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Color name
HEX #EEDC1C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDC1C it is the complementary color #1123E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDC1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDC1C shade: #F3DC17, #FFEE2A, #FFFF3D, #FFFF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDC1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDC1C shade: #EEDC1C, #DDCA09, #CCB800, #BBA600 and #AA9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDC1C shade: #EEDC1B, #EEA31B, #EE6A1B, #EE321B and #EE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDC1C shade: #EEDC1B, #C7EE1B, #8EEE1B, #56EE1B and #1DEE1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDC1C shade matches the following richer shades: #EEDC1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDC1C shade: #EEDC1B, #DACB2F, #C6BB43, #B2AB57 and #9F9A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDC1C shade: #EE691B, #EEA11B, #EED91B, #CBEE1B and #93EE1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDC1C shade: #AA9C0D, #D0C010, #EEDC1B, #F1E242 and #F4E868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDC1C shade: #EEDC1C, #1BEE30 and #851BEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDC1C shade: #EEDC1C, #1BEED9 and #D91BEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDC1C shade: #EEDC1C, #1BEE30, #1B30EE and #EE1BD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDC1C shade: #EEDC1C, #1BEE70, #1B30EE and #EE1B9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 88 / 7

HEX #EEDC1C

RGB 238 220 28

HSL 54.86, 0.86%, 0.52%

LAB 86.73, -11.35, 83.17

 

Complementary color

CMYK 93 / 85 / 0 / 11

HEX #1123E3

RGB 17 35 227

HSL 234.86, 0.86%, 0.48%

LAB 31.5, 63.62, -93.32

 

CMYK 0 / 9 / 91 / 5

HEX #F3DC17

RGB 243 220 23

HSL 53.73, 0.9%, 0.52%

LAB 87.15, -9.31, 84.48

 

CMYK 0 / 7 / 84 / 0

HEX #FFEE2A

RGB 255 238 42

HSL 55.21, 1%, 0.58%

LAB 92.83, -12.81, 85.92

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3D

RGB 255 255 61

HSL 60, 1%, 0.62%

LAB 97.28, -20.45, 84.96

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 8 / 88 / 7

HEX #EEDC1C

RGB 238 220 28

HSL 54.86, 0.86%, 0.52%

LAB 86.73, -11.35, 83.17

 

CMYK 0 / 9 / 96 / 13

HEX #DDCA09

RGB 221 202 9

HSL 54.62, 0.92%, 0.45%

LAB 80.53, -9.83, 80.31

 

CMYK 0 / 10 / 100 / 20

HEX #CCB800

RGB 204 184 0

HSL 54.12, 1%, 0.4%

LAB 74.27, -8.11, 75.97

 

CMYK 0 / 11 / 100 / 27

HEX #BBA600

RGB 187 166 0

HSL 53.26, 1%, 0.37%

LAB 67.9, -6.25, 70.7

HEX #BBA600

CMYK 0 / 13 / 100 / 33

HEX #AA9400

RGB 170 148 0

HSL 52.24, 1%, 0.33%

LAB 61.42, -4.33, 65.34

HEX #AA9400

CMYK 0 / 8 / 89 / 7

HEX #EEDC1B

RGB 238 220 27

HSL 54.88, 0.86%, 0.52%

LAB 86.72, -11.36, 83.33

 

CMYK 0 / 32 / 89 / 7

HEX #EEA31B

RGB 238 163 27

HSL 38.67, 0.86%, 0.52%

LAB 72.53, 18.11, 72.3

 

CMYK 0 / 55 / 89 / 7

HEX #EE6A1B

RGB 238 106 27

HSL 22.46, 0.86%, 0.52%

LAB 60.4, 47.31, 63.03

 

CMYK 0 / 79 / 89 / 7

HEX #EE321B

RGB 238 50 27

HSL 6.54, 0.86%, 0.52%

LAB 52.44, 68.76, 57.11

 

CMYK 0 / 89 / 89 / 7

HEX #EE1B1B

RGB 238 27 27

HSL 0, 0.86%, 0.52%

LAB 50.73, 73.61, 55.87

 

CMYK 0 / 8 / 89 / 7

HEX #EEDC1B

RGB 238 220 27

HSL 54.88, 0.86%, 0.52%

LAB 86.72, -11.36, 83.33

 

CMYK 16 / 0 / 89 / 7

HEX #C7EE1B

RGB 199 238 27

HSL 71.09, 0.86%, 0.52%

LAB 88.62, -36.02, 83.61

 

CMYK 40 / 0 / 89 / 7

HEX #8EEE1B

RGB 142 238 27

HSL 87.3, 0.86%, 0.52%

LAB 85.49, -56.85, 79.76

 

CMYK 64 / 0 / 89 / 7

HEX #56EE1B

RGB 86 238 27

HSL 103.22, 0.86%, 0.52%

LAB 83.55, -72.05, 77.34

 

CMYK 88 / 0 / 89 / 7

HEX #1DEE1B

RGB 29 238 27

HSL 119.43, 0.86%, 0.52%

LAB 82.64, -79.97, 76.2

 

CMYK 0 / 8 / 89 / 7

HEX #EEDC1B

RGB 238 220 27

HSL 54.88, 0.86%, 0.52%

LAB 86.72, -11.36, 83.33

 

CMYK 0 / 8 / 89 / 7

HEX #EEDC1B

RGB 238 220 27

HSL 54.88, 0.86%, 0.52%

LAB 86.72, -11.36, 83.33

 

CMYK 0 / 7 / 78 / 15

HEX #DACB2F

RGB 218 203 47

HSL 54.74, 0.7%, 0.52%

LAB 80.64, -10.83, 72.98

 

CMYK 0 / 6 / 66 / 22

HEX #C6BB43

RGB 198 187 67

HSL 54.96, 0.53%, 0.52%

LAB 74.79, -10.3, 59.73

 

CMYK 0 / 4 / 51 / 30

HEX #B2AB57

RGB 178 171 87

HSL 55.38, 0.37%, 0.52%

LAB 68.95, -9.02, 43.7

 

CMYK 0 / 3 / 33 / 38

HEX #9F9A6B

RGB 159 154 107

HSL 54.23, 0.21%, 0.52%

LAB 62.96, -5.67, 25.38

 

CMYK 0 / 56 / 89 / 7

HEX #EE691B

RGB 238 105 27

HSL 22.18, 0.86%, 0.52%

LAB 60.21, 47.78, 62.89

 

CMYK 0 / 32 / 89 / 7

HEX #EEA11B

RGB 238 161 27

HSL 38.1, 0.86%, 0.52%

LAB 72.06, 19.17, 71.93

 

CMYK 0 / 9 / 89 / 7

HEX #EED91B

RGB 238 217 27

HSL 54.03, 0.86%, 0.52%

LAB 85.95, -9.87, 82.73

 

CMYK 15 / 0 / 89 / 7

HEX #CBEE1B

RGB 203 238 27

HSL 69.95, 0.86%, 0.52%

LAB 88.89, -34.43, 83.93

 

CMYK 38 / 0 / 89 / 7

HEX #93EE1B

RGB 147 238 27

HSL 85.88, 0.86%, 0.52%

LAB 85.72, -55.2, 80.04

 

CMYK 0 / 8 / 92 / 33

HEX #AA9C0D

RGB 170 156 13

HSL 54.65, 0.86%, 0.36%

LAB 63.63, -8.43, 65.1

 

CMYK 0 / 8 / 92 / 18

HEX #D0C010

RGB 208 192 16

HSL 55, 0.86%, 0.44%

LAB 76.77, -10.29, 76.2

 

CMYK 0 / 8 / 89 / 7

HEX #EEDC1B

RGB 238 220 27

HSL 54.88, 0.86%, 0.52%

LAB 86.72, -11.36, 83.33

 

CMYK 0 / 6 / 73 / 5

HEX #F1E242

RGB 241 226 66

HSL 54.86, 0.86%, 0.6%

LAB 88.68, -11.92, 75.07

 

CMYK 0 / 5 / 57 / 4

HEX #F4E868

RGB 244 232 104

HSL 54.86, 0.86%, 0.68%

LAB 90.76, -11.51, 62.38

 

CMYK 0 / 8 / 88 / 7

HEX #EEDC1C

RGB 238 220 28

HSL 54.86, 0.86%, 0.52%

LAB 86.73, -11.35, 83.17

 

CMYK 89 / 0 / 80 / 7

HEX #1BEE30

RGB 27 238 48

HSL 125.97, 0.86%, 0.52%

LAB 82.7, -79.19, 71.63

 

CMYK 44 / 89 / 0 / 7

HEX #851BEE

RGB 133 27 238

HSL 270.14, 0.86%, 0.52%

LAB 41.13, 76.24, -83.36

 

CMYK 0 / 8 / 88 / 7

HEX #EEDC1C

RGB 238 220 28

HSL 54.86, 0.86%, 0.52%

LAB 86.73, -11.35, 83.17

 

CMYK 89 / 0 / 9 / 7

HEX #1BEED9

RGB 27 238 217

HSL 174.03, 0.86%, 0.52%

LAB 85.2, -50.72, -3.06

 

CMYK 9 / 89 / 0 / 7

HEX #D91BEE

RGB 217 27 238

HSL 294.03, 0.86%, 0.52%

LAB 53.72, 87.57, -62.3

 

CMYK 0 / 8 / 88 / 7

HEX #EEDC1C

RGB 238 220 28

HSL 54.86, 0.86%, 0.52%

LAB 86.73, -11.35, 83.17

 

CMYK 89 / 0 / 80 / 7

HEX #1BEE30

RGB 27 238 48

HSL 125.97, 0.86%, 0.52%

LAB 82.7, -79.19, 71.63

 

CMYK 89 / 80 / 0 / 7

HEX #1B30EE

RGB 27 48 238

HSL 234.03, 0.86%, 0.52%

LAB 35.04, 61.38, -93.69

 

CMYK 0 / 89 / 9 / 7

HEX #EE1BD9

RGB 238 27 217

HSL 305.97, 0.86%, 0.52%

LAB 56.06, 88.06, -46.49

 

CMYK 0 / 8 / 88 / 7

HEX #EEDC1C

RGB 238 220 28

HSL 54.86, 0.86%, 0.52%

LAB 86.73, -11.35, 83.17

 

CMYK 89 / 0 / 53 / 7

HEX #1BEE70

RGB 27 238 112

HSL 144.17, 0.86%, 0.52%

LAB 83.21, -72.85, 47.58

 

CMYK 89 / 80 / 0 / 7

HEX #1B30EE

RGB 27 48 238

HSL 234.03, 0.86%, 0.52%

LAB 35.04, 61.38, -93.69

 

CMYK 0 / 89 / 35 / 7

HEX #EE1B9A

RGB 238 27 154

HSL 323.89, 0.86%, 0.52%

LAB 53.27, 80.7, -14.22

 

Description

Color code: HEX #EEDC1C | qconv.com Color code: HEX #EEDC1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 220 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 220 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 88 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 88% 7% C M Y K

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