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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED765 it is the complementary color #11289A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED765 shade: #F3D760, #FFE973, #FFFB86, #FFFF99 and #FFFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED765 shade: #EED765, #DDC552, #CCB33F, #BBA12C and #AA8F19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED765 shade: #EED663, #EEB163, #EE8C63, #EE6663 and #EE6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED765 shade: #EED663, #E0EE63, #BAEE63, #95EE63 and #6FEE63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED765 shade matches the following richer shades: #EED663 and #FCE055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED765 shade: #EED663, #E0CD71, #D2C47F, #C4BA8D and #B6B19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED765 shade: #EE8A63, #EEAF63, #EED463, #E2EE63 and #BDEE63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED765 shade: #E5C319, #EACD3E, #EED663, #F2E088 and #F6EAAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED765 shade: #EED765, #63EE65 and #9D63EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED765 shade: #EED765, #63EED4 and #D463EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED765 shade: #EED765, #63EE65, #637CEE and #EE63EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED765 shade: #EED765, #63EE8F, #637CEE and #EE63C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 58 / 7

HEX #EED765

RGB 238 215 101

HSL 49.93, 0.8%, 0.66%

LAB 85.87, -5.65, 58.06

 

Complementary color

CMYK 89 / 74 / 0 / 40

HEX #11289A

RGB 17 40 154

HSL 229.93, 0.8%, 0.34%

LAB 23.57, 37.23, -63.31

 

CMYK 0 / 12 / 60 / 5

HEX #F3D760

RGB 243 215 96

HSL 48.57, 0.86%, 0.66%

LAB 86.26, -3.95, 60.85

 

CMYK 0 / 9 / 55 / 0

HEX #FFE973

RGB 255 233 115

HSL 50.57, 1%, 0.73%

LAB 92.03, -6.77, 59.17

 

CMYK 0 / 2 / 47 / 0

HEX #FFFB86

RGB 255 251 134

HSL 58.02, 1%, 0.76%

LAB 96.81, -14.09, 56.09

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 10 / 58 / 7

HEX #EED765

RGB 238 215 101

HSL 49.93, 0.8%, 0.66%

LAB 85.87, -5.65, 58.06

 

CMYK 0 / 11 / 63 / 13

HEX #DDC552

RGB 221 197 82

HSL 49.64, 0.67%, 0.59%

LAB 79.56, -4.8, 59.07

 

CMYK 0 / 12 / 69 / 20

HEX #CCB33F

RGB 204 179 63

HSL 49.36, 0.58%, 0.52%

LAB 73.18, -3.8, 59.87

 

CMYK 0 / 14 / 76 / 27

HEX #BBA12C

RGB 187 161 44

HSL 49.09, 0.62%, 0.45%

LAB 66.7, -2.6, 60.23

 

CMYK 0 / 16 / 85 / 33

HEX #AA8F19

RGB 170 143 25

HSL 48.83, 0.74%, 0.38%

LAB 60.12, -1.17, 59.75

 

CMYK 0 / 10 / 58 / 7

HEX #EED663

RGB 238 214 99

HSL 49.64, 0.8%, 0.66%

LAB 85.59, -5.29, 58.65

 

CMYK 0 / 26 / 58 / 7

HEX #EEB163

RGB 238 177 99

HSL 33.67, 0.8%, 0.66%

LAB 76.39, 13.92, 48.02

 

CMYK 0 / 41 / 58 / 7

HEX #EE8C63

RGB 238 140 99

HSL 17.7, 0.8%, 0.66%

LAB 67.9, 33.45, 37.73

 

CMYK 0 / 57 / 58 / 7

HEX #EE6663

RGB 238 102 99

HSL 1.29, 0.8%, 0.66%

LAB 60.41, 52.28, 28.23

 

CMYK 0 / 58 / 58 / 7

HEX #EE6363

RGB 238 99 99

HSL 0, 0.8%, 0.66%

LAB 59.89, 53.65, 27.56

 

CMYK 0 / 10 / 58 / 7

HEX #EED663

RGB 238 214 99

HSL 49.64, 0.8%, 0.66%

LAB 85.59, -5.29, 58.65

 

CMYK 6 / 0 / 58 / 7

HEX #E0EE63

RGB 224 238 99

HSL 66.04, 0.8%, 0.66%

LAB 90.73, -22.8, 64.07

 

CMYK 22 / 0 / 58 / 7

HEX #BAEE63

RGB 186 238 99

HSL 82.45, 0.8%, 0.66%

LAB 88.2, -37.41, 60.55

 

CMYK 37 / 0 / 58 / 7

HEX #95EE63

RGB 149 238 99

HSL 98.42, 0.8%, 0.66%

LAB 86.23, -50.29, 57.78

 

CMYK 53 / 0 / 58 / 7

HEX #6FEE63

RGB 111 238 99

HSL 114.82, 0.8%, 0.66%

LAB 84.7, -61.32, 55.64

 

CMYK 0 / 10 / 58 / 7

HEX #EED663

RGB 238 214 99

HSL 49.64, 0.8%, 0.66%

LAB 85.59, -5.29, 58.65

 

CMYK 0 / 11 / 66 / 1

HEX #FCE055

RGB 252 224 85

HSL 49.94, 0.97%, 0.66%

LAB 89.23, -5.44, 68.9

 

CMYK 0 / 10 / 58 / 7

HEX #EED663

RGB 238 214 99

HSL 49.64, 0.8%, 0.66%

LAB 85.59, -5.29, 58.65

 

CMYK 0 / 8 / 50 / 12

HEX #E0CD71

RGB 224 205 113

HSL 49.73, 0.64%, 0.66%

LAB 82.22, -5.31, 47.84

 

CMYK 0 / 7 / 40 / 18

HEX #D2C47F

RGB 210 196 127

HSL 49.88, 0.48%, 0.66%

LAB 78.88, -4.92, 36.4

 

CMYK 0 / 5 / 28 / 23

HEX #C4BA8D

RGB 196 186 141

HSL 49.09, 0.32%, 0.66%

LAB 75.31, -3.51, 24.14

 

CMYK 0 / 3 / 15 / 29

HEX #B6B19B

RGB 182 177 155

HSL 48.89, 0.16%, 0.66%

LAB 72.07, -2.01, 11.9

 

CMYK 0 / 42 / 58 / 7

HEX #EE8A63

RGB 238 138 99

HSL 16.83, 0.8%, 0.66%

LAB 67.47, 34.49, 37.2

 

CMYK 0 / 26 / 58 / 7

HEX #EEAF63

RGB 238 175 99

HSL 32.81, 0.8%, 0.66%

LAB 75.91, 14.98, 47.45

 

CMYK 0 / 11 / 58 / 7

HEX #EED463

RGB 238 212 99

HSL 48.78, 0.8%, 0.66%

LAB 85.08, -4.27, 58.07

 

CMYK 5 / 0 / 58 / 7

HEX #E2EE63

RGB 226 238 99

HSL 65.18, 0.8%, 0.66%

LAB 90.88, -22.01, 64.27

 

CMYK 21 / 0 / 58 / 7

HEX #BDEE63

RGB 189 238 99

HSL 81.15, 0.8%, 0.66%

LAB 88.39, -36.3, 60.81

 

CMYK 0 / 15 / 89 / 10

HEX #E5C319

RGB 229 195 25

HSL 50, 0.8%, 0.5%

LAB 79.48, -2.59, 77.68

 

CMYK 0 / 12 / 74 / 8

HEX #EACD3E

RGB 234 205 62

HSL 49.88, 0.8%, 0.58%

LAB 82.65, -4.47, 70.49

 

CMYK 0 / 10 / 58 / 7

HEX #EED663

RGB 238 214 99

HSL 49.64, 0.8%, 0.66%

LAB 85.59, -5.29, 58.65

 

CMYK 0 / 7 / 44 / 5

HEX #F2E088

RGB 242 224 136

HSL 49.81, 0.8%, 0.74%

LAB 88.91, -5.61, 45.19

 

CMYK 0 / 5 / 30 / 4

HEX #F6EAAD

RGB 246 234 173

HSL 50.14, 0.8%, 0.82%

LAB 92.33, -4.98, 31.15

 

CMYK 0 / 10 / 58 / 7

HEX #EED765

RGB 238 215 101

HSL 49.93, 0.8%, 0.66%

LAB 85.87, -5.65, 58.06

 

CMYK 58 / 0 / 58 / 7

HEX #63EE65

RGB 99 238 101

HSL 120.86, 0.8%, 0.66%

LAB 84.35, -63.98, 54.25

 

CMYK 34 / 58 / 0 / 7

HEX #9D63EE

RGB 157 99 238

HSL 265.04, 0.8%, 0.66%

LAB 54.31, 51.19, -61.78

 

CMYK 0 / 10 / 58 / 7

HEX #EED765

RGB 238 215 101

HSL 49.93, 0.8%, 0.66%

LAB 85.87, -5.65, 58.06

 

CMYK 58 / 0 / 11 / 7

HEX #63EED4

RGB 99 238 212

HSL 168.78, 0.8%, 0.66%

LAB 86.28, -43.8, 1.3

 

CMYK 11 / 58 / 0 / 7

HEX #D463EE

RGB 212 99 238

HSL 288.78, 0.8%, 0.66%

LAB 60.86, 64.2, -50.92

 

CMYK 0 / 10 / 58 / 7

HEX #EED765

RGB 238 215 101

HSL 49.93, 0.8%, 0.66%

LAB 85.87, -5.65, 58.06

 

CMYK 58 / 0 / 58 / 7

HEX #63EE65

RGB 99 238 101

HSL 120.86, 0.8%, 0.66%

LAB 84.35, -63.98, 54.25

 

CMYK 58 / 48 / 0 / 7

HEX #637CEE

RGB 99 124 238

HSL 229.21, 0.8%, 0.66%

LAB 55.32, 24.43, -60.4

 

CMYK 0 / 58 / 1 / 7

HEX #EE63EB

RGB 238 99 235

HSL 301.29, 0.8%, 0.66%

LAB 64.24, 70.07, -43.69

 

CMYK 0 / 10 / 58 / 7

HEX #EED765

RGB 238 215 101

HSL 49.93, 0.8%, 0.66%

LAB 85.87, -5.65, 58.06

 

CMYK 58 / 0 / 40 / 7

HEX #63EE8F

RGB 99 238 143

HSL 138.99, 0.8%, 0.66%

LAB 84.89, -58.06, 34.96

 

CMYK 58 / 48 / 0 / 7

HEX #637CEE

RGB 99 124 238

HSL 229.21, 0.8%, 0.66%

LAB 55.32, 24.43, -60.4

 

CMYK 0 / 58 / 18 / 7

HEX #EE63C2

RGB 238 99 194

HSL 318.99, 0.8%, 0.66%

LAB 62.5, 63.79, -23.36

 

Description

Color code: HEX #EED765 | qconv.com Color code: HEX #EED765 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 215 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 215 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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