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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED8B2CE it is the complementary color #11274DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED8B2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED8B2CE shade: #F3D8ADCE, #FFEAC0CE, #FFFCD3CE, #FFFFE6CE and #FFFFF9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED8B2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED8B2CE shade: #EED8B2CE, #DDC69FCE, #CCB48CCE, #BBA279CE and #AA9066CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED8B2CE shade: #EED9B4, #EEC9B4, #EEB9B4 and #EEB4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED8B2CE shade: #EED9B4, #EEE9B4, #E4EEB4, #D4EEB4 and #C5EEB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED8B2CE shade matches the following richer shades: #EED9B4, #F6DBAC and #FDDDA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED8B2CE shade: #EED9B4, #E7D7BB, #E0D5C3, #D8D3CA and #D1D1D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED8B2CE shade: #EEBAB4, #EEC9B4, #EED9B4, #EEE9B4 and #E5EEB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED8B2CE shade: #E0B770, #E7C892, #EED9B4, #F6EAD6 and #FDFBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED8B2CE shade: #EED8B2, #BEEEB4 and #C1B4EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED8B2CE shade: #EED8B2, #B4EED9 and #D9B4EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED8B2CE shade: #EED8B2, #BEEEB4, #B4C9EE and #E5B4EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED8B2CE shade: #EED8B2, #B4EEBC, #B4C9EE and #EEB4E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 20 / 5

HEX #EED8B2CE

RGBA 238 216 178 0.81

HSLA 38, 0.64%, 0.82%, 0.81

LABA 87.24, 1.85, 21.52, 0.81

 

Complementary color

CMYK 63 / 40 / 0 / 57

HEX #11274DCE

RGBA 17 39 77 0.81

HSLA 218, 0.64%, 0.18%, 0.81

LABA 16.03, 6.46, -26.04, 0.81

 

CMYK 0 / 9 / 23 / 4

HEX #F3D8ADCE

RGBA 243 216 173 0.81

HSLA 36.86, 0.74%, 0.82%, 0.81

LABA 87.57, 3.06, 24.65, 0.81

 

CMYK 0 / 7 / 20 / 0

HEX #FFEAC0CE

RGBA 255 234 192 0.81

HSLA 40, 1%, 0.88%, 0.81

LABA 93.41, 0.83, 23.01, 0.81

 

CMYK 0 / 1 / 14 / 0

HEX #FFFCD3CE

RGBA 255 252 211 0.81

HSLA 55.91, 1%, 0.91%, 0.81

LABA 98.27, -5.56, 20.03, 0.81

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFE6CE

RGBA 255 255 230 0.81

HSLA 60, 1%, 0.95%, 0.81

LABA 99.41, -4.17, 11.95, 0.81

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9CE

RGBA 255 255 249 0.81

HSLA 60, 1%, 0.99%, 0.81

LABA 99.85, -1.03, 2.85, 0.81

 

CMYK 0 / 7 / 20 / 5

HEX #EED8B2CE

RGBA 238 216 178 0.81

HSLA 38, 0.64%, 0.82%, 0.81

LABA 87.24, 1.85, 21.52, 0.81

 

CMYK 0 / 8 / 23 / 11

HEX #DDC69FCE

RGBA 221 198 159 0.81

HSLA 37.74, 0.48%, 0.75%, 0.81

LABA 80.89, 2.23, 22.52, 0.81

 

CMYK 0 / 10 / 25 / 16

HEX #CCB48CCE

RGBA 204 180 140 0.81

HSLA 37.5, 0.39%, 0.67%, 0.81

LABA 74.43, 2.66, 23.59, 0.81

 

CMYK 0 / 11 / 29 / 22

HEX #BBA279CE

RGBA 187 162 121 0.81

HSLA 37.27, 0.33%, 0.6%, 0.81

LABA 67.86, 3.16, 24.73, 0.81

 

CMYK 0 / 12 / 32 / 27

HEX #AA9066CE

RGBA 170 144 102 0.81

HSLA 37.06, 0.29%, 0.53%, 0.81

LABA 61.18, 3.74, 25.95, 0.81

 

CMYK 0 / 9 / 24 / 7

HEX #EED9B4

RGB 238 217 180

HSL 38.28, 0.63%, 0.82%

LAB 87.53, 1.61, 20.88

 

CMYK 0 / 16 / 24 / 7

HEX #EEC9B4

RGB 238 201 180

HSL 21.72, 0.63%, 0.82%

LAB 83.57, 9.93, 15.35

 

CMYK 0 / 22 / 24 / 7

HEX #EEB9B4

RGB 238 185 180

HSL 5.17, 0.63%, 0.82%

LAB 79.71, 18.38, 9.88

 

CMYK 0 / 24 / 24 / 7

HEX #EEB4B4

RGB 238 180 180

HSL 0, 0.63%, 0.82%

LAB 78.53, 21.04, 8.2

 

CMYK 0 / 9 / 24 / 7

HEX #EED9B4

RGB 238 217 180

HSL 38.28, 0.63%, 0.82%

LAB 87.53, 1.61, 20.88

 

CMYK 0 / 2 / 24 / 7

HEX #EEE9B4

RGB 238 233 180

HSL 54.83, 0.63%, 0.82%

LAB 91.57, -6.54, 26.44

 

CMYK 4 / 0 / 24 / 7

HEX #E4EEB4

RGB 228 238 180

HSL 70.34, 0.63%, 0.82%

LAB 92.1, -12.7, 27.04

 

CMYK 11 / 0 / 24 / 7

HEX #D4EEB4

RGB 212 238 180

HSL 86.9, 0.63%, 0.82%

LAB 90.98, -18.44, 25.32

 

CMYK 17 / 0 / 24 / 7

HEX #C5EEB4

RGB 197 238 180

HSL 102.41, 0.63%, 0.82%

LAB 90.01, -23.66, 23.82

 

CMYK 0 / 9 / 24 / 7

HEX #EED9B4

RGB 238 217 180

HSL 38.28, 0.63%, 0.82%

LAB 87.53, 1.61, 20.88

 

CMYK 0 / 11 / 30 / 4

HEX #F6DBAC

RGB 246 219 172

HSL 38.11, 0.8%, 0.82%

LAB 88.56, 2.53, 26.56

 

CMYK 0 / 13 / 35 / 1

HEX #FDDDA5

RGB 253 221 165

HSL 38.18, 0.96%, 0.82%

LAB 89.54, 3.31, 31.59

 

CMYK 0 / 9 / 24 / 7

HEX #EED9B4

RGB 238 217 180

HSL 38.28, 0.63%, 0.82%

LAB 87.53, 1.61, 20.88

 

CMYK 0 / 7 / 19 / 9

HEX #E7D7BB

RGB 231 215 187

HSL 38.18, 0.48%, 0.82%

LAB 86.59, 1.06, 15.81

 

CMYK 0 / 5 / 13 / 12

HEX #E0D5C3

RGB 224 213 195

HSL 37.24, 0.32%, 0.82%

LAB 85.69, 0.79, 10.24

 

CMYK 0 / 2 / 6 / 15

HEX #D8D3CA

RGB 216 211 202

HSL 38.57, 0.15%, 0.82%

LAB 84.72, 0.15, 5.05

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D1

RGB 209 209 209

HSL 0, 0%, 0.82%

LAB 83.84, 0, -0.01

 

CMYK 0 / 22 / 24 / 7

HEX #EEBAB4

RGB 238 186 180

HSL 6.21, 0.63%, 0.82%

LAB 79.95, 17.85, 10.22

 

CMYK 0 / 16 / 24 / 7

HEX #EEC9B4

RGB 238 201 180

HSL 21.72, 0.63%, 0.82%

LAB 83.57, 9.93, 15.35

 

CMYK 0 / 9 / 24 / 7

HEX #EED9B4

RGB 238 217 180

HSL 38.28, 0.63%, 0.82%

LAB 87.53, 1.61, 20.88

 

CMYK 0 / 2 / 24 / 7

HEX #EEE9B4

RGB 238 233 180

HSL 54.83, 0.63%, 0.82%

LAB 91.57, -6.54, 26.44

 

CMYK 4 / 0 / 24 / 7

HEX #E5EEB4

RGB 229 238 180

HSL 69.31, 0.63%, 0.82%

LAB 92.18, -12.34, 27.15

 

CMYK 0 / 18 / 50 / 12

HEX #E0B770

RGB 224 183 112

HSL 38.04, 0.64%, 0.66%

LAB 76.61, 6.06, 41.46

 

CMYK 0 / 13 / 37 / 9

HEX #E7C892

RGB 231 200 146

HSL 38.12, 0.64%, 0.74%

LAB 82.04, 3.45, 31.06

 

CMYK 0 / 9 / 24 / 7

HEX #EED9B4

RGB 238 217 180

HSL 38.28, 0.63%, 0.82%

LAB 87.53, 1.61, 20.88

 

CMYK 0 / 5 / 13 / 4

HEX #F6EAD6

RGB 246 234 214

HSL 37.5, 0.64%, 0.9%

LAB 93.14, 0.79, 11.15

 

CMYK 0 / 1 / 2 / 1

HEX #FDFBF7

RGB 253 251 247

HSL 40, 0.6%, 0.98%

LAB 98.67, -0.03, 2.14

 

CMYK 0 / 9 / 25 / 7

HEX #EED8B2

RGB 238 216 178

HSL 38, 0.64%, 0.82%

LAB 87.24, 1.85, 21.52

 

CMYK 20 / 0 / 24 / 7

HEX #BEEEB4

RGB 190 238 180

HSL 109.66, 0.63%, 0.82%

LAB 89.58, -26.04, 23.17

 

CMYK 19 / 24 / 0 / 7

HEX #C1B4EE

RGB 193 180 238

HSL 253.45, 0.63%, 0.82%

LAB 76.16, 16.21, -27.21

 

CMYK 0 / 9 / 25 / 7

HEX #EED8B2

RGB 238 216 178

HSL 38, 0.64%, 0.82%

LAB 87.24, 1.85, 21.52

 

CMYK 24 / 0 / 9 / 7

HEX #B4EED9

RGB 180 238 217

HSL 158.28, 0.63%, 0.82%

LAB 89.8, -22.57, 4.2

 

CMYK 9 / 24 / 0 / 7

HEX #D9B4EE

RGB 217 180 238

HSL 278.28, 0.63%, 0.82%

LAB 78.21, 23.72, -23.9

 

CMYK 0 / 9 / 25 / 7

HEX #EED8B2

RGB 238 216 178

HSL 38, 0.64%, 0.82%

LAB 87.24, 1.85, 21.52

 

CMYK 20 / 0 / 24 / 7

HEX #BEEEB4

RGB 190 238 180

HSL 109.66, 0.63%, 0.82%

LAB 89.58, -26.04, 23.17

 

CMYK 24 / 16 / 0 / 7

HEX #B4C9EE

RGB 180 201 238

HSL 218.28, 0.63%, 0.82%

LAB 80.54, 0.88, -20.62

 

CMYK 4 / 24 / 0 / 7

HEX #E5B4EE

RGB 229 180 238

HSL 290.69, 0.63%, 0.82%

LAB 79.31, 27.56, -22.12

 

CMYK 0 / 9 / 25 / 7

HEX #EED8B2

RGB 238 216 178

HSL 38, 0.64%, 0.82%

LAB 87.24, 1.85, 21.52

 

CMYK 24 / 0 / 21 / 7

HEX #B4EEBC

RGB 180 238 188

HSL 128.28, 0.63%, 0.82%

LAB 89.15, -27.98, 18.36

 

CMYK 24 / 16 / 0 / 7

HEX #B4C9EE

RGB 180 201 238

HSL 218.28, 0.63%, 0.82%

LAB 80.54, 0.88, -20.62

 

CMYK 0 / 24 / 3 / 7

HEX #EEB4E7

RGB 238 180 231

HSL 307.24, 0.63%, 0.82%

LAB 79.95, 29.21, -17.3

 

Description

Color code: HEX #EED8B2CE | qconv.com Color code: HEX #EED8B2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 216 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 216 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 20 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 20% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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