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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDBC8 it is the complementary color #112437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDBC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDBC8 shade: #F3DBC3, #FFEDD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDBC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDBC8 shade: #EEDBC8, #DDC9B5, #CCB7A2, #BBA58F and #AA937C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDBC8 shade: #EEDBC8, #EED1C8 and #EEC8C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDBC8 shade: #EEDBC8, #EEE5C8, #ECEEC8, #E2EEC8 and #D8EEC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDBC8 shade matches the following richer shades: #EEDBC8, #F3DBC2 and #F9DBBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDBC8 shade: #EEDBC8, #E8DBCE, #E2DBD3, #DCDBD9 and #D7DBDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDBC8 shade: #EEC8C9, #EED1C8, #EEDBC8, #EEE5C8 and #ECEEC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDBC8 shade: #DAB289, #E4C6A8, #EEDBC8 and #F7EFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDBC8 shade: #EEDBC8, #D3EEC8 and #CCC8EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDBC8 shade: #EEDBC8, #C8EEDB and #DBC8EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDBC8 shade: #EEDBC8, #D3EEC8, #C8DBEE and #E2C8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDBC8 shade: #EEDBC8, #C8EEC8, #C8DBEE and #EEC8EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

Complementary color

CMYK 69 / 35 / 0 / 78

HEX #112437

RGB 17 36 55

HSL 210, 0.53%, 0.14%

LAB 13.57, -0.63, -14.67

 

CMYK 0 / 10 / 20 / 5

HEX #F3DBC3

RGB 243 219 195

HSL 30, 0.67%, 0.86%

LAB 88.76, 4.54, 14.81

 

CMYK 0 / 7 / 16 / 0

HEX #FFEDD6

RGB 255 237 214

HSL 33.66, 1%, 0.92%

LAB 94.6, 2.44, 13.33

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 0 / 9 / 18 / 13

HEX #DDC9B5

RGB 221 201 181

HSL 30, 0.37%, 0.79%

LAB 82.1, 3.79, 12.53

 

CMYK 0 / 10 / 21 / 20

HEX #CCB7A2

RGB 204 183 162

HSL 30, 0.29%, 0.72%

LAB 75.65, 4.13, 13.41

 

CMYK 0 / 12 / 24 / 27

HEX #BBA58F

RGB 187 165 143

HSL 30, 0.24%, 0.65%

LAB 69.08, 4.52, 14.34

 

CMYK 0 / 14 / 27 / 33

HEX #AA937C

RGB 170 147 124

HSL 30, 0.21%, 0.58%

LAB 62.4, 4.95, 15.35

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 0 / 12 / 16 / 7

HEX #EED1C8

RGB 238 209 200

HSL 14.21, 0.53%, 0.86%

LAB 85.98, 8.68, 8.16

 

CMYK 0 / 16 / 16 / 7

HEX #EEC8C8

RGB 238 200 200

HSL 0, 0.53%, 0.86%

LAB 83.79, 13.41, 5.01

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 0 / 4 / 16 / 7

HEX #EEE5C8

RGB 238 229 200

HSL 45.79, 0.53%, 0.86%

LAB 90.96, -1.65, 15.24

 

CMYK 1 / 0 / 16 / 7

HEX #ECEEC8

RGB 236 238 200

HSL 63.16, 0.53%, 0.86%

LAB 93.08, -6.93, 18.2

 

CMYK 5 / 0 / 16 / 7

HEX #E2EEC8

RGB 226 238 200

HSL 78.95, 0.53%, 0.86%

LAB 92.35, -10.46, 17.07

 

CMYK 9 / 0 / 16 / 7

HEX #D8EEC8

RGB 216 238 200

HSL 94.74, 0.53%, 0.86%

LAB 91.65, -13.94, 15.98

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 0 / 10 / 20 / 5

HEX #F3DBC2

RGB 243 219 194

HSL 30.61, 0.67%, 0.86%

LAB 88.74, 4.4, 15.3

 

CMYK 0 / 12 / 24 / 2

HEX #F9DBBC

RGB 249 219 188

HSL 30.49, 0.84%, 0.86%

LAB 89.13, 5.75, 19.06

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 0 / 6 / 11 / 9

HEX #E8DBCE

RGB 232 219 206

HSL 30, 0.36%, 0.86%

LAB 88.1, 2.29, 7.97

 

CMYK 0 / 3 / 7 / 11

HEX #E2DBD3

RGB 226 219 211

HSL 32, 0.21%, 0.86%

LAB 87.74, 1.01, 4.77

 

CMYK 0 / 0 / 1 / 14

HEX #DCDBD9

RGB 220 219 217

HSL 40, 0.04%, 0.86%

LAB 87.43, -0.01, 1.09

 

CMYK 4 / 2 / 0 / 13

HEX #D7DBDF

RGB 215 219 223

HSL 210, 0.11%, 0.86%

LAB 87.21, -0.61, -2.44

 

CMYK 0 / 16 / 16 / 7

HEX #EEC8C9

RGB 238 200 201

HSL 358.42, 0.53%, 0.86%

LAB 83.81, 13.56, 4.51

 

CMYK 0 / 12 / 16 / 7

HEX #EED1C8

RGB 238 209 200

HSL 14.21, 0.53%, 0.86%

LAB 85.98, 8.68, 8.16

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 0 / 4 / 16 / 7

HEX #EEE5C8

RGB 238 229 200

HSL 45.79, 0.53%, 0.86%

LAB 90.96, -1.65, 15.24

 

CMYK 1 / 0 / 16 / 7

HEX #ECEEC8

RGB 236 238 200

HSL 63.16, 0.53%, 0.86%

LAB 93.08, -6.93, 18.2

 

CMYK 0 / 18 / 37 / 15

HEX #DAB289

RGB 218 178 137

HSL 30.37, 0.52%, 0.7%

LAB 75.17, 8.89, 26.42

 

CMYK 0 / 13 / 26 / 11

HEX #E4C6A8

RGB 228 198 168

HSL 30, 0.53%, 0.78%

LAB 81.68, 6.11, 18.95

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 0 / 3 / 6 / 3

HEX #F7EFE7

RGB 247 239 231

HSL 30, 0.5%, 0.94%

LAB 94.86, 1.33, 4.81

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 11 / 0 / 16 / 7

HEX #D3EEC8

RGB 211 238 200

HSL 102.63, 0.53%, 0.86%

LAB 91.31, -15.65, 15.46

 

CMYK 14 / 16 / 0 / 7

HEX #CCC8EE

RGB 204 200 238

HSL 246.32, 0.53%, 0.86%

LAB 82.01, 8.8, -18.24

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 16 / 0 / 8 / 7

HEX #C8EEDB

RGB 200 238 219

HSL 150, 0.53%, 0.86%

LAB 91.03, -15.94, 5.09

 

CMYK 8 / 16 / 0 / 7

HEX #DBC8EE

RGB 219 200 238

HSL 270, 0.53%, 0.86%

LAB 83.2, 13.6, -16.33

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 11 / 0 / 16 / 7

HEX #D3EEC8

RGB 211 238 200

HSL 102.63, 0.53%, 0.86%

LAB 91.31, -15.65, 15.46

 

CMYK 16 / 8 / 0 / 7

HEX #C8DBEE

RGB 200 219 238

HSL 210, 0.53%, 0.86%

LAB 86.56, -2.5, -11.44

 

CMYK 5 / 16 / 0 / 7

HEX #E2C8EE

RGB 226 200 238

HSL 281.05, 0.53%, 0.86%

LAB 83.78, 15.88, -15.39

 

CMYK 0 / 8 / 16 / 7

HEX #EEDBC8

RGB 238 219 200

HSL 30, 0.53%, 0.86%

LAB 88.45, 3.48, 11.69

 

CMYK 16 / 0 / 16 / 7

HEX #C8EEC8

RGB 200 238 200

HSL 120, 0.53%, 0.86%

LAB 90.6, -19.36, 14.35

 

CMYK 16 / 8 / 0 / 7

HEX #C8DBEE

RGB 200 219 238

HSL 210, 0.53%, 0.86%

LAB 86.56, -2.5, -11.44

 

CMYK 0 / 16 / 0 / 7

HEX #EEC8EE

RGB 238 200 238

HSL 300, 0.53%, 0.86%

LAB 84.82, 19.83, -13.73

 

Description

Color code: HEX #EEDBC8 | qconv.com Color code: HEX #EEDBC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 219 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 219 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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