%, 0.9%

LAB 89.7, 7.54, -2.79

 

CMYK 0 / 7 / 1 / 7

HEX #EEDDEC

RGB 238 221 236

HSL 307.06, 0.33%, 0.9%

LAB 89.83, 8.42, -5.22

 

CMYK 1 / 7 / 0 / 7

HEX #ECDDEE

RGB 236 221 238

HSL 292.94, 0.33%, 0.9%

LAB 89.73, 8.11, -6.45

 

CMYK 3 / 7 / 0 / 7

HEX #E7DDEE

RGB 231 221 238

HSL 275.29, 0.33%, 0.9%

LAB 89.33, 6.45, -7.07

 

CMYK 0 / 7 / 5 / 7

HEX #EEDDE3

RGB 238 221 227

HSL 338.82, 0.33%, 0.9%

LAB 89.6, 6.84, -0.84

 

CMYK 0 / 11 / 7 / 5

HEX #F3D8E1

RGB 243 216 225

HSL 340, 0.53%, 0.9%

LAB 88.73, 10.82, -1

 

CMYK 0 / 14 / 9 / 3

HEX #F7D4E0

RGB 247 212 224

HSL 339.43, 0.69%, 0.9%

LAB 88.09, 14.12, -1.38

 

CMYK 0 / 17 / 12 / 2

HEX #FBD0DE

RGB 251 208 222

HSL 340.47, 0.84%, 0.9%

LAB 87.43, 17.28, -1.24

 

CMYK 0 / 20 / 13 / 0

HEX #FFCCDD

RGB 255 204 221

HSL 340, 1%, 0.9%

LAB 86.83, 20.6, -1.54

 

CMYK 0 / 7 / 5 / 7

HEX #EEDDE3

RGB 238 221 227

HSL 338.82, 0.33%, 0.9%

LAB 89.6, 6.84, -0.84

 

CMYK 0 / 4 / 3 / 8

HEX #EAE1E4

RGB 234 225 228

HSL 340, 0.18%, 0.9%

LAB 90.3, 3.58, -0.38

 

CMYK 0 / 0 / 0 / 10

HEX #E6E5E5

RGB 230 229 229

HSL 0, 0.02%, 0.9%

LAB 91.02, 0.34, 0.11

 

CMYK 3 / 0 / 1 / 9

HEX #E2E9E7

RGB 226 233 231

HSL 162.86, 0.14%, 0.9%

LAB 91.78, -2.69, 0.15

 

CMYK 6 / 0 / 2 / 7

HEX #DEEDE8

RGB 222 237 232

HSL 160, 0.29%, 0.9%

LAB 92.54, -5.87, 0.7

 

CMYK 0 / 7 / 1 / 7

HEX #EEDDEC

RGB 238 221 236

HSL 307.06, 0.33%, 0.9%

LAB 89.83, 8.42, -5.22

 

CMYK 0 / 7 / 3 / 7

HEX #EEDDE7

RGB 238 221 231

HSL 324.71, 0.33%, 0.9%

LAB 89.7, 7.54, -2.79

 

CMYK 0 / 7 / 5 / 7

HEX #EEDDE3

RGB 238 221 227

HSL 338.82, 0.33%, 0.9%

LAB 89.6, 6.84, -0.84

 

CMYK 0 / 7 / 7 / 7

HEX #EEDDDE

RGB 238 221 222

HSL 356.47, 0.33%, 0.9%

LAB 89.47, 5.99, 1.6

 

CMYK 0 / 6 / 7 / 7

HEX #EEE0DD

RGB 238 224 221

HSL 10.59, 0.33%, 0.9%

LAB 90.19, 4.26, 3.17

 

CMYK 0 / 22 / 15 / 17

HEX #D4A5B4

RGB 212 165 180

HSL 340.85, 0.35%, 0.74%

LAB 72.36, 19.62, -1.06

 

CMYK 0 / 14 / 10 / 12

HEX #E1C1CB

RGB 225 193 203

HSL 341.25, 0.35%, 0.82%

LAB 80.99, 12.98, -0.8

 

CMYK 0 / 7 / 5 / 7

HEX #EEDDE3

RGB 238 221 227

HSL 338.82, 0.33%, 0.9%

LAB 89.6, 6.84, -0.84

 

CMYK 0 / 2 / 1 / 1

HEX #FCF8FA

RGB 252 248 250

HSL 330, 0.4%, 0.98%

LAB 97.93, 1.68, -0.5

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 8 / 5 / 7

HEX #EEDCE2

RGB 238 220 226

HSL 340, 0.35%, 0.9%

LAB 89.32, 7.19, -0.71

 

CMYK 0 / 1 / 7 / 7

HEX #EEECDD

RGB 238 236 221

HSL 52.94, 0.33%, 0.9%

LAB 93.18, -1.89, 7.5

 

CMYK 7 / 2 / 0 / 7

HEX #DDEAEE

RGB 221 234 238

HSL 194.12, 0.33%, 0.9%

LAB 91.86, -3.55, -3.43

 

CMYK 0 / 8 / 5 / 7

HEX #EEDCE2

RGB 238 220 226

HSL 340, 0.35%, 0.9%

LAB 89.32, 7.19, -0.71

 

CMYK 5 / 0 / 7 / 7

HEX #E3EEDD

RGB 227 238 221

HSL 98.82, 0.33%, 0.9%

LAB 92.88, -6.66, 6.96

 

CMYK 7 / 5 / 0 / 7

HEX #DDE3EE

RGB 221 227 238

HSL 218.82, 0.33%, 0.9%

LAB 90.08, 0.05, -6.05

 

CMYK 0 / 8 / 5 / 7

HEX #EEDCE2

RGB 238 220 226

HSL 340, 0.35%, 0.9%

LAB 89.32, 7.19, -0.71

 

CMYK 0 / 1 / 7 / 7

HEX #EEECDD

RGB 238 236 221

HSL 52.94, 0.33%, 0.9%

LAB 93.18, -1.89, 7.5

 

CMYK 7 / 0 / 3 / 7

HEX #DDEEE8

RGB 221 238 232

HSL 158.82, 0.33%, 0.9%

LAB 92.73, -6.7, 0.96

 

CMYK 7 / 6 / 0 / 7

HEX #DDDFEE

RGB 221 223 238

HSL 232.94, 0.33%, 0.9%

LAB 89.07, 2.13, -7.54

 

CMYK 0 / 8 / 5 / 7

HEX #EEDCE2

RGB 238 220 226

HSL 340, 0.35%, 0.9%

LAB 89.32, 7.19, -0.71

 

CMYK 1 / 0 / 7 / 7

HEX #EBEEDD

RGB 235 238 221

HSL 70.59, 0.33%, 0.9%

LAB 93.46, -3.94, 7.87

 

CMYK 7 / 0 / 3 / 7

HEX #DDEEE8

RGB 221 238 232

HSL 158.82, 0.33%, 0.9%

LAB 92.73, -6.7, 0.96

 

CMYK 6 / 7 / 0 / 7

HEX #E0DDEE

RGB 224 221 238

HSL 250.59, 0.33%, 0.9%

LAB 88.8, 4.15, -7.93

 

Description

Color code: HEX #EEDCE2CE | qconv.com Color code: HEX #EEDCE2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 220 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 220 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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