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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED7CCCE it is the complementary color #112833CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED7CCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED7CCCE shade: #F3D7C7CE, #FFE9DACE, #FFFBEDCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED7CCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED7CCCE shade: #EED7CCCE, #DDC5B9CE, #CCB3A6CE, #BBA193CE and #AA8F80CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED7CCCE shade: #EED8CD, #EECFCD and #EECDCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED7CCCE shade: #EED8CD, #EEE1CD, #EEEACD, #EAEECD and #E1EECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED7CCCE shade matches the following richer shades: #EED8CD, #F4D6C8, #F9D4C3 and #FFD2BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED7CCCE shade: #EED8CD, #E9DAD3, #E4DCD8, #DEDEDD and #D9E0E3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED7CCCE shade: #EECDD4, #EECFCD, #EED8CD, #EEE1CD and #EEE9CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED7CCCE shade: #DAA78F, #E4C0AE, #EED8CD, #F9F0EC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED7CCCE shade: #EED7CC, #DDEECD and #CDD0EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED7CCCE shade: #EED7CC, #CDEED8 and #D8CDEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED7CCCE shade: #EED7CC, #DDEECD, #CDE4EE and #DECDEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED7CCCE shade: #EED7CC, #D3EECD, #CDE4EE and #E8CDEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 12 / 5

HEX #EED7CCCE

RGBA 238 215 204 0.81

HSLA 19.41, 0.5%, 0.87%, 0.81

LABA 87.55, 6.17, 8.3, 0.81

 

Complementary color

CMYK 54 / 17 / 0 / 65

HEX #112833CE

RGBA 17 40 51 0.81

HSLA 199.41, 0.5%, 0.13%, 0.81

LABA 14.82, -5.04, -9.9, 0.81

 

CMYK 0 / 9 / 15 / 4

HEX #F3D7C7CE

RGBA 243 215 199 0.81

HSLA 21.82, 0.65%, 0.87%, 0.81

LABA 87.86, 7.21, 11.44, 0.81

 

CMYK 0 / 7 / 12 / 0

HEX #FFE9DACE

RGBA 255 233 218 0.81

HSLA 24.32, 1%, 0.93%, 0.81

LABA 93.71, 5.09, 9.99, 0.81

 

CMYK 0 / 1 / 6 / 0

HEX #FFFBEDCE

RGBA 255 251 237 0.81

HSLA 46.67, 1%, 0.96%, 0.81

LABA 98.58, -1.03, 7.16, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 8 / 12 / 5

HEX #EED7CCCE

RGBA 238 215 204 0.81

HSLA 19.41, 0.5%, 0.87%, 0.81

LABA 87.55, 6.17, 8.3, 0.81

 

CMYK 0 / 9 / 13 / 11

HEX #DDC5B9CE

RGBA 221 197 185 0.81

HSLA 20, 0.35%, 0.8%, 0.81

LABA 81.19, 6.51, 9.09, 0.81

 

CMYK 0 / 10 / 15 / 16

HEX #CCB3A6CE

RGBA 204 179 166 0.81

HSLA 20.53, 0.27%, 0.73%, 0.81

LABA 74.72, 6.88, 9.92, 0.81

 

CMYK 0 / 11 / 17 / 22

HEX #BBA193CE

RGBA 187 161 147 0.81

HSLA 21, 0.23%, 0.65%, 0.81

LABA 68.14, 7.3, 10.81, 0.81

 

CMYK 0 / 13 / 20 / 27

HEX #AA8F80CE

RGBA 170 143 128 0.81

HSLA 21.43, 0.2%, 0.58%, 0.81

LABA 61.44, 7.77, 11.76, 0.81

 

CMYK 0 / 9 / 14 / 7

HEX #EED8CD

RGB 238 216 205

HSL 20, 0.49%, 0.87%

LAB 87.82, 5.81, 8.16

 

CMYK 0 / 13 / 14 / 7

HEX #EECFCD

RGB 238 207 205

HSL 3.64, 0.49%, 0.87%

LAB 85.61, 10.51, 4.98

 

CMYK 0 / 14 / 14 / 7

HEX #EECDCD

RGB 238 205 205

HSL 0, 0.49%, 0.87%

LAB 85.12, 11.56, 4.28

 

CMYK 0 / 9 / 14 / 7

HEX #EED8CD

RGB 238 216 205

HSL 20, 0.49%, 0.87%

LAB 87.82, 5.81, 8.16

 

CMYK 0 / 5 / 14 / 7

HEX #EEE1CD

RGB 238 225 205

HSL 36.36, 0.49%, 0.87%

LAB 90.06, 1.16, 11.36

 

CMYK 0 / 2 / 14 / 7

HEX #EEEACD

RGB 238 234 205

HSL 52.73, 0.49%, 0.87%

LAB 92.32, -3.43, 14.57

 

CMYK 2 / 0 / 14 / 7

HEX #EAEECD

RGB 234 238 205

HSL 67.27, 0.49%, 0.87%

LAB 93.04, -6.87, 15.54

 

CMYK 5 / 0 / 14 / 7

HEX #E1EECD

RGB 225 238 205

HSL 83.64, 0.49%, 0.87%

LAB 92.38, -10.01, 14.52

 

CMYK 0 / 9 / 14 / 7

HEX #EED8CD

RGB 238 216 205

HSL 20, 0.49%, 0.87%

LAB 87.82, 5.81, 8.16

 

CMYK 0 / 12 / 18 / 4

HEX #F4D6C8

RGB 244 214 200

HSL 19.09, 0.67%, 0.87%

LAB 87.73, 8.24, 10.73

 

CMYK 0 / 15 / 22 / 2

HEX #F9D4C3

RGB 249 212 195

HSL 18.89, 0.82%, 0.87%

LAB 87.57, 10.36, 13.2

 

CMYK 0 / 18 / 26 / 0

HEX #FFD2BD

RGB 255 210 189

HSL 19.09, 1%, 0.87%

LAB 87.5, 12.77, 16.34

 

CMYK 0 / 9 / 14 / 7

HEX #EED8CD

RGB 238 216 205

HSL 20, 0.49%, 0.87%

LAB 87.82, 5.81, 8.16

 

CMYK 0 / 6 / 9 / 9

HEX #E9DAD3

RGB 233 218 211

HSL 19.09, 0.33%, 0.87%

LAB 88.05, 3.97, 5.28

 

CMYK 0 / 4 / 5 / 11

HEX #E4DCD8

RGB 228 220 216

HSL 20, 0.18%, 0.87%

LAB 88.27, 2.04, 2.92

 

CMYK 0 / 0 / 0 / 13

HEX #DEDEDD

RGB 222 222 221

HSL 60, 0.01%, 0.87%

LAB 88.44, -0.17, 0.48

 

CMYK 4 / 1 / 0 / 11

HEX #D9E0E3

RGB 217 224 227

HSL 198, 0.15%, 0.87%

LAB 88.74, -1.79, -2.29

 

CMYK 0 / 14 / 11 / 7

HEX #EECDD4

RGB 238 205 212

HSL 347.27, 0.49%, 0.87%

LAB 85.3, 12.69, 0.81

 

CMYK 0 / 13 / 14 / 7

HEX #EECFCD

RGB 238 207 205

HSL 3.64, 0.49%, 0.87%

LAB 85.61, 10.51, 4.98

 

CMYK 0 / 9 / 14 / 7

HEX #EED8CD

RGB 238 216 205

HSL 20, 0.49%, 0.87%

LAB 87.82, 5.81, 8.16

 

CMYK 0 / 5 / 14 / 7

HEX #EEE1CD

RGB 238 225 205

HSL 36.36, 0.49%, 0.87%

LAB 90.06, 1.16, 11.36

 

CMYK 0 / 2 / 14 / 7

HEX #EEE9CD

RGB 238 233 205

HSL 50.91, 0.49%, 0.87%

LAB 92.07, -2.93, 14.22

 

CMYK 0 / 23 / 34 / 15

HEX #DAA78F

RGB 218 167 143

HSL 19.2, 0.5%, 0.71%

LAB 72.58, 15.51, 19.66

 

CMYK 0 / 16 / 24 / 11

HEX #E4C0AE

RGB 228 192 174

HSL 20, 0.5%, 0.79%

LAB 80.32, 10.11, 13.84

 

CMYK 0 / 9 / 14 / 7

HEX #EED8CD

RGB 238 216 205

HSL 20, 0.49%, 0.87%

LAB 87.82, 5.81, 8.16

 

CMYK 0 / 4 / 5 / 2

HEX #F9F0EC

RGB 249 240 236

HSL 18.46, 0.52%, 0.95%

LAB 95.38, 2.34, 2.99

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 10 / 14 / 7

HEX #EED7CC

RGB 238 215 204

HSL 19.41, 0.5%, 0.87%

LAB 87.55, 6.17, 8.3

 

CMYK 7 / 0 / 14 / 7

HEX #DDEECD

RGB 221 238 205

HSL 90.91, 0.49%, 0.87%

LAB 92.1, -11.4, 14.08

 

CMYK 14 / 13 / 0 / 7

HEX #CDD0EE

RGB 205 208 238

HSL 234.55, 0.49%, 0.87%

LAB 84.1, 4.85, -15.08

 

CMYK 0 / 10 / 14 / 7

HEX #EED7CC

RGB 238 215 204

HSL 19.41, 0.5%, 0.87%

LAB 87.55, 6.17, 8.3

 

CMYK 14 / 0 / 9 / 7

HEX #CDEED8

RGB 205 238 216

HSL 140, 0.49%, 0.87%

LAB 91.27, -14.87, 7.05

 

CMYK 9 / 14 / 0 / 7

HEX #D8CDEE

RGB 216 205 238

HSL 260, 0.49%, 0.87%

LAB 84.19, 9.97, -14.86

 

CMYK 0 / 10 / 14 / 7

HEX #EED7CC

RGB 238 215 204

HSL 19.41, 0.5%, 0.87%

LAB 87.55, 6.17, 8.3

 

CMYK 7 / 0 / 14 / 7

HEX #DDEECD

RGB 221 238 205

HSL 90.91, 0.49%, 0.87%

LAB 92.1, -11.4, 14.08

 

CMYK 14 / 4 / 0 / 7

HEX #CDE4EE

RGB 205 228 238

HSL 198.18, 0.49%, 0.87%

LAB 89.22, -5.59, -7.45

 

CMYK 7 / 14 / 0 / 7

HEX #DECDEE

RGB 222 205 238

HSL 270.91, 0.49%, 0.87%

LAB 84.67, 11.92, -14.09

 

CMYK 0 / 10 / 14 / 7

HEX #EED7CC

RGB 238 215 204

HSL 19.41, 0.5%, 0.87%

LAB 87.55, 6.17, 8.3

 

CMYK 11 / 0 / 14 / 7

HEX #D3EECD

RGB 211 238 205

HSL 109.09, 0.49%, 0.87%

LAB 91.42, -14.81, 13.02

 

CMYK 14 / 4 / 0 / 7

HEX #CDE4EE

RGB 205 228 238

HSL 198.18, 0.49%, 0.87%

LAB 89.22, -5.59, -7.45

 

CMYK 3 / 14 / 0 / 7

HEX #E8CDEE

RGB 232 205 238

HSL 289.09, 0.49%, 0.87%

LAB 85.5, 15.2, -12.77

 

Description

Color code: HEX #EED7CCCE | qconv.com Color code: HEX #EED7CCCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 215 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 215 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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